Liveblog: Press Conferences 14 may





Today, we will have Press Conferences again for the Eurovision Song Contest. We will keep you updated about them all the time.

15:31 Jesper Groth van Fyr & Flamme legt uit dat ze in het Deens zingen omdat ze dat zo fantastisch vonden aan het oude songfestival: dat was net een ansichtkaart uit ieder land. De mannen zeggen geïnspireerd te zijn door de muziek van eind jaren 70. Dat was niet een speciaal zo bedoeld geluid, maar door het schrijven ontstond dat zo. De heren geven aan dat ze alleen maar door het songfestival geïnspireerd zijn. Ze vinden de sfeer fantastisch. Ze waren ook nog erg onder de indruk dat ze een ooievaar gezien hadden. Een nieuw album zal waarschijnlijk in het Deens zijn, maar ze sluiten helemaal niet uit dat het anders wordt. 

15:06 Gjon’s Tears is satisfied with the second rehearsal. He is happy that the team is heading in the right direction. Gjon’s Tears says about his clothes that he likes to work with people he knows. He thinks it is important to give Swiss talent a chance. He collaborated with Sacha Jean Baptiste on the staging. He says it has changed something in him. He thought he couldn’t dance but she convinced him to do it anyway. Gjon’s Tears is happy to have people around him who change him. He is talking about melody and text: he lives from melody, but in this case the message of “Tout l’univers” is in the text. He adds that he is not only here as a singer, but that he is also active here as a composer and lyricist. That is his livelihood. Gjon talks a lot because he says: people listen to me here. That may not be the case in five years. He was happy that his style is immediately recognized in his song. 

14.49 Samanta Tina from Latvia sings a song by the Russian group A-Studio. Samanta speaks of the different roles she has: at home she is a mother, a sister and a daughter. As a teenager she was searching. She has participated in national finals for a long time and often. It brought her to tears when she first came on stage. She indicates that she would like to participate again if she gets the chance, just to experience it again. She doesn’t know yet in which genre she will sing. It is different every time she is on stage, so looking ahead is not her forte. She doesn’t want to be framed, she likes to mix genres. What she does know is that if she returns to the Eurovision song contest that it will be as a singer and not as a composer. “The stage is my place,” says Samanta. 

13.12 The second rehearsal of the Finnish band Blind Channel went well, pyrothechnics are added, and the gentlemen do not care anymore if something goes wrong, for example if someone has to vomit during the performance. It’s rock ‘n’ roll. They think representing Finland in the Eurovision Song Contest is cool because they show what Finland is good at: rock. They also like being number 1 in the Finnish charts, but they actually want to be number 1 everywhere in Europe. Presenting themselves as Finnish rockers all over Europe is something they like even more. For the grunt at the end, they got advise from Lordi (ESC 2006): he opens his voice with Pepsi Cola and chocolate. Yet they don’t just listen to rock songs. A favorite Eurovision song they mention is “Euforia”. They don’t want to cover that song though; they would like to work with Loreen. Beforehand they had heard negative stories about the Eurovision song contest in Finland, but they especially like it very much. They do what they have been doing for eight years: perform. 

12.47 VIKTORIA indicates that there are still some small things to be done about light and camera work. The delegation leader adds that these are very normal little things and thanks the people of the technology for their work. She tells about her father, who can be seen in the photo in the act, that he has ALS and therefore cannot be there to support her. When he saw the photo he burst into tears. VIKTORIA says to be very careful and to stay in her hotel room. The most important thing for her is to be able to perform here. The team used the time to write a new song, among other things. The subject is uncertainty and confidence in yourself and your own personality. Her personal victory (= viktoria) would be if she could make good contact with the audience and get the message across. Her inspiration often comes from movie soundtracks. 

12.22 The members of The Black Mamba wrote their song about a woman from Amsterdam. They themselves have no clear memory of Amsterdam for reasons that they will not go into further. They very much hope that the woman will recognize herself in the lyrics. But they met the woman in The Bulldog, a coffee shop in Amsterdam. Perhaps that says something. They like to be called hypnotic, just like the snake after which they are named they like to hypnotize their audience. They then administer their positive poison. The Black Mamba does feel some pressure now that they are seen as “dark horse”, but they also say: they are just numbers. At the end of the press conference, the members of the group sing another song. 

11.58 The rehearsal of Albanian Anxhela Peristeri went very well. The first is a bit more to explore the stage a bit. She indicates that she has learned here that an experience like the Eurovision song contest changes you in a positive way. She says she now knows she was born to sing. She likes the way she is treated in the Netherlands. She enjoys it. They spend a lot of time in the hotel room but have a good time together as a team. Anxhela has a strong voice. She says that getting up early is not very good for her voice, so she does voice exercises in the morning. She is glad that she now has to focus on singing in the evening. 

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70 years of Eurovision: chaos

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1990 Eurovision was held in Zagreb. The hosting proved to be quite a challenge. When hosts Oliver Mlakar and Helga Vlahović discovered that a much younger duo was ready to replace them, they called it quits. It took the Yugoslav broadcaster considerable effort to get the two back. The Norwegian Ketil Stokkan participated for the second time. After 1986, he now sang about the “Brandenburger Tor”. After the fall of the Berlin Wall, a striking number of songs were built around the theme of peace. The German entry was titled “Frei zu Leben” (Free to Live). Italy sang about the unification of Europe in “Insieme: 1992” (In Together: 1992). The Finnish group Beat sang “Fri?” (Free?), and the Austrian Simone sang “Keine Mauern mehr” (No More Walls). The latter did not even win the national final. The winning duo, Duett, was disqualified because it turned out that the song had already participated in a German national final.  The show started in a peculiar way. Spain was allowed to open, but after the intro, the ladies of the duo Azucar Moreno walked off angrily. The backing track had been started incorrectly. The ladies had to start over. The uptempo number by the Icelandic duo Stjórnin also stood out. It achieved a fourth place. Honking cars drove down the streets in Iceland as if the country had won. Joëlle Ursull represented France with a song by Serge Gainsbourg: “The White and Black Blues”. There was cheerful drumming on oil drums. Ursull came second, but had to share that place with the Irishman Liam Reilly. Seated at the piano, he sang “Somewhere in Europe”. And we do not want to leave Tajči unmentioned. She was a sort of Yugoslavian Marilyn Monroe, who managed to score quite nicely with the cheerful “Hajde da ludujemo”.  Toto Cutugno But Italy’s European song, “Insieme: 1992”, won. The singer, Toto Cutugno, was certainly no stranger. His biggest hit across Europe was “L’Italiano”. He finished high at the San Remo festival several times. In 1990 he did not win, but the numbers one and two were not interested in participating in Eurovision. When he won, all sorts of things happened. Champagne was poured over his head, causing the black dye to start dripping from his hair. That was very visible because he was wearing a white jacket. Someone in a black jacket quickly rushed over to solve this problem. Out of enthusiasm, Cutugno crawled into the audience during the encore, followed by a whole horde of journalists. For the public, the whole thing was not really safe. But Cutugno hadn’t noticed any of that, he said later. 1991 The entire 1991 Eurovision Song Contest can be summed up by one word: chaos. It started with the venue itself. The contest was supposed to be held in San Remo, but after the outbreak of the Gulf War, that proved not to be safe enough. It became Cinecittà, the studio in Rome where the spaghetti westerns were filmed. The set looked mostly like a collection of props that hadn’t been put away. The Italian broadcaster RAI decided to invite the two former winners, Gigliola Cinquetti and Toto Cutugno, as hosts. While Gigliola tried to keep things on track a little bit, Toto Cutugno was mainly an unguided missile. He didn’t listen, talked over jury chairmen, and started talking about something completely different at unexpected moments. At the end of the evening, scrutineer Frank Naef, usually an eloquent man, sat behind his table, turned red with annoyance. The songs Thomas Forstner returned for Austria. He had been successful in 1989, so he hoped to finish in the top 10 once again. It was quite disappointing: no one had points for him. The group Just4Fun from Norway included former Bobbysock Hanne Krogh and former Icy member Eirikur Hauksson from Iceland. Stefan Hilmarsson participated for Iceland itself; he was one half of the duo Beathoven. Malta was back! Not having participated since 1975, the duo Georgina & Paul Giordimaina was back. Surprisingly, their ballad “Could It Be” finished sixth. That was Malta’s best score ever up to that point. The Israeli Duo Datz also stood out, particularly with their typical Israeli dance. Sergio Dalma from Spain lived up to his reputation as a crooner with a fourth-place finish. And then there was Atlantis 2000 from Germany. They had bypassed the televoter and let a panel of a thousand people choose the song. Not a good idea, as it turned out. Singer and face of the group, Hermann Weindorff, sang so badly that his solos were distributed among the other group members to salvage what could still be salvaged. The group Clouseau, wildly popular in Belgium, also failed to do well, despite an Italian newspaper labeling them as the big favorites. The Belgians received no support from the Netherlands, where the group was also very popular. The Netherlands had to withdraw due to a remembrance day. And then there was Greece. Sophia Vossou’s song “I Anixi” featured a saxophone solo. Unfortunately, the young saxophonist from the orchestra was replaced at the last minute by an older gentleman. He couldn’t manage to get his fingers on the saxophone at the right moment. The sax solo went completely wrong. Carola At the end of the show, there were two winners. France and Sweden had the same number of points. The countries also received 12 points equally often, but Sweden received 10 more frequently. Sweden therefore won in the end. France had scored well with a singer from Tunisia. That was clearly audible. The song contained many Arabic influences. Singer Amina knew how to capitalize on her participation. Her song “Le dernier qui à parlé” became an international hit. But it was Carola, also

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Martijn

70 years of Eurovision: chaos

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1990 Eurovision was held in Zagreb. The hosting proved to be quite a challenge. When hosts Oliver Mlakar and Helga Vlahović discovered that a much younger duo was ready to replace them, they called it quits. It took the Yugoslav broadcaster considerable effort to get the two back. The Norwegian Ketil Stokkan participated for the second time. After 1986, he now sang about the “Brandenburger Tor”. After the fall of the Berlin Wall, a striking number of songs were built around the theme of peace. The German entry was titled “Frei zu Leben” (Free to Live). Italy sang about the unification of Europe in “Insieme: 1992” (In Together: 1992). The Finnish group Beat sang “Fri?” (Free?), and the Austrian Simone sang “Keine Mauern mehr” (No More Walls). The latter did not even win the national final. The winning duo, Duett, was disqualified because it turned out that the song had already participated in a German national final.  The show started in a peculiar way. Spain was allowed to open, but after the intro, the ladies of the duo Azucar Moreno walked off angrily. The backing track had been started incorrectly. The ladies had to start over. The uptempo number by the Icelandic duo Stjórnin also stood out. It achieved a fourth place. Honking cars drove down the streets in Iceland as if the country had won. Joëlle Ursull represented France with a song by Serge Gainsbourg: “The White and Black Blues”. There was cheerful drumming on oil drums. Ursull came second, but had to share that place with the Irishman Liam Reilly. Seated at the piano, he sang “Somewhere in Europe”. And we do not want to leave Tajči unmentioned. She was a sort of Yugoslavian Marilyn Monroe, who managed to score quite nicely with the cheerful “Hajde da ludujemo”.  Toto Cutugno But Italy’s European song, “Insieme: 1992”, won. The singer, Toto Cutugno, was certainly no stranger. His biggest hit across Europe was “L’Italiano”. He finished high at the San Remo festival several times. In 1990 he did not win, but the numbers one and two were not interested in participating in Eurovision. When he won, all sorts of things happened. Champagne was poured over his head, causing the black dye to start dripping from his hair. That was very visible because he was wearing a white jacket. Someone in a black jacket quickly rushed over to solve this problem. Out of enthusiasm, Cutugno crawled into the audience during the encore, followed by a whole horde of journalists. For the public, the whole thing was not really safe. But Cutugno hadn’t noticed any of that, he said later. 1991 The entire 1991 Eurovision Song Contest can be summed up by one word: chaos. It started with the venue itself. The contest was supposed to be held in San Remo, but after the outbreak of the Gulf War, that proved not to be safe enough. It became Cinecittà, the studio in Rome where the spaghetti westerns were filmed. The set looked mostly like a collection of props that hadn’t been put away. The Italian broadcaster RAI decided to invite the two former winners, Gigliola Cinquetti and Toto Cutugno, as hosts. While Gigliola tried to keep things on track a little bit, Toto Cutugno was mainly an unguided missile. He didn’t listen, talked over jury chairmen, and started talking about something completely different at unexpected moments. At the end of the evening, scrutineer Frank Naef, usually an eloquent man, sat behind his table, turned red with annoyance. The songs Thomas Forstner returned for Austria. He had been successful in 1989, so he hoped to finish in the top 10 once again. It was quite disappointing: no one had points for him. The group Just4Fun from Norway included former Bobbysock Hanne Krogh and former Icy member Eirikur Hauksson from Iceland. Stefan Hilmarsson participated for Iceland itself; he was one half of the duo Beathoven. Malta was back! Not having participated since 1975, the duo Georgina & Paul Giordimaina was back. Surprisingly, their ballad “Could It Be” finished sixth. That was Malta’s best score ever up to that point. The Israeli Duo Datz also stood out, particularly with their typical Israeli dance. Sergio Dalma from Spain lived up to his reputation as a crooner with a fourth-place finish. And then there was Atlantis 2000 from Germany. They had bypassed the televoter and let a panel of a thousand people choose the song. Not a good idea, as it turned out. Singer and face of the group, Hermann Weindorff, sang so badly that his solos were distributed among the other group members to salvage what could still be salvaged. The group Clouseau, wildly popular in Belgium, also failed to do well, despite an Italian newspaper labeling them as the big favorites. The Belgians received no support from the Netherlands, where the group was also very popular. The Netherlands had to withdraw due to a remembrance day. And then there was Greece. Sophia Vossou’s song “I Anixi” featured a saxophone solo. Unfortunately, the young saxophonist from the orchestra was replaced at the last minute by an older gentleman. He couldn’t manage to get his fingers on the saxophone at the right moment. The sax solo went completely wrong. Carola At the end of the show, there were two winners. France and Sweden had the same number of points. The countries also received 12 points equally often, but Sweden received 10 more frequently. Sweden therefore won in the end. France had scored well with a singer from Tunisia. That was clearly audible. The song contained many Arabic influences. Singer Amina knew how to capitalize on her participation. Her song “Le dernier qui à parlé” became an international hit. But it was Carola, also

Read More »
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