Liveblog: Press Conferences 14 may





Today, we will have Press Conferences again for the Eurovision Song Contest. We will keep you updated about them all the time.

15:31 Jesper Groth van Fyr & Flamme legt uit dat ze in het Deens zingen omdat ze dat zo fantastisch vonden aan het oude songfestival: dat was net een ansichtkaart uit ieder land. De mannen zeggen geïnspireerd te zijn door de muziek van eind jaren 70. Dat was niet een speciaal zo bedoeld geluid, maar door het schrijven ontstond dat zo. De heren geven aan dat ze alleen maar door het songfestival geïnspireerd zijn. Ze vinden de sfeer fantastisch. Ze waren ook nog erg onder de indruk dat ze een ooievaar gezien hadden. Een nieuw album zal waarschijnlijk in het Deens zijn, maar ze sluiten helemaal niet uit dat het anders wordt. 

15:06 Gjon’s Tears is satisfied with the second rehearsal. He is happy that the team is heading in the right direction. Gjon’s Tears says about his clothes that he likes to work with people he knows. He thinks it is important to give Swiss talent a chance. He collaborated with Sacha Jean Baptiste on the staging. He says it has changed something in him. He thought he couldn’t dance but she convinced him to do it anyway. Gjon’s Tears is happy to have people around him who change him. He is talking about melody and text: he lives from melody, but in this case the message of “Tout l’univers” is in the text. He adds that he is not only here as a singer, but that he is also active here as a composer and lyricist. That is his livelihood. Gjon talks a lot because he says: people listen to me here. That may not be the case in five years. He was happy that his style is immediately recognized in his song. 

14.49 Samanta Tina from Latvia sings a song by the Russian group A-Studio. Samanta speaks of the different roles she has: at home she is a mother, a sister and a daughter. As a teenager she was searching. She has participated in national finals for a long time and often. It brought her to tears when she first came on stage. She indicates that she would like to participate again if she gets the chance, just to experience it again. She doesn’t know yet in which genre she will sing. It is different every time she is on stage, so looking ahead is not her forte. She doesn’t want to be framed, she likes to mix genres. What she does know is that if she returns to the Eurovision song contest that it will be as a singer and not as a composer. “The stage is my place,” says Samanta. 

13.12 The second rehearsal of the Finnish band Blind Channel went well, pyrothechnics are added, and the gentlemen do not care anymore if something goes wrong, for example if someone has to vomit during the performance. It’s rock ‘n’ roll. They think representing Finland in the Eurovision Song Contest is cool because they show what Finland is good at: rock. They also like being number 1 in the Finnish charts, but they actually want to be number 1 everywhere in Europe. Presenting themselves as Finnish rockers all over Europe is something they like even more. For the grunt at the end, they got advise from Lordi (ESC 2006): he opens his voice with Pepsi Cola and chocolate. Yet they don’t just listen to rock songs. A favorite Eurovision song they mention is “Euforia”. They don’t want to cover that song though; they would like to work with Loreen. Beforehand they had heard negative stories about the Eurovision song contest in Finland, but they especially like it very much. They do what they have been doing for eight years: perform. 

12.47 VIKTORIA indicates that there are still some small things to be done about light and camera work. The delegation leader adds that these are very normal little things and thanks the people of the technology for their work. She tells about her father, who can be seen in the photo in the act, that he has ALS and therefore cannot be there to support her. When he saw the photo he burst into tears. VIKTORIA says to be very careful and to stay in her hotel room. The most important thing for her is to be able to perform here. The team used the time to write a new song, among other things. The subject is uncertainty and confidence in yourself and your own personality. Her personal victory (= viktoria) would be if she could make good contact with the audience and get the message across. Her inspiration often comes from movie soundtracks. 

12.22 The members of The Black Mamba wrote their song about a woman from Amsterdam. They themselves have no clear memory of Amsterdam for reasons that they will not go into further. They very much hope that the woman will recognize herself in the lyrics. But they met the woman in The Bulldog, a coffee shop in Amsterdam. Perhaps that says something. They like to be called hypnotic, just like the snake after which they are named they like to hypnotize their audience. They then administer their positive poison. The Black Mamba does feel some pressure now that they are seen as “dark horse”, but they also say: they are just numbers. At the end of the press conference, the members of the group sing another song. 

