How to make the most of the Eurovision Song Contest 2022 in Rome

With a new Eurovision winner, a new bidding war in the hosting country is about to begin. Immediately after Måneskin won the contest with their entry ”Zitti e buoni”, the battle between several Italian cities has commenced. In this article, we’ll give you some insights on one of the contenders, Rome. We’ll tell you a bit more about the city, sights and some hotspots you must see. We’ve added some fun facts, so you can show off your historical knowledge of Rome to your Eurovision friends. Let’s take a look at a few of the showstoppers Rome has to offer!

Rome is the capital of Italy and the biggest city in the country. It is no surprise we all think of Rome to host the Eurovision Song Contest 2022. Rome wasn’t built in a day and it shows. With a rich history going back 2700 years, the metropolis is a true gem for history buffs.

The Colosseum

The Colosseum

Obviously, the most popular sight in Rome is the Amphitheatrum Flavium, better known as the Colosseum. It was built in the 1st century AD and it was the largest amphitheatre in the Roman Empire. The Colosseum was entirely intended for the games, organized and financed by the reigning emperor. There were gladiatorial fights and the most amazing spectacles, like fights between elephants.

After Christianity was made the state religion, the gladiator fights were abolished. The Colosseum was used for other performances. An example is the venationes, where wild animals were hunted. Historians estimate that between 300,000 and 500,000 people have died in the Colosseum over the centuries. The sight, also World Heritage property, is nowhere near the same size it used to be, but it’s still a must-see when visiting Rome. 

Trastevere (Rome)

Trastevere is a very cozy and medieval district in Rome. It’s perfect if you feel like you need a break from the business in the city centre of Rome. It’s located across the river, only a short drive from the archeological monuments. This district has beautiful, cobbled streets and is filled with small restaurants. It’s not as lively during the evenings as it is in the afternoons, so we recommend a late lunch. This area of the city is also known to be called ‘the real Roman neighbourhood’. So if you want to get the full ‘Roman’ experience, definitely pay Trastevere a visit.

The Trevi Fountain

Trevi Fountain

The Trevi Fountain is the biggest fountain Rome has to offer. The origins of this sight date back to the year 19 B.C. The fountain as we know it today, is the end product of the reconstructions back in 1762. The name Trevi stems from Tre Vie (three ways), since the fountain was the meeting point of three streets. 

You’ll always see people throwing coins over their shoulders. And haven’t we all seen Lizzie McGuire, The Movie? We all want some handsome Italian to wish for us to show up for a romantic night in the most romantic city in Italy. This myth finds its roots in the movie ”Three coins in the fountain”, released in 1954. According to legend, tossing one coin into the Trevi Fountain means you’ll return to The Eternal City, tossing two coins means you’ll return and fall in love, and tossing three coins means you’ll return, find love, and marry. This’ll only work if you throw the coin (or coins, whichever you prefer) with your right hand over your left shoulder.

Every year more than a million euros worth of coins are taken out of the water. Since 2007, the money extracted is used to support good causes. The numbers are impressive. We must warn you, though. Taking money from the fountain is a crime, resulting in a fine around €600,00 ($700). It’s no joke.

Gay street di Roma (Rome)

Since the Eurovision has a large LGBTQI+ representation, we are very glad to tell you that Rome is very friendly to all. A little research shows us that people from the LGBTQI+ community have some great experiences traveling to Rome. Italian people are out and proud! If you are looking for a more designated area, you can visit Gay street di Roma. This area has a shopping mall and bar in the center of the city on Via San Giovanni in Laterano, a street leading to the east of the Colosseum.

The only place we’d advice you to avoid staying, is near Termini station, in the Esquilino district. If you’d like some more information, please check out wolffy‘s blog about their traveling experience in Rome.

Vatican City

St. Peters Basilisk

Vatican City, officially known as Vatical City State (Stato della Città del Vaticano), is an independent city state and district located within Rome. The Vatican became independent from Italy in 1929. It is a distinct territory under ”full owndership, exclusive dominion, and sovereign authority and juristiction” of the Holy See. The Holy See itself is a sovereign entity of international law, which maintaint the city state’s temporal, diplomatic and spiritual independence, ruled by the pope. With only 825 inhabitants, it’s the smallest state in the world.

That was a lot of historical information. Most of all, The Vatican is a beautiful place and you can’t miss this if you come to Rome. The architecture of the St. Peters Basilisk is gorgeous, inside and out. Inside the Basilisk, you can take a look almost everywhere. Are you interested in taking a deep dive into the Catholic history? You can head down to the basement. This is basically a catacomb, but bigger, shows the memorials of all the popes, saints and kings and queens that have reigned throughout the years.

The best way to see Rome

We all know, if you come to Rome in May 2022, it’ll be to witness another edition of The Eurovision Song Contest. And we know what that week (or weeks, depending on how long you’re planning on staying) looks like. There are a lot of late nights, parties and you most likely have tickets to see (a lot of) shows. From experience we can tell that you won’t really have all that much time to visit the beautiful sights the hosting city has to offer. Which is kind of a shame, right?

We might have the solution for you. It requires a little bit of planning, though. If you are interested in visiting some sights, but can’t be bothered to wait in line with all the other many tourists, there are a lot of websites available where you can book ahead. This means you can skip the waiting lines and most likely the websites will also advise what time of and what day to visit. Just make sure you double check, so you don’t get scammed. Tripadvisor can help you out in that department.

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Vienna 12 points: Eurovision semi final 2 takes the stage

Day three of first rehearsals at the 70th Eurovision Song Contest is underway in Vienna. The first seven countries of Semi-Final 2 step onto the Wiener Stadthalle stage for the very first time today, Monday 4 May. First rehearsals remain closed to press, three approved images per country will be published approximately 24 hours after each performance. The official Eurovision subreddit is providing live descriptions throughout the day. Eurovision Universe sought additional detail through national broadcaster coverage, social media, and press reports. All five countries below compete in Semi-Final 2 on Thursday, 14 May. 🇧🇬 Bulgaria — DARA, “Bangaranga” Running order: 1 | Rehearsal: 4 May, 10:30–11:00 CEST | Second rehearsal: 8 May DARA opened the entire Semi-Final 2 rehearsal block on Monday morning, and by all accounts she did not ease anyone in gently. The performance draws directly from the ancient Bulgarian Kukeri tradition. That is a ritual of driving out evil spirits through masked, chaotic movement. The staging makes this explicit. DARA’s dancers move in deliberately exaggerated, almost unsettling ways across the opening, creating a visual sense of controlled mayhem. DARA herself stands apart from the chaos: dressed in a black skirt, black belt, black knee-high boots, a short pink top and elbow-length pink gloves. By the performance’s final moments, the ritual fully resolves into spectacle. Staging is directed by Fredrik Rydman, who confirmed the concept in social media posts by DARA ahead of Vienna. DARA, born Darina Yotova in Varna in 1998, rose to prominence on The X Factor Bulgaria in 2015 and co-wrote “Bangaranga” alongside Anne Judith Wik, Dimitris Kontopoulos, and Monoir. Bulgaria returns to Eurovision after a three-year absence and competes 1st in Semi-Final 2. Sources: BNT / Instagram @darnadude / Wikipedia 🇦🇿 Azerbaijan — JIVA, “Just Go” Running order: 2 | Rehearsal: 4 May, 11:10–11:40 CEST | Second rehearsal: 8 May JIVA’s staging opens with JIVA stepping out of smoke in a shimmering gown that catches light in darker tones. Behind her, monochrome imagery on the LED screens depicts fragments of a relationship in decline, a visual counterpart to the ballad’s lyrical arc. The choreography remains restrained throughout, keeping focus on JIVA’s vocal delivery rather than on movement. Broadcaster ITV selected JIVA, real name Jamila Hashimova, through an internal process that reviewed 186 submitted songs and ultimately evaluated three finalists. ITV confirmed that “Just Go” is an entirely original composition by Azerbaijani-American writer Fuad Javadov and pushed back publicly against social media claims suggesting AI involvement in the songwriting process. For what it’s worth…. JIVA won the third season of The Voice of Azerbaijan in 2025. Azerbaijan competes 2nd in Semi-Final 2. Sources: ITV / AzerNews / Instagram @jiva_jh 🇷🇴 Romania — Alexandra Căpitănescu, “Choke Me” Running order: 3 | Rehearsal: 4 May, 11:50–12:20 CEST | Second rehearsal: 8 May Romania’s rehearsal brings a staging concept that broadcaster TVR has confirmed is largely rebuilt from scratch. Creative Director Jan Bors, former Head of Delegation for Czechia, told TVR that the Vienna performance is cinematic, fast-paced, and true to the rock identity of the song, retaining only minimal elements from the Selecția Națională performance. Alexandra Căpitănescu performs with her full four-piece live band: Bogdan Stoican on guitar, Matei Cohal on bass, Thomas Cîrcotă on piano and Luca Șofron on drums. The band hinted in an April YouTube livestream that additional elements may appear on stage beyond the five core performers. Căpitănescu won The Voice of Romania in 2023 and is currently completing a Master’s degree in physics in Bucharest. She co-wrote “Choke Me”, which she describes as a metaphor for being overwhelmed by self-doubt and inner pressure, with Călin Grajdan, Elvis Silitră, and Ștefan Condrea. Romania returns to Eurovision after a two-year absence and competes 3rd in Semi-Final 2. Sources: TVR / Wikipedia / Instagram @alexandra.capitanescu 🇱🇺 Luxembourg — Eva Marija, “Mother Nature” Running order: 4 | Rehearsal: 4 May, 12:45–13:15 CEST | Second rehearsal: 8 May Eva Marija brings nature’s imagery and movement to the Wiener Stadthalle stage. Her staging transforms the arena into a flowering visual world: butterflies, birds, and blossoming elements animate around her as she covers much of the stage. She wears a floaty, layered gown in earthy tones, trading the more structured outfit from the Luxembourg Song Contest for something that suits the song’s ethereal quality. Eva moves extensively across the catwalk, and her team has enhanced the staging well beyond the national final version. Eva Marija Kavaš Puc was born in Luxembourg City in 2005 to Slovenian parents, speaks six languages, and is currently finishing a songwriting degree at the Institute of Contemporary Music Performance in London. She took both the jury and public vote at the Luxembourg Song Contest in January. Eva co-wrote “Mother Nature” with Julie Aagaard, Maria Broberg, and Thomas Stengaard during an RTL songwriting camp. Luxembourg competes 4th in Semi-Final 2. Sources: RTL / Wikipedia / Culture Fix / Instagram @evamarija 🇨🇿 Czechia — Daniel Žižka, “CROSSROADS” Running order: 5 | Rehearsal: 4 May, 13:25–13:55 CEST | Second rehearsal: 9 May The day before his Vienna rehearsal, broadcaster ČT posted a clip on social media showing Daniel Žižka working with a large mirror prop in a Prague studio. That is the first concrete visual hint at what Artistic Director Ruy Okamura has been building for three months. According to the official Eurovision subreddit, that mirror prop is central to the Wiener Stadthalle staging: Žižka performs in and around it, with the reflective surfaces used to multiply and fragment his image across the stage. The performance is restrained and singer-focused. Speaking to Czech outlet iDNES ahead of the contest, Žižka described his goal as giving “CROSSROADS” as much space as possible to speak for itself, adding that the team had pursued a more intimate visual message. Okamura told the Czech delegation’s press team the approach was designed to be rather unusual for the Eurovision stage. Žižka, 23, studied musical theatre at the Jaroslav Ježek Conservatory in Prague before moving into indie pop songwriting. “CROSSROADS” was

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Eurovision 2026
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Vienna 12 points: Eurovision semi final 2 takes the stage

Day three of first rehearsals at the 70th Eurovision Song Contest is underway in Vienna. The first seven countries of Semi-Final 2 step onto the Wiener Stadthalle stage for the very first time today, Monday 4 May. First rehearsals remain closed to press, three approved images per country will be published approximately 24 hours after each performance. The official Eurovision subreddit is providing live descriptions throughout the day. Eurovision Universe sought additional detail through national broadcaster coverage, social media, and press reports. All five countries below compete in Semi-Final 2 on Thursday, 14 May. 🇧🇬 Bulgaria — DARA, “Bangaranga” Running order: 1 | Rehearsal: 4 May, 10:30–11:00 CEST | Second rehearsal: 8 May DARA opened the entire Semi-Final 2 rehearsal block on Monday morning, and by all accounts she did not ease anyone in gently. The performance draws directly from the ancient Bulgarian Kukeri tradition. That is a ritual of driving out evil spirits through masked, chaotic movement. The staging makes this explicit. DARA’s dancers move in deliberately exaggerated, almost unsettling ways across the opening, creating a visual sense of controlled mayhem. DARA herself stands apart from the chaos: dressed in a black skirt, black belt, black knee-high boots, a short pink top and elbow-length pink gloves. By the performance’s final moments, the ritual fully resolves into spectacle. Staging is directed by Fredrik Rydman, who confirmed the concept in social media posts by DARA ahead of Vienna. DARA, born Darina Yotova in Varna in 1998, rose to prominence on The X Factor Bulgaria in 2015 and co-wrote “Bangaranga” alongside Anne Judith Wik, Dimitris Kontopoulos, and Monoir. Bulgaria returns to Eurovision after a three-year absence and competes 1st in Semi-Final 2. Sources: BNT / Instagram @darnadude / Wikipedia 🇦🇿 Azerbaijan — JIVA, “Just Go” Running order: 2 | Rehearsal: 4 May, 11:10–11:40 CEST | Second rehearsal: 8 May JIVA’s staging opens with JIVA stepping out of smoke in a shimmering gown that catches light in darker tones. Behind her, monochrome imagery on the LED screens depicts fragments of a relationship in decline, a visual counterpart to the ballad’s lyrical arc. The choreography remains restrained throughout, keeping focus on JIVA’s vocal delivery rather than on movement. Broadcaster ITV selected JIVA, real name Jamila Hashimova, through an internal process that reviewed 186 submitted songs and ultimately evaluated three finalists. ITV confirmed that “Just Go” is an entirely original composition by Azerbaijani-American writer Fuad Javadov and pushed back publicly against social media claims suggesting AI involvement in the songwriting process. For what it’s worth…. JIVA won the third season of The Voice of Azerbaijan in 2025. Azerbaijan competes 2nd in Semi-Final 2. Sources: ITV / AzerNews / Instagram @jiva_jh 🇷🇴 Romania — Alexandra Căpitănescu, “Choke Me” Running order: 3 | Rehearsal: 4 May, 11:50–12:20 CEST | Second rehearsal: 8 May Romania’s rehearsal brings a staging concept that broadcaster TVR has confirmed is largely rebuilt from scratch. Creative Director Jan Bors, former Head of Delegation for Czechia, told TVR that the Vienna performance is cinematic, fast-paced, and true to the rock identity of the song, retaining only minimal elements from the Selecția Națională performance. Alexandra Căpitănescu performs with her full four-piece live band: Bogdan Stoican on guitar, Matei Cohal on bass, Thomas Cîrcotă on piano and Luca Șofron on drums. The band hinted in an April YouTube livestream that additional elements may appear on stage beyond the five core performers. Căpitănescu won The Voice of Romania in 2023 and is currently completing a Master’s degree in physics in Bucharest. She co-wrote “Choke Me”, which she describes as a metaphor for being overwhelmed by self-doubt and inner pressure, with Călin Grajdan, Elvis Silitră, and Ștefan Condrea. Romania returns to Eurovision after a two-year absence and competes 3rd in Semi-Final 2. Sources: TVR / Wikipedia / Instagram @alexandra.capitanescu 🇱🇺 Luxembourg — Eva Marija, “Mother Nature” Running order: 4 | Rehearsal: 4 May, 12:45–13:15 CEST | Second rehearsal: 8 May Eva Marija brings nature’s imagery and movement to the Wiener Stadthalle stage. Her staging transforms the arena into a flowering visual world: butterflies, birds, and blossoming elements animate around her as she covers much of the stage. She wears a floaty, layered gown in earthy tones, trading the more structured outfit from the Luxembourg Song Contest for something that suits the song’s ethereal quality. Eva moves extensively across the catwalk, and her team has enhanced the staging well beyond the national final version. Eva Marija Kavaš Puc was born in Luxembourg City in 2005 to Slovenian parents, speaks six languages, and is currently finishing a songwriting degree at the Institute of Contemporary Music Performance in London. She took both the jury and public vote at the Luxembourg Song Contest in January. Eva co-wrote “Mother Nature” with Julie Aagaard, Maria Broberg, and Thomas Stengaard during an RTL songwriting camp. Luxembourg competes 4th in Semi-Final 2. Sources: RTL / Wikipedia / Culture Fix / Instagram @evamarija 🇨🇿 Czechia — Daniel Žižka, “CROSSROADS” Running order: 5 | Rehearsal: 4 May, 13:25–13:55 CEST | Second rehearsal: 9 May The day before his Vienna rehearsal, broadcaster ČT posted a clip on social media showing Daniel Žižka working with a large mirror prop in a Prague studio. That is the first concrete visual hint at what Artistic Director Ruy Okamura has been building for three months. According to the official Eurovision subreddit, that mirror prop is central to the Wiener Stadthalle staging: Žižka performs in and around it, with the reflective surfaces used to multiply and fragment his image across the stage. The performance is restrained and singer-focused. Speaking to Czech outlet iDNES ahead of the contest, Žižka described his goal as giving “CROSSROADS” as much space as possible to speak for itself, adding that the team had pursued a more intimate visual message. Okamura told the Czech delegation’s press team the approach was designed to be rather unusual for the Eurovision stage. Žižka, 23, studied musical theatre at the Jaroslav Ježek Conservatory in Prague before moving into indie pop songwriting. “CROSSROADS” was

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