Moldova selects a song

Also in Moldova there will be a show tonight, with no less than 19 songs. The show starts at 19.00 and can be watched here. These are the contestants:

  • Denis Midone, “Like a champion”
  • Natalia Gordienko, “Prison”
  • Geta Burlacu, “Răspunde!”
  • Viorela Moraru, “Remedy”
  • Valentin Uzun & Irina Kovalsky, “Moldovita”
  • Lavinia Rusu, “Touch”
  • Dima Jelezoglo, “Do it slow”
  • Diana Rotaru, “Dale dale”
  • Pasha Parfeny, “My wine”
  • Live Beat, “Love me now”
  • Valeria  Pașa, “It’s time”
  • Maria Ciolac, “Our home”
  • Sasha Letty, “Summer of love”
  • Irina Kit, “Chain reaction”
  • Petronela Donciu & Andreea Portărescu, “We will be legend”
  • Lanjerjon, “Hi five”
  • Catarina Sandu, “Die for you”
  • Alexandru Cibotaru, “Cine te-a facut să plîngi”
  • Julia Ilienko feat. Mishel Dar, “Tears”
  • Maxim Zavidia, “Take control”

Valentin Uzun already did attempts to represent Moldova in 2012 and 2016. We saw Lavinia Rusu in 2018. Live Beat was involved in a semifinal in 2012. Valeria Pașa took part in 2013, 2015, 2016 and 2017, Irina Kit in 2013 and 2015, Maxim Zavidia in 2013, 2015 and 2016.
Two contestants entered the Eurovision stage before: Natalia Gordienko in 2004 and Pasha Parfeny in 2012. Andreea Portărescu was one of last year’s backing vocals for Moldova while Catarina Sandu did that job in 2017.
Note that, due to personal circumstances, 2008 Moldovan participant Geta Burlacu had to withdraw from the contest.

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70 years of Eurovision: social media and an operatic voice

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 2025 Switzerland hosted the Eurovision Song Contest for the third time. The venue was the St. Jakobshalle in Basel, and the contest was presented by Michelle Hunziker, Hazel Brugger, and Sandra Studer. The latter having represented Switzerland at Eurovision herself in 1991. Basel put on a polished, well-organised show. Montenegro returned. Moldova withdrew on the very last moment. The songs Montenegro sent Nina Žižić. She had already accompanied the two ‘astronauts’ who represented that country back in 2013. Justyna Steczkowska participated for Poland. She had also done so in 1995. In doing so, she achieved a record: the only contestant ever to participate twice with a gap of 30 years. Belgium took the lead in the odds at an early stage, but once the entry was announced, the country dropped down the rankings somewhat. However, it remained surprising that the contestant, Red Sebastian, did not make it to the final at all. Against all expectations, the Australian Go-Jo also failed to reach the final. The final The one who did make it was Kyle Alessandro. With his song “Lighter”, but especially with his social media videos and his charisma, he went a long way. In those videos, he was invariably in the company of JJ (Austria), Sissal (Denmark), and Miriana Conte (Malta). The latter attracted attention with her lyrics: “I’m serving Kant”, which stood for the Maltese word for singing. But it also sounded very much like an English word that was not allowed to be used on television at the BBC. The lyrics had to be adjusted and became “I’m serving….”. Tommy Cash, a friend of Joost Klein and Käärijä, participated for Estonia. In a kind of fake Italian, he sang “Espresso Macchiato”. With this, he incurred the wrath of a number of Italians, but became very popular among other groups of Italians. Cash finished third with it. Væb was the duo that participated for Iceland. A kind of reincarnation of Jedward. The boys were constantly at the bottom of the bookmakers’ odds and turned that into a whole show on social media. It resulted in a place in the final. Less unexpectedly, Erika Vikman from Finland also managed to do the same. Seated on a giant microphone and ending as if she was cumming, she drew attention to herself. Lucio Corsi from Italy did something special: he played his harmonica live. It was the first time since 1998 that instruments were played live. And then there were the favorites, from Finland but for Sweden. No one had expected that the three gentlemen in a sauna setting would win the Swedish preliminary round against Måns Zelmerlöw. When that did happen, they were immediately the favorites. Everyone was singing “Bara Bada Bastu” at the top of their lungs. Yet, in the end, it was not enough. The group KAJ finished fourth. The French singer Louane also failed to live up to expectations with her song “Maman.” During the act, she doused herself with sand that was actually not sand, but cork. It didn’t help. Israel What no one had counted on almost happened. Israel threatened to win the Eurovision Song Contest. Yuval Raphael had no singing career, but he did have a story as a victim of the attacks on October 7, 2023. Calls were made to vote for Israel as much as possible, and instructions were given on how to do so. Although the maximum number of televotes was 20, many who hadn’t even seen the broadcast managed to vote 80 times. Everyone waited in suspense when only Yuval and the Austrian JJ were still in the race. Many were relieved when it turned out that not Israel, but Austria won. JJ Austria’s JJ had been a favourite throughout the week, and the final confirmed what the rehearsals had suggested. His performance of “Wasted Love” was one of the most technically accomplished on the night. The professional juries placed him first, and the public gave him enough support to seal the victory.  The win was warmly received. JJ had brought something genuinely different to the contest: a voice that belonged to the operatic world, applied to a contemporary pop song without compromise. Basel had delivered a memorable host year, and the 2025 contest closed the anniversary decade on a high note, just in time for Eurovision to look ahead to its next seventy years.  

