Liveblog: Press Conferences 14 may





Today, we will have Press Conferences again for the Eurovision Song Contest. We will keep you updated about them all the time.

15:31 Jesper Groth van Fyr & Flamme legt uit dat ze in het Deens zingen omdat ze dat zo fantastisch vonden aan het oude songfestival: dat was net een ansichtkaart uit ieder land. De mannen zeggen geïnspireerd te zijn door de muziek van eind jaren 70. Dat was niet een speciaal zo bedoeld geluid, maar door het schrijven ontstond dat zo. De heren geven aan dat ze alleen maar door het songfestival geïnspireerd zijn. Ze vinden de sfeer fantastisch. Ze waren ook nog erg onder de indruk dat ze een ooievaar gezien hadden. Een nieuw album zal waarschijnlijk in het Deens zijn, maar ze sluiten helemaal niet uit dat het anders wordt. 

15:06 Gjon’s Tears is satisfied with the second rehearsal. He is happy that the team is heading in the right direction. Gjon’s Tears says about his clothes that he likes to work with people he knows. He thinks it is important to give Swiss talent a chance. He collaborated with Sacha Jean Baptiste on the staging. He says it has changed something in him. He thought he couldn’t dance but she convinced him to do it anyway. Gjon’s Tears is happy to have people around him who change him. He is talking about melody and text: he lives from melody, but in this case the message of “Tout l’univers” is in the text. He adds that he is not only here as a singer, but that he is also active here as a composer and lyricist. That is his livelihood. Gjon talks a lot because he says: people listen to me here. That may not be the case in five years. He was happy that his style is immediately recognized in his song. 

14.49 Samanta Tina from Latvia sings a song by the Russian group A-Studio. Samanta speaks of the different roles she has: at home she is a mother, a sister and a daughter. As a teenager she was searching. She has participated in national finals for a long time and often. It brought her to tears when she first came on stage. She indicates that she would like to participate again if she gets the chance, just to experience it again. She doesn’t know yet in which genre she will sing. It is different every time she is on stage, so looking ahead is not her forte. She doesn’t want to be framed, she likes to mix genres. What she does know is that if she returns to the Eurovision song contest that it will be as a singer and not as a composer. “The stage is my place,” says Samanta. 

13.12 The second rehearsal of the Finnish band Blind Channel went well, pyrothechnics are added, and the gentlemen do not care anymore if something goes wrong, for example if someone has to vomit during the performance. It’s rock ‘n’ roll. They think representing Finland in the Eurovision Song Contest is cool because they show what Finland is good at: rock. They also like being number 1 in the Finnish charts, but they actually want to be number 1 everywhere in Europe. Presenting themselves as Finnish rockers all over Europe is something they like even more. For the grunt at the end, they got advise from Lordi (ESC 2006): he opens his voice with Pepsi Cola and chocolate. Yet they don’t just listen to rock songs. A favorite Eurovision song they mention is “Euforia”. They don’t want to cover that song though; they would like to work with Loreen. Beforehand they had heard negative stories about the Eurovision song contest in Finland, but they especially like it very much. They do what they have been doing for eight years: perform. 

12.47 VIKTORIA indicates that there are still some small things to be done about light and camera work. The delegation leader adds that these are very normal little things and thanks the people of the technology for their work. She tells about her father, who can be seen in the photo in the act, that he has ALS and therefore cannot be there to support her. When he saw the photo he burst into tears. VIKTORIA says to be very careful and to stay in her hotel room. The most important thing for her is to be able to perform here. The team used the time to write a new song, among other things. The subject is uncertainty and confidence in yourself and your own personality. Her personal victory (= viktoria) would be if she could make good contact with the audience and get the message across. Her inspiration often comes from movie soundtracks. 

12.22 The members of The Black Mamba wrote their song about a woman from Amsterdam. They themselves have no clear memory of Amsterdam for reasons that they will not go into further. They very much hope that the woman will recognize herself in the lyrics. But they met the woman in The Bulldog, a coffee shop in Amsterdam. Perhaps that says something. They like to be called hypnotic, just like the snake after which they are named they like to hypnotize their audience. They then administer their positive poison. The Black Mamba does feel some pressure now that they are seen as “dark horse”, but they also say: they are just numbers. At the end of the press conference, the members of the group sing another song. 

11.58 The rehearsal of Albanian Anxhela Peristeri went very well. The first is a bit more to explore the stage a bit. She indicates that she has learned here that an experience like the Eurovision song contest changes you in a positive way. She says she now knows she was born to sing. She likes the way she is treated in the Netherlands. She enjoys it. They spend a lot of time in the hotel room but have a good time together as a team. Anxhela has a strong voice. She says that getting up early is not very good for her voice, so she does voice exercises in the morning. She is glad that she now has to focus on singing in the evening. 

Related news

Uncategorized

70 years of Eurovision: An audio selection and a hit

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1996 Thirty countries wanted to participate in the Eurovision Song Contest in Oslo. That did not happen. All countries, except host country Norway, therefore had to fight for a spot. This took place via an audio selection round. Denmark, Germany, Hungary, Israel, debuting Macedonia, Romania, and Russia did not make it through. The contest was presented by Ingvild Bryn and the famous Morten Harkett, singer of A-ha. During the broadcast, extensive use was made of virtual reality, allowing Ingvild Bryn to easily walk between the sections of the scoreboard, or even through it. The songs Marianna Efstratou participated for Greece for the second time. Elisabeth Andreassen performed for no less than the fourth time, but for the first time solo. Notable was Lúcia Moniz, who represented Portugal. Her “O meu coração não tem cor” finished sixth, which for a long time was the best score ever for the Portuguese. Maarja-Liis Illus and Ivo Linna really caught the eye of Estonia. She was 15, he 46. The duo sang a sweet song titled “Kaelakee hääl”. And what Finland failed to achieve in all those years, Estonia did effortlessly: walking straight into the top 5 with a song in a Finno-Ugric language. There was also a major difference between the two Dutch duo partners, Maxine and Franklin Brown. However, in this case, it concerned the length. The Dutch entry “De eerste keer” is one of the few that rose in the rankings áfter the Eurovision Song Contest. The Spanish jury had, or so people thought, said “Poland, 6 points”. But the somewhat nasal-speaking jury chairwoman had said “Holland, 6 points”. People only found out about that later. It is not for nothing that this country ought to be called The Netherlands. Austria (“Weil’s dr guat got” in Vorarlberg) and France “Diwanit bugale” in Breton both sang in a minority language. The new generation after ABBA was also making its appearance. Peter Grönvall was one of the members of the group One More Time. And he was the son of Benny Andersson of ABBA. The group had already had a major hit in Europe with “Highland”. Singer Nanne Grönvall would participate in the Swedish Melodifestivalen a number of times, and even once in the British national final. Eimear Quinn Around this time, the Belgian documentary filmmaker Herman Molle made a documentary titled “How do I win the Eurovision Song Contest?”. Molle’s main recommendation: become Irish. Because Ireland won again. Eimear Quinn had sung with Anúna, the choir that accompanied River Dance. With her song “The Voice”, she effortlessly secured the seventh victory for Ireland. “You’re bringing it back too soon,” Morten Harkett grumbled briefly. But the party in Ireland was no less big for it. Nor was the nervous breakdown among the people at the Irish broadcaster RTÉ. 1997 The Eurovision Song Contest practically resided in the Point Theatre in Dublin. However, the audio pre-selection had been scrapped. The relegation zone was back, so a number of countries swapped places again. Italy returned after a three-year absence. Also new: televoting. In five countries, the public was allowed to cast their vote. The Eurovision Song Contest was presented by Carrie Crowley and, once again, someone from a boy band: Ronan Keating of Boyzone. The songs Şebnem Parker participated for Turkey for the second consecutive time. Her “Dinle” was roughly at the bottom in the odds, but surprisingly finished third in the final ranking. Celebrations in Turkey, which now finally dared to dream of a victory. Young Maarja-Liis Illus from Estonia also returned after a year, this time solo. And Alma Čardžić from Bosnia and Herzegovina also took a second try. Tor Endresen participated for Norway. He had competed in the Norwegian national final almost every year and had finally won. How disappointing that he finished with zero points. The duo Jalisse competed for Italy. The two finished fourth. It didn’t really help: Italy dropped out immediately afterwards. Bianca Shomburg had won the Soundmixshow in Germany, where she imitated Celine Dion. However, she did not do that in terms of the result at the Eurovision Song Contest. Russia sent the country’s biggest star. For years, Alla Pugacheva had been unmatched. There was no sign of that at the Eurovision Song Contest. The rest of Europe appreciated her with a fifteenth place. And then there was Paul Oscar. He represented Iceland. Lying on a sofa, surrounded by female beauty (which he had no eye for in real life), he sang his song. At the end of the song, he made a ‘gun gesture’ with his hand, shooting himself in the mouth. It was striking that Oscar received points exclusively from televoting countries. Katrina & The Waves An unwritten rule is that when an established name participates, they can finish very high but do not win. Katrina & The Waves did not adhere to this. In the 80s, they had a big hit with “Walking On Sunshine”. The song “Love Shine A Light” was originally intended as an anthem for Samaritans in recognition of the thirtieth anniversary of the Swindon branch of that organization. Nevertheless, it ended up at the Eurovision Song Contest, where it won effortlessly. Katrina & The Waves had an international hit with it. The song remains a Eurovision classic to this day. In 2020, it took center stage in the replacement broadcast for the canceled Song Contest: Eurovision Shine A Light.

Read More »
Uncategorized
Martijn

70 years of Eurovision: An audio selection and a hit

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1996 Thirty countries wanted to participate in the Eurovision Song Contest in Oslo. That did not happen. All countries, except host country Norway, therefore had to fight for a spot. This took place via an audio selection round. Denmark, Germany, Hungary, Israel, debuting Macedonia, Romania, and Russia did not make it through. The contest was presented by Ingvild Bryn and the famous Morten Harkett, singer of A-ha. During the broadcast, extensive use was made of virtual reality, allowing Ingvild Bryn to easily walk between the sections of the scoreboard, or even through it. The songs Marianna Efstratou participated for Greece for the second time. Elisabeth Andreassen performed for no less than the fourth time, but for the first time solo. Notable was Lúcia Moniz, who represented Portugal. Her “O meu coração não tem cor” finished sixth, which for a long time was the best score ever for the Portuguese. Maarja-Liis Illus and Ivo Linna really caught the eye of Estonia. She was 15, he 46. The duo sang a sweet song titled “Kaelakee hääl”. And what Finland failed to achieve in all those years, Estonia did effortlessly: walking straight into the top 5 with a song in a Finno-Ugric language. There was also a major difference between the two Dutch duo partners, Maxine and Franklin Brown. However, in this case, it concerned the length. The Dutch entry “De eerste keer” is one of the few that rose in the rankings áfter the Eurovision Song Contest. The Spanish jury had, or so people thought, said “Poland, 6 points”. But the somewhat nasal-speaking jury chairwoman had said “Holland, 6 points”. People only found out about that later. It is not for nothing that this country ought to be called The Netherlands. Austria (“Weil’s dr guat got” in Vorarlberg) and France “Diwanit bugale” in Breton both sang in a minority language. The new generation after ABBA was also making its appearance. Peter Grönvall was one of the members of the group One More Time. And he was the son of Benny Andersson of ABBA. The group had already had a major hit in Europe with “Highland”. Singer Nanne Grönvall would participate in the Swedish Melodifestivalen a number of times, and even once in the British national final. Eimear Quinn Around this time, the Belgian documentary filmmaker Herman Molle made a documentary titled “How do I win the Eurovision Song Contest?”. Molle’s main recommendation: become Irish. Because Ireland won again. Eimear Quinn had sung with Anúna, the choir that accompanied River Dance. With her song “The Voice”, she effortlessly secured the seventh victory for Ireland. “You’re bringing it back too soon,” Morten Harkett grumbled briefly. But the party in Ireland was no less big for it. Nor was the nervous breakdown among the people at the Irish broadcaster RTÉ. 1997 The Eurovision Song Contest practically resided in the Point Theatre in Dublin. However, the audio pre-selection had been scrapped. The relegation zone was back, so a number of countries swapped places again. Italy returned after a three-year absence. Also new: televoting. In five countries, the public was allowed to cast their vote. The Eurovision Song Contest was presented by Carrie Crowley and, once again, someone from a boy band: Ronan Keating of Boyzone. The songs Şebnem Parker participated for Turkey for the second consecutive time. Her “Dinle” was roughly at the bottom in the odds, but surprisingly finished third in the final ranking. Celebrations in Turkey, which now finally dared to dream of a victory. Young Maarja-Liis Illus from Estonia also returned after a year, this time solo. And Alma Čardžić from Bosnia and Herzegovina also took a second try. Tor Endresen participated for Norway. He had competed in the Norwegian national final almost every year and had finally won. How disappointing that he finished with zero points. The duo Jalisse competed for Italy. The two finished fourth. It didn’t really help: Italy dropped out immediately afterwards. Bianca Shomburg had won the Soundmixshow in Germany, where she imitated Celine Dion. However, she did not do that in terms of the result at the Eurovision Song Contest. Russia sent the country’s biggest star. For years, Alla Pugacheva had been unmatched. There was no sign of that at the Eurovision Song Contest. The rest of Europe appreciated her with a fifteenth place. And then there was Paul Oscar. He represented Iceland. Lying on a sofa, surrounded by female beauty (which he had no eye for in real life), he sang his song. At the end of the song, he made a ‘gun gesture’ with his hand, shooting himself in the mouth. It was striking that Oscar received points exclusively from televoting countries. Katrina & The Waves An unwritten rule is that when an established name participates, they can finish very high but do not win. Katrina & The Waves did not adhere to this. In the 80s, they had a big hit with “Walking On Sunshine”. The song “Love Shine A Light” was originally intended as an anthem for Samaritans in recognition of the thirtieth anniversary of the Swindon branch of that organization. Nevertheless, it ended up at the Eurovision Song Contest, where it won effortlessly. Katrina & The Waves had an international hit with it. The song remains a Eurovision classic to this day. In 2020, it took center stage in the replacement broadcast for the canceled Song Contest: Eurovision Shine A Light.

Read More »
Follow Us: