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Liveblog: Press Conferences 14 may





Today, we will have Press Conferences again for the Eurovision Song Contest. We will keep you updated about them all the time.

15:31 Jesper Groth van Fyr & Flamme legt uit dat ze in het Deens zingen omdat ze dat zo fantastisch vonden aan het oude songfestival: dat was net een ansichtkaart uit ieder land. De mannen zeggen geïnspireerd te zijn door de muziek van eind jaren 70. Dat was niet een speciaal zo bedoeld geluid, maar door het schrijven ontstond dat zo. De heren geven aan dat ze alleen maar door het songfestival geïnspireerd zijn. Ze vinden de sfeer fantastisch. Ze waren ook nog erg onder de indruk dat ze een ooievaar gezien hadden. Een nieuw album zal waarschijnlijk in het Deens zijn, maar ze sluiten helemaal niet uit dat het anders wordt. 

15:06 Gjon’s Tears is satisfied with the second rehearsal. He is happy that the team is heading in the right direction. Gjon’s Tears says about his clothes that he likes to work with people he knows. He thinks it is important to give Swiss talent a chance. He collaborated with Sacha Jean Baptiste on the staging. He says it has changed something in him. He thought he couldn’t dance but she convinced him to do it anyway. Gjon’s Tears is happy to have people around him who change him. He is talking about melody and text: he lives from melody, but in this case the message of “Tout l’univers” is in the text. He adds that he is not only here as a singer, but that he is also active here as a composer and lyricist. That is his livelihood. Gjon talks a lot because he says: people listen to me here. That may not be the case in five years. He was happy that his style is immediately recognized in his song. 

14.49 Samanta Tina from Latvia sings a song by the Russian group A-Studio. Samanta speaks of the different roles she has: at home she is a mother, a sister and a daughter. As a teenager she was searching. She has participated in national finals for a long time and often. It brought her to tears when she first came on stage. She indicates that she would like to participate again if she gets the chance, just to experience it again. She doesn’t know yet in which genre she will sing. It is different every time she is on stage, so looking ahead is not her forte. She doesn’t want to be framed, she likes to mix genres. What she does know is that if she returns to the Eurovision song contest that it will be as a singer and not as a composer. “The stage is my place,” says Samanta. 

13.12 The second rehearsal of the Finnish band Blind Channel went well, pyrothechnics are added, and the gentlemen do not care anymore if something goes wrong, for example if someone has to vomit during the performance. It’s rock ‘n’ roll. They think representing Finland in the Eurovision Song Contest is cool because they show what Finland is good at: rock. They also like being number 1 in the Finnish charts, but they actually want to be number 1 everywhere in Europe. Presenting themselves as Finnish rockers all over Europe is something they like even more. For the grunt at the end, they got advise from Lordi (ESC 2006): he opens his voice with Pepsi Cola and chocolate. Yet they don’t just listen to rock songs. A favorite Eurovision song they mention is “Euforia”. They don’t want to cover that song though; they would like to work with Loreen. Beforehand they had heard negative stories about the Eurovision song contest in Finland, but they especially like it very much. They do what they have been doing for eight years: perform. 

12.47 VIKTORIA indicates that there are still some small things to be done about light and camera work. The delegation leader adds that these are very normal little things and thanks the people of the technology for their work. She tells about her father, who can be seen in the photo in the act, that he has ALS and therefore cannot be there to support her. When he saw the photo he burst into tears. VIKTORIA says to be very careful and to stay in her hotel room. The most important thing for her is to be able to perform here. The team used the time to write a new song, among other things. The subject is uncertainty and confidence in yourself and your own personality. Her personal victory (= viktoria) would be if she could make good contact with the audience and get the message across. Her inspiration often comes from movie soundtracks. 

12.22 The members of The Black Mamba wrote their song about a woman from Amsterdam. They themselves have no clear memory of Amsterdam for reasons that they will not go into further. They very much hope that the woman will recognize herself in the lyrics. But they met the woman in The Bulldog, a coffee shop in Amsterdam. Perhaps that says something. They like to be called hypnotic, just like the snake after which they are named they like to hypnotize their audience. They then administer their positive poison. The Black Mamba does feel some pressure now that they are seen as “dark horse”, but they also say: they are just numbers. At the end of the press conference, the members of the group sing another song. 

11.58 The rehearsal of Albanian Anxhela Peristeri went very well. The first is a bit more to explore the stage a bit. She indicates that she has learned here that an experience like the Eurovision song contest changes you in a positive way. She says she now knows she was born to sing. She likes the way she is treated in the Netherlands. She enjoys it. They spend a lot of time in the hotel room but have a good time together as a team. Anxhela has a strong voice. She says that getting up early is not very good for her voice, so she does voice exercises in the morning. She is glad that she now has to focus on singing in the evening. 

