Liveblog: press conferences 13 may

Today, we will also attend the press conferences again. We will keep you updated with this liveblog. Find out what the artists have to say.

16.52 Hurricane singer Ksenija says that the rehearsal was much better than the previous one. They had made some small changes, some new things. But this is just a minor thing compared to what we’re going to see in the semifinal. The ladies have just had an interview with Nikkie Tutorials, and have enjoyed it. She has the same energy as the ladies and they could imagine that Nikkie would be the fourth group member. As inspiration they cite Knez, participant in 2015 and the father of Ksenija. Furthermore, the ladies indicate that they see each other so often that they are just like sisters from time to time. They say something about each other’s clothes, for example. 

16.24 Tv-presenter Koos van Plateringen, who is hosting the press conference, asks Daði Freyr’s wife Maria how Laura is doing. She is fine, says Maria. This needs some explanation: Maria is pregnant and the baby would be called Laura. “It’s a working title,” Maria adds. Minor changes have been made to Iceland’s performance, Daði Freyr explains. The camera is looked into at different times than before. The members of Gagnamagnið are not normally dancers except in Gagnamagnið. When asked about his favorite video games, he says that three Playstations, a Nintendo and a Nintendo Wii have been brought along. The secret of the green jerseys dates back to 2017, when the group took part in the Icelandic national final. Live instruments may not be used, so old computers were put on stage. The jerseys are a result of those computers. Daði promises new music in the near future. An album will be released in 2022.

16.00 The Moldovan Natalia Gordienko is feeling much better than after the first rehearsal. Everything went better, she is satisfied. With the first she was much more busy with all kinds of other things, now she could focus. She and Filipp Kirkorov drew attention to the fact that the song contains the longest high note ever (17 seconds). It must be said that every question put to Natalia was partly answered by Kirkorov. Natalia still gets the chance to thank everyone for all the support. She’s been dreaming about this for fifteen years; she shows a picture of her child and says that all dreams can come true. 

15.29 Rafał notices that things are getting a bit more serious. He says he is almost ready for the semifinal. Rafał’s father was a wrestler, and he wanted to do that too. A few injuries forced him to quit, and he switched to the music. Yet he has no regrets: he would do it again rightaway. Talking about the rehearsals: moving a lot and then singing is difficult. If you keep moving, you feel like you need to take a deep breath. That is the biggest challenge for him. The timing for singing and dancing is also different, which makes it extra difficult. He also says that he is a man of the 80s and was inspired by it. There are several retro songs on his album, and this had to be a retro song as well.

15:07 The stage and act are fantastic according to Vincent Bueno from Austria. As far as he is concerned, there are still small details, but in fact the whole team is ready for the semi-final. Of course you are nervous, but that is part of the deal. Vincent enjoys every moment. Of course he goes for gold, but in his opinion it should also be enjoyed. The song is about a situation such as a funeral, breaking up, letting go. Vincent has three children, one of which is no longer with us. She is like an angel in heaven who is always with him. Vincent also plays “Amen” on guitar. That is typically how they like it in the Philippines: simple, with a guitar. So his background as a Filipino certainly helps him in his musical career. He also cites Filipino fans as very loyal fans. One of the journalists also draws attention to the fact that many Filipinos in Europe work in healthcare. 

13.43 The Greek / Dutch Stefania says she is very happy with the second rehearsal. The first time she was still nervous, that was now gone. The dancers also did everything well. She says this act was exactly what she and her team wanted. She is the youngest participant. She doesn’t care, she’s in Rotterdam to have fun. She is 18 years old and this is her dream. In her outfit she feels like Jennifer Lopez. She feels Dutch because they go shopping but then don’t buy anything and then do it online. She feels typically Dutch because she is open and hospitable, inviting people to dinner immediately. She keeps her voice good by not worrying. That’s advice she got from her vocal coach. They work hard: Stefania practices her Greek, the dancers practice a lot, because in her opinion nothing goes without saying. 

