🇼🇾 Blast from the Past: Iceland 1989

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today this year’s last one before we fully head over to the national final season: Iceland 1989.

Iceland in the Eurovision Song Contest

Iceland’s journey in the Eurovision Song Contest is a tale of persistence, creativity, and cultural expression. Debuting in 1986, this small island nation has become a Eurovision staple, despite never securing the coveted first place. Iceland’s music scene, known for its distinctiveness and innovation, is reflected in their Eurovision entries, ranging from pop and rock to avant-garde and electronic.

Iceland’s near-victories include the uptempo song Selma presented in 1999: “All Out Of Luck” and Yohanna‘s heartfelt ballad “Is It True?” in 2009. Both songs reached a 2nd place. Daði og Gagnamagnið‘s quirky, yet catchy “Think About Things” was the top favourite to win in 2020. Unfortunately it didn’t happen as the contest was cancelled due to COVID19.

One Icelandic entry ended up with a zero: “Það sem enginn sĂ©r” by Daniel ÁgĂșst Haraldsson. That is the song we talk about today.

photo: RUV

Söngvakeppnin 1989

The Icelandic national final is called Söngvakeppnin. In 1989 it contained only five songs, being:

  1. Það sem enginn sĂ©r“, by Daniel ÁgĂșst Haraldsson, 66 pts, 1st
  2. ÞĂș leiddir mig i ljĂłs“, by JĂłhanna Linnet, 30 pts, 5th
  3. Linudans“, by Ellen KristjĂĄnsdĂłttir & Mannakorn, 58 pts, 2nd
  4. SĂłley“, by Björgvin HalldĂłrsson & Katla Maria, 44 pts, 4th
  5. Alpatwist” by BĂ­tlavinafĂ©lagið, 58 pts, 2nd

When the winner was announced, it was not a happy moment for Daniel. Whoever saw the national final could conclude that the singer didn’t express a single sign of happiness. The entire show can be watched here.

Daniel ÁgĂșst Haraldsson

Daniel ÁgĂșst Haraldsson, an Icelandic musician with a distinctive artistic vision, has carved a unique niche in the world of music. Born on August 26, 1969, in Reykjavik, Iceland, Daniel ÁgĂșst grew up in a country known for its rich musical heritage and stunning landscapes, both of which have influenced his artistic journey.

Daniel ÁgĂșst’s musical career began to take shape in the 1980s when he co-founded the band NĂœdönsk, one of Iceland’s most popular bands. Known for their blend of rock and brass, NĂœdönsk became a cornerstone of the Icelandic music scene. His tenure with NĂœdönsk showcased his versatility as a musician and his ability to blend different genres seamlessly.

In 1989, as said, he won Söngvakeppnin and thus represented Iceland in the Eurovision Song Contest. Unfortunately, Daniel didn’t manage to earn any points with his song.

In 1994, Daniel ÁgĂșst’s musical direction took a significant turn when he joined GusGus, a collective known for its eclectic mix of electronic, house, and techno music. As one of the founding members, he contributed to the band’s first two albums, notably their self-titled debut and “Polydistortion,” which gained international acclaim. His work with GusGus solidified his reputation as a talented and innovative artist in the electronic music scene.

After his stint with GusGus, Daniel ÁgĂșst embarked on a solo career, exploring new musical territories. His solo debut, “Swallowed a Star” (2005), was a critical success, lauded for its experimental approach and emotional depth. The album demonstrated his ability to craft intricate soundscapes that are both haunting and beautiful.

Aside from his band and solo work, Daniel ÁgĂșst has been involved in various collaborations and projects, contributing to film soundtracks and working with other artists.

Það sem enginn sĂ©r

“Það sem enginn sĂ©r” stands out for its emotive and introspective nature, showcasing Daniel ÁgĂșst’s distinctive vocal style. The song’s lyrical depth, exploring themes of introspection and the unseen struggles of the human experience, resonated with the Icelandic audience, making it a strong choice for Eurovision. The song was written and composed by Valgeir GuðjĂłnsson, who previously wrote the 1987 Icelandic entry for Halla MĂĄrgret.

However, despite its artistic merit and Daniel ÁgĂșst’s compelling performance, “Það sem enginn sĂ©r” faced an unexpected setback at the contest. In a turn of events that stunned both the Icelandic delegation and Eurovision fans, the song received zero points, joining the infamous “nul points” club in Eurovision history.

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It’s Tuesday, December 9, 2025, and time for another weekly update! This week, the Eurovision world has been rocked by a single major story: the controversy surrounding Israel’s participation in Eurovision 2026 and the adoption of new contest rules. The European Broadcasting Union (EBU)’s decision on December 4 set off a chain reaction of boycotts and debates. As the road to the 70th Contest in Vienna turns turbulent, here are this week’s top stories: Israel Stays in Eurovision 2026 & New Rules Approved EBU Confirms Israel’s Participation At an EBU general assembly in Geneva on December 4, members decided not to hold a vote on Israel’s status, effectively confirming that Israel will remain in the Eurovision 2026 lineup. This came after some broadcasters had called for Israel’s exclusion over the Gaza war and alleged voting irregularities. The EBU decided there was “no need for a further vote”, so the contest will proceed with Israel included. 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The are designed to keep Eurovision a “neutral space” for music and prevent a repeat of last year’s controversies. Martin Green Spain, Ireland and Others Withdraw in Protest Following the EBU’s announcement, four countries immediately declared a boycott of Eurovision 2026. Public broadcasters from the Netherlands, Ireland, Slovenia, and Spain all said they will not send an entry to Vienna in protest of Israel’s inclusion. The Dutch broadcaster AVROTROS stated that under the current circumstances participation “cannot be reconciled with the public values” of their organization. AVROTROS cited Israel’s “proven interference” in the 2025 contest and crackdowns on press freedom during the war. Ireland’s RTÉ deemed participation “unconscionable” given the appalling loss of civilian life in Gaza. Slovenia’s RTV SLO likewise announced a pull-out “on behalf of the 20,000 children who died in Gaza”. They say Eurovision must stand for peace. 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The slogan of Eurovision 2024 was “United by Music,” but experts warn the contest could be fractured by politics next year. Dr. Paul Jordan, a noted Eurovision expert, observed that the event is becoming “disunited through politics” as the fallout grows. Several broadcasters have yet to announce their stance. For example, Iceland’s RÚV is deliberating and will decide by next week. More countries could potentially join the boycott before the EBU’s mid-December participation deadline. The loss of multiple major countries is raising concerns about television ratings and the contest’s reach. Eurovision typically draws over 150 million viewers worldwide, but with some national networks refusing to air it, viewership in those markets will vanish. If the audience drops significantly, it will “raise alarm bells” for the organizers. Additionally, many fans and commentators on social media are calling for a broader global boycott of Eurovision 2026, accusing the EBU of a double standard. They note that the EBU swiftly banned Russia after its 2022 invasion of Ukraine, so they ask “why should Israel be any different?”. The EBU maintains that Eurovision must stay non-political. That’s hard to maintain, given Israeli President Herzog’s involvement in the contest. As the 70th Eurovision Song Contest in Vienna (12–16 May 2026) approaches, the contest’s unity and spirit of inclusivity will be under intense scrutiny. Will the Eurovision community find a way to come together again, or is this rift a sign of lasting changes to come? Only time will tell.

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Eurovision 2026
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Weekly Update

It’s Tuesday, December 9, 2025, and time for another weekly update! This week, the Eurovision world has been rocked by a single major story: the controversy surrounding Israel’s participation in Eurovision 2026 and the adoption of new contest rules. The European Broadcasting Union (EBU)’s decision on December 4 set off a chain reaction of boycotts and debates. As the road to the 70th Contest in Vienna turns turbulent, here are this week’s top stories: Israel Stays in Eurovision 2026 & New Rules Approved EBU Confirms Israel’s Participation At an EBU general assembly in Geneva on December 4, members decided not to hold a vote on Israel’s status, effectively confirming that Israel will remain in the Eurovision 2026 lineup. This came after some broadcasters had called for Israel’s exclusion over the Gaza war and alleged voting irregularities. The EBU decided there was “no need for a further vote”, so the contest will proceed with Israel included. Albeit with additional safeguards in place. The decision ended weeks of uncertainty and affirmed that Israel is cleared to compete next year, despite the controversy. Broadcasters Approve New Contest Rules Instead of voting Israel out, the EBU put forward a package of new rules to reinforce the contest’s neutrality and fairness. Members from 37 countries voted on reforms aimed at “strengthening trust” in Eurovision. 65% of delegates backed these changes. Key measures include the return of an expanded professional jury in the semi-finals and stricter guidelines to discourage any government or third-party from excessively promoting entries to sway the vote. The number of jurors per country will expand (from 5 to 7) with younger members added, and anti-fraud systems will be enhanced to detect suspicious voting. Additionally, audience vote limits are being halved to curb mass voting campaigns. These rule changes were approved in a secret ballot. The are designed to keep Eurovision a “neutral space” for music and prevent a repeat of last year’s controversies. Martin Green Spain, Ireland and Others Withdraw in Protest Following the EBU’s announcement, four countries immediately declared a boycott of Eurovision 2026. Public broadcasters from the Netherlands, Ireland, Slovenia, and Spain all said they will not send an entry to Vienna in protest of Israel’s inclusion. The Dutch broadcaster AVROTROS stated that under the current circumstances participation “cannot be reconciled with the public values” of their organization. AVROTROS cited Israel’s “proven interference” in the 2025 contest and crackdowns on press freedom during the war. Ireland’s RTÉ deemed participation “unconscionable” given the appalling loss of civilian life in Gaza. Slovenia’s RTV SLO likewise announced a pull-out “on behalf of the 20,000 children who died in Gaza”. They say Eurovision must stand for peace. Spain’s RTVE not only withdrew its delegation but also said it will not broadcast the contest. RTVE Secretary-General Alfonso Morales cited the situation in Gaza and accused Israel of using Eurovision for political aims. This makes it “difficult to keep Eurovision a neutral cultural event”. This marks Spain’s first absence from the contest since 1961. It’s a particularly heavy blow as Spain is one of the Big Five automatic finalists whose participation underpins the event’s funding. Melody, Spain 2025, EBU Mixed Reactions from Across Europe Not all countries are on board with a boycott. Germany had warned it would pull out if Israel were excluded essentially backing Israel’s right to compete. German Culture Minister Wolfram Weimer insisted that “Israel belongs in the Eurovision Song Contest”, opposing any move to bar the country. France also confirmed it will participate regardless of Israel’s presence. French officials rejected the idea of a cultural boycott. Foreign Minister Jean-NoĂ«l Barrot praised the EBU for not giving in to pressure and said he “deeply regrets that several European TV channels made a different choice”. Austria’s ORF, the host broadcaster for 2026, welcomed the decision as well. ORF’s Director-General Roland Weißmann argued the contest “is a competition for broadcasters, not governments”. He emphasized the importance of cultural dialogue and not “burning bridges” between participants. Meanwhile, Israeli officials applauded the outcome. President Isaac Herzog said Israel “deserves to be represented on every stage around the world”. The president expressed hope that Eurovision will remain a venue for music, friendship, and cross-border understanding. Israel’s public broadcaster KAN likened calls to exclude Israel to an unjust “cultural boycott”. They are celebrating the EBU’s decision to keep the country in. Outlook: A Fractured Contest Ahead? Eurovision now faces an unprecedented crisis heading into 2026. The slogan of Eurovision 2024 was “United by Music,” but experts warn the contest could be fractured by politics next year. Dr. Paul Jordan, a noted Eurovision expert, observed that the event is becoming “disunited through politics” as the fallout grows. Several broadcasters have yet to announce their stance. For example, Iceland’s RÚV is deliberating and will decide by next week. More countries could potentially join the boycott before the EBU’s mid-December participation deadline. The loss of multiple major countries is raising concerns about television ratings and the contest’s reach. Eurovision typically draws over 150 million viewers worldwide, but with some national networks refusing to air it, viewership in those markets will vanish. If the audience drops significantly, it will “raise alarm bells” for the organizers. Additionally, many fans and commentators on social media are calling for a broader global boycott of Eurovision 2026, accusing the EBU of a double standard. They note that the EBU swiftly banned Russia after its 2022 invasion of Ukraine, so they ask “why should Israel be any different?”. The EBU maintains that Eurovision must stay non-political. That’s hard to maintain, given Israeli President Herzog’s involvement in the contest. As the 70th Eurovision Song Contest in Vienna (12–16 May 2026) approaches, the contest’s unity and spirit of inclusivity will be under intense scrutiny. Will the Eurovision community find a way to come together again, or is this rift a sign of lasting changes to come? Only time will tell.

Read More »
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