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History
Martijn

70 years of Eurovision: social media and an operatic voice

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 2025 Switzerland hosted the Eurovision Song Contest for the third time. The venue was the St. Jakobshalle in Basel, and the contest was presented by Michelle Hunziker, Hazel Brugger, and Sandra Studer. The latter having represented Switzerland at Eurovision herself in 1991. Basel put on a polished, well-organised show. Montenegro returned. Moldova withdrew on the very last moment. The songs Montenegro sent Nina Žižić. She had already accompanied the two ‘astronauts’ who represented that country back in 2013. Justyna Steczkowska participated for Poland. She had also done so in 1995. In doing so, she achieved a record: the only contestant ever to participate twice with a gap of 30 years. Belgium took the lead in the odds at an early stage, but once the entry was announced, the country dropped down the rankings somewhat. However, it remained surprising that the contestant, Red Sebastian, did not make it to the final at all. Against all expectations, the Australian Go-Jo also failed to reach the final. The final The one who did make it was Kyle Alessandro. With his song “Lighter”, but especially with his social media videos and his charisma, he went a long way. In those videos, he was invariably in the company of JJ (Austria), Sissal (Denmark), and Miriana Conte (Malta). The latter attracted attention with her lyrics: “I’m serving Kant”, which stood for the Maltese word for singing. But it also sounded very much like an English word that was not allowed to be used on television at the BBC. The lyrics had to be adjusted and became “I’m serving….”. Tommy Cash, a friend of Joost Klein and Käärijä, participated for Estonia. In a kind of fake Italian, he sang “Espresso Macchiato”. With this, he incurred the wrath of a number of Italians, but became very popular among other groups of Italians. Cash finished third with it. Væb was the duo that participated for Iceland. A kind of reincarnation of Jedward. The boys were constantly at the bottom of the bookmakers’ odds and turned that into a whole show on social media. It resulted in a place in the final. Less unexpectedly, Erika Vikman from Finland also managed to do the same. Seated on a giant microphone and ending as if she was cumming, she drew attention to herself. Lucio Corsi from Italy did something special: he played his harmonica live. It was the first time since 1998 that instruments were played live. And then there were the favorites, from Finland but for Sweden. No one had expected that the three gentlemen in a sauna setting would win the Swedish preliminary round against Måns Zelmerlöw. When that did happen, they were immediately the favorites. Everyone was singing “Bara Bada Bastu” at the top of their lungs. Yet, in the end, it was not enough. The group KAJ finished fourth. The French singer Louane also failed to live up to expectations with her song “Maman.” During the act, she doused herself with sand that was actually not sand, but cork. It didn’t help. Israel What no one had counted on almost happened. Israel threatened to win the Eurovision Song Contest. Yuval Raphael had no singing career, but he did have a story as a victim of the attacks on October 7, 2023. Calls were made to vote for Israel as much as possible, and instructions were given on how to do so. Although the maximum number of televotes was 20, many who hadn’t even seen the broadcast managed to vote 80 times. Everyone waited in suspense when only Yuval and the Austrian JJ were still in the race. Many were relieved when it turned out that not Israel, but Austria won. JJ Austria’s JJ had been a favourite throughout the week, and the final confirmed what the rehearsals had suggested. His performance of “Wasted Love” was one of the most technically accomplished on the night. The professional juries placed him first, and the public gave him enough support to seal the victory.  The win was warmly received. JJ had brought something genuinely different to the contest: a voice that belonged to the operatic world, applied to a contemporary pop song without compromise. Basel had delivered a memorable host year, and the 2025 contest closed the anniversary decade on a high note, just in time for Eurovision to look ahead to its next seventy years.  

Read More »
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