Liveblog: Press Conferences 14 may





Today, we will have Press Conferences again for the Eurovision Song Contest. We will keep you updated about them all the time.

15:31 Jesper Groth van Fyr & Flamme legt uit dat ze in het Deens zingen omdat ze dat zo fantastisch vonden aan het oude songfestival: dat was net een ansichtkaart uit ieder land. De mannen zeggen geïnspireerd te zijn door de muziek van eind jaren 70. Dat was niet een speciaal zo bedoeld geluid, maar door het schrijven ontstond dat zo. De heren geven aan dat ze alleen maar door het songfestival geïnspireerd zijn. Ze vinden de sfeer fantastisch. Ze waren ook nog erg onder de indruk dat ze een ooievaar gezien hadden. Een nieuw album zal waarschijnlijk in het Deens zijn, maar ze sluiten helemaal niet uit dat het anders wordt. 

15:06 Gjon’s Tears is satisfied with the second rehearsal. He is happy that the team is heading in the right direction. Gjon’s Tears says about his clothes that he likes to work with people he knows. He thinks it is important to give Swiss talent a chance. He collaborated with Sacha Jean Baptiste on the staging. He says it has changed something in him. He thought he couldn’t dance but she convinced him to do it anyway. Gjon’s Tears is happy to have people around him who change him. He is talking about melody and text: he lives from melody, but in this case the message of “Tout l’univers” is in the text. He adds that he is not only here as a singer, but that he is also active here as a composer and lyricist. That is his livelihood. Gjon talks a lot because he says: people listen to me here. That may not be the case in five years. He was happy that his style is immediately recognized in his song. 

14.49 Samanta Tina from Latvia sings a song by the Russian group A-Studio. Samanta speaks of the different roles she has: at home she is a mother, a sister and a daughter. As a teenager she was searching. She has participated in national finals for a long time and often. It brought her to tears when she first came on stage. She indicates that she would like to participate again if she gets the chance, just to experience it again. She doesn’t know yet in which genre she will sing. It is different every time she is on stage, so looking ahead is not her forte. She doesn’t want to be framed, she likes to mix genres. What she does know is that if she returns to the Eurovision song contest that it will be as a singer and not as a composer. “The stage is my place,” says Samanta. 

13.12 The second rehearsal of the Finnish band Blind Channel went well, pyrothechnics are added, and the gentlemen do not care anymore if something goes wrong, for example if someone has to vomit during the performance. It’s rock ‘n’ roll. They think representing Finland in the Eurovision Song Contest is cool because they show what Finland is good at: rock. They also like being number 1 in the Finnish charts, but they actually want to be number 1 everywhere in Europe. Presenting themselves as Finnish rockers all over Europe is something they like even more. For the grunt at the end, they got advise from Lordi (ESC 2006): he opens his voice with Pepsi Cola and chocolate. Yet they don’t just listen to rock songs. A favorite Eurovision song they mention is “Euforia”. They don’t want to cover that song though; they would like to work with Loreen. Beforehand they had heard negative stories about the Eurovision song contest in Finland, but they especially like it very much. They do what they have been doing for eight years: perform. 

12.47 VIKTORIA indicates that there are still some small things to be done about light and camera work. The delegation leader adds that these are very normal little things and thanks the people of the technology for their work. She tells about her father, who can be seen in the photo in the act, that he has ALS and therefore cannot be there to support her. When he saw the photo he burst into tears. VIKTORIA says to be very careful and to stay in her hotel room. The most important thing for her is to be able to perform here. The team used the time to write a new song, among other things. The subject is uncertainty and confidence in yourself and your own personality. Her personal victory (= viktoria) would be if she could make good contact with the audience and get the message across. Her inspiration often comes from movie soundtracks. 

