Liveblog: Press Conferences 14 may





Today, we will have Press Conferences again for the Eurovision Song Contest. We will keep you updated about them all the time.

15:31 Jesper Groth van Fyr & Flamme legt uit dat ze in het Deens zingen omdat ze dat zo fantastisch vonden aan het oude songfestival: dat was net een ansichtkaart uit ieder land. De mannen zeggen geïnspireerd te zijn door de muziek van eind jaren 70. Dat was niet een speciaal zo bedoeld geluid, maar door het schrijven ontstond dat zo. De heren geven aan dat ze alleen maar door het songfestival geïnspireerd zijn. Ze vinden de sfeer fantastisch. Ze waren ook nog erg onder de indruk dat ze een ooievaar gezien hadden. Een nieuw album zal waarschijnlijk in het Deens zijn, maar ze sluiten helemaal niet uit dat het anders wordt. 

15:06 Gjon’s Tears is satisfied with the second rehearsal. He is happy that the team is heading in the right direction. Gjon’s Tears says about his clothes that he likes to work with people he knows. He thinks it is important to give Swiss talent a chance. He collaborated with Sacha Jean Baptiste on the staging. He says it has changed something in him. He thought he couldn’t dance but she convinced him to do it anyway. Gjon’s Tears is happy to have people around him who change him. He is talking about melody and text: he lives from melody, but in this case the message of “Tout l’univers” is in the text. He adds that he is not only here as a singer, but that he is also active here as a composer and lyricist. That is his livelihood. Gjon talks a lot because he says: people listen to me here. That may not be the case in five years. He was happy that his style is immediately recognized in his song. 

14.49 Samanta Tina from Latvia sings a song by the Russian group A-Studio. Samanta speaks of the different roles she has: at home she is a mother, a sister and a daughter. As a teenager she was searching. She has participated in national finals for a long time and often. It brought her to tears when she first came on stage. She indicates that she would like to participate again if she gets the chance, just to experience it again. She doesn’t know yet in which genre she will sing. It is different every time she is on stage, so looking ahead is not her forte. She doesn’t want to be framed, she likes to mix genres. What she does know is that if she returns to the Eurovision song contest that it will be as a singer and not as a composer. “The stage is my place,” says Samanta. 

13.12 The second rehearsal of the Finnish band Blind Channel went well, pyrothechnics are added, and the gentlemen do not care anymore if something goes wrong, for example if someone has to vomit during the performance. It’s rock ‘n’ roll. They think representing Finland in the Eurovision Song Contest is cool because they show what Finland is good at: rock. They also like being number 1 in the Finnish charts, but they actually want to be number 1 everywhere in Europe. Presenting themselves as Finnish rockers all over Europe is something they like even more. For the grunt at the end, they got advise from Lordi (ESC 2006): he opens his voice with Pepsi Cola and chocolate. Yet they don’t just listen to rock songs. A favorite Eurovision song they mention is “Euforia”. They don’t want to cover that song though; they would like to work with Loreen. Beforehand they had heard negative stories about the Eurovision song contest in Finland, but they especially like it very much. They do what they have been doing for eight years: perform. 

12.47 VIKTORIA indicates that there are still some small things to be done about light and camera work. The delegation leader adds that these are very normal little things and thanks the people of the technology for their work. She tells about her father, who can be seen in the photo in the act, that he has ALS and therefore cannot be there to support her. When he saw the photo he burst into tears. VIKTORIA says to be very careful and to stay in her hotel room. The most important thing for her is to be able to perform here. The team used the time to write a new song, among other things. The subject is uncertainty and confidence in yourself and your own personality. Her personal victory (= viktoria) would be if she could make good contact with the audience and get the message across. Her inspiration often comes from movie soundtracks. 

12.22 The members of The Black Mamba wrote their song about a woman from Amsterdam. They themselves have no clear memory of Amsterdam for reasons that they will not go into further. They very much hope that the woman will recognize herself in the lyrics. But they met the woman in The Bulldog, a coffee shop in Amsterdam. Perhaps that says something. They like to be called hypnotic, just like the snake after which they are named they like to hypnotize their audience. They then administer their positive poison. The Black Mamba does feel some pressure now that they are seen as “dark horse”, but they also say: they are just numbers. At the end of the press conference, the members of the group sing another song. 

11.58 The rehearsal of Albanian Anxhela Peristeri went very well. The first is a bit more to explore the stage a bit. She indicates that she has learned here that an experience like the Eurovision song contest changes you in a positive way. She says she now knows she was born to sing. She likes the way she is treated in the Netherlands. She enjoys it. They spend a lot of time in the hotel room but have a good time together as a team. Anxhela has a strong voice. She says that getting up early is not very good for her voice, so she does voice exercises in the morning. She is glad that she now has to focus on singing in the evening. 

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History

70 years of Eurovision: Abba and Sweden

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1974 Luxembourg could not host the Eurovision Song Contest again. That is why Brighton, England, became the venue. Cathy Boyle hosted the event for the fourth and final time. Eighteen countries were supposed to participate, as Greece was making its debut with the recently deceased Marinella. However, it turned out to be 17. Shortly before Eurovision, French President Pompidou passed away. Participation in the song contest during a national period of mourning was deemed inappropriate. Singer Dany, who was to participate for France, was not allowed to travel to Brighton. The 1974 song contest is characterized by the participation of big stars, or people who would later become so. The Bendik Singers from Norway returned for a second time, but Romuald (Monaco) also participated for the third time. Former winner Gigliola Cinquetti represented Italy. Her song “Si” was forbidden in her own country. “Si” means “Yes.” What is wrong with that, you might think. At that time, a referendum on legalizing divorce was being prepared in Italy. And so that little word “Yes” suddenly became very politically sensitive. Furthermore, we saw the internationally renowned duo Mouth & MacNeal appear for the Netherlands with an act that made a deep impression. The Spanish Peret had also already scored international hits. And we don’t need to explain at all who Olivia Newton-John, the British candidate, was. However, just like Sandie Shaw seven years earlier, she absolutely hated her song. The Portuguese entry “E depois do adeus” by Paulo de Carvalho did not seem destined to be anything special. A few weeks after the festival, however, the song became the signal to launch a revolution in Portugal. And so De Carvalho’s song became immortal after all. ABBA But everything we mention here pales in comparison to ABBA, of course. Agnetha, Björn, Benny, and Annifrid (Frida) had already participated in the preliminary round the previous year, but this time they struck gold: “Waterloo”, including conductor Sven-Olof Waldorff dressed as Napoleon. After a rather tense voting, the group won. “Waterloo” became a hit, and it was certainly not the group’s last. Many titles made the group one of the most popular bands ever. Who doesn’t know “Fernando,” “SOS,” “Dancing Queen,” or “Mamma Mia”? A musical was made featuring Abba songs (“Mamma Mia”), and recently a new concert series by the quartet took place in London. They were not present in person, but their holograms were. ABBA is widely regarded as the most successful Eurovision winner ever. 1975 Thanks to ABBA’s victory, the Eurovision circus moved to Sweden for the first time. Karin Falck hosted the event at the Sankt Erik Mässanhallen in Stockholm. That she wasn’t very good with languages ​​became clear during the voting: lines like ‘Seven, how much is that in France?’ and ‘Can I have three points for the Turkey?’ illustrated that. The voting was special anyway: for the first time, the ‘twelve points, douze points’ system was used. Although Greece dropped out, Malta returned and Turkey made its debut. The latter country received little applause for the song “Seninle bir dakika”. When the first and only three points came in, the scoreboard malfunctioned so badly that the presenter suggested writing it down on a piece of paper instead. Ellen Nikolaysen of the Bendik Singers participated for Norway. Other notable candidates were The Shadows from the United Kingdom. They used to be the backing band for none other than Cliff Richard. “If we win, we can bully Cliff,” the men joked. The Irish Geraldine also stood out. She participated for Luxembourg in virtually unintelligible French. For Italy, a duo participated with a modern song: Wess and Dori Ghezzi sang “Era” for the country and took an impressive third place. For a long time, it looked as if Finland would also achieve its first top-5 position. The band Pihasoittajat sang the cheerful “Old Man Fiddle” but ultimately finished seventh with it. Teach In It was a band from the Netherlands that walked away with the trophy: Teach In. The band hails from Enschede in the east of the country. Although singer Getty Kaspers was born in Austria, she had lived in the Netherlands for a long time. The band gave a dazzling performance. A triangle sounded at the end. As a joke, one of the band members smashed a Christmas bell. Although Teach In had a hit with the winning “Ding-a-dong,” they failed to capitalize on the success. Getty Kaspers soon left the group. The band split up in 1980. They only performed for special occasions (such as the Eurovision Song Contest in Moscow in 2009 and in Rotterdam in 2021).

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History
Martijn

70 years of Eurovision: Abba and Sweden

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1974 Luxembourg could not host the Eurovision Song Contest again. That is why Brighton, England, became the venue. Cathy Boyle hosted the event for the fourth and final time. Eighteen countries were supposed to participate, as Greece was making its debut with the recently deceased Marinella. However, it turned out to be 17. Shortly before Eurovision, French President Pompidou passed away. Participation in the song contest during a national period of mourning was deemed inappropriate. Singer Dany, who was to participate for France, was not allowed to travel to Brighton. The 1974 song contest is characterized by the participation of big stars, or people who would later become so. The Bendik Singers from Norway returned for a second time, but Romuald (Monaco) also participated for the third time. Former winner Gigliola Cinquetti represented Italy. Her song “Si” was forbidden in her own country. “Si” means “Yes.” What is wrong with that, you might think. At that time, a referendum on legalizing divorce was being prepared in Italy. And so that little word “Yes” suddenly became very politically sensitive. Furthermore, we saw the internationally renowned duo Mouth & MacNeal appear for the Netherlands with an act that made a deep impression. The Spanish Peret had also already scored international hits. And we don’t need to explain at all who Olivia Newton-John, the British candidate, was. However, just like Sandie Shaw seven years earlier, she absolutely hated her song. The Portuguese entry “E depois do adeus” by Paulo de Carvalho did not seem destined to be anything special. A few weeks after the festival, however, the song became the signal to launch a revolution in Portugal. And so De Carvalho’s song became immortal after all. ABBA But everything we mention here pales in comparison to ABBA, of course. Agnetha, Björn, Benny, and Annifrid (Frida) had already participated in the preliminary round the previous year, but this time they struck gold: “Waterloo”, including conductor Sven-Olof Waldorff dressed as Napoleon. After a rather tense voting, the group won. “Waterloo” became a hit, and it was certainly not the group’s last. Many titles made the group one of the most popular bands ever. Who doesn’t know “Fernando,” “SOS,” “Dancing Queen,” or “Mamma Mia”? A musical was made featuring Abba songs (“Mamma Mia”), and recently a new concert series by the quartet took place in London. They were not present in person, but their holograms were. ABBA is widely regarded as the most successful Eurovision winner ever. 1975 Thanks to ABBA’s victory, the Eurovision circus moved to Sweden for the first time. Karin Falck hosted the event at the Sankt Erik Mässanhallen in Stockholm. That she wasn’t very good with languages ​​became clear during the voting: lines like ‘Seven, how much is that in France?’ and ‘Can I have three points for the Turkey?’ illustrated that. The voting was special anyway: for the first time, the ‘twelve points, douze points’ system was used. Although Greece dropped out, Malta returned and Turkey made its debut. The latter country received little applause for the song “Seninle bir dakika”. When the first and only three points came in, the scoreboard malfunctioned so badly that the presenter suggested writing it down on a piece of paper instead. Ellen Nikolaysen of the Bendik Singers participated for Norway. Other notable candidates were The Shadows from the United Kingdom. They used to be the backing band for none other than Cliff Richard. “If we win, we can bully Cliff,” the men joked. The Irish Geraldine also stood out. She participated for Luxembourg in virtually unintelligible French. For Italy, a duo participated with a modern song: Wess and Dori Ghezzi sang “Era” for the country and took an impressive third place. For a long time, it looked as if Finland would also achieve its first top-5 position. The band Pihasoittajat sang the cheerful “Old Man Fiddle” but ultimately finished seventh with it. Teach In It was a band from the Netherlands that walked away with the trophy: Teach In. The band hails from Enschede in the east of the country. Although singer Getty Kaspers was born in Austria, she had lived in the Netherlands for a long time. The band gave a dazzling performance. A triangle sounded at the end. As a joke, one of the band members smashed a Christmas bell. Although Teach In had a hit with the winning “Ding-a-dong,” they failed to capitalize on the success. Getty Kaspers soon left the group. The band split up in 1980. They only performed for special occasions (such as the Eurovision Song Contest in Moscow in 2009 and in Rotterdam in 2021).

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