Liveblog: Press Conferences 14 may





Today, we will have Press Conferences again for the Eurovision Song Contest. We will keep you updated about them all the time.

15:31 Jesper Groth van Fyr & Flamme legt uit dat ze in het Deens zingen omdat ze dat zo fantastisch vonden aan het oude songfestival: dat was net een ansichtkaart uit ieder land. De mannen zeggen geïnspireerd te zijn door de muziek van eind jaren 70. Dat was niet een speciaal zo bedoeld geluid, maar door het schrijven ontstond dat zo. De heren geven aan dat ze alleen maar door het songfestival geïnspireerd zijn. Ze vinden de sfeer fantastisch. Ze waren ook nog erg onder de indruk dat ze een ooievaar gezien hadden. Een nieuw album zal waarschijnlijk in het Deens zijn, maar ze sluiten helemaal niet uit dat het anders wordt. 

15:06 Gjon’s Tears is satisfied with the second rehearsal. He is happy that the team is heading in the right direction. Gjon’s Tears says about his clothes that he likes to work with people he knows. He thinks it is important to give Swiss talent a chance. He collaborated with Sacha Jean Baptiste on the staging. He says it has changed something in him. He thought he couldn’t dance but she convinced him to do it anyway. Gjon’s Tears is happy to have people around him who change him. He is talking about melody and text: he lives from melody, but in this case the message of “Tout l’univers” is in the text. He adds that he is not only here as a singer, but that he is also active here as a composer and lyricist. That is his livelihood. Gjon talks a lot because he says: people listen to me here. That may not be the case in five years. He was happy that his style is immediately recognized in his song. 

14.49 Samanta Tina from Latvia sings a song by the Russian group A-Studio. Samanta speaks of the different roles she has: at home she is a mother, a sister and a daughter. As a teenager she was searching. She has participated in national finals for a long time and often. It brought her to tears when she first came on stage. She indicates that she would like to participate again if she gets the chance, just to experience it again. She doesn’t know yet in which genre she will sing. It is different every time she is on stage, so looking ahead is not her forte. She doesn’t want to be framed, she likes to mix genres. What she does know is that if she returns to the Eurovision song contest that it will be as a singer and not as a composer. “The stage is my place,” says Samanta. 

13.12 The second rehearsal of the Finnish band Blind Channel went well, pyrothechnics are added, and the gentlemen do not care anymore if something goes wrong, for example if someone has to vomit during the performance. It’s rock ‘n’ roll. They think representing Finland in the Eurovision Song Contest is cool because they show what Finland is good at: rock. They also like being number 1 in the Finnish charts, but they actually want to be number 1 everywhere in Europe. Presenting themselves as Finnish rockers all over Europe is something they like even more. For the grunt at the end, they got advise from Lordi (ESC 2006): he opens his voice with Pepsi Cola and chocolate. Yet they don’t just listen to rock songs. A favorite Eurovision song they mention is “Euforia”. They don’t want to cover that song though; they would like to work with Loreen. Beforehand they had heard negative stories about the Eurovision song contest in Finland, but they especially like it very much. They do what they have been doing for eight years: perform. 

12.47 VIKTORIA indicates that there are still some small things to be done about light and camera work. The delegation leader adds that these are very normal little things and thanks the people of the technology for their work. She tells about her father, who can be seen in the photo in the act, that he has ALS and therefore cannot be there to support her. When he saw the photo he burst into tears. VIKTORIA says to be very careful and to stay in her hotel room. The most important thing for her is to be able to perform here. The team used the time to write a new song, among other things. The subject is uncertainty and confidence in yourself and your own personality. Her personal victory (= viktoria) would be if she could make good contact with the audience and get the message across. Her inspiration often comes from movie soundtracks. 

12.22 The members of The Black Mamba wrote their song about a woman from Amsterdam. They themselves have no clear memory of Amsterdam for reasons that they will not go into further. They very much hope that the woman will recognize herself in the lyrics. But they met the woman in The Bulldog, a coffee shop in Amsterdam. Perhaps that says something. They like to be called hypnotic, just like the snake after which they are named they like to hypnotize their audience. They then administer their positive poison. The Black Mamba does feel some pressure now that they are seen as “dark horse”, but they also say: they are just numbers. At the end of the press conference, the members of the group sing another song. 

