Liveblog: press conferences 13 may

Today, we will also attend the press conferences again. We will keep you updated with this liveblog. Find out what the artists have to say.

16.52 Hurricane singer Ksenija says that the rehearsal was much better than the previous one. They had made some small changes, some new things. But this is just a minor thing compared to what we’re going to see in the semifinal. The ladies have just had an interview with Nikkie Tutorials, and have enjoyed it. She has the same energy as the ladies and they could imagine that Nikkie would be the fourth group member. As inspiration they cite Knez, participant in 2015 and the father of Ksenija. Furthermore, the ladies indicate that they see each other so often that they are just like sisters from time to time. They say something about each other’s clothes, for example. 

16.24 Tv-presenter Koos van Plateringen, who is hosting the press conference, asks Daði Freyr’s wife Maria how Laura is doing. She is fine, says Maria. This needs some explanation: Maria is pregnant and the baby would be called Laura. “It’s a working title,” Maria adds. Minor changes have been made to Iceland’s performance, Daði Freyr explains. The camera is looked into at different times than before. The members of Gagnamagnið are not normally dancers except in Gagnamagnið. When asked about his favorite video games, he says that three Playstations, a Nintendo and a Nintendo Wii have been brought along. The secret of the green jerseys dates back to 2017, when the group took part in the Icelandic national final. Live instruments may not be used, so old computers were put on stage. The jerseys are a result of those computers. Daði promises new music in the near future. An album will be released in 2022.

16.00 The Moldovan Natalia Gordienko is feeling much better than after the first rehearsal. Everything went better, she is satisfied. With the first she was much more busy with all kinds of other things, now she could focus. She and Filipp Kirkorov drew attention to the fact that the song contains the longest high note ever (17 seconds). It must be said that every question put to Natalia was partly answered by Kirkorov. Natalia still gets the chance to thank everyone for all the support. She’s been dreaming about this for fifteen years; she shows a picture of her child and says that all dreams can come true. 

15.29 Rafał notices that things are getting a bit more serious. He says he is almost ready for the semifinal. Rafał’s father was a wrestler, and he wanted to do that too. A few injuries forced him to quit, and he switched to the music. Yet he has no regrets: he would do it again rightaway. Talking about the rehearsals: moving a lot and then singing is difficult. If you keep moving, you feel like you need to take a deep breath. That is the biggest challenge for him. The timing for singing and dancing is also different, which makes it extra difficult. He also says that he is a man of the 80s and was inspired by it. There are several retro songs on his album, and this had to be a retro song as well.

15:07 The stage and act are fantastic according to Vincent Bueno from Austria. As far as he is concerned, there are still small details, but in fact the whole team is ready for the semi-final. Of course you are nervous, but that is part of the deal. Vincent enjoys every moment. Of course he goes for gold, but in his opinion it should also be enjoyed. The song is about a situation such as a funeral, breaking up, letting go. Vincent has three children, one of which is no longer with us. She is like an angel in heaven who is always with him. Vincent also plays “Amen” on guitar. That is typically how they like it in the Philippines: simple, with a guitar. So his background as a Filipino certainly helps him in his musical career. He also cites Filipino fans as very loyal fans. One of the journalists also draws attention to the fact that many Filipinos in Europe work in healthcare. 

13.43 The Greek / Dutch Stefania says she is very happy with the second rehearsal. The first time she was still nervous, that was now gone. The dancers also did everything well. She says this act was exactly what she and her team wanted. She is the youngest participant. She doesn’t care, she’s in Rotterdam to have fun. She is 18 years old and this is her dream. In her outfit she feels like Jennifer Lopez. She feels Dutch because they go shopping but then don’t buy anything and then do it online. She feels typically Dutch because she is open and hospitable, inviting people to dinner immediately. She keeps her voice good by not worrying. That’s advice she got from her vocal coach. They work hard: Stefania practices her Greek, the dancers practice a lot, because in her opinion nothing goes without saying. 

