Liveblog: Press Conferences 14 may





Today, we will have Press Conferences again for the Eurovision Song Contest. We will keep you updated about them all the time.

15:31 Jesper Groth van Fyr & Flamme legt uit dat ze in het Deens zingen omdat ze dat zo fantastisch vonden aan het oude songfestival: dat was net een ansichtkaart uit ieder land. De mannen zeggen geïnspireerd te zijn door de muziek van eind jaren 70. Dat was niet een speciaal zo bedoeld geluid, maar door het schrijven ontstond dat zo. De heren geven aan dat ze alleen maar door het songfestival geïnspireerd zijn. Ze vinden de sfeer fantastisch. Ze waren ook nog erg onder de indruk dat ze een ooievaar gezien hadden. Een nieuw album zal waarschijnlijk in het Deens zijn, maar ze sluiten helemaal niet uit dat het anders wordt. 

15:06 Gjon’s Tears is satisfied with the second rehearsal. He is happy that the team is heading in the right direction. Gjon’s Tears says about his clothes that he likes to work with people he knows. He thinks it is important to give Swiss talent a chance. He collaborated with Sacha Jean Baptiste on the staging. He says it has changed something in him. He thought he couldn’t dance but she convinced him to do it anyway. Gjon’s Tears is happy to have people around him who change him. He is talking about melody and text: he lives from melody, but in this case the message of “Tout l’univers” is in the text. He adds that he is not only here as a singer, but that he is also active here as a composer and lyricist. That is his livelihood. Gjon talks a lot because he says: people listen to me here. That may not be the case in five years. He was happy that his style is immediately recognized in his song. 

14.49 Samanta Tina from Latvia sings a song by the Russian group A-Studio. Samanta speaks of the different roles she has: at home she is a mother, a sister and a daughter. As a teenager she was searching. She has participated in national finals for a long time and often. It brought her to tears when she first came on stage. She indicates that she would like to participate again if she gets the chance, just to experience it again. She doesn’t know yet in which genre she will sing. It is different every time she is on stage, so looking ahead is not her forte. She doesn’t want to be framed, she likes to mix genres. What she does know is that if she returns to the Eurovision song contest that it will be as a singer and not as a composer. “The stage is my place,” says Samanta. 

13.12 The second rehearsal of the Finnish band Blind Channel went well, pyrothechnics are added, and the gentlemen do not care anymore if something goes wrong, for example if someone has to vomit during the performance. It’s rock ‘n’ roll. They think representing Finland in the Eurovision Song Contest is cool because they show what Finland is good at: rock. They also like being number 1 in the Finnish charts, but they actually want to be number 1 everywhere in Europe. Presenting themselves as Finnish rockers all over Europe is something they like even more. For the grunt at the end, they got advise from Lordi (ESC 2006): he opens his voice with Pepsi Cola and chocolate. Yet they don’t just listen to rock songs. A favorite Eurovision song they mention is “Euforia”. They don’t want to cover that song though; they would like to work with Loreen. Beforehand they had heard negative stories about the Eurovision song contest in Finland, but they especially like it very much. They do what they have been doing for eight years: perform. 

12.47 VIKTORIA indicates that there are still some small things to be done about light and camera work. The delegation leader adds that these are very normal little things and thanks the people of the technology for their work. She tells about her father, who can be seen in the photo in the act, that he has ALS and therefore cannot be there to support her. When he saw the photo he burst into tears. VIKTORIA says to be very careful and to stay in her hotel room. The most important thing for her is to be able to perform here. The team used the time to write a new song, among other things. The subject is uncertainty and confidence in yourself and your own personality. Her personal victory (= viktoria) would be if she could make good contact with the audience and get the message across. Her inspiration often comes from movie soundtracks. 

12.22 The members of The Black Mamba wrote their song about a woman from Amsterdam. They themselves have no clear memory of Amsterdam for reasons that they will not go into further. They very much hope that the woman will recognize herself in the lyrics. But they met the woman in The Bulldog, a coffee shop in Amsterdam. Perhaps that says something. They like to be called hypnotic, just like the snake after which they are named they like to hypnotize their audience. They then administer their positive poison. The Black Mamba does feel some pressure now that they are seen as “dark horse”, but they also say: they are just numbers. At the end of the press conference, the members of the group sing another song. 

11.58 The rehearsal of Albanian Anxhela Peristeri went very well. The first is a bit more to explore the stage a bit. She indicates that she has learned here that an experience like the Eurovision song contest changes you in a positive way. She says she now knows she was born to sing. She likes the way she is treated in the Netherlands. She enjoys it. They spend a lot of time in the hotel room but have a good time together as a team. Anxhela has a strong voice. She says that getting up early is not very good for her voice, so she does voice exercises in the morning. She is glad that she now has to focus on singing in the evening. 

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Instead of relying only on short, direct hooks, progressive metal often develops slowly, moving through different moods and dramatic contrasts. That makes it a natural fit for artists who want to tell a story on stage. At this year’s Eurovision Song Contest in Vienna, Serbia’s Lavina brings that approach into a very different arena. The six-member band from Niš, formed in 2020, represents Serbia with “Kraj Mene”. Their music, rooted in metal and rock influences, adds a darker, theatrical edge to a contest often associated with pop. For viewers less familiar with the genre, Lavina’s rehearsal today offers a chance to hear how progressive metal can be emotional, technical and accessible at the same time for audiences watching live.  

