Malmö Messages: yesterday’s pressconference

photo: EBU/Sarah Louise Bennett

Yesterday, after winning the tickets to the final, the 10 winners headed to the winners’ pressconference. We of Eurovision Universe were present at this press conference.

Cyprus

Silia Kapsis said it was a huge opportunity to be here. She was super proud and super happy. About her country of birth, Australia, she said she was proud as well that the Australians showed their culture. It was her goal to make her country proud and after this, to grow as a pop artist.

Serbia

Teya Dora said it was crazy; the rehearsals, the performance; it was all super exciting and she was happy. She wants to make her country proud and give the best she can, with the best placement. She loves it that so many people watched her performance. And about Konstrakta, who was in the introduction film, she loved her amazing energy.

Lithuania

Silvester Belt thanks the audience. To all the bullies from the past he has a message: “I know you are struggling. And to the little boy I was: I love you so much”. The biggest challenge this week was sleeping. About singing in the Lithuanian language he said: “only Lithuanians wanted me to sing in English. Everybody else said I should sing in Lithuanian.”

Ireland

Bambie Thug said they are completely dissociated after this succes, but also that they are super proud. They have a small team and they are en independent artist, yet they reached this. And also, they are the first non binary artist in the contest. Bambie revealed that they met the rules of the EBU: texts like Ceasefire and Free Palestine were not allowed, so Crown The Witch was the only text left. On the question what made them special, Bambie answered “What makes me special is that I’m a queer”.

Ukraine

Alyona Alyona explained that she and Jerry Heil raised fund to rebuild Ukrainian schools. She called for donation. Half of the money is there, but you can donate via United24. “Children are our future”, Alyona Alyona stated. Jerry also stated that it was great to be in Malmö now. It was a super possibility to say thank you for your help. And yes, they felt pressure, because they felt Ukraine expected something from them.

Croatia

The performance was way better than the rehearsals. Before going on stage, Baby Lasagna tried to empty his mind, but before him Poland performed; that song got stuck in his mind. About his first place in the odds he said that odds are just numbers, it’s not over ’til it’s done. He felt comfortable in Malmö as Eurovision is, in his opinion, the next level of professional, with all the sound- and camerawork. The energy to him was fine.

Slovenia

Raiven said she was grateful. She was unsure about the result and doubting all the time. That meant going to the final was a huge surprise for her. When it comes to making music and visuals she went with her instinct. “The staging is really me, and I am very satisfied with it”, she said. About the fact that she was called Eurovision’s opera diva, she said that it is great to hear that people checked her background.

Finland

It was our own Kal (!!) who had the opportunity to ask windows95man a question. Due to the lyrics of the song “No rules”, Kal was interested to know which of the many rules of Eurovision had to go in his opinion. “More nakedness! For everybody!”, windows95man replied without any hesitation. Windows95man also told that he got help in preparing for the show. Before the show the men do some physical exercises.

Portugal

Iolanda from Portugal thinks that music can be whatever you like. She wrote the song in her grandmothers house. Her message is that you can do a lot with not so much money. She designed the act with the stage director and the choreographer. She also added that she believes music connects.

Luxembourg

“I nearly had a heart attack”, Tali explained, “It was brutal, but the camera was approaching and I thought…. maybe”. In Tali’s opinion Eurovision is a beautiful contet that unites. She was thrilled and was hoping to inspire other countries to return to Eurovision. “Music is my life, my therapy, my everything”, Tali stated.

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Austria in the Eurovision Song Contest, part 5

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the fourth episode, we will look back at the eighties and early nineties. Gary Lux returned again, and Thomas Forstner participated twice. And 1990 brings a special national final… 1986 – Timna Brauer – Die Zeit ist einsam Timna Brauer represented Austria in Eurovision 1986 with the song “Die Zeit ist einsam” (English: “Time is Lonely”). It was composed by Peter Janda with lyrics by Peter Cornelius. This introspective ballad scored 12 points in total and finished 18th in the final at Bergen. Brauer, an Austrian-Israeli singer-songwriter, comes from a famous artistic family. Her father is artist Arik Brauer. She was known for blending jazz and world music elements in her performances. 1987 – Gary Lux – Nur noch Gefühl Canadian-born singer Gary Lux returned to Austria in Eurovision 1987 with the song “Nur noch Gefühl” (“Only Feelings”). This gentle mid-tempo pop ballad was composed by Kenneth Westmore with lyrics by Austrian artist Stefanie Werger. On the night of the final in Brussels, Lux earned 8 points, placing 20th out of 22 entries. Gary Lux was already a Eurovision veteran. He had represented Austria multiple times in the 1980s, including as a solo act in 1985 and as part of the group Westend in 1983. His experience and smooth vocals made him a familiar name on the Eurovision stage, even though the 1987 entry did not score high. 1988 – Wilfried – Lisa, Mona Lisa Wilfried (Wilfried Scheutz) represented Austria in Eurovision 1988 with the song “Lisa, Mona Lisa”. This entry is a moody pop-rock number. It was co-written by Wilfried along with Klaus Kofler and Ronnie Herbolzheimer. In the Eurovision final held in Dublin, it unfortunately received nul points, finishing 21st (last) among the contenders. Wilfried was a prominent figure in Austropop: he had been one of the pioneers of Austrian pop/rock music since the 1970s. He even briefly served as lead singer of the band Erste Allgemeine Verunsicherung (EAV) before pursuing a solo career. Despite his domestic success and unique vocal style, “Lisa, Mona Lisa” did not manage to score with the international juries. 1989 – Thomas Forstner – Nur ein Lied Nineteen-year-old Thomas Forstner represented Austria at Eurovision 1989 with the power ballad “Nur ein Lied” (“Only a Song”). German pop producer Dieter Bohlen composed the music, while Joachim Horn-Bernges wrote the lyrics. The song carries an uplifting message of hope and peace. Forstner delivered one of Austria’s strongest Eurovision performances. Austria finished 5th out of 22 countries and scored 97 points, the nation’s best result since its 1966 victory. The success turned Forstner into a national pop star. “Nur ein Lied” climbed to #1 on the Austrian charts and strengthened his position in the local music scene. His breakthrough in Lausanne helped revive Austria’s Eurovision presence at the end of the 1980s and remains a key moment in the country’s contest history. 1990 – Simone – Keine Mauern mehr Austria’s 1990 entry was the inspirational pop ballad “Keine Mauern mehr” (“No Walls Anymore”), performed by Simone Stelzer. Marc Berry and Nanna Berry composed the music, and Mario Botazzi wrote the lyrics. The song promotes unity and the removal of barriers, echoing the atmosphere after the fall of the Berlin Wall. In the Eurovision final in Zagreb, Simone finished 10th out of 22 countries and earned 58 points for Austria. The national selection brought drama. During the live final, the duo Duett first won the competition, but their female singer fainted on stage while performing “Das Beste”. The song still topped the vote, yet officials later disqualified it because it had appeared in a 1988 German national final. As the runner-up, Simone took the Eurovision ticket and delivered a strong top-ten result for Austria. 1991 – Thomas Forstner – Venedig im Regen Thomas Forstner returned to represent Austria in Eurovision 1991 with “Venedig im Regen” (“Venice in the Rain”). Robby Musenbichler, Hubert Moser, and Wolfgang Eltner wrote this romantic ballad. The song was chosen out of 10. Also Anita Spanner (Eurovision 1984) was among the contestants. “Venedig im Regen” aimed to match Forstner’s strong 1989 result. The contest in Rome brought a very different outcome. Forstner scored 0 points, a sharp contrast to the 5th place he earned two years earlier. The song offers a smooth melody and heartfelt lyrics about a brief meeting in rainy Venice, yet international juries did not connect with it. This setback created one of the most striking turns in Austria’s Eurovision history, as Forstner became one of the rare artists to follow a top-five finish with a nul-points result.

Read More »
History
Martijn

Austria in the Eurovision Song Contest, part 5

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the fourth episode, we will look back at the eighties and early nineties. Gary Lux returned again, and Thomas Forstner participated twice. And 1990 brings a special national final… 1986 – Timna Brauer – Die Zeit ist einsam Timna Brauer represented Austria in Eurovision 1986 with the song “Die Zeit ist einsam” (English: “Time is Lonely”). It was composed by Peter Janda with lyrics by Peter Cornelius. This introspective ballad scored 12 points in total and finished 18th in the final at Bergen. Brauer, an Austrian-Israeli singer-songwriter, comes from a famous artistic family. Her father is artist Arik Brauer. She was known for blending jazz and world music elements in her performances. 1987 – Gary Lux – Nur noch Gefühl Canadian-born singer Gary Lux returned to Austria in Eurovision 1987 with the song “Nur noch Gefühl” (“Only Feelings”). This gentle mid-tempo pop ballad was composed by Kenneth Westmore with lyrics by Austrian artist Stefanie Werger. On the night of the final in Brussels, Lux earned 8 points, placing 20th out of 22 entries. Gary Lux was already a Eurovision veteran. He had represented Austria multiple times in the 1980s, including as a solo act in 1985 and as part of the group Westend in 1983. His experience and smooth vocals made him a familiar name on the Eurovision stage, even though the 1987 entry did not score high. 1988 – Wilfried – Lisa, Mona Lisa Wilfried (Wilfried Scheutz) represented Austria in Eurovision 1988 with the song “Lisa, Mona Lisa”. This entry is a moody pop-rock number. It was co-written by Wilfried along with Klaus Kofler and Ronnie Herbolzheimer. In the Eurovision final held in Dublin, it unfortunately received nul points, finishing 21st (last) among the contenders. Wilfried was a prominent figure in Austropop: he had been one of the pioneers of Austrian pop/rock music since the 1970s. He even briefly served as lead singer of the band Erste Allgemeine Verunsicherung (EAV) before pursuing a solo career. Despite his domestic success and unique vocal style, “Lisa, Mona Lisa” did not manage to score with the international juries. 1989 – Thomas Forstner – Nur ein Lied Nineteen-year-old Thomas Forstner represented Austria at Eurovision 1989 with the power ballad “Nur ein Lied” (“Only a Song”). German pop producer Dieter Bohlen composed the music, while Joachim Horn-Bernges wrote the lyrics. The song carries an uplifting message of hope and peace. Forstner delivered one of Austria’s strongest Eurovision performances. Austria finished 5th out of 22 countries and scored 97 points, the nation’s best result since its 1966 victory. The success turned Forstner into a national pop star. “Nur ein Lied” climbed to #1 on the Austrian charts and strengthened his position in the local music scene. His breakthrough in Lausanne helped revive Austria’s Eurovision presence at the end of the 1980s and remains a key moment in the country’s contest history. 1990 – Simone – Keine Mauern mehr Austria’s 1990 entry was the inspirational pop ballad “Keine Mauern mehr” (“No Walls Anymore”), performed by Simone Stelzer. Marc Berry and Nanna Berry composed the music, and Mario Botazzi wrote the lyrics. The song promotes unity and the removal of barriers, echoing the atmosphere after the fall of the Berlin Wall. In the Eurovision final in Zagreb, Simone finished 10th out of 22 countries and earned 58 points for Austria. The national selection brought drama. During the live final, the duo Duett first won the competition, but their female singer fainted on stage while performing “Das Beste”. The song still topped the vote, yet officials later disqualified it because it had appeared in a 1988 German national final. As the runner-up, Simone took the Eurovision ticket and delivered a strong top-ten result for Austria. 1991 – Thomas Forstner – Venedig im Regen Thomas Forstner returned to represent Austria in Eurovision 1991 with “Venedig im Regen” (“Venice in the Rain”). Robby Musenbichler, Hubert Moser, and Wolfgang Eltner wrote this romantic ballad. The song was chosen out of 10. Also Anita Spanner (Eurovision 1984) was among the contestants. “Venedig im Regen” aimed to match Forstner’s strong 1989 result. The contest in Rome brought a very different outcome. Forstner scored 0 points, a sharp contrast to the 5th place he earned two years earlier. The song offers a smooth melody and heartfelt lyrics about a brief meeting in rainy Venice, yet international juries did not connect with it. This setback created one of the most striking turns in Austria’s Eurovision history, as Forstner became one of the rare artists to follow a top-five finish with a nul-points result.

Read More »
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