11.58 The rehearsal of Albanian Anxhela Peristeri went very well. The first is a bit more to explore the stage a bit. She indicates that she has learned here that an experience like the Eurovision song contest changes you in a positive way. She says she now knows she was born to sing. She likes the way she is treated in the Netherlands. She enjoys it. They spend a lot of time in the hotel room but have a good time together as a team. Anxhela has a strong voice. She says that getting up early is not very good for her voice, so she does voice exercises in the morning. She is glad that she now has to focus on singing in the evening. 

Related news

Uncategorized

Vienna 12 points: from traditions to a worldwide hit

Several countries start their second rehearsals in Vienna. As we still don’t have access to the rehearsals, we will do something else. Per entry, we highlight one subject and give you some more information. That can be something about the artist, the song, the lyrics or even something completely different.  Bulgaria — DARA, “Bangaranga” Running order: 1 | Rehearsal: 8 May, 10:30–10:55 CEST The Kukeri tradition in Bulgaria is one of the country’s most striking winter rituals. Dressed in heavy costumes, frightening masks and loud bells, Kukeri dancers move through villages to chase away evil spirits and welcome health, fertility and a good harvest. The custom is linked to ancient Balkan beliefs and is still passed on from generation to generation. Around New Year and before spring, communities gather for processions in which the sound, rhythm and costumes create a powerful, almost supernatural atmosphere. That makes the tradition a fascinating link to Bulgaria’s Eurovision Song Contest staging in Vienna this year. When the dancers appear with wild movements and ritual energy, they are not just adding drama. They are referring to a living folklore practice that many Bulgarians immediately recognise. For international viewers, the Kukeri tradition in Bulgaria shows how music, dance and symbolism can turn a pop performance into a cultural story.  Azerbaijan — JIVA, “Just Go” Running order: 2 | Rehearsal: 8 May, 11:05–11:30 CEST The Azerbaijan Eurovision AI rumours quickly became a talking point after JIVA released “Just Go” for the Eurovision Song Contest 2026. Some online discussions claimed that the song may have been created with artificial intelligence, partly because songwriter Fuad Javadov had been linked by fans to earlier AI-related demos. However, Azerbaijani broadcaster İctimai Television (İTV) has strongly denied the claims. In a statement, İTV said the allegations did not reflect reality. The broadcaster described “Just Go” as an original musical work, created through a professional process based on experience and creative labour. İTV also explained that JIVA was chosen after a multi-stage internal selection, with expert opinions and a focus group helping to decide the entry. For Eurovision viewers, the debate shows how sensitive the contest has become to questions about technology, authorship and transparency. For now, Azerbaijan insists that “Just Go” is a human-made Eurovision entry for Vienna 2026.  