How to make the most of the Eurovision Song Contest 2022 in Rome

With a new Eurovision winner, a new bidding war in the hosting country is about to begin. Immediately after Måneskin won the contest with their entry ”Zitti e buoni”, the battle between several Italian cities has commenced. In this article, we’ll give you some insights on one of the contenders, Rome. We’ll tell you a bit more about the city, sights and some hotspots you must see. We’ve added some fun facts, so you can show off your historical knowledge of Rome to your Eurovision friends. Let’s take a look at a few of the showstoppers Rome has to offer!

Rome is the capital of Italy and the biggest city in the country. It is no surprise we all think of Rome to host the Eurovision Song Contest 2022. Rome wasn’t built in a day and it shows. With a rich history going back 2700 years, the metropolis is a true gem for history buffs.

The Colosseum

The Colosseum

Obviously, the most popular sight in Rome is the Amphitheatrum Flavium, better known as the Colosseum. It was built in the 1st century AD and it was the largest amphitheatre in the Roman Empire. The Colosseum was entirely intended for the games, organized and financed by the reigning emperor. There were gladiatorial fights and the most amazing spectacles, like fights between elephants.

After Christianity was made the state religion, the gladiator fights were abolished. The Colosseum was used for other performances. An example is the venationes, where wild animals were hunted. Historians estimate that between 300,000 and 500,000 people have died in the Colosseum over the centuries. The sight, also World Heritage property, is nowhere near the same size it used to be, but it’s still a must-see when visiting Rome. 

Trastevere (Rome)

Trastevere is a very cozy and medieval district in Rome. It’s perfect if you feel like you need a break from the business in the city centre of Rome. It’s located across the river, only a short drive from the archeological monuments. This district has beautiful, cobbled streets and is filled with small restaurants. It’s not as lively during the evenings as it is in the afternoons, so we recommend a late lunch. This area of the city is also known to be called ‘the real Roman neighbourhood’. So if you want to get the full ‘Roman’ experience, definitely pay Trastevere a visit.

The Trevi Fountain

Trevi Fountain

The Trevi Fountain is the biggest fountain Rome has to offer. The origins of this sight date back to the year 19 B.C. The fountain as we know it today, is the end product of the reconstructions back in 1762. The name Trevi stems from Tre Vie (three ways), since the fountain was the meeting point of three streets. 

You’ll always see people throwing coins over their shoulders. And haven’t we all seen Lizzie McGuire, The Movie? We all want some handsome Italian to wish for us to show up for a romantic night in the most romantic city in Italy. This myth finds its roots in the movie ”Three coins in the fountain”, released in 1954. According to legend, tossing one coin into the Trevi Fountain means you’ll return to The Eternal City, tossing two coins means you’ll return and fall in love, and tossing three coins means you’ll return, find love, and marry. This’ll only work if you throw the coin (or coins, whichever you prefer) with your right hand over your left shoulder.

Every year more than a million euros worth of coins are taken out of the water. Since 2007, the money extracted is used to support good causes. The numbers are impressive. We must warn you, though. Taking money from the fountain is a crime, resulting in a fine around €600,00 ($700). It’s no joke.

Gay street di Roma (Rome)

Since the Eurovision has a large LGBTQI+ representation, we are very glad to tell you that Rome is very friendly to all. A little research shows us that people from the LGBTQI+ community have some great experiences traveling to Rome. Italian people are out and proud! If you are looking for a more designated area, you can visit Gay street di Roma. This area has a shopping mall and bar in the center of the city on Via San Giovanni in Laterano, a street leading to the east of the Colosseum.

The only place we’d advice you to avoid staying, is near Termini station, in the Esquilino district. If you’d like some more information, please check out wolffy‘s blog about their traveling experience in Rome.

Vatican City

St. Peters Basilisk

Vatican City, officially known as Vatical City State (Stato della Città del Vaticano), is an independent city state and district located within Rome. The Vatican became independent from Italy in 1929. It is a distinct territory under ”full owndership, exclusive dominion, and sovereign authority and juristiction” of the Holy See. The Holy See itself is a sovereign entity of international law, which maintaint the city state’s temporal, diplomatic and spiritual independence, ruled by the pope. With only 825 inhabitants, it’s the smallest state in the world.