12.22 The members of The Black Mamba wrote their song about a woman from Amsterdam. They themselves have no clear memory of Amsterdam for reasons that they will not go into further. They very much hope that the woman will recognize herself in the lyrics. But they met the woman in The Bulldog, a coffee shop in Amsterdam. Perhaps that says something. They like to be called hypnotic, just like the snake after which they are named they like to hypnotize their audience. They then administer their positive poison. The Black Mamba does feel some pressure now that they are seen as “dark horse”, but they also say: they are just numbers. At the end of the press conference, the members of the group sing another song. 

11.58 The rehearsal of Albanian Anxhela Peristeri went very well. The first is a bit more to explore the stage a bit. She indicates that she has learned here that an experience like the Eurovision song contest changes you in a positive way. She says she now knows she was born to sing. She likes the way she is treated in the Netherlands. She enjoys it. They spend a lot of time in the hotel room but have a good time together as a team. Anxhela has a strong voice. She says that getting up early is not very good for her voice, so she does voice exercises in the morning. She is glad that she now has to focus on singing in the evening. 

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70 years of Eurovision: small studios and lost footage

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1962 Eurovision traveled to Luxembourg City, the capital of Luxembourg. Everything was just a little too small in this small country. Luxembourg television received assistance from the German broadcaster ZDF. The presentation was in the hands of Mireille Delannoy. The same sixteen countries as in 1961 participated. Camillo Felgen took part for Luxembourg yet again. With a third place, he did much better this time than two years before. But the absolute top favorite was Germany. Dutch commentator Willem Duys introduced her with the words: “She looked as if she had just won the entire Grand Duchy in a lottery.” After hearing the competition, she was slightly less self-assured. Ultimately, she would finish sixth with her “Zwei Kleine Italiener.” However, she did have the contest’s big hit. The French-speaking countries were in charge this year. Luxembourg itself came third, Monaco second, and France won. A ballad by Isabelle Aubret about, of course, love. Aubret received 26 points with her “Un premier amour.” That was double the score of the runner-up. That year, there were even four countries that received no points at all! That was a first time. But that didn’t bother Isabelle Aubret; she won! 1963 Because France had had enough of organizing by then, the United Kingdom took over. The festival was held in various studios of the brand-new BBC Television Centre in London. Host Cathy Boyle was in one studio, the artists in another, and the orchestra in yet another studio. This made it look just as if the viewer was watching a pop music show from those days. Big stars tried their luck. Françoise Hardy participated for Monaco, Nana Mouskouri for Luxembourg, Carmela Corren for Austria, and Esther Ofarim for Switzerland. Hardy was deeply disappointed when she discovered that she wasn’t allowed to lip-sync. Mouskouri walked away crying and stamping her feet afterwards. She was nowhere to be found at the afterparty. Switzerland won. But then the Norwegian jury had to vote one more time. The jury spokesman spoke way too fast. Cathy Boyle had been unable to repeat the points. The second time, Norway suddenly submitted a completely different result. As a result, it was not Switzerland that won, but Denmark instead. An investigation by the EBU later revealed that the Norwegians didn’t cheat. When they were called, the points had not yet been ready. Esther Ofarim has always said that she was the winner. But it was ultimately the Danish couple Grethe and Jørgen Ingmann with the three-quarter time “Dansevise”. 1964 Copenhagen was the venue. Not much footage of this festival has been preserved. Only the opening scene and parts of the winner’s performance remain. Sweden did not participate. A musicians’ strike resulted in a withdrawal. The Swedes could not send a participant to their neighboring country. However, because Portugal made its debut, the number of participants remained 16. Host Lotte Waever hosted the show. It was held at the Tivoli Theater in Copenhagen. Big stars did not come to Copenhagen. That is to say: Udo Jürgens, who participated for Austria, only achieved international breakthrough later. A trio participated for Spain: the Uruguayan group Los TNT. That is not allowed. The two male members of the group were therefore relegated to a backing choir. The broadcast did not go smoothly. Midway through, a demonstrator managed to get onto the stage. He held up a sign reading ‘Boycott Franco and Salazar’, referring to the dictators of Spain and Portugal. Little of it was visible on television. However, photos were taken of the incident. It did not get exciting that evening. Italy won with 49 points. By comparison: the runner-up, the United Kingdom, had 17. It was sixteen-year-old Gigliola Cinquetti who captured the hearts of viewers and jury members. She sang the innocent “Non ho l’eta” (I am not old enough yet). It became not only the winner of the Eurovision Song Contest, but also a worldwide hit. The EBU recently posted a video on the Eurovision YouTube channel with a complete reconstruction of the performance.

