Liveblog: Press Conferences 14 may





Today, we will have Press Conferences again for the Eurovision Song Contest. We will keep you updated about them all the time.

15:31 Jesper Groth van Fyr & Flamme legt uit dat ze in het Deens zingen omdat ze dat zo fantastisch vonden aan het oude songfestival: dat was net een ansichtkaart uit ieder land. De mannen zeggen geïnspireerd te zijn door de muziek van eind jaren 70. Dat was niet een speciaal zo bedoeld geluid, maar door het schrijven ontstond dat zo. De heren geven aan dat ze alleen maar door het songfestival geïnspireerd zijn. Ze vinden de sfeer fantastisch. Ze waren ook nog erg onder de indruk dat ze een ooievaar gezien hadden. Een nieuw album zal waarschijnlijk in het Deens zijn, maar ze sluiten helemaal niet uit dat het anders wordt. 

15:06 Gjon’s Tears is satisfied with the second rehearsal. He is happy that the team is heading in the right direction. Gjon’s Tears says about his clothes that he likes to work with people he knows. He thinks it is important to give Swiss talent a chance. He collaborated with Sacha Jean Baptiste on the staging. He says it has changed something in him. He thought he couldn’t dance but she convinced him to do it anyway. Gjon’s Tears is happy to have people around him who change him. He is talking about melody and text: he lives from melody, but in this case the message of “Tout l’univers” is in the text. He adds that he is not only here as a singer, but that he is also active here as a composer and lyricist. That is his livelihood. Gjon talks a lot because he says: people listen to me here. That may not be the case in five years. He was happy that his style is immediately recognized in his song. 

14.49 Samanta Tina from Latvia sings a song by the Russian group A-Studio. Samanta speaks of the different roles she has: at home she is a mother, a sister and a daughter. As a teenager she was searching. She has participated in national finals for a long time and often. It brought her to tears when she first came on stage. She indicates that she would like to participate again if she gets the chance, just to experience it again. She doesn’t know yet in which genre she will sing. It is different every time she is on stage, so looking ahead is not her forte. She doesn’t want to be framed, she likes to mix genres. What she does know is that if she returns to the Eurovision song contest that it will be as a singer and not as a composer. “The stage is my place,” says Samanta. 

13.12 The second rehearsal of the Finnish band Blind Channel went well, pyrothechnics are added, and the gentlemen do not care anymore if something goes wrong, for example if someone has to vomit during the performance. It’s rock ‘n’ roll. They think representing Finland in the Eurovision Song Contest is cool because they show what Finland is good at: rock. They also like being number 1 in the Finnish charts, but they actually want to be number 1 everywhere in Europe. Presenting themselves as Finnish rockers all over Europe is something they like even more. For the grunt at the end, they got advise from Lordi (ESC 2006): he opens his voice with Pepsi Cola and chocolate. Yet they don’t just listen to rock songs. A favorite Eurovision song they mention is “Euforia”. They don’t want to cover that song though; they would like to work with Loreen. Beforehand they had heard negative stories about the Eurovision song contest in Finland, but they especially like it very much. They do what they have been doing for eight years: perform. 

12.47 VIKTORIA indicates that there are still some small things to be done about light and camera work. The delegation leader adds that these are very normal little things and thanks the people of the technology for their work. She tells about her father, who can be seen in the photo in the act, that he has ALS and therefore cannot be there to support her. When he saw the photo he burst into tears. VIKTORIA says to be very careful and to stay in her hotel room. The most important thing for her is to be able to perform here. The team used the time to write a new song, among other things. The subject is uncertainty and confidence in yourself and your own personality. Her personal victory (= viktoria) would be if she could make good contact with the audience and get the message across. Her inspiration often comes from movie soundtracks. 

12.22 The members of The Black Mamba wrote their song about a woman from Amsterdam. They themselves have no clear memory of Amsterdam for reasons that they will not go into further. They very much hope that the woman will recognize herself in the lyrics. But they met the woman in The Bulldog, a coffee shop in Amsterdam. Perhaps that says something. They like to be called hypnotic, just like the snake after which they are named they like to hypnotize their audience. They then administer their positive poison. The Black Mamba does feel some pressure now that they are seen as “dark horse”, but they also say: they are just numbers. At the end of the press conference, the members of the group sing another song. 

11.58 The rehearsal of Albanian Anxhela Peristeri went very well. The first is a bit more to explore the stage a bit. She indicates that she has learned here that an experience like the Eurovision song contest changes you in a positive way. She says she now knows she was born to sing. She likes the way she is treated in the Netherlands. She enjoys it. They spend a lot of time in the hotel room but have a good time together as a team. Anxhela has a strong voice. She says that getting up early is not very good for her voice, so she does voice exercises in the morning. She is glad that she now has to focus on singing in the evening. 

Related news

History

70 years of Eurovision, slipping into the sixties

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1959 France chose to organize the contest in Cannes. Eleven countries came together. No Luxembourg this year, but the United Kingdom was back. Monaco made its debut. The presentation was in the hands of Jacqueline Joubert, who would go on to do so more often. The big favorite was Domenico Modugno. After the success of “Volare,” he entered for Italy again. He did not show up for the first rehearsal. He did not consider it important. The French broadcaster thought different and scheduled a rehearsal for him anyway. He did not win by a long shot. His “Piove” finished in sixth place only. Also noteworthy were the participants from Germany: the recently deceased Kessler Sisters, who sang their song entirely in sync. But France did not want to grant Italy the victory. The same applied the other way around. And where two dogs fight over a bone, the third one runs off with it. And that was the Dutch Teddy Scholten. With the artfully rhymed “Een beetje,” she took first place, much to her own surprise. When someone from the production team urged her to go to the stage because she had won, she didn’t believe a word of it. And yet it was true: the Netherlands had won for the second time in four years. 1960 It became a bit too much for the Dutch broadcaster to organize the contest yet again. Therefore, the British BBC took over. The contest moved to London, and for the first time, but certainly not the last, Cathy Boyle hosted the event. Thirteen countries participated. Luxembourg was back, and Norway made its debut.Big stars participated. Siw Malmkvist represented Sweden. Camillo Felgen competed for Luxembourg (in Luxembourgish!). Rudi Carell, who would later become a big star in Germany, competed for the Netherlands. None of them finished high. The winner was 19-year-old Jacqueline Boyer. Conductor Franck Pourcel was displeased that she had to perform last. After all, she had to go to bed early, the conductor said. At Pourcel’s request, the entire rehearsal schedule was rearranged. And Jacqueline won! “Tom Pillibi”, a song about a pathological liar, became a huge success and an international hit. 1961 The Eurovision Song Contest returned to Cannes, France. Jacqueline Joubert hosted it for the second time. By then, the number of participating countries had grown to sixteen. Spain, Yugoslavia, and Finland made their debut. Lale Andersen participated for Germany. She had gained fame during World War II with the song “Lili Marleen”. A Greek also took to the stage, which was the first time. Although Greece itself was not yet participating, singer Jimmy Makoulis represented Austria. The final unintentionally became very exciting between Luxembourg and the United Kingdom. Unintentionally, because for a long time, too many points were accidentally recorded for the British on the scoreboard. The British duo, The Allisons, did have the big Eurovision hit of that year with “Are You Sure?”. Frenchman Jean-Claude Pascal won for Luxembourg. In “Nous, les amoureux,” he sang of a love that was disapproved of by others. Only much later Pascal admitted that this song was about the love between two men. In this, Pascal was far, very far ahead of his time.

Read More »
History
Martijn

70 years of Eurovision, slipping into the sixties

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1959 France chose to organize the contest in Cannes. Eleven countries came together. No Luxembourg this year, but the United Kingdom was back. Monaco made its debut. The presentation was in the hands of Jacqueline Joubert, who would go on to do so more often. The big favorite was Domenico Modugno. After the success of “Volare,” he entered for Italy again. He did not show up for the first rehearsal. He did not consider it important. The French broadcaster thought different and scheduled a rehearsal for him anyway. He did not win by a long shot. His “Piove” finished in sixth place only. Also noteworthy were the participants from Germany: the recently deceased Kessler Sisters, who sang their song entirely in sync. But France did not want to grant Italy the victory. The same applied the other way around. And where two dogs fight over a bone, the third one runs off with it. And that was the Dutch Teddy Scholten. With the artfully rhymed “Een beetje,” she took first place, much to her own surprise. When someone from the production team urged her to go to the stage because she had won, she didn’t believe a word of it. And yet it was true: the Netherlands had won for the second time in four years. 1960 It became a bit too much for the Dutch broadcaster to organize the contest yet again. Therefore, the British BBC took over. The contest moved to London, and for the first time, but certainly not the last, Cathy Boyle hosted the event. Thirteen countries participated. Luxembourg was back, and Norway made its debut.Big stars participated. Siw Malmkvist represented Sweden. Camillo Felgen competed for Luxembourg (in Luxembourgish!). Rudi Carell, who would later become a big star in Germany, competed for the Netherlands. None of them finished high. The winner was 19-year-old Jacqueline Boyer. Conductor Franck Pourcel was displeased that she had to perform last. After all, she had to go to bed early, the conductor said. At Pourcel’s request, the entire rehearsal schedule was rearranged. And Jacqueline won! “Tom Pillibi”, a song about a pathological liar, became a huge success and an international hit. 1961 The Eurovision Song Contest returned to Cannes, France. Jacqueline Joubert hosted it for the second time. By then, the number of participating countries had grown to sixteen. Spain, Yugoslavia, and Finland made their debut. Lale Andersen participated for Germany. She had gained fame during World War II with the song “Lili Marleen”. A Greek also took to the stage, which was the first time. Although Greece itself was not yet participating, singer Jimmy Makoulis represented Austria. The final unintentionally became very exciting between Luxembourg and the United Kingdom. Unintentionally, because for a long time, too many points were accidentally recorded for the British on the scoreboard. The British duo, The Allisons, did have the big Eurovision hit of that year with “Are You Sure?”. Frenchman Jean-Claude Pascal won for Luxembourg. In “Nous, les amoureux,” he sang of a love that was disapproved of by others. Only much later Pascal admitted that this song was about the love between two men. In this, Pascal was far, very far ahead of his time.

Read More »
Follow Us: