Liveblog: Press Conferences 14 may





Today, we will have Press Conferences again for the Eurovision Song Contest. We will keep you updated about them all the time.

15:31 Jesper Groth van Fyr & Flamme legt uit dat ze in het Deens zingen omdat ze dat zo fantastisch vonden aan het oude songfestival: dat was net een ansichtkaart uit ieder land. De mannen zeggen geïnspireerd te zijn door de muziek van eind jaren 70. Dat was niet een speciaal zo bedoeld geluid, maar door het schrijven ontstond dat zo. De heren geven aan dat ze alleen maar door het songfestival geïnspireerd zijn. Ze vinden de sfeer fantastisch. Ze waren ook nog erg onder de indruk dat ze een ooievaar gezien hadden. Een nieuw album zal waarschijnlijk in het Deens zijn, maar ze sluiten helemaal niet uit dat het anders wordt. 

15:06 Gjon’s Tears is satisfied with the second rehearsal. He is happy that the team is heading in the right direction. Gjon’s Tears says about his clothes that he likes to work with people he knows. He thinks it is important to give Swiss talent a chance. He collaborated with Sacha Jean Baptiste on the staging. He says it has changed something in him. He thought he couldn’t dance but she convinced him to do it anyway. Gjon’s Tears is happy to have people around him who change him. He is talking about melody and text: he lives from melody, but in this case the message of “Tout l’univers” is in the text. He adds that he is not only here as a singer, but that he is also active here as a composer and lyricist. That is his livelihood. Gjon talks a lot because he says: people listen to me here. That may not be the case in five years. He was happy that his style is immediately recognized in his song. 

14.49 Samanta Tina from Latvia sings a song by the Russian group A-Studio. Samanta speaks of the different roles she has: at home she is a mother, a sister and a daughter. As a teenager she was searching. She has participated in national finals for a long time and often. It brought her to tears when she first came on stage. She indicates that she would like to participate again if she gets the chance, just to experience it again. She doesn’t know yet in which genre she will sing. It is different every time she is on stage, so looking ahead is not her forte. She doesn’t want to be framed, she likes to mix genres. What she does know is that if she returns to the Eurovision song contest that it will be as a singer and not as a composer. “The stage is my place,” says Samanta. 

13.12 The second rehearsal of the Finnish band Blind Channel went well, pyrothechnics are added, and the gentlemen do not care anymore if something goes wrong, for example if someone has to vomit during the performance. It’s rock ‘n’ roll. They think representing Finland in the Eurovision Song Contest is cool because they show what Finland is good at: rock. They also like being number 1 in the Finnish charts, but they actually want to be number 1 everywhere in Europe. Presenting themselves as Finnish rockers all over Europe is something they like even more. For the grunt at the end, they got advise from Lordi (ESC 2006): he opens his voice with Pepsi Cola and chocolate. Yet they don’t just listen to rock songs. A favorite Eurovision song they mention is “Euforia”. They don’t want to cover that song though; they would like to work with Loreen. Beforehand they had heard negative stories about the Eurovision song contest in Finland, but they especially like it very much. They do what they have been doing for eight years: perform. 

12.47 VIKTORIA indicates that there are still some small things to be done about light and camera work. The delegation leader adds that these are very normal little things and thanks the people of the technology for their work. She tells about her father, who can be seen in the photo in the act, that he has ALS and therefore cannot be there to support her. When he saw the photo he burst into tears. VIKTORIA says to be very careful and to stay in her hotel room. The most important thing for her is to be able to perform here. The team used the time to write a new song, among other things. The subject is uncertainty and confidence in yourself and your own personality. Her personal victory (= viktoria) would be if she could make good contact with the audience and get the message across. Her inspiration often comes from movie soundtracks. 

12.22 The members of The Black Mamba wrote their song about a woman from Amsterdam. They themselves have no clear memory of Amsterdam for reasons that they will not go into further. They very much hope that the woman will recognize herself in the lyrics. But they met the woman in The Bulldog, a coffee shop in Amsterdam. Perhaps that says something. They like to be called hypnotic, just like the snake after which they are named they like to hypnotize their audience. They then administer their positive poison. The Black Mamba does feel some pressure now that they are seen as “dark horse”, but they also say: they are just numbers. At the end of the press conference, the members of the group sing another song. 

11.58 The rehearsal of Albanian Anxhela Peristeri went very well. The first is a bit more to explore the stage a bit. She indicates that she has learned here that an experience like the Eurovision song contest changes you in a positive way. She says she now knows she was born to sing. She likes the way she is treated in the Netherlands. She enjoys it. They spend a lot of time in the hotel room but have a good time together as a team. Anxhela has a strong voice. She says that getting up early is not very good for her voice, so she does voice exercises in the morning. She is glad that she now has to focus on singing in the evening. 