13.19 We try to get to know the stage, Benny Cristo from Czech Republic says. Benny is much more satisfied with today’s performance than the first rehearsal. Benny is vegan. He does not want to shout that out loud, but he does want to say that he thinks the food in Rotterdam is fantastic. There is a very good vegan restaurant next to the hotel. Another thing he brings up that he enjoys is sprinkles. Back to the song “Omaga” he announces that it will definitely be a party. He is happy with the rehearsals, which give him the chance to keep it going! A painful moment comes when he is asked about his Angolan roots: the marriage of his parents ended in a fight divorce and his mother especially did not want to be reminded of everything that is Angolan. Now Benny Cristo has renewed interest in the Portuguese language. Benny Cristo has no ambition to become an international star. He is in Rotterdam to have a bigger stage. 

12.52 Uku Suviste is happy with the small changes in the performance, especially the choice of shots and camera positions. He is impressed with the LED screens. Anyway, it was hard for him to imagine what the act would look like before he actually saw it. That’s why he felt better about it now. Uku played in musicals but also made pop songs. He would opt for pop and urban, because he doesn’t really feel like a musical star.

12.29 Senhit enters the pressroom with the icon on her head. She puts the thing next to her and says, “Flo Rida has to sit here”. Senhit is very happy with the second rehearsal. Senhit continues to be secretive about Flo Rida’s presence. She met him through Zoom and Skype. He is proud to participate. They don’t want to put pressure on him, but he really wants to come. Senhit says that between 2011, when she first took part and now, she has performed a lot, did studies, collaborated a lot with others. Senhit must confess something: she speaks Tygrinia, the language of Eritrea, but that is not her mother tongue. Another, smaller language is her parents’ native language.

11.59 Rehearsals are to practice, Maltese Destiny says. She feels good in these clothes. She bases her song on soul. Her father is Nigerian and that gives her the strength to sing soul. “Je me casse!” is a strong sentence, which is why she uses it. Her song is about girl power and female power. She notices that people are starting to understand. Please, please, believe in yourself, she urges people. About her clothes (pink or silver with pink stockings?) She says: “Secrets are there to be kept”. Destiny sees two big differences between the Junior Eurovision Song Contest and the adult version: interviews, there are a lot of them, and the pressure, which is much higher. She received a lot of hate because of the first rehearsals. Her post on instagram, in which she says she feels good in the clothes, should be a boost for people with low self-esteem. It is an important message to them! 