Romania — Alexandra Căpitănescu, “Choke Me” Running order: 3 | Rehearsal: 8 May, 11:40–12:05 CEST The Romanian Eurovision lyrics controversy around Alexandra Căpitănescu’s “Choke Me” has put the country’s 2026 entry under a sharp spotlight. After the song was selected for Vienna, some campaigners and fans argued that the repeated phrase “choke me” could be heard as a reference to sexual choking. They warned that, in a family show, such wording might normalise a dangerous practice rather than simply create drama. Romania’s delegation and broadcaster TVR rejected that interpretation. According to TVR, the stage concept is designed to underline the metaphorical nature of the message and rule out a literal reading of the lyrics. Căpitănescu has also explained that the song is about emotional pressure, inner fears, self-doubt and feeling suffocated by expectations. In that reading, “Choke Me” is not a call for violence or sex, but a dark image for anxiety and the struggle to reclaim one’s voice before the worldwide audience in May.  Luxembourg — Eva Marija, “Mother Nature” Running order: 4 | Rehearsal: 8 May, 12:20–12:45 CEST he Slovenian community in Luxembourg may be small, but it has a clear cultural presence in the Grand Duchy. For Eurovision fans, that background adds extra meaning to Eva Marija, Luxembourg’s 2026 contestant, who was born in Luxembourg to Slovenian parents. Around 768 Slovenian nationals lived in Luxembourg on 1 January 2025, according to STATEC. In such a multilingual country, the community connects Slovenian heritage with everyday Luxembourgish life. The Slovenian Association in Luxembourg, also known as Slolux, keeps that connection alive through events, language lessons, celebrations and informal support for newcomers. It promotes Slovenia, helps people integrate and brings families together throughout the year. In a country where almost half of residents are foreign nationals, Slovenes are part of Luxembourg’s wider European mosaic. Eva Marija’s story therefore clearly reflects both her Luxembourgish home and her Slovenian roots beautifully this year in Vienna for a wider Eurovision audience across Europe.  Czechia — Daniel Žižka, “CROSSROADS” Running order: 5 | Rehearsal: 8 May, 12:55–13:20 Mikolas Josef Eurovision history still matters for Czechia. In 2018, the Prague-born singer represented the country in Lisbon with “Lie To Me”, a playful pop song full of attitude, choreography and a memorable backpack. He finished sixth in the Grand Final with 281 points, Czechia’s best result at the contest so far. That record is now the benchmark Daniel Zizka may try to beat in Vienna 2026 with “CROSSROADS”. After Eurovision, Mikolas did not disappear from the music scene. He released singles such as “Me Gusta”, “Abu Dhabi” and “Acapella”, built an international fanbase and later continued simply as MIKOLAS. Recent years brought new music, including “Boys Don’t Cry”, “Delilah” and his debut album “ONE”. His post-Eurovision career shows how one strong contest result can become the start of a longer pop journey, not just a one-night Eurovision success story for Czech music fans and the wider Eurovision audience today.  Armenia — SIMÓN, “Paloma Rumba” Running order: 6 | Rehearsal: 8 May, 13:30–13:55 CEST Mikolas Josef Eurovision history still matters for Czechia. In 2018, the Prague-born singer represented the country in Lisbon with “Lie To Me”, a playful pop song full of attitude, choreography and a memorable backpack. He finished sixth in the Grand Final with 281 points, Czechia’s best result at the contest so far. That record is now the benchmark Daniel Zizka may try to beat in Vienna 2026 with “CROSSROADS”. After Eurovision, Mikolas did not disappear from the music scene. He released singles such as “Me Gusta”, “Abu Dhabi” and “Acapella”, built an international fanbase and later continued simply as MIKOLAS. Recent years brought new music, including “Boys Don’t Cry”, “Delilah” and his debut album “ONE”.