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70 years of Eurovision: #metoo and TikTok

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 2018 For the first time, Portugal was the host. The festival was held in the Altice Arena in Lisbon. Sílvia Alberto, Daniela Ruah, Catarina Furtado, and Filomena Cautela presented the event. Russia participated again, and there were no dropouts this year. The songs She didn’t really make a return, but the Russian Julia Samoylova, who missed out on participation last year, was present this time. Julia sang “I Won’t Break,” requiring a lot of support from the backing vocals. She herself did not really have a strong voice. Waylon participated for the Netherlands again. And a real Eurovision winner was also present: Alexander Rybak. Using virtual reality, he won the semi-final with “That’s How You Write A Song,” but finished in fifteenth place in the final. In the final, we saw the Ukrainian Mélovin with a burning fake piano. Cesár Sampson, who had already performed twice as a backing vocalist for Bulgaria, now represented his native Austria. His gospel song “Nobody But You” won with the professional jury and finished third overall. The British SuRie had also sung in backing choirs before, but for Belgium. At Eurovision In Concert in Amsterdam, she already showed she was capable of a lot: she stepped in for her French colleague who was ill. During the live broadcast, someone snatched the microphone out of her hands. She bravely continued singing, although she later admitted to having been traumatized by it. Michael Schulte brought Germany back to the top with a song about his father. The duo Ermal Meta and Fabrizio Moro finished high for Italy. And then there was Eleni Foureira for Cyprus. No one expected a high position for her “Fuego”. But once the act had been seen after the first rehearsals, Foureira slowly but surely rose to first place with the bookmakers. Netta She alternated that first place with the Israeli Netta. Immediately after the release of her song “Toy,” she was first in the odds and never relinquished that spot. With an act featuring Japanese lucky cats, the so-called Maneki Neko, she ultimately took first place. Israel achieved its fourth victory with Netta. “Toy” was a song with a message. Inspired by the #metoo movement, Netta sang that she was not a toy. Remarkably: although Netta’s charisma and performance had contributed significantly to the victory, composer Doron Medalie felt that Netta owed everything to him. Apparently, he hadn’t quite understood his own lyrics. 2019 The Eurovision Song Contest was held in Israel for the third time. That caused some trouble. The festival could not be held in Jerusalem, and the favorite in the national final had to withdraw due to rehearsals on Shabbat. That was a problem in itself. The EBU had to force things. “Either rehearsals take place on Shabbat, or the festival will not be held in Israel,” they stated. It eventually became the Expo Hall in Tel Aviv, and Erez Tal, Bar Refaeli, Assi Azar, and Lucy Ayoub were allowed to present it. Bulgaria did not participate. Ukraine did have an entry, but it turned out that the singer had performed on the peninsula after Russia’s annexation of Crimea. She was disqualified, and after the tightening of national rules, no one in Ukraine was willing to participate anymore. So, no Ukrainian entry. For some strange reason, we are not allowed to embed the second semifinal. However, you can watch it here. The songs Serhat participated again for San Marino, but this time he did make it to the final. Joci Pápai did not make it to the final for Hungary. Sergey Lazarev represented Russia for the second time. When the song “Scream” was released, Sergey immediately lost his number one spot with the bookmakers. With a slick act, Lazarev managed to secure third place once again. Tamara Todevska was the woman who once started Macedonia’s streak of failed finals. Now, she did the reverse. She even won at the jury. With a seventh place, her “Proud” achieved the best score ever for North Macedonia. One of the favorites was gospel singer John Lundvik. With “Too Late For Love” for Sweden, he was expected to be in the running for the final victory up to the very last moment. However, he did not receive enough points from the televoter. Keiino did; this Norwegian group even received the highest score from the televoter. And if you are wondering what that special chant is that can be heard in the song “Spirit In The Sky”: it is the joik, a traditional song of the Sami, who live in Northern Scandinavia. Iceland came up with a BDSM act. The group Hatari made no secret of being pro-Palestinian. During the scoring, they showed a Palestinian shawl. For France, the androgynous Bilal Hassani was the contender. He received many hateful comments in his own country regarding his feminine appearance and his open homosexuality. This prompted presenter Assi Azar to stand up for Bilal and offer him encouragement online. Switzerland was back after many lean years: Luca Hänni came with the swinging “She Got Me”. The song was originally going to be called “Dirty Dancing”, but that was not allowed. Copyrights were attached to this title. Watch the final here. Duncan Laurence It was Common Linnet Ilse Delange who discovered Duncan Laurence through The Voice. Now it was also Ilse who suggested him as a contestant and guided him in Tel Aviv. She had devised the act. “Arcade” was the overwhelming favorite in the odds. However, the performance was quite disappointing during the first rehearsals. 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History
Martijn

70 years of Eurovision: #metoo and TikTok

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 2018 For the first time, Portugal was the host. The festival was held in the Altice Arena in Lisbon. Sílvia Alberto, Daniela Ruah, Catarina Furtado, and Filomena Cautela presented the event. Russia participated again, and there were no dropouts this year. The songs She didn’t really make a return, but the Russian Julia Samoylova, who missed out on participation last year, was present this time. Julia sang “I Won’t Break,” requiring a lot of support from the backing vocals. She herself did not really have a strong voice. Waylon participated for the Netherlands again. And a real Eurovision winner was also present: Alexander Rybak. Using virtual reality, he won the semi-final with “That’s How You Write A Song,” but finished in fifteenth place in the final. In the final, we saw the Ukrainian Mélovin with a burning fake piano. Cesár Sampson, who had already performed twice as a backing vocalist for Bulgaria, now represented his native Austria. His gospel song “Nobody But You” won with the professional jury and finished third overall. The British SuRie had also sung in backing choirs before, but for Belgium. At Eurovision In Concert in Amsterdam, she already showed she was capable of a lot: she stepped in for her French colleague who was ill. During the live broadcast, someone snatched the microphone out of her hands. She bravely continued singing, although she later admitted to having been traumatized by it. Michael Schulte brought Germany back to the top with a song about his father. The duo Ermal Meta and Fabrizio Moro finished high for Italy. And then there was Eleni Foureira for Cyprus. No one expected a high position for her “Fuego”. But once the act had been seen after the first rehearsals, Foureira slowly but surely rose to first place with the bookmakers. Netta She alternated that first place with the Israeli Netta. Immediately after the release of her song “Toy,” she was first in the odds and never relinquished that spot. With an act featuring Japanese lucky cats, the so-called Maneki Neko, she ultimately took first place. Israel achieved its fourth victory with Netta. “Toy” was a song with a message. Inspired by the #metoo movement, Netta sang that she was not a toy. Remarkably: although Netta’s charisma and performance had contributed significantly to the victory, composer Doron Medalie felt that Netta owed everything to him. Apparently, he hadn’t quite understood his own lyrics. 2019 The Eurovision Song Contest was held in Israel for the third time. That caused some trouble. The festival could not be held in Jerusalem, and the favorite in the national final had to withdraw due to rehearsals on Shabbat. That was a problem in itself. The EBU had to force things. “Either rehearsals take place on Shabbat, or the festival will not be held in Israel,” they stated. It eventually became the Expo Hall in Tel Aviv, and Erez Tal, Bar Refaeli, Assi Azar, and Lucy Ayoub were allowed to present it. Bulgaria did not participate. Ukraine did have an entry, but it turned out that the singer had performed on the peninsula after Russia’s annexation of Crimea. She was disqualified, and after the tightening of national rules, no one in Ukraine was willing to participate anymore. So, no Ukrainian entry. For some strange reason, we are not allowed to embed the second semifinal. However, you can watch it here. The songs Serhat participated again for San Marino, but this time he did make it to the final. Joci Pápai did not make it to the final for Hungary. Sergey Lazarev represented Russia for the second time. When the song “Scream” was released, Sergey immediately lost his number one spot with the bookmakers. With a slick act, Lazarev managed to secure third place once again. Tamara Todevska was the woman who once started Macedonia’s streak of failed finals. Now, she did the reverse. She even won at the jury. With a seventh place, her “Proud” achieved the best score ever for North Macedonia. One of the favorites was gospel singer John Lundvik. With “Too Late For Love” for Sweden, he was expected to be in the running for the final victory up to the very last moment. However, he did not receive enough points from the televoter. Keiino did; this Norwegian group even received the highest score from the televoter. And if you are wondering what that special chant is that can be heard in the song “Spirit In The Sky”: it is the joik, a traditional song of the Sami, who live in Northern Scandinavia. Iceland came up with a BDSM act. The group Hatari made no secret of being pro-Palestinian. During the scoring, they showed a Palestinian shawl. For France, the androgynous Bilal Hassani was the contender. He received many hateful comments in his own country regarding his feminine appearance and his open homosexuality. This prompted presenter Assi Azar to stand up for Bilal and offer him encouragement online. Switzerland was back after many lean years: Luca Hänni came with the swinging “She Got Me”. The song was originally going to be called “Dirty Dancing”, but that was not allowed. Copyrights were attached to this title. Watch the final here. Duncan Laurence It was Common Linnet Ilse Delange who discovered Duncan Laurence through The Voice. Now it was also Ilse who suggested him as a contestant and guided him in Tel Aviv. She had devised the act. “Arcade” was the overwhelming favorite in the odds. However, the performance was quite disappointing during the first rehearsals. A new light was needed, and the camera work had to be different. Ilse Delange repeatedly informed the press present that ‘little things’ needed to be improved. This was to conceal the fact that there was

Read More »
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