In cooperation with Eurovision Artists

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Weekly Update

It’s time for another weekly Eurovision update. Lithuania has officially confirmed its participation for 2026. Bosnia & Herzegovina sadly announced it will not return. Belgium’s Eurovision plans remain uncertain despite earlier reports. Meanwhile, Kazakhstan is inching closer to a possible debut. Austrian media are buzzing with the first host rumors, and ORF has entered negotiations with Vienna and Innsbruck to decide the 2026 host city. 🇱🇹 🇧🇦 Lithuania In, Bosnia-Herzegovina Out of Eurovision 2026 Lithuania’s broadcaster LRT has confirmed that the country will compete in the Eurovision Song Contest 2026. The confirmation was given to ESC Today. Details on how Lithuania will select its entry are yet to be announced, but a national final is expected as in previous years. 📷 EBU/Sarah Louise Bennett In contrast, Bosnia & Herzegovina will not be participating in Eurovision 2026. Broadcaster BHRT officially stated it cannot return next year. That is due to ongoing EBU sanctions stemming from unpaid debts. The Bosnian delegation explained that without resolving the funding issues and outstanding debts – and securing a sponsor – a Eurovision comeback isn’t feasible. Bosnia & Herzegovina last took part in 2016 and has been absent from the contest ever since. 🇧🇪 Belgium’s 2026 Participation Remains Uncertain Contrary to reports last week, Belgium’s Eurovision 2026 participation is not yet fully confirmed. French-language broadcaster RTBF (responsible for Belgium’s 2026 entry) clarified the station has not officially committed to the contest yet. RTBF cited ongoing discussions within the EBU and among its member broadcasters. That’s why they are proceeding with preparations without a formal confirmation of participation for now. In short, Belgium is lining up a potential act for Eurovision 2026, but RTBF is keeping its options open until certain international discussions are resolved. 🇰🇿 EBU to Discuss Kazakhstan’s Possible Debut Kazakhstan’s Eurovision dreams are gaining traction. During the recent EBU General Assembly in London, the chairman of Kazakhstan’s broadcaster (Khabar Agency) met with EBU officials to propose the country’s debut in 2026. According to Kemelbek Oishybayev (Khabar’s director), EBU chief Noel Curran reacted positively and agreed to have Kazakhstan’s participation proposal discussed at the next EBU meeting. If the EBU extends an invitation, 2026 could mark Kazakhstan’s first appearance in the Eurovision Song Contest. Kazakhstan has participated in Junior Eurovision in the past, but because Khabar is not a full EBU member, a special invitation is required for the main contest. So far, Australia is the only country to receive such an invitation. 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However, there could be scheduling conflicts with her RTL commitments, which might depend on RTL’s involvement in Eurovision next year. 📷 Superbass, Wikimedia Commons Swarovski isn’t the only woman in the mix. Several ORF news anchors – such as Nadja Bernhard, Alexandra Wachter, and Raffaela Schaidreiter – are also rumored as possibilities for the hosting team. Fans have even speculated about bringing back the trio of female hosts from Vienna 2015: Arabella Kiesbauer, Mirjam Weichselbraun, and Alice Tumler. In fact, Kiesbauer has already stated she’d be ready to return if asked, saying “if I’m needed, I’ll be there”. ORF has yet to make any official announcements, so the host selection remains an exciting guessing game for now. Also Conchita Wurst is rumoured as a host. She did the job in the green room in 2015. Vienna and Innsbruck in Final Host City Talks Vienna and Innsbruck have emerged as the final two cities vying to host Eurovision 2026. Both cities submitted their official bid proposals by the July 4 deadline and impressed the broadcaster with their plans. ORF conducted initial site visits at Wiener Stadthalle in Vienna and the Olympiaworld arena in Innsbruck, the venues proposed in the bids. Following those inspections, ORF invited both cities to enter detailed negotiations, calling the two proposals “very exciting and promising”. ORF’s Director General Roland Weißmann praised Vienna and Innsbruck for their strong enthusiasm and suitable conditions to host the contest. The Stadthalle (which can hold up to ~16,000 attendees and previously hosted Eurovision in 2015) and Innsbruck’s Olympiaworld (around 12,000 capacity) both meet the key requirements. Over the coming weeks, ORF will be in deep discussions with each city’s team to scrutinize all logistical and financial details. 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Martijn

Weekly Update

It’s time for another weekly Eurovision update. Lithuania has officially confirmed its participation for 2026. Bosnia & Herzegovina sadly announced it will not return. Belgium’s Eurovision plans remain uncertain despite earlier reports. Meanwhile, Kazakhstan is inching closer to a possible debut. Austrian media are buzzing with the first host rumors, and ORF has entered negotiations with Vienna and Innsbruck to decide the 2026 host city. 🇱🇹 🇧🇦 Lithuania In, Bosnia-Herzegovina Out of Eurovision 2026 Lithuania’s broadcaster LRT has confirmed that the country will compete in the Eurovision Song Contest 2026. The confirmation was given to ESC Today. Details on how Lithuania will select its entry are yet to be announced, but a national final is expected as in previous years. 📷 EBU/Sarah Louise Bennett In contrast, Bosnia & Herzegovina will not be participating in Eurovision 2026. Broadcaster BHRT officially stated it cannot return next year. That is due to ongoing EBU sanctions stemming from unpaid debts. The Bosnian delegation explained that without resolving the funding issues and outstanding debts – and securing a sponsor – a Eurovision comeback isn’t feasible. Bosnia & Herzegovina last took part in 2016 and has been absent from the contest ever since. 🇧🇪 Belgium’s 2026 Participation Remains Uncertain Contrary to reports last week, Belgium’s Eurovision 2026 participation is not yet fully confirmed. French-language broadcaster RTBF (responsible for Belgium’s 2026 entry) clarified the station has not officially committed to the contest yet. RTBF cited ongoing discussions within the EBU and among its member broadcasters. That’s why they are proceeding with preparations without a formal confirmation of participation for now. In short, Belgium is lining up a potential act for Eurovision 2026, but RTBF is keeping its options open until certain international discussions are resolved. 🇰🇿 EBU to Discuss Kazakhstan’s Possible Debut Kazakhstan’s Eurovision dreams are gaining traction. During the recent EBU General Assembly in London, the chairman of Kazakhstan’s broadcaster (Khabar Agency) met with EBU officials to propose the country’s debut in 2026. According to Kemelbek Oishybayev (Khabar’s director), EBU chief Noel Curran reacted positively and agreed to have Kazakhstan’s participation proposal discussed at the next EBU meeting. If the EBU extends an invitation, 2026 could mark Kazakhstan’s first appearance in the Eurovision Song Contest. Kazakhstan has participated in Junior Eurovision in the past, but because Khabar is not a full EBU member, a special invitation is required for the main contest. So far, Australia is the only country to receive such an invitation. A final decision on Kazakhstan’s Eurovision 2026 fate is expected in the coming months. 🇦🇹 Host Rumors: ORF Eyes Swarovski and Knoll for 2026 With Austria preparing to host Eurovision 2026, speculation has started about who will present the shows. One name on everyone’s lips is Andi Knoll. He is Austria’s veteran Eurovision commentator. According to Kleine Zeitung, Knoll is considered a likely choice – essentially a “fixed” host for 2026. Knoll has been the Austrian commentator since 1999. So seeing him step on the Eurovision stage next year would be a fitting full-circle moment. 📷 Johan Morgenbesser, Wikimedia Commons Another high-profile name emerging is Victoria Swarovski. ORF is reportedly interested in the TV presenter as a potential Eurovision host. Victoria is known for hosting Germany’s “Let’s Dance”. Austrian media reveal that ORF insiders are “flirting” with the idea of featuring the Tyrolean-born Swarovski in the hosting lineup. However, there could be scheduling conflicts with her RTL commitments, which might depend on RTL’s involvement in Eurovision next year. 📷 Superbass, Wikimedia Commons Swarovski isn’t the only woman in the mix. Several ORF news anchors – such as Nadja Bernhard, Alexandra Wachter, and Raffaela Schaidreiter – are also rumored as possibilities for the hosting team. Fans have even speculated about bringing back the trio of female hosts from Vienna 2015: Arabella Kiesbauer, Mirjam Weichselbraun, and Alice Tumler. In fact, Kiesbauer has already stated she’d be ready to return if asked, saying “if I’m needed, I’ll be there”. ORF has yet to make any official announcements, so the host selection remains an exciting guessing game for now. Also Conchita Wurst is rumoured as a host. She did the job in the green room in 2015. Vienna and Innsbruck in Final Host City Talks Vienna and Innsbruck have emerged as the final two cities vying to host Eurovision 2026. Both cities submitted their official bid proposals by the July 4 deadline and impressed the broadcaster with their plans. ORF conducted initial site visits at Wiener Stadthalle in Vienna and the Olympiaworld arena in Innsbruck, the venues proposed in the bids. Following those inspections, ORF invited both cities to enter detailed negotiations, calling the two proposals “very exciting and promising”. ORF’s Director General Roland Weißmann praised Vienna and Innsbruck for their strong enthusiasm and suitable conditions to host the contest. The Stadthalle (which can hold up to ~16,000 attendees and previously hosted Eurovision in 2015) and Innsbruck’s Olympiaworld (around 12,000 capacity) both meet the key requirements. Over the coming weeks, ORF will be in deep discussions with each city’s team to scrutinize all logistical and financial details. The final decision on the Eurovision 2026 host city is expected by the second half of August – so we’ll soon find out whether the honor goes to the capital Vienna or the Tyrolean city of Innsbruck. That’s all for this weekly update. Stay tuned for another roundup next week. The road to Eurovision 2026 continues! Share

Share
Read More »