13.19 We try to get to know the stage, Benny Cristo from Czech Republic says. Benny is much more satisfied with today’s performance than the first rehearsal. Benny is vegan. He does not want to shout that out loud, but he does want to say that he thinks the food in Rotterdam is fantastic. There is a very good vegan restaurant next to the hotel. Another thing he brings up that he enjoys is sprinkles. Back to the song “Omaga” he announces that it will definitely be a party. He is happy with the rehearsals, which give him the chance to keep it going! A painful moment comes when he is asked about his Angolan roots: the marriage of his parents ended in a fight divorce and his mother especially did not want to be reminded of everything that is Angolan. Now Benny Cristo has renewed interest in the Portuguese language. Benny Cristo has no ambition to become an international star. He is in Rotterdam to have a bigger stage. 

12.52 Uku Suviste is happy with the small changes in the performance, especially the choice of shots and camera positions. He is impressed with the LED screens. Anyway, it was hard for him to imagine what the act would look like before he actually saw it. That’s why he felt better about it now. Uku played in musicals but also made pop songs. He would opt for pop and urban, because he doesn’t really feel like a musical star.

12.29 Senhit enters the pressroom with the icon on her head. She puts the thing next to her and says, “Flo Rida has to sit here”. Senhit is very happy with the second rehearsal. Senhit continues to be secretive about Flo Rida’s presence. She met him through Zoom and Skype. He is proud to participate. They don’t want to put pressure on him, but he really wants to come. Senhit says that between 2011, when she first took part and now, she has performed a lot, did studies, collaborated a lot with others. Senhit must confess something: she speaks Tygrinia, the language of Eritrea, but that is not her mother tongue. Another, smaller language is her parents’ native language.

11.59 Rehearsals are to practice, Maltese Destiny says. She feels good in these clothes. She bases her song on soul. Her father is Nigerian and that gives her the strength to sing soul. “Je me casse!” is a strong sentence, which is why she uses it. Her song is about girl power and female power. She notices that people are starting to understand. Please, please, believe in yourself, she urges people. About her clothes (pink or silver with pink stockings?) She says: “Secrets are there to be kept”. Destiny sees two big differences between the Junior Eurovision Song Contest and the adult version: interviews, there are a lot of them, and the pressure, which is much higher. She received a lot of hate because of the first rehearsals. Her post on instagram, in which she says she feels good in the clothes, should be a boost for people with low self-esteem. It is an important message to them! 

In cooperation with Eurovision Artists

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Weekly Update

It’s time for another weekly Eurovision update. Belgium has officially joined the list of 2026 participants, and Israel intends to take part. The EBU shared a statement after recent discussions. Luxembourg, Austria, and Denmark opened their national selection processes. Meanwhile, two Austrian cities exited the host city race, while two others moved forward with formal bids. Belgium Confirms, Israel Plans to Participate Belgium confirmed its participation in the Eurovision Song Contest 2026. Broadcaster RTBF announced the decision and will later decide how it will choose its entry. The Flemish broadcaster VRT will not be in charge this time, following the usual alternation. source: escspot 📷 EBU/Sarah Bennett Israel also intends to take part. Public broadcaster KAN said preparations are underway for next year’s contest in Austria. Although discussions about Israel’s role in Eurovision have drawn attention recently, KAN made its stance clear. Israel joins over a dozen broadcasters that have already declared their intention to participate.  EBU Responds with Statement after Assembly The European Broadcasting Union (EBU) addressed recent concerns about Eurovision’s direction. During the General Assembly in London, members shared their views on the contest’s growing challenges in a complex global climate. The EBU released a statement afterward, recognizing that participation questions have become more sensitive and complicated. Broadcasters voiced many opinions and expressed support for KAN’s independence, especially under political pressure. To move forward, the EBU brought in a former senior television executive to lead a structured dialogue with its members. This process will include further discussions and a report with recommendations, expected in the autumn. Countries Start Their Search for 2026 Entries In this weekly update we also look at national selections. Several countries have now launched their search for Eurovision 2026 songs. Luxembourg opened its submission platform on 4 July. Songwriters and performers can submit entries online. The national final will take place on 24 January 2026 at the Rockhal Arena. source: RTL Austria also began preparing for next year. Broadcaster ORF opened submissions for artists and songwriters. The submission deadline is 15 September. Last month, ORF hosted a songwriting camp in Vienna. Artists and producers worked together, creating 18 new songs. Some of these songs could be selected internally to represent Austria. source: Merci,Cherie In Denmark, broadcaster DR opened submissions for Dansk Melodi Grand Prix 2026. Composers can send in their songs until 2 November. A professional jury will select eight finalists. The national final is set for 14 February 2026 in Frederikshavn. The winner will represent Denmark at Eurovision 2026. source: DR 📷 EBU/Sarah Louise Bennett Vienna and Innsbruck Submit Host Bids The list of potential host cities is getting shorter. Wels and Linz, who planned a joint bid, decided not to move forward. Technical issues and high costs led them to withdraw. Their venue, the TipsArena, didn’t meet key Eurovision requirements. source: OTS At the same time, Vienna and Innsbruck submitted official bids to host the contest. Vienna proposed the Wiener Stadthalle, the same venue it used in 2015. Innsbruck chose the Olympiaworld complex. Both cities confirmed their bids with detailed proposals. ORF, the Austrian broadcaster, will now review the applications. A decision on the 2026 host city is expected by 8 August. That’s all for this weekly update. Stay tuned for another weekly roundup next week as the road to Eurovision 2026 continues! Share

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Martijn

Weekly Update

It’s time for another weekly Eurovision update. Belgium has officially joined the list of 2026 participants, and Israel intends to take part. The EBU shared a statement after recent discussions. Luxembourg, Austria, and Denmark opened their national selection processes. Meanwhile, two Austrian cities exited the host city race, while two others moved forward with formal bids. Belgium Confirms, Israel Plans to Participate Belgium confirmed its participation in the Eurovision Song Contest 2026. Broadcaster RTBF announced the decision and will later decide how it will choose its entry. The Flemish broadcaster VRT will not be in charge this time, following the usual alternation. source: escspot 📷 EBU/Sarah Bennett Israel also intends to take part. Public broadcaster KAN said preparations are underway for next year’s contest in Austria. Although discussions about Israel’s role in Eurovision have drawn attention recently, KAN made its stance clear. Israel joins over a dozen broadcasters that have already declared their intention to participate.  EBU Responds with Statement after Assembly The European Broadcasting Union (EBU) addressed recent concerns about Eurovision’s direction. During the General Assembly in London, members shared their views on the contest’s growing challenges in a complex global climate. The EBU released a statement afterward, recognizing that participation questions have become more sensitive and complicated. Broadcasters voiced many opinions and expressed support for KAN’s independence, especially under political pressure. To move forward, the EBU brought in a former senior television executive to lead a structured dialogue with its members. This process will include further discussions and a report with recommendations, expected in the autumn. Countries Start Their Search for 2026 Entries In this weekly update we also look at national selections. Several countries have now launched their search for Eurovision 2026 songs. Luxembourg opened its submission platform on 4 July. Songwriters and performers can submit entries online. The national final will take place on 24 January 2026 at the Rockhal Arena. source: RTL Austria also began preparing for next year. Broadcaster ORF opened submissions for artists and songwriters. The submission deadline is 15 September. Last month, ORF hosted a songwriting camp in Vienna. Artists and producers worked together, creating 18 new songs. Some of these songs could be selected internally to represent Austria. source: Merci,Cherie In Denmark, broadcaster DR opened submissions for Dansk Melodi Grand Prix 2026. Composers can send in their songs until 2 November. A professional jury will select eight finalists. The national final is set for 14 February 2026 in Frederikshavn. The winner will represent Denmark at Eurovision 2026. source: DR 📷 EBU/Sarah Louise Bennett Vienna and Innsbruck Submit Host Bids The list of potential host cities is getting shorter. Wels and Linz, who planned a joint bid, decided not to move forward. Technical issues and high costs led them to withdraw. Their venue, the TipsArena, didn’t meet key Eurovision requirements. source: OTS At the same time, Vienna and Innsbruck submitted official bids to host the contest. Vienna proposed the Wiener Stadthalle, the same venue it used in 2015. Innsbruck chose the Olympiaworld complex. Both cities confirmed their bids with detailed proposals. ORF, the Austrian broadcaster, will now review the applications. A decision on the 2026 host city is expected by 8 August. That’s all for this weekly update. Stay tuned for another weekly roundup next week as the road to Eurovision 2026 continues! Share

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