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70 years of Eurovision: small studios and lost footage

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1962 Eurovision traveled to Luxembourg City, the capital of Luxembourg. Everything was just a little too small in this small country. Luxembourg television received assistance from the German broadcaster ZDF. The presentation was in the hands of Mireille Delannoy. The same sixteen countries as in 1961 participated. Camillo Felgen took part for Luxembourg yet again. With a third place, he did much better this time than two years before. But the absolute top favorite was Germany. Dutch commentator Willem Duys introduced her with the words: “She looked as if she had just won the entire Grand Duchy in a lottery.” After hearing the competition, she was slightly less self-assured. Ultimately, she would finish sixth with her “Zwei Kleine Italiener.” However, she did have the contest’s big hit. The French-speaking countries were in charge this year. Luxembourg itself came third, Monaco second, and France won. A ballad by Isabelle Aubret about, of course, love. Aubret received 26 points with her “Un premier amour.” That was double the score of the runner-up. That year, there were even four countries that received no points at all! That was a first time. But that didn’t bother Isabelle Aubret; she won! 1963 Because France had had enough of organizing by then, the United Kingdom took over. The festival was held in various studios of the brand-new BBC Television Centre in London. Host Cathy Boyle was in one studio, the artists in another, and the orchestra in yet another studio. This made it look just as if the viewer was watching a pop music show from those days. Big stars tried their luck. Françoise Hardy participated for Monaco, Nana Mouskouri for Luxembourg, Carmela Corren for Austria, and Esther Ofarim for Switzerland. Hardy was deeply disappointed when she discovered that she wasn’t allowed to lip-sync. Mouskouri walked away crying and stamping her feet afterwards. She was nowhere to be found at the afterparty. Switzerland won. But then the Norwegian jury had to vote one more time. The jury spokesman spoke way too fast. Cathy Boyle had been unable to repeat the points. The second time, Norway suddenly submitted a completely different result. As a result, it was not Switzerland that won, but Denmark instead. An investigation by the EBU later revealed that the Norwegians didn’t cheat. When they were called, the points had not yet been ready. Esther Ofarim has always said that she was the winner. But it was ultimately the Danish couple Grethe and Jørgen Ingmann with the three-quarter time “Dansevise”. 1964 Copenhagen was the venue. Not much footage of this festival has been preserved. Only the opening scene and parts of the winner’s performance remain. Sweden did not participate. A musicians’ strike resulted in a withdrawal. The Swedes could not send a participant to their neighboring country. However, because Portugal made its debut, the number of participants remained 16. Host Lotte Waever hosted the show. It was held at the Tivoli Theater in Copenhagen. Big stars did not come to Copenhagen. That is to say: Udo Jürgens, who participated for Austria, only achieved international breakthrough later. A trio participated for Spain: the Uruguayan group Los TNT. That is not allowed. The two male members of the group were therefore relegated to a backing choir. The broadcast did not go smoothly. Midway through, a demonstrator managed to get onto the stage. He held up a sign reading ‘Boycott Franco and Salazar’, referring to the dictators of Spain and Portugal. Little of it was visible on television. However, photos were taken of the incident. It did not get exciting that evening. Italy won with 49 points. By comparison: the runner-up, the United Kingdom, had 17. It was sixteen-year-old Gigliola Cinquetti who captured the hearts of viewers and jury members. She sang the innocent “Non ho l’eta” (I am not old enough yet). It became not only the winner of the Eurovision Song Contest, but also a worldwide hit. The EBU recently posted a video on the Eurovision YouTube channel with a complete reconstruction of the performance.

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