Read More »
Uncategorized
Martijn

Vienna 12 points: from traditions to a worldwide hit

Several countries start their second rehearsals in Vienna. As we still don’t have access to the rehearsals, we will do something else. Per entry, we highlight one subject and give you some more information. That can be something about the artist, the song, the lyrics or even something completely different.  Bulgaria — DARA, “Bangaranga” Running order: 1 | Rehearsal: 8 May, 10:30–10:55 CEST The Kukeri tradition in Bulgaria is one of the country’s most striking winter rituals. Dressed in heavy costumes, frightening masks and loud bells, Kukeri dancers move through villages to chase away evil spirits and welcome health, fertility and a good harvest. The custom is linked to ancient Balkan beliefs and is still passed on from generation to generation. Around New Year and before spring, communities gather for processions in which the sound, rhythm and costumes create a powerful, almost supernatural atmosphere. That makes the tradition a fascinating link to Bulgaria’s Eurovision Song Contest staging in Vienna this year. When the dancers appear with wild movements and ritual energy, they are not just adding drama. They are referring to a living folklore practice that many Bulgarians immediately recognise. For international viewers, the Kukeri tradition in Bulgaria shows how music, dance and symbolism can turn a pop performance into a cultural story.  Azerbaijan — JIVA, “Just Go” Running order: 2 | Rehearsal: 8 May, 11:05–11:30 CEST The Azerbaijan Eurovision AI rumours quickly became a talking point after JIVA released “Just Go” for the Eurovision Song Contest 2026. Some online discussions claimed that the song may have been created with artificial intelligence, partly because songwriter Fuad Javadov had been linked by fans to earlier AI-related demos. However, Azerbaijani broadcaster İctimai Television (İTV) has strongly denied the claims. In a statement, İTV said the allegations did not reflect reality. The broadcaster described “Just Go” as an original musical work, created through a professional process based on experience and creative labour. İTV also explained that JIVA was chosen after a multi-stage internal selection, with expert opinions and a focus group helping to decide the entry. For Eurovision viewers, the debate shows how sensitive the contest has become to questions about technology, authorship and transparency. For now, Azerbaijan insists that “Just Go” is a human-made Eurovision entry for Vienna 2026.  Romania — Alexandra Căpitănescu, “Choke Me” Running order: 3 | Rehearsal: 8 May, 11:40–12:05 CEST The Romanian Eurovision lyrics controversy around Alexandra Căpitănescu’s “Choke Me” has put the country’s 2026 entry under a sharp spotlight. After the song was selected for Vienna, some campaigners and fans argued that the repeated phrase “choke me” could be heard as a reference to sexual choking. They warned that, in a family show, such wording might normalise a dangerous practice rather than simply create drama. Romania’s delegation and broadcaster TVR rejected that interpretation. According to TVR, the stage concept is designed to underline the metaphorical nature of the message and rule out a literal reading of the lyrics. Căpitănescu has also explained that the song is about emotional pressure, inner fears, self-doubt and feeling suffocated by expectations. In that reading, “Choke Me” is not a call for violence or sex, but a dark image for anxiety and the struggle to reclaim one’s voice before the worldwide audience in May.  Luxembourg — Eva Marija, “Mother Nature” Running order: 4 | Rehearsal: 8 May, 12:20–12:45 CEST he Slovenian community in Luxembourg may be small, but it has a clear cultural presence in the Grand Duchy. For Eurovision fans, that background adds extra meaning to Eva Marija, Luxembourg’s 2026 contestant, who was born in Luxembourg to Slovenian parents. Around 768 Slovenian nationals lived in Luxembourg on 1 January 2025, according to STATEC. In such a multilingual country, the community connects Slovenian heritage with everyday Luxembourgish life. The Slovenian Association in Luxembourg, also known as Slolux, keeps that connection alive through events, language lessons, celebrations and informal support for newcomers. It promotes Slovenia, helps people integrate and brings families together throughout the year. In a country where almost half of residents are foreign nationals, Slovenes are part of Luxembourg’s wider European mosaic. Eva Marija’s story therefore clearly reflects both her Luxembourgish home and her Slovenian roots beautifully this year in Vienna for a wider Eurovision audience across Europe.  Czechia — Daniel Žižka, “CROSSROADS” Running order: 5 | Rehearsal: 8 May, 12:55–13:20 Mikolas Josef Eurovision history still matters for Czechia. In 2018, the Prague-born singer represented the country in Lisbon with “Lie To Me”, a playful pop song full of attitude, choreography and a memorable backpack. He finished sixth in the Grand Final with 281 points, Czechia’s best result at the contest so far. That record is now the benchmark Daniel Zizka may try to beat in Vienna 2026 with “CROSSROADS”. After Eurovision, Mikolas did not disappear from the music scene. He released singles such as “Me Gusta”, “Abu Dhabi” and “Acapella”, built an international fanbase and later continued simply as MIKOLAS. Recent years brought new music, including “Boys Don’t Cry”, “Delilah” and his debut album “ONE”. His post-Eurovision career shows how one strong contest result can become the start of a longer pop journey, not just a one-night Eurovision success story for Czech music fans and the wider Eurovision audience today.  Armenia — SIMÓN, “Paloma Rumba” Running order: 6 | Rehearsal: 8 May, 13:30–13:55 CEST Mikolas Josef Eurovision history still matters for Czechia. In 2018, the Prague-born singer represented the country in Lisbon with “Lie To Me”, a playful pop song full of attitude, choreography and a memorable backpack. He finished sixth in the Grand Final with 281 points, Czechia’s best result at the contest so far. That record is now the benchmark Daniel Zizka may try to beat in Vienna 2026 with “CROSSROADS”. After Eurovision, Mikolas did not disappear from the music scene. He released singles such as “Me Gusta”, “Abu Dhabi” and “Acapella”, built an international fanbase and later continued simply as MIKOLAS. Recent years brought new music, including “Boys Don’t Cry”, “Delilah” and his debut album “ONE”.

Read More »
Follow Us: