Set design Eurovision Song Contest 2020 presented

With less than six months to go until the two semi-finals and the final, the first images of the stage for the Eurovision Song Contest 2020 are unveiled today. The stage is inspired by the theme “Open Up” and the typical Dutch flat landscape.

Set designer Florian Wieder: “The set design shows the connection between the sky, the sea and the land. The horizon is the link between those elements and that horizon will work as a window to open the world of Eurovision 2020. The floor plan of the stage is inspired by the canals and bridges that connect land and water in the Netherlands. With this we want to bring the artists as close as possible to the audience. Wieder won the pitch for the stage design, in which both Dutch and foreign set designers took part.

After a year of absence, the so-called “Green Room” – where the artists take place after the performance – will return to the venue. This will make the audience feel even more connected with the artists from the 41 participating countries.

According to Sietse Bakker, Executive Producer Event of the Eurovision Song Contest 2020, this design fits seamlessly with the story the makers want to tell: “The design is innovative, modest and functionally smart. This way, the stage for each of the 41 participating acts, opening and interval acts and during the voting can create a completely different look. We will soon see an innovative stge, great in its simplicity and yet full of surprises. The designer has perfectly translated this wish into his design. ”Wieder has been designing the stage for the Eurovision Song Contest for the past three years too. “Where his experience is clearly reflected in this design, he knows how to surprise,” adds Bakker.

Florian Wieder: “I was inspired by the unique characteristics of Dutch Design. Based on that, I wanted to create an unconventional, minimalist and modern concept for next year’s show. I am very happy that the Dutch public broadcaster has been so broad-minded and enthusiastically embraced this design. As far as I’m concerned, this is a new chapter in stage design, a wish I had for a long time. “

In the past, the German designer signed for the stage design of several editions of the MTV Awards, the Emmy Awards and various major well-known international TV shows. The stage for the upcoming Eurovision Song Contest will be made in the Netherlands and will be set up in Rotterdam Ahoy in the first weeks of April.

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The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1962 Eurovision traveled to Luxembourg City, the capital of Luxembourg. Everything was just a little too small in this small country. Luxembourg television received assistance from the German broadcaster ZDF. The presentation was in the hands of Mireille Delannoy. The same sixteen countries as in 1961 participated. Camillo Felgen took part for Luxembourg yet again. With a third place, he did much better this time than two years before. But the absolute top favorite was Germany. Dutch commentator Willem Duys introduced her with the words: “She looked as if she had just won the entire Grand Duchy in a lottery.” After hearing the competition, she was slightly less self-assured. Ultimately, she would finish sixth with her “Zwei Kleine Italiener.” However, she did have the contest’s big hit. The French-speaking countries were in charge this year. Luxembourg itself came third, Monaco second, and France won. A ballad by Isabelle Aubret about, of course, love. Aubret received 26 points with her “Un premier amour.” That was double the score of the runner-up. That year, there were even four countries that received no points at all! That was a first time. But that didn’t bother Isabelle Aubret; she won! 1963 Because France had had enough of organizing by then, the United Kingdom took over. The festival was held in various studios of the brand-new BBC Television Centre in London. Host Cathy Boyle was in one studio, the artists in another, and the orchestra in yet another studio. This made it look just as if the viewer was watching a pop music show from those days. Big stars tried their luck. Françoise Hardy participated for Monaco, Nana Mouskouri for Luxembourg, Carmela Corren for Austria, and Esther Ofarim for Switzerland. Hardy was deeply disappointed when she discovered that she wasn’t allowed to lip-sync. Mouskouri walked away crying and stamping her feet afterwards. She was nowhere to be found at the afterparty. Switzerland won. But then the Norwegian jury had to vote one more time. The jury spokesman spoke way too fast. Cathy Boyle had been unable to repeat the points. The second time, Norway suddenly submitted a completely different result. As a result, it was not Switzerland that won, but Denmark instead. An investigation by the EBU later revealed that the Norwegians didn’t cheat. When they were called, the points had not yet been ready. Esther Ofarim has always said that she was the winner. But it was ultimately the Danish couple Grethe and Jørgen Ingmann with the three-quarter time “Dansevise”. 1964 Copenhagen was the venue. Not much footage of this festival has been preserved. Only the opening scene and parts of the winner’s performance remain. Sweden did not participate. A musicians’ strike resulted in a withdrawal. The Swedes could not send a participant to their neighboring country. However, because Portugal made its debut, the number of participants remained 16. Host Lotte Waever hosted the show. It was held at the Tivoli Theater in Copenhagen. Big stars did not come to Copenhagen. That is to say: Udo Jürgens, who participated for Austria, only achieved international breakthrough later. A trio participated for Spain: the Uruguayan group Los TNT. That is not allowed. The two male members of the group were therefore relegated to a backing choir. The broadcast did not go smoothly. Midway through, a demonstrator managed to get onto the stage. He held up a sign reading ‘Boycott Franco and Salazar’, referring to the dictators of Spain and Portugal. Little of it was visible on television. However, photos were taken of the incident. It did not get exciting that evening. Italy won with 49 points. By comparison: the runner-up, the United Kingdom, had 17. It was sixteen-year-old Gigliola Cinquetti who captured the hearts of viewers and jury members. She sang the innocent “Non ho l’eta” (I am not old enough yet). It became not only the winner of the Eurovision Song Contest, but also a worldwide hit. The EBU recently posted a video on the Eurovision YouTube channel with a complete reconstruction of the performance.

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70 years of Eurovision: small studios and lost footage

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