That was a lot of historical information. Most of all, The Vatican is a beautiful place and you can’t miss this if you come to Rome. The architecture of the St. Peters Basilisk is gorgeous, inside and out. Inside the Basilisk, you can take a look almost everywhere. Are you interested in taking a deep dive into the Catholic history? You can head down to the basement. This is basically a catacomb, but bigger, shows the memorials of all the popes, saints and kings and queens that have reigned throughout the years.

The best way to see Rome

We all know, if you come to Rome in May 2022, it’ll be to witness another edition of The Eurovision Song Contest. And we know what that week (or weeks, depending on how long you’re planning on staying) looks like. There are a lot of late nights, parties and you most likely have tickets to see (a lot of) shows. From experience we can tell that you won’t really have all that much time to visit the beautiful sights the hosting city has to offer. Which is kind of a shame, right?

We might have the solution for you. It requires a little bit of planning, though. If you are interested in visiting some sights, but can’t be bothered to wait in line with all the other many tourists, there are a lot of websites available where you can book ahead. This means you can skip the waiting lines and most likely the websites will also advise what time of and what day to visit. Just make sure you double check, so you don’t get scammed. Tripadvisor can help you out in that department.

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Eurovision 2026

Vienna 12 points: from a princess to a winner

Several countries start their second rehearsals. As we still don’t have access to the rehearsals, we will do something else. Per entry, we highlight one subject and give you some more information. That can be something about the artist, the song, the lyrics or even something completely different.  Moldova – Satoshi, “Viva Moldova!” Running order: 1 | Rehearsal: 10:30–10:55 CEST “Viva Moldova,” sing the Moldovans this year, and they do so in Romanian. That language choice carries more history than many Eurovision viewers may realise. Romanian was long officially referred to as Moldovan in Moldova, a name rooted mainly in Soviet and post-Soviet politics rather than linguistic difference. In practice, Moldovan and Romanian are the same language, with regional accents and vocabulary, as Dutch in the Netherlands and Flanders can differ without becoming separate languages. In 2013, Moldova’s Constitutional Court ruled that the Declaration of Independence, which names Romanian, prevails. Since 2023, the constitution also refers to Romanian. At Eurovision, “Viva Moldova” therefore is not only a patriotic slogan from Chișinău, but also a clear political and linguistic statement today.Oddly enough, Satoshi uses a Japanese name. He explains why in an interview with us. Another interview with Satoshi came after the rehearsals:  Sweden – FELICIA, “My System” Running order: 2 | Rehearsal: 11:05–11:30 CEST Fröken Snusk was one of Sweden’s most talked-about pop phenomena: a pink-balaclava-wearing persona built on anonymity, provocative lyrics and the booming EPA-dunk sound. The act broke through online and became known far beyond its party-music niche, helped by Melodifestivalen 2024 and a strong visual identity that made the mask as recognisable as the songs. Behind the original Fröken Snusk was Felicia Eriksson, who later left the project and moved forward under her own name. That background gives today’s Eurovision rehearsal extra context. Still wearing a mask, Felicia is no longer hiding inside the Fröken Snusk character, but the confidence, controversy and curiosity around that chapter still follow her onto the Vienna stage.  