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Vienna 12 points: from eighties music to progressive metal

Five more countries start their second rehearsals. As we still don’t have access to the rehearsals, we will do something else. Per entry, we highlight one subject and give you some more information. That can be something about the artist, the song, the lyrics or even something completely different.  Belgium – Essyla, “Dancing on the Ice” Running order: 11 | Rehearsal: 10:30–10:55 CEST During Belgium’s second rehearsal in Vienna, with ESSYLA carrying the flag in 2026, another Belgian Eurovision story returns to the spotlight. Forty years ago, Sandra Kim won the contest in Bergen with “J’aime la vie”, giving Belgium its first and so far only victory. Her triumph, however, has always carried an unusual footnote. In the song she sang that she was fifteen. At the time, the public was told she was fourteen. Later, Sandra Kim admitted she had actually been only thirteen when she stepped onto the Eurovision stage. The revelation made her the youngest winner in contest history, a record that can no longer be broken under today’s age rules. While ESSYLA rehearses for a new Belgian chapter, Kim’s story remains a reminder of Eurovision’s unpredictable past: a bright, youthful performance that became both a national celebration and a lasting controversy for fans across Europe and beyond, even today.  Lithuania – Lion Ceccah, “Sólo Quiero Más” Running order: 12 | Rehearsal: 11:05–11:30 CEST Six languages in the Lithuanian entry may sound like a Eurovision record, but the multilingual crown still belongs to Norway. In 1973, the Bendik Singers performed “It’s Just A Game” in Luxembourg and packed an extraordinary twelve languages into one playful pop song. English and French carried most of the lyrics, but the performance also included brief phrases in Spanish, Italian, Dutch, German, Irish, Serbo-Croatian, Hebrew, Finnish, Swedish and Norwegian. The result was more than a gimmick: the song’s jazzy vocal exchanges and theatrical delivery made it stand out in a year when Eurovision had just introduced the free-language rule. Norway finished seventh with 89 points, its best result for several years. Today, “It’s Just A Game” remains a fascinating reminder that Eurovision’s love of linguistic experiments is not new. Long before Lion Ceccah, Bendik Singers had already turned the contest into a multilingual playground and a lasting Eurovision curiosity.  San Marino – Senhit feat. Boy George, “Superstar” Running order: 13 | Rehearsal: 11:40–12:05 CEST ulture Club may be a household name for older pop fans, but many people watching Eurovision this year might not know the band, for a simple reason: they were not born yet when the group ruled the charts. Formed in London in 1981, Culture Club became one of the defining acts of the 1980s. With Boy George as their charismatic frontman, the band stood out with a colourful image and a sound that mixed pop, soul, reggae and new wave. Their breakthrough came with “Do You Really Want to Hurt Me”, followed by international hits such as “Karma Chameleon” and “Time (Clock of the Heart)”. Culture Club’s impact went beyond record sales. They helped shape the look and feel of 1980s pop and challenged expectations around fashion, identity and performance. For younger Eurovision viewers, this is a chance to discover an influential chapter in British pop history for themselves today.  Poland – Alicja, “Pray” Running order: 14 | Rehearsal: 12:20–12:45 CEST Hit Hit Hurra! was a Polish music talent show aimed at young performers, broadcast on TVP1. The format gave children and teenagers a national stage, combining competitive performances with professional guidance and live musical backing. Its jury included well-known figures from the Polish music scene, among them Eurovision 1994 runner-up Edyta Górniak, music journalist Hirek Wrona and vocal coach Bartek Caboń. One of the programme’s most notable winners was Alicja Szemplińska. In 2016, at just 14, she won the first edition after impressing viewers and the jury with her performance of Beyoncé’s “Listen”. Her victory became an early milestone in a career that later led her to The Voice of Poland and to Eurovision. Alicja rehearses today for the Eurovision Song Contest in Vienna. Today, Hit Hit Hurra! is remembered as an important stepping stone for young Polish talent and future pop stars nationwide.  Serbia – Lavina, “Kraj mene” Running order: 15 | Rehearsal: 12:55–13:20 CEST Progressive metal is built on ambition. The genre takes the power of heavy metal and combines it with complex rhythms, extended song structures and influences from progressive rock, classical music and jazz. Instead of relying only on short, direct hooks, progressive metal often develops slowly, moving through different moods and dramatic contrasts. That makes it a natural fit for artists who want to tell a story on stage. At this year’s Eurovision Song Contest in Vienna, Serbia’s Lavina brings that approach into a very different arena. The six-member band from Niš, formed in 2020, represents Serbia with “Kraj Mene”. Their music, rooted in metal and rock influences, adds a darker, theatrical edge to a contest often associated with pop. For viewers less familiar with the genre, Lavina’s rehearsal today offers a chance to hear how progressive metal can be emotional, technical and accessible at the same time for audiences watching live.  

Read More »
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