Liveblog: Press Conferences 14 may





Today, we will have Press Conferences again for the Eurovision Song Contest. We will keep you updated about them all the time.

15:31 Jesper Groth van Fyr & Flamme legt uit dat ze in het Deens zingen omdat ze dat zo fantastisch vonden aan het oude songfestival: dat was net een ansichtkaart uit ieder land. De mannen zeggen geïnspireerd te zijn door de muziek van eind jaren 70. Dat was niet een speciaal zo bedoeld geluid, maar door het schrijven ontstond dat zo. De heren geven aan dat ze alleen maar door het songfestival geïnspireerd zijn. Ze vinden de sfeer fantastisch. Ze waren ook nog erg onder de indruk dat ze een ooievaar gezien hadden. Een nieuw album zal waarschijnlijk in het Deens zijn, maar ze sluiten helemaal niet uit dat het anders wordt. 

15:06 Gjon’s Tears is satisfied with the second rehearsal. He is happy that the team is heading in the right direction. Gjon’s Tears says about his clothes that he likes to work with people he knows. He thinks it is important to give Swiss talent a chance. He collaborated with Sacha Jean Baptiste on the staging. He says it has changed something in him. He thought he couldn’t dance but she convinced him to do it anyway. Gjon’s Tears is happy to have people around him who change him. He is talking about melody and text: he lives from melody, but in this case the message of “Tout l’univers” is in the text. He adds that he is not only here as a singer, but that he is also active here as a composer and lyricist. That is his livelihood. Gjon talks a lot because he says: people listen to me here. That may not be the case in five years. He was happy that his style is immediately recognized in his song. 

14.49 Samanta Tina from Latvia sings a song by the Russian group A-Studio. Samanta speaks of the different roles she has: at home she is a mother, a sister and a daughter. As a teenager she was searching. She has participated in national finals for a long time and often. It brought her to tears when she first came on stage. She indicates that she would like to participate again if she gets the chance, just to experience it again. She doesn’t know yet in which genre she will sing. It is different every time she is on stage, so looking ahead is not her forte. She doesn’t want to be framed, she likes to mix genres. What she does know is that if she returns to the Eurovision song contest that it will be as a singer and not as a composer. “The stage is my place,” says Samanta. 

13.12 The second rehearsal of the Finnish band Blind Channel went well, pyrothechnics are added, and the gentlemen do not care anymore if something goes wrong, for example if someone has to vomit during the performance. It’s rock ‘n’ roll. They think representing Finland in the Eurovision Song Contest is cool because they show what Finland is good at: rock. They also like being number 1 in the Finnish charts, but they actually want to be number 1 everywhere in Europe. Presenting themselves as Finnish rockers all over Europe is something they like even more. For the grunt at the end, they got advise from Lordi (ESC 2006): he opens his voice with Pepsi Cola and chocolate. Yet they don’t just listen to rock songs. A favorite Eurovision song they mention is “Euforia”. They don’t want to cover that song though; they would like to work with Loreen. Beforehand they had heard negative stories about the Eurovision song contest in Finland, but they especially like it very much. They do what they have been doing for eight years: perform. 

12.47 VIKTORIA indicates that there are still some small things to be done about light and camera work. The delegation leader adds that these are very normal little things and thanks the people of the technology for their work. She tells about her father, who can be seen in the photo in the act, that he has ALS and therefore cannot be there to support her. When he saw the photo he burst into tears. VIKTORIA says to be very careful and to stay in her hotel room. The most important thing for her is to be able to perform here. The team used the time to write a new song, among other things. The subject is uncertainty and confidence in yourself and your own personality. Her personal victory (= viktoria) would be if she could make good contact with the audience and get the message across. Her inspiration often comes from movie soundtracks. 

12.22 The members of The Black Mamba wrote their song about a woman from Amsterdam. They themselves have no clear memory of Amsterdam for reasons that they will not go into further. They very much hope that the woman will recognize herself in the lyrics. But they met the woman in The Bulldog, a coffee shop in Amsterdam. Perhaps that says something. They like to be called hypnotic, just like the snake after which they are named they like to hypnotize their audience. They then administer their positive poison. The Black Mamba does feel some pressure now that they are seen as “dark horse”, but they also say: they are just numbers. At the end of the press conference, the members of the group sing another song. 

11.58 The rehearsal of Albanian Anxhela Peristeri went very well. The first is a bit more to explore the stage a bit. She indicates that she has learned here that an experience like the Eurovision song contest changes you in a positive way. She says she now knows she was born to sing. She likes the way she is treated in the Netherlands. She enjoys it. They spend a lot of time in the hotel room but have a good time together as a team. Anxhela has a strong voice. She says that getting up early is not very good for her voice, so she does voice exercises in the morning. She is glad that she now has to focus on singing in the evening. 

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Vienna 12 points: saturday’s rehearsals

The 70th Eurovision Song Contest officially kicked off today in Vienna. First rehearsals remain closed to press — only three approved images per country will be released. Meanwhile, the official Eurovision subreddit is providing live descriptions of each performance. Eurovision Universe tried to find more information than the Eurovision blog provides us. We hope we succeeded in that. All countries below compete in Semi-Final 1 on Tuesday, 12 May. 🇲🇩 Moldova – Satoshi, “Viva Moldova!” Running order: 1 | Rehearsal: 10:30–11:00 CEST Moldova opened the entire contest on Saturday morning, and Satoshi hit the Wiener Stadthalle stage first among all 35 competing nations. In the lead-up to today’s rehearsal, he spoke openly to Moldovan state broadcaster Moldova 1 about his methodical preparation. “We record every rehearsal and analyse our performance, repeating exactly the movements we will make. We don’t have a rigid choreography, but we do have set positions. I feel quite confident. Things are happening as we planned.” Moreover, producer Roman Burlaca confirmed sweeping changes to the staging. Costumes are completely new, LED visuals have been upgraded, special effects added. A surprise “repeatable element” will be built in, though Burlaca stayed tight-lipped: “You will see it soon and understand.” Additionally, Satoshi announced on his Facebook page that the official music video was directed by Roman Burlaca, recorded by Nicu Lungu, and features the JOC National Ballet. Moldova performs 1st in Semi-Final 1 on 12 May. Moldova1 + 2 🇸🇪 Sweden – FELICIA, “My System” Running order: 2 | Rehearsal: 11:10–11:40 CEST According to the official Eurovision Reddit live blog, the performance opens with a smoke machine parting to reveal FELICIA, mask firmly on, before lasers engulf the entire stage. Crucially, Vienna brings something entirely new: in the second verse, FELICIA physically battles the lasers with her bare hands before taming them to frame her poses. Furthermore, the synths near the song’s climax make the arena floor physically vibrate. As a finale, a giant projection of FELICIA climbs out of the screens and into the audience. Swedish press were enthusiastic ahead of Vienna. Matilda Källén of Dagens Nyheter called the staging “maxed out, well-choreographed, and ready for Eurovision,” while Johan Hammerby of Hallandsposten dubbed it “world-class.” 🇭🇷 Croatia – LELEK, “Andromeda” Running order: 3 | Rehearsal: 11:50–12:20 CEST According to the Eurovision Reddit live blog, the performance opens with a walk down the full catwalk from the Green Room to the main stage. The five members then perform in deep blood-red robes, a visual step up from their Dora-winning look. LED screens carry the audience from a cave through a forest before closing with a wormhole sequence. Croatia Week described “Andromeda” as an atmospheric, cinematic ethno-pop track with powerful vocals, dramatic builds, and elements drawing from Croatian and Bosnian historical and cultural themes. This addresses generational trauma, resistance, and the strength of women across generations. At the heart of the song lies the tradition of sicanje. As Croatia Week explains, sicanje is a practice in which Croatian Catholics in parts of Bosnia, Herzegovina and Dalmatia tattooed crosses on their skin as a mark of identity and protection, particularly during times of oppression or the threat of forced conversion. Ahead of Vienna, HRT Magazine reported that LELEK themselves described the pressure of being favourites as “wind in our backs rather than a burden,” adding: “We don’t even want to imagine how it will be. We want to absorb the first emotion when we go on stage.” Furthermore, Telegrafi noted that the song’s lyrics, written by Tomislav Roso, with music by Filip Lacković, Lazar Pajić and Zorja Pajić, sparked international attention even before the Vienna rehearsals began, including a debate in Turkey over the song’s historical references.  Croatia Week + 3 🇬🇷 Greece – Akylas, “Ferto” Running order: 4 | Rehearsal: 12:45–13:15 CEST Greece enters Vienna as one of the strongest favourites, yet the delegation is actively keeping the full staging under wraps, a strategy that immediately recalls Joost Klein (Netherlands, 2024), who famously refused to reveal his “Europapa” staging until the live show in Malmö. Today’s Reddit live blog confirmed that Akylas performs in an orange and black outfit with furry boots and a distinctive hat, building a video game-like world on stage. Then he stops, removes his shades, and addresses his mother directly. However, key elements of the staging deliberately remain hidden. Speaking to ERT before flying to Vienna, Akylas said: “I don’t feel stressed, mainly excitement. We have studied everything and I believe that we will perform very well.” Creative director Fokas Evangelinos added: “It is a three-minute story with a beginning, middle and end, full of humour and emotion.” True to that approach, when a fan asked on Instagram after the stand-in rehearsal how it went, Akylas replied with just three words: “We’re doing very well.” No spoilers. No details. Exactly as planned.  🇵🇹 Portugal – Bandidos do Cante, “Rosa” Running order: 5 | Rehearsal: 13:25–13:55 CEST Portugal closed the opening rehearsal block. The group departed Lisbon Airport at 08:00 on 1 May, arriving in Vienna with their first Wiener Stadthalle rehearsal scheduled for the very next morning. In the days before arriving, broadcaster RTP actively posted on social media that the staging of “Rosa” has been reworked for Vienna, though the group deliberately kept the exact changes under wraps. The Portugal Post described “Rosa” as a performance that translates Alentejo heritage into something resonant across language barriers. That heritage is Cante Alentejano. This is a traditional vocal style the Alentejo region carries proudly.It even is UNESCO-recognised Intangible Cultural Heritage of Humanity. Bandidos do Cante offer something genuinely different: five voices, one tradition, and a song that quietly demands your full attention.  Lidador Noticias + 3 🇬🇪 Georgia – Bzikebi, “On Replay” Running order: 6 | Rehearsal: 15:00–15:30 CEST Georgia’s Eurovision 2026 rehearsal brought Bzikebi back to the big stage with a clear nod to their Junior Eurovision past. The trio wore black and yellow, but in a much more futuristic version than in 2008: yellow catsuits