Croatia – LELEK, “Andromeda” Running order: 3 | Rehearsal: 11:40–12:05 CEST Andromeda is a figure from Greek mythology: a princess, not a goddess, and the daughter of King Cepheus and Queen Cassiopeia. After her mother angered the sea nymphs by boasting of Andromeda’s beauty, Poseidon sent a monster to ravage the kingdom. To save her people, Andromeda was chained to a rock as a sacrifice, until Perseus rescued her. In Lelek’s song, that story becomes more than a myth. Andromeda can be read as a symbol of women treated as bodies, victims or bargaining chips by forces bigger than themselves. The title also carries a cosmic meaning: Andromeda is a constellation and gives its name to the Andromeda Galaxy. That link to the stars fits the song’s imagery of escape, distance and survival. For contemporary listeners, her ancient story adds emotional weight. Lelek’s Andromeda is therefore both a mythological princess and a powerful metaphor for pain, resistance and hard-won freedom.  Greece – Akylas, “Ferto” Running order: 4 | Rehearsal: 12:20–12:45 CEST Akylas has become an important figure for Greece’s LGBTQ+ community because his visibility is not presented as a side note, but as part of his artistic identity. Long before Eurovision, his music and stage presence were linked to queer self-expression, emotional honesty and performances at events such as Athens Pride. That background gives his Eurovision journey a broader meaning. In a country where queer voices have often had to fight for space in mainstream culture, Akylas represents a new kind of openness. He has also spoken about homophobic bullying and the support he received after winning the Greek selection, turning his own experiences into a message for younger LGBTQ+ people. For many Greek fans, his participation is therefore not only about a song. It is also about recognition: seeing someone openly queer carry Greek pop culture onto one of Europe’s biggest stages with confidence, vulnerability and a distinctly Greek sound.  Portugal – Bandidos do Cante, “Rosa” Running order: 5 | Rehearsal: 12:55–13:20 CEST Cante Alentejano is the traditional polyphonic singing of the Alentejo, the vast southern Portuguese region between the Tagus and the Algarve. It is usually performed by groups of amateur singers, without instruments. It’s in a slow, collective style built around two vocal lines and distinctive melodies. UNESCO added it to the Representative List of the Intangible Cultural Heritage of Humanity in 2014. In Portugal’s 2026 Eurovision entry, Bandidos do Cante bring that tradition into a pop setting. “Rosa” does not simply borrow a regional sound; it places the warmth of group singing at the centre of the song. That gives the entry a clear Portuguese identity. The voices suggest landscape, memory and togetherness, while the modern arrangement makes the old tradition accessible to a Eurovision audience that may be hearing Cante Alentejano for the first time, without losing its roots. You can read more about the meaningful lyrics here.  Georgia – Bzikebi, “On Replay” Running order: 6 | Rehearsal: 13:30–13:55 CEST Junior Eurovision has often been a first step towards bigger stages, but only four winners have later returned as Eurovision contestants. The Tolmachevy Sisters opened that path: after winning Junior Eurovision 2006 for Russia with “Vesenniy Jazz”, they represented Russia in 2014 with “Shine”, finishing seventh. Destiny followed Malta’s 2015 Junior victory with “Not My Soul” by taking “Je Me Casse” to Eurovision 2021, also ending seventh. Georgia’s Iru, winner as part of Candy in 2011, returned solo in 2023 with “Echo”. This year, Georgia completes the circle again with Bzikebi, the buzzing trio who won Junior Eurovision 2008 with “Bzz..” and now step onto the adult contest stage with “On Replay”. Their return adds a nostalgic layer to 2026. Still, one milestone remains untouched: no artist or group has ever won both Junior Eurovision and the Eurovision Song Contest. That unresolved challenge keeps the crossover story fascinating.

Read More »
Eurovision 2026
Martijn

Vienna 12 points: from a princess to a winner

Several countries start their second rehearsals. As we still don’t have access to the rehearsals, we will do something else. Per entry, we highlight one subject and give you some more information. That can be something about the artist, the song, the lyrics or even something completely different.  Moldova – Satoshi, “Viva Moldova!” Running order: 1 | Rehearsal: 10:30–10:55 CEST “Viva Moldova,” sing the Moldovans this year, and they do so in Romanian. That language choice carries more history than many Eurovision viewers may realise. Romanian was long officially referred to as Moldovan in Moldova, a name rooted mainly in Soviet and post-Soviet politics rather than linguistic difference. In practice, Moldovan and Romanian are the same language, with regional accents and vocabulary, as Dutch in the Netherlands and Flanders can differ without becoming separate languages. In 2013, Moldova’s Constitutional Court ruled that the Declaration of Independence, which names Romanian, prevails. Since 2023, the constitution also refers to Romanian. At Eurovision, “Viva Moldova” therefore is not only a patriotic slogan from Chișinău, but also a clear political and linguistic statement today.Oddly enough, Satoshi uses a Japanese name. He explains why in an interview with us. Another interview with Satoshi came after the rehearsals:  Sweden – FELICIA, “My System” Running order: 2 | Rehearsal: 11:05–11:30 CEST Fröken Snusk was one of Sweden’s most talked-about pop phenomena: a pink-balaclava-wearing persona built on anonymity, provocative lyrics and the booming EPA-dunk sound. The act broke through online and became known far beyond its party-music niche, helped by Melodifestivalen 2024 and a strong visual identity that made the mask as recognisable as the songs. Behind the original Fröken Snusk was Felicia Eriksson, who later left the project and moved forward under her own name. That background gives today’s Eurovision rehearsal extra context. Still wearing a mask, Felicia is no longer hiding inside the Fröken Snusk character, but the confidence, controversy and curiosity around that chapter still follow her onto the Vienna stage.  Croatia – LELEK, “Andromeda” Running order: 3 | Rehearsal: 11:40–12:05 CEST Andromeda is a figure from Greek mythology: a princess, not a goddess, and the daughter of King Cepheus and Queen Cassiopeia. After her mother angered the sea nymphs by boasting of Andromeda’s beauty, Poseidon sent a monster to ravage the kingdom. To save her people, Andromeda was chained to a rock as a sacrifice, until Perseus rescued her. In Lelek’s song, that story becomes more than a myth. Andromeda can be read as a symbol of women treated as bodies, victims or bargaining chips by forces bigger than themselves. The title also carries a cosmic meaning: Andromeda is a constellation and gives its name to the Andromeda Galaxy. That link to the stars fits the song’s imagery of escape, distance and survival. For contemporary listeners, her ancient story adds emotional weight. Lelek’s Andromeda is therefore both a mythological princess and a powerful metaphor for pain, resistance and hard-won freedom.  Greece – Akylas, “Ferto” Running order: 4 | Rehearsal: 12:20–12:45 CEST Akylas has become an important figure for Greece’s LGBTQ+ community because his visibility is not presented as a side note, but as part of his artistic identity. Long before Eurovision, his music and stage presence were linked to queer self-expression, emotional honesty and performances at events such as Athens Pride. That background gives his Eurovision journey a broader meaning. In a country where queer voices have often had to fight for space in mainstream culture, Akylas represents a new kind of openness. He has also spoken about homophobic bullying and the support he received after winning the Greek selection, turning his own experiences into a message for younger LGBTQ+ people. For many Greek fans, his participation is therefore not only about a song. It is also about recognition: seeing someone openly queer carry Greek pop culture onto one of Europe’s biggest stages with confidence, vulnerability and a distinctly Greek sound.  Portugal – Bandidos do Cante, “Rosa” Running order: 5 | Rehearsal: 12:55–13:20 CEST Cante Alentejano is the traditional polyphonic singing of the Alentejo, the vast southern Portuguese region between the Tagus and the Algarve. It is usually performed by groups of amateur singers, without instruments. It’s in a slow, collective style built around two vocal lines and distinctive melodies. UNESCO added it to the Representative List of the Intangible Cultural Heritage of Humanity in 2014. In Portugal’s 2026 Eurovision entry, Bandidos do Cante bring that tradition into a pop setting. “Rosa” does not simply borrow a regional sound; it places the warmth of group singing at the centre of the song. That gives the entry a clear Portuguese identity. The voices suggest landscape, memory and togetherness, while the modern arrangement makes the old tradition accessible to a Eurovision audience that may be hearing Cante Alentejano for the first time, without losing its roots. You can read more about the meaningful lyrics here.  Georgia – Bzikebi, “On Replay” Running order: 6 | Rehearsal: 13:30–13:55 CEST Junior Eurovision has often been a first step towards bigger stages, but only four winners have later returned as Eurovision contestants. The Tolmachevy Sisters opened that path: after winning Junior Eurovision 2006 for Russia with “Vesenniy Jazz”, they represented Russia in 2014 with “Shine”, finishing seventh. Destiny followed Malta’s 2015 Junior victory with “Not My Soul” by taking “Je Me Casse” to Eurovision 2021, also ending seventh. Georgia’s Iru, winner as part of Candy in 2011, returned solo in 2023 with “Echo”. This year, Georgia completes the circle again with Bzikebi, the buzzing trio who won Junior Eurovision 2008 with “Bzz..” and now step onto the adult contest stage with “On Replay”. Their return adds a nostalgic layer to 2026. Still, one milestone remains untouched: no artist or group has ever won both Junior Eurovision and the Eurovision Song Contest. That unresolved challenge keeps the crossover story fascinating.

Read More »
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