11.58 The rehearsal of Albanian Anxhela Peristeri went very well. The first is a bit more to explore the stage a bit. She indicates that she has learned here that an experience like the Eurovision song contest changes you in a positive way. She says she now knows she was born to sing. She likes the way she is treated in the Netherlands. She enjoys it. They spend a lot of time in the hotel room but have a good time together as a team. Anxhela has a strong voice. She says that getting up early is not very good for her voice, so she does voice exercises in the morning. She is glad that she now has to focus on singing in the evening. 

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Later, she breaks free from the two men. On stage, we also see a figure in a white robe. The connection with the song is not entirely clear to us. Vocally, she veered off course a little at times. 🇱🇺 Luxembourg The staging has been kept simple: Eva Marija stands on stage with a violin, behind a small tree. Behind her, we see a starry sky. Mother Nature, then. The song, like the staging, is simple. Vocally, apart from one slip-up, she is okay. But whether all of this is enough for a place in the final, we have our doubts. 🇨🇿 Czechia Czech singer Daniel Zizka sits and stands on stage, surrounded by mirrors. That creates a striking effect. It brings the song, which until now we had not seen staged, to life. Zizka’s vocals are rock-solid. The song is truly one for discerning listeners. We are pleasantly surprised and would gladly see this back in the final. 🇫🇷 France Seventeen-year-old Monroe stands on stage in a white dress, surrounded by dancers in black. She manages to hit every note perfectly, from high to low. The song is not easy to sing, but Monroe appears to do it with great ease. Three minutes in which the viewer is blown away. 🇦🇲 Armenia We see Simon with the dancers in a lift, and later in an office. Simon wears his jacket covered in Post-its, but takes it off halfway through the song. For three minutes, all kinds of things happen on stage. That can also be a disadvantage: the whole thing comes across as somewhat messy. Simon, however, is an entertainer who could help Armenia reach the final. 🇨🇭 Switzerland Switzerland’s jazzy song, with strong vocals, does not really need anything else. It already draws all the attention to itself. That is why we think it is a pity that Veronica Fusaro has still chosen to add a performance concept. We see her getting tangled up in red ropes. And we do not understand the staging. We do not see the connection with the song. A pity. 🇨🇾 Cyprus “Dancing on the table, baby,” Antigoni sings. And that is exactly what she does: she is literally dancing on a table. She is surrounded by four dancers. Antigoni throws a party that lets the arena really cut loose. At the end of the performance, we see a lot of fire. Fuego? 🇦🇹 Austria Cosmo starts off lying on the stage. Cartoon-like figures are projected onto the floor, making it look as if the singer is performing inside his own cartoon. Later, he is musically supported by musicians wearing animal heads. They later climb a climbing frame. Cosmo chooses to head down the catwalk, prompting deafening cheers from the Austrians in the arena. Unfortunately, we do not see Austria finishing very high this year. 🇱🇻 Latvia Singer Atvara stands alone on stage; we see a beam of light as if a door is open. This creates Atvara’s shadow. Atvara delivers vocals that are somewhat airy, but clean. 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A place in the final is certainly within reach for Ukraine, but in the final we still see her finishing in the middle of the pack. 🇬🇧 United Kingdom Old-school Britpop: you either love it or you do not. Sam, also known as Look Mum No Computer, wears a pink overall. His dancers have computer screens over their heads. Halfway through the song, they swap them for a furry computer. Behind him stands a large music computer. We do not think this act will appeal to a very broad audience. 🇦🇱 Albania We see Alis with the image of an older woman behind him. His mother? The LED screens are important: later, various groups of people are also shown on them. Alis manages to move the listener with his song. Although he sings in Albanian, he conveys the emotion effortlessly. And then you also forgive him the small vocal slip-up he made last

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Eurovision time! The second semi-final opens with a parody of JJ’s “Wasted Love”, performed by the hosts. To us, it feels like wasted time. 🇧🇬 Bulgaria In what looks like a waiting room, we see Dara with her dancers. There is some rather wild dancing going on. Halfway through the performance, the waiting room disappears, but the act remains just as gripping. Dara opens the show and immediately grabs the viewer’s attention, from the first second to the last. A perfect opener. 🇦🇿 Azerbaijan At first, Jiva’s performance is rather understated. That should put the focus mainly on the vocals and the song. Halfway through, the man she has to let go of appears, and a small routine with ribbons unfolds. A pity, because it distracts from the particularly strong vocals Jiva delivers. Whether the song is strong enough for a place in the final, we would not dare say. 🇷🇴 Romania There is a lot happening on stage for Romania. At first, Alexandra is connected to the two guitarists by light cables. Later, she breaks free from the two men. On stage, we also see a figure in a white robe. The connection with the song is not entirely clear to us. Vocally, she veered off course a little at times. 🇱🇺 Luxembourg The staging has been kept simple: Eva Marija stands on stage with a violin, behind a small tree. Behind her, we see a starry sky. Mother Nature, then. The song, like the staging, is simple. Vocally, apart from one slip-up, she is okay. But whether all of this is enough for a place in the final, we have our doubts. 🇨🇿 Czechia Czech singer Daniel Zizka sits and stands on stage, surrounded by mirrors. That creates a striking effect. It brings the song, which until now we had not seen staged, to life. Zizka’s vocals are rock-solid. The song is truly one for discerning listeners. We are pleasantly surprised and would gladly see this back in the final. 🇫🇷 France Seventeen-year-old Monroe stands on stage in a white dress, surrounded by dancers in black. She manages to hit every note perfectly, from high to low. The song is not easy to sing, but Monroe appears to do it with great ease. Three minutes in which the viewer is blown away. 🇦🇲 Armenia We see Simon with the dancers in a lift, and later in an office. Simon wears his jacket covered in Post-its, but takes it off halfway through the song. For three minutes, all kinds of things happen on stage. That can also be a disadvantage: the whole thing comes across as somewhat messy. Simon, however, is an entertainer who could help Armenia reach the final. 🇨🇭 Switzerland Switzerland’s jazzy song, with strong vocals, does not really need anything else. It already draws all the attention to itself. That is why we think it is a pity that Veronica Fusaro has still chosen to add a performance concept. We see her getting tangled up in red ropes. And we do not understand the staging. We do not see the connection with the song. A pity. 🇨🇾 Cyprus “Dancing on the table, baby,” Antigoni sings. And that is exactly what she does: she is literally dancing on a table. She is surrounded by four dancers. Antigoni throws a party that lets the arena really cut loose. At the end of the performance, we see a lot of fire. Fuego? 🇦🇹 Austria Cosmo starts off lying on the stage. Cartoon-like figures are projected onto the floor, making it look as if the singer is performing inside his own cartoon. Later, he is musically supported by musicians wearing animal heads. They later climb a climbing frame. Cosmo chooses to head down the catwalk, prompting deafening cheers from the Austrians in the arena. Unfortunately, we do not see Austria finishing very high this year. 🇱🇻 Latvia Singer Atvara stands alone on stage; we see a beam of light as if a door is open. This creates Atvara’s shadow. Atvara delivers vocals that are somewhat airy, but clean. Whether the song is strong enough for a place in the final remains to be seen. 🇩🇰 Denmark Søren stands on stage with a kind of aquarium behind him, containing his dancers. Eventually, Søren himself also crawls into the aquarium, exactly at the moment when he has to hit a high note. That takes guts. Søren simply goes for it. The whole package has everything it needs for a high placing. 🇦🇺 Australia Delta Goodrem wears a dress with 7,000 Swarovski crystals. Her grand piano also appears to be covered in crystals. Delta has a great deal of experience and uses it to deliver a very strong performance. Right at the end, it turns out that a platform rises out of the piano. Delta rises up on it. She ends as a kind of Lady Liberty. Top three? 🇺🇦 Ukraine The vocals from Ukraine’s Lekela are fine. During the performance, however, little happens. We see curtains coming down, and use is made of the good old wind machine. A place in the final is certainly within reach for Ukraine, but in the final we still see her finishing in the middle of the pack. 🇬🇧 United Kingdom Old-school Britpop: you either love it or you do not. Sam, also known as Look Mum No Computer, wears a pink overall. His dancers have computer screens over their heads. Halfway through the song, they swap them for a furry computer. Behind him stands a large music computer. We do not think this act will appeal to a very broad audience. 🇦🇱 Albania We see Alis with the image of an older woman behind him. His mother? The LED screens are important: later, various groups of people are also shown on them. Alis manages to move the listener with his song. Although he sings in Albanian, he conveys the emotion effortlessly. And then you also forgive him the small vocal slip-up he made last

Read More »
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