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Blast from the past

Blast from the past: Yugoslavia 1991

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1991, when Baby Doll represented Yugoslavia with her song “Brazil”. Yugoslavia in the Eurovision Song Contest Yugoslavia debuted in the Eurovision Song Contest in 1961. Already in their 2nd year, Yugoslavia reached a high score (4th) with Lola Novaković and her “Ne pali svetlo u sumrak”. Unfortunately, it was hard for the country to break that record. In 1983, the country reached the 4th place again with Danijel Popović and his “Džuli”. The English version of that song “Julie” became a worldwide hit. But Yugoslavia had to await their first and only victory until 1989. Riva won the contest with “Rock me”. Only three more Yugoslav entries followed, but the country fell apart. In 1992 they had their very last entry. Riva Jugovizija 1991 The Yugoslav national final was called Jugovizija. Eight regional television stations all had their contributions and their jury. In 1991, the contest was held on 9 March in Sarajevo. 16 songs participated: Tedi Spalato sang “Gospode moj”, 29 pts, 5th (HTV, Zagreb) Zorana Pavić sang “Ritam ljubavi“, 26 pts, 6th (TVBg, Belgrade) Milica Milisavljević-Dugalić sang “Sta će nebo reći“, 20 pts, 10th (TVPr, Pristina) Baby Doll sang “Brazil“, 68 pts, 1st (TVBg, Belgrade) Miran Rudan sang “Ne reci goodbye“, 5 pts, 15th (TVSl, Ljubljana) Jelena Džoja sang “Čuvaj se ljubavi“, 9 pts, 13th (TVSa, Sarajevo) Margarita Hristova sang “Daj mi krilja“, 3 pts, 16th (TVSk, Skopje) Vesna Ivić sang “Ime“, 11 pts, 11th (TVNS, Novi Sad) Ivana Banfić sang “Daj, povedi me“, 57 pts, 3rd (HTV, Zagreb) Helena Blagne sang “Navaden majski dan“, 25 pts, 7th (TVSl, Ljubljana) Šeri sang “Da li već spavaš“, 6 pts, 14th (TVBg, Belgrade) Ponoćni express sang “Pjesma o tebi“, 22 pts, 8th (TVCg, Titograd) Tony Cetinski sang “Marina“, 22 pts, 8th (TVNS, Novi Sad) Danijel Popović sang “Ma daj obuci levisice“, 66 pts, 2nd (HTV, Zagreb) Anastasija Nizamova-Muhić sang “Molitva“, 11 pts, 11th (TVSk, Skopje) Zerina Cokoja, “Bez tebe“, 52 pts, 4th, 52 pts, 4th (TVSa, Sarajevo) Danijel was the hot favourite to win the competition. However, Yugoslavia was about to fall apart. In June 1991, Croatia and Slovenia declared their independence. Four months before that, the political tension was very high. The result was that the jury of TVSl, TVSa and TVSk did not vote for any of the Serbian songs. TVBg and TVPr did not vote for Danijel, the latter did not vote for the other Croatian entry either. However, both juries gave “Brazil” their maximum number of points. That is what brought Baby Doll her victory. Danijel Popović Baby Doll Bebi Dol or Baby Doll, born Dragana Šarić on October 2, 1962, in Belgrade, is a prominent Serbian and former Yugoslav pop-rock singer. Raised by her jazz musician father, Milisav Šarić, she began her career in the late 1970s with the band Tarkus before co-founding Anoda Ruž with Goran Vejvoda in 1981. Following the band’s short run, she embarked on a solo career and gained fame with the 1981 single Mustafa, which won Song of the Year. In 1983, her debut album Ruže i krv earned her acclaim and established her popularity across Yugoslavia. Bebi Dol’s style evolved with each release, from the oriental-inspired Inš-Alah in 1986 to the dance-influenced tracks on her 1995 album Ritam srca. Her 1991 Eurovision entry, Brazil, remains iconic despite placing low, a result often attributed to Yugoslavia’s political turmoil. Her 2002 album Ljuta sam received mixed reviews, but she continued performing, venturing into cover albums like Čovek rado izvan sebe živi in 2006. In 2009, she participated as a finalist in the reality show Farma, appearing again in 2013 and 2015. Eight years later, she competed in the fourth season of Tvoje lice zvuči poznato, though she did not make it to the finals. In 2018, she entered the reality show Zadruga, but was quickly eliminated. In 2020, she appeared as a special guest in the series Tajkun. Brazil “Brazil” was written by Dragana Šarić herself, with music composed by Saša Habić and Zoran Vračević, the song blends Latin-inspired rhythms with Balkan pop, creating a vibrant, energetic piece. Known for its catchy melody and exotic flair, Brazil highlighted Bebi Dol’s theatrical style and ambitious staging, featuring elaborate costumes and dynamic choreography. Despite its popularity at home, the song faced challenges on the European stage, likely influenced by the tense political climate in Yugoslavia at the time. Ultimately, Brazil scored only one point at the contest, finishing in last place. However, the song later gained recognition as a unique Eurovision entry, maintaining a dedicated following among fans for its creativity and Bebi Dol’s distinct performance.   Share

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Blast from the past
Martijn

Blast from the past: Yugoslavia 1991

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1991, when Baby Doll represented Yugoslavia with her song “Brazil”. Yugoslavia in the Eurovision Song Contest Yugoslavia debuted in the Eurovision Song Contest in 1961. Already in their 2nd year, Yugoslavia reached a high score (4th) with Lola Novaković and her “Ne pali svetlo u sumrak”. Unfortunately, it was hard for the country to break that record. In 1983, the country reached the 4th place again with Danijel Popović and his “Džuli”. The English version of that song “Julie” became a worldwide hit. But Yugoslavia had to await their first and only victory until 1989. Riva won the contest with “Rock me”. Only three more Yugoslav entries followed, but the country fell apart. In 1992 they had their very last entry. Riva Jugovizija 1991 The Yugoslav national final was called Jugovizija. Eight regional television stations all had their contributions and their jury. In 1991, the contest was held on 9 March in Sarajevo. 16 songs participated: Tedi Spalato sang “Gospode moj”, 29 pts, 5th (HTV, Zagreb) Zorana Pavić sang “Ritam ljubavi“, 26 pts, 6th (TVBg, Belgrade) Milica Milisavljević-Dugalić sang “Sta će nebo reći“, 20 pts, 10th (TVPr, Pristina) Baby Doll sang “Brazil“, 68 pts, 1st (TVBg, Belgrade) Miran Rudan sang “Ne reci goodbye“, 5 pts, 15th (TVSl, Ljubljana) Jelena Džoja sang “Čuvaj se ljubavi“, 9 pts, 13th (TVSa, Sarajevo) Margarita Hristova sang “Daj mi krilja“, 3 pts, 16th (TVSk, Skopje) Vesna Ivić sang “Ime“, 11 pts, 11th (TVNS, Novi Sad) Ivana Banfić sang “Daj, povedi me“, 57 pts, 3rd (HTV, Zagreb) Helena Blagne sang “Navaden majski dan“, 25 pts, 7th (TVSl, Ljubljana) Šeri sang “Da li već spavaš“, 6 pts, 14th (TVBg, Belgrade) Ponoćni express sang “Pjesma o tebi“, 22 pts, 8th (TVCg, Titograd) Tony Cetinski sang “Marina“, 22 pts, 8th (TVNS, Novi Sad) Danijel Popović sang “Ma daj obuci levisice“, 66 pts, 2nd (HTV, Zagreb) Anastasija Nizamova-Muhić sang “Molitva“, 11 pts, 11th (TVSk, Skopje) Zerina Cokoja, “Bez tebe“, 52 pts, 4th, 52 pts, 4th (TVSa, Sarajevo) Danijel was the hot favourite to win the competition. However, Yugoslavia was about to fall apart. In June 1991, Croatia and Slovenia declared their independence. Four months before that, the political tension was very high. The result was that the jury of TVSl, TVSa and TVSk did not vote for any of the Serbian songs. TVBg and TVPr did not vote for Danijel, the latter did not vote for the other Croatian entry either. However, both juries gave “Brazil” their maximum number of points. That is what brought Baby Doll her victory. Danijel Popović Baby Doll Bebi Dol or Baby Doll, born Dragana Šarić on October 2, 1962, in Belgrade, is a prominent Serbian and former Yugoslav pop-rock singer. Raised by her jazz musician father, Milisav Šarić, she began her career in the late 1970s with the band Tarkus before co-founding Anoda Ruž with Goran Vejvoda in 1981. Following the band’s short run, she embarked on a solo career and gained fame with the 1981 single Mustafa, which won Song of the Year. In 1983, her debut album Ruže i krv earned her acclaim and established her popularity across Yugoslavia. Bebi Dol’s style evolved with each release, from the oriental-inspired Inš-Alah in 1986 to the dance-influenced tracks on her 1995 album Ritam srca. Her 1991 Eurovision entry, Brazil, remains iconic despite placing low, a result often attributed to Yugoslavia’s political turmoil. Her 2002 album Ljuta sam received mixed reviews, but she continued performing, venturing into cover albums like Čovek rado izvan sebe živi in 2006. In 2009, she participated as a finalist in the reality show Farma, appearing again in 2013 and 2015. Eight years later, she competed in the fourth season of Tvoje lice zvuči poznato, though she did not make it to the finals. In 2018, she entered the reality show Zadruga, but was quickly eliminated. In 2020, she appeared as a special guest in the series Tajkun. Brazil “Brazil” was written by Dragana Šarić herself, with music composed by Saša Habić and Zoran Vračević, the song blends Latin-inspired rhythms with Balkan pop, creating a vibrant, energetic piece. Known for its catchy melody and exotic flair, Brazil highlighted Bebi Dol’s theatrical style and ambitious staging, featuring elaborate costumes and dynamic choreography. Despite its popularity at home, the song faced challenges on the European stage, likely influenced by the tense political climate in Yugoslavia at the time. Ultimately, Brazil scored only one point at the contest, finishing in last place. However, the song later gained recognition as a unique Eurovision entry, maintaining a dedicated following among fans for its creativity and Bebi Dol’s distinct performance.   Share

Share
Read More »