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Martijn

Vienna 12 points: saturday’s rehearsals

The 70th Eurovision Song Contest officially kicked off today in Vienna. First rehearsals remain closed to press — only three approved images per country will be released. Meanwhile, the official Eurovision subreddit is providing live descriptions of each performance. Eurovision Universe tried to find more information than the Eurovision blog provides us. We hope we succeeded in that. All countries below compete in Semi-Final 1 on Tuesday, 12 May. 🇲🇩 Moldova – Satoshi, “Viva Moldova!” Running order: 1 | Rehearsal: 10:30–11:00 CEST Moldova opened the entire contest on Saturday morning, and Satoshi hit the Wiener Stadthalle stage first among all 35 competing nations. In the lead-up to today’s rehearsal, he spoke openly to Moldovan state broadcaster Moldova 1 about his methodical preparation. “We record every rehearsal and analyse our performance, repeating exactly the movements we will make. We don’t have a rigid choreography, but we do have set positions. I feel quite confident. Things are happening as we planned.” Moreover, producer Roman Burlaca confirmed sweeping changes to the staging. Costumes are completely new, LED visuals have been upgraded, special effects added. A surprise “repeatable element” will be built in, though Burlaca stayed tight-lipped: “You will see it soon and understand.” Additionally, Satoshi announced on his Facebook page that the official music video was directed by Roman Burlaca, recorded by Nicu Lungu, and features the JOC National Ballet. Moldova performs 1st in Semi-Final 1 on 12 May. Moldova1 + 2 🇸🇪 Sweden – FELICIA, “My System” Running order: 2 | Rehearsal: 11:10–11:40 CEST According to the official Eurovision Reddit live blog, the performance opens with a smoke machine parting to reveal FELICIA, mask firmly on, before lasers engulf the entire stage. Crucially, Vienna brings something entirely new: in the second verse, FELICIA physically battles the lasers with her bare hands before taming them to frame her poses. Furthermore, the synths near the song’s climax make the arena floor physically vibrate. As a finale, a giant projection of FELICIA climbs out of the screens and into the audience. Swedish press were enthusiastic ahead of Vienna. Matilda Källén of Dagens Nyheter called the staging “maxed out, well-choreographed, and ready for Eurovision,” while Johan Hammerby of Hallandsposten dubbed it “world-class.” 🇭🇷 Croatia – LELEK, “Andromeda” Running order: 3 | Rehearsal: 11:50–12:20 CEST According to the Eurovision Reddit live blog, the performance opens with a walk down the full catwalk from the Green Room to the main stage. The five members then perform in deep blood-red robes, a visual step up from their Dora-winning look. LED screens carry the audience from a cave through a forest before closing with a wormhole sequence. Croatia Week described “Andromeda” as an atmospheric, cinematic ethno-pop track with powerful vocals, dramatic builds, and elements drawing from Croatian and Bosnian historical and cultural themes. This addresses generational trauma, resistance, and the strength of women across generations. At the heart of the song lies the tradition of sicanje. As Croatia Week explains, sicanje is a practice in which Croatian Catholics in parts of Bosnia, Herzegovina and Dalmatia tattooed crosses on their skin as a mark of identity and protection, particularly during times of oppression or the threat of forced conversion. Ahead of Vienna, HRT Magazine reported that LELEK themselves described the pressure of being favourites as “wind in our backs rather than a burden,” adding: “We don’t even want to imagine how it will be. We want to absorb the first emotion when we go on stage.” Furthermore, Telegrafi noted that the song’s lyrics, written by Tomislav Roso, with music by Filip Lacković, Lazar Pajić and Zorja Pajić, sparked international attention even before the Vienna rehearsals began, including a debate in Turkey over the song’s historical references.  Croatia Week + 3 🇬🇷 Greece – Akylas, “Ferto” Running order: 4 | Rehearsal: 12:45–13:15 CEST Greece enters Vienna as one of the strongest favourites, yet the delegation is actively keeping the full staging under wraps, a strategy that immediately recalls Joost Klein (Netherlands, 2024), who famously refused to reveal his “Europapa” staging until the live show in Malmö. Today’s Reddit live blog confirmed that Akylas performs in an orange and black outfit with furry boots and a distinctive hat, building a video game-like world on stage. Then he stops, removes his shades, and addresses his mother directly. However, key elements of the staging deliberately remain hidden. Speaking to ERT before flying to Vienna, Akylas said: “I don’t feel stressed, mainly excitement. We have studied everything and I believe that we will perform very well.” Creative director Fokas Evangelinos added: “It is a three-minute story with a beginning, middle and end, full of humour and emotion.” True to that approach, when a fan asked on Instagram after the stand-in rehearsal how it went, Akylas replied with just three words: “We’re doing very well.” No spoilers. No details. Exactly as planned.  🇵🇹 Portugal – Bandidos do Cante, “Rosa” Running order: 5 | Rehearsal: 13:25–13:55 CEST Portugal closed the opening rehearsal block. The group departed Lisbon Airport at 08:00 on 1 May, arriving in Vienna with their first Wiener Stadthalle rehearsal scheduled for the very next morning. In the days before arriving, broadcaster RTP actively posted on social media that the staging of “Rosa” has been reworked for Vienna, though the group deliberately kept the exact changes under wraps. The Portugal Post described “Rosa” as a performance that translates Alentejo heritage into something resonant across language barriers. That heritage is Cante Alentejano. This is a traditional vocal style the Alentejo region carries proudly.It even is UNESCO-recognised Intangible Cultural Heritage of Humanity. Bandidos do Cante offer something genuinely different: five voices, one tradition, and a song that quietly demands your full attention.  Lidador Noticias + 3 🇬🇪 Georgia – Bzikebi, “On Replay” Running order: 6 | Rehearsal: 15:00–15:30 CEST Georgia’s Eurovision 2026 rehearsal brought Bzikebi back to the big stage with a clear nod to their Junior Eurovision past. The trio wore black and yellow, but in a much more futuristic version than in 2008: yellow catsuits

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