Live blog press conferences

We will also follow all press conferences from today. We also do this through a live blog. We will keep you informed all day long.

18.48 Ukrainian head of delegation Oksana Skybinska explains that singer Kateryna Pavlenko did not feel well, had undergone a PCR test and is now waiting for the results. The other band members have done a daily quick test. Kateryna is doing well, she is taking a rest.
The neon circles in the act represent “cyber tambourines”. The ancient Ukrainians believed that all rituals should take place in groups. These cyber tambourines are to help Kateryna awaken the spring. The band members indicate that it was quite difficult to reduce the 4-minute version of the song to 3 minutes. Actually, it felt like starting all over again. After talking about the bookies, band member Taras Shevchenko remarks sharply: “Yes, but we are not here for money, we are here for music”.
 

photo credits: EBU

18.18 Efendi says she was nervous but gave everything to show what she was worth. One sentence in the song is in Azerbaijan. It means “You don’t give up, you are a liar”. It’s in the song because it’s about Mata Hari. The eye in the act is in it because Mata Hari means “eye of the sun”. After “Cleopatra” and “Mata Hari” she might want to sing about another woman, but there are so many strong women in the world that she can’t choose. However, she says that in addition to songs about strong women, she also wants to convey other messages.

photo credits: Efendi

17:58  Roxen from Romania says this is the first time at an event like this and she is enjoying it. She says that she had practiced in the hotel. “Amnesia” is really a song that suits her, because her mental state has not always been good, but now it is. She knows what it’s like, she says, asking for help and no one hears you. She wants to convey the message that you are no less if you are different. You are special! The act is to depict a fight of Roxen with her thoughts. Roxen does indicate that she is enjoying herself in Rotterdam. Sometimes she feels like she’s in a Netflix movie, and she even likes the Dutch rainy weather. Roxen chose her stage name because her actual name is Larisa Roxana and says that Roxen can do things that Larisa can’t.

17:31 Eden was more focused on the camera than before. She is proud of herself and her dancers. The crown can now no longer be seen only in the last take, but throughout the entire show. It’s good enough for the semi-finals, she says. She is impatient, she said earlier, but can wait until the semifinal very well. She learned a lot during the talent show “Hakohav haba”, for example how to dance. She indicates that the mix of different languages belongs to her: she is Israeli, she has Ethiopian roots. Step Vaessen from Al Jazeera wanted to ask a question about Eden’s feelings about the political situation in Israel. EBU did not allow this question.

photo credits: Itay Bezaleli

17:08 Alex Callierfrom Belgian Hooverphonic says the band is satisfied with the exception of a few small things. Joking helps the band members to keep it relaxed. Even if you have a tour you should do that. The men do not want to say what jokes they are. Geike says she is in the Netherlands a lot, is happy with the directness of the Dutch and remembers immediately being helped when she had a breakdown. Geike had a lot of reasons to be in The Netherlands, she had a big hit with “Zoutelande”, together with Bløf. Alex says that there are many influences. He mentions a composer who made music without instruments. “The wrong place, if it were a movie, would be a Tarentino movie.  What band members Alex and Raymond love about Geike is that every performance with her is different. Geike herself experiences her return to Hooverphonic as a victory. She loves to look for an interpretation for all those songs by other singers that she now has to perform. Her return actually started as a joke, but it soon turned out that the band members were serious about it.

16.18 The composer of “Tick-tock” wanted to make something cheerful, cathy. He may have found his inspiration both in and outside Croatia. Albina, the singer, dedicated the song to her grandmother. Her favorites for this year are France, Italy and Russia. However, she believes that everyone has something special to bring, everyone has something different. They are asked about the fact that she went to the national final by bus. She thinks that is much more environmentally friendly. 

15.51 TIX enters dancing and jumping. He jumps on the table to loosen the press a bit. “I am ecstatic,” he exclaims. He admits he hates the big white fake fur coat because it is way too warm. TIX says that at Christmas and New Year’s Eve he was alone to perfect the song. TIX does not want to tell about who wrote his song, because he wants everyone to identify with it. Asked for a message for children in need, he has tears in his eyes. “Whatever you experience, it will either be better or it go away. I myself have turned my greatest weakness into my greatest strength. ” 

15.26  When asked how the second rehearsal went, Cypriot Elena Tsagrinou sings “Better than the first, so I’m very happy”. All problems that arose with the dancers have been solved today. Elena reveals that she has been practicing the difficult choreography every day since January. There is a connection with Lady Gaga: one of the song’s composers also composed for Lady Gaga. But, she adds, there are also a lot of differences. Recently, Elena has completely mastered the song and the act. 

14:59 Lesley Roy says that everything in the act is coming together more and more and will look as intended. The idea of the paper background is to do something different than the graphics that are usually seen. She is therefore grateful for the two ladies who move all that. You see a pair of hands, so that is not a mistake, it is really the intention. Lesley has written a few songs with Sanne Hans (Miss Montreal). She really enjoyed working with her and really hopes that she will watch the performance next week. 

14.34 Vasil enters the press room, dancing to the remix of his song. The rehearsal was much better than the first, he says. The team is ready. “This is not for me, but for you,” he says. His recent coming out as being gay has not changed much, he says, but it just proves that he is on the right track. It feels strange not to have backing vocals with him, but the Chicago Children’s Choir, which he knew from his youth, can now be heard on tape. That means something very special for Vasil. Still, he thinks the vocals should actually be live. 

12.44 The second rehearsal went well, they enjoyed it more than the first. It went much better, of course there is still some room for improvement. Regarding support in Congo, where he originally comes from, he talks about his father who supports him in participating in the Eurovision Song Contest. His father is definitely his biggest fan. He says about his clothing style that he loves clothes. He tries to wear what he likes, bright colors. He likes fashion. He says about diversity that it has an impact on him if he can be a role model for people who recognize themselves in him.

12.20 Manizha opens with attention for the shooting at a school in Kazan, Russia. She urges people to ask for help if they need it. Manizha mentions the Russian women behind her in the act, they are very open according to her: open up! Now that she had the chance to be on the biggest stage in the world, she wanted to do it with a message. About people who were negative about her because they would rather have seen Little Big at the Eurovision Song Contest, she says that she is not here for hate. Yet she has a message: if you want change, you must first look at your own bad sides and do something about it. 

11.56 Ana Soklič is happy with today’s rehearsal. She does feel pressure. Unfortunately, she cannot look at the beautiful graphics, as she has no time. The gospel choir that was not supposed to be in the Eurovision version has been added because of the many positive reactions. The background singer does indicate that she misses the rest on stage. Darja Švajger: (ESF 1995 and 1999) gave her advice: have faith! 

11.31 The Roop was pleased that “Discotheque” had been translated into sign language. They thank Mirjam Stolk (the sign language interpreter) for this. The Roop chooses yellow because that is the color of hope, and we need it: hope, positivity, sunshine. The Roop says they aren’t really party animals. On stage they are very alert, after that they prefer to go to sleep.

photocredits: Instagram The Roop

11.05 Australia’s turn earlier; Montaigne will not be present live in Rotterdam. She is disappointed that she cannot follow the energy and the performances. She does not know whether she wants to participate again next year. She never says never.

photo credits: Montaigne

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This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the fourth episode, we will look back at the early eighties. Austria returned to having a national final. Marty Brem and Gary Lux both took part twice. Austria 1980 – Blue Danube – “Du bist Musik” By 1980 Austria was back with “Du bist Musik”, performed by the group Blue Danube. Composer-lyricist Klaus-Peter Sattler wrote this German-language entry. The song is a love ballad comparing a beloved to music, name-dropping famous composers and dances. Blue Danube was a five-member ensemble formed just for Eurovision. Notably the group included singer Marty Brem. He would represent Austria again the following year. Conducted by Richard Österreicher, “Du bist Musik” opened the night’s show and scored 64 points for 8th place out of 19. Austria 1981 – Marty Brem – “Wenn du da bist” Marty Brem was part of Blue Danube in 1980. The singer returned solo for Austria in 1981. “Wenn du da bist” (“When You’re Here”) was composed and written by Werner Böhmler, and again Richard Österreicher conducted the orchestra. For the first time since 1963, the song was chosen through a national final. Brem was the only contestant. He sang three songs. “Wenn du da bist” is a romantic ballad with a slightly jazzy, complex composition. Unfortunately, it finished in 17th place (20 points) at the contest. Marty Brem’s performance featured an energetic stage show with flamboyant costumed dancers. The Austrian singer was frontman of a band called “Marty and the Bomfriz” at the time. After Eurovision, Brem pivoted to working in music journalism and the record industry. 1982 – Mess “Sonntag” Twelve songs competed in Austria’s 1982 national final. The duo Mess won with “Sonntag” (“Sunday”), an upbeat pop track full of early-’80s Europop charm. Both members, Michael Scheickl (also known as “Fritz”) and Elisabeth “Lizzi” Engstler, had also entered the competition as solo artists. Michael Scheickl (credited as “Michael Mell”) composed the song, while Rudolf Leve wrote the lyrics. Mess brought joyful energy to the stage with their lively, danceable performance. “Sonntag” celebrated the carefree feeling of a Sunday, wrapped in a catchy, cheerful style. The song earned 57 points and placed 9th out of 18 countries. Formed specifically for Eurovision, Mess disbanded soon after. Engstler, just 21 at the time, later built a successful career as a television presenter for Austria’s ORF network. 1983 – Westend “Hurricane” In 1983, Austria chose the pop group Westend to perform “Hurricane”, selecting them from 12 finalists that included Waterloo (ESC 1976). Band member Peter Vieweger composed the song, while Heli Deinboek and Heinz Nessizius wrote the lyrics. Sung in German, “Hurricane” delivers an upbeat synth-pop sound with Schlager influences, using a whirlwind metaphor to capture the chaos of lost love. The entry scored 53 points and finished in a tie for 9th place. Westend featured five members, including Gary Lux—whose role stood out. Lux went on to represent Austria at Eurovision six times during the 1980s, both as a solo performer and backing vocalist. “Hurricane” earned Austria a solid mid-table result and later became a beloved ’80s Eurovision memory. 1984 – Anita “Einfach weg” Twelve songs battled for the ticket to Luxembourg, with Gary Lux finishing as runner-up. Austria chose Anita Spanner, known simply as Anita, for the 1984 Eurovision Song Contest with “Einfach weg” (“Simply Gone”). Brigitte Seuberth composed the track, and Walter Müller wrote the lyrics. This energetic pop song featured a catchy melody and a synth-driven arrangement typical of the mid-80s. Despite strong expectations, Austria landed in 19th (last) place with just 5 points. Ironically, the song found huge success at home. It climbed to #1 on the Austrian singles chart and stayed in the Top 20 for ten weeks. Anita, a newcomer and surprise national final winner, took the stage in Luxembourg backed by vocalists including Gary Lux. Although “Einfach weg” didn’t resonate internationally, its popularity in Austria turned it into an iconic Austropop hit of the decade. 1985 – Gary Lux “Kinder dieser Welt” By 1985, Gary Lux had become a familiar face for Austria at Eurovision. Having been in Westend (1983) and a backing singer in 1984, Lux took center stage with “Kinder dieser Welt” (“Children of this World”) in Gothenburg. He was internally selected for the contest. His uplifting song was a pop anthem calling for hope and joy for children around the globe. It was written by prominent lyricist Michael Kunze and composed by the British duo Mick Jackson and Geoff Bastow. “Kinder dieser Welt” earned 60 points and secured 8th place for Austria out of 19 entries. The entry affirmed Gary Lux’s status as one of Austria’s most frequent Eurovision participants.

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Austria in the Eurovision Song Contest, part 4

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the fourth episode, we will look back at the early eighties. Austria returned to having a national final. Marty Brem and Gary Lux both took part twice. Austria 1980 – Blue Danube – “Du bist Musik” By 1980 Austria was back with “Du bist Musik”, performed by the group Blue Danube. Composer-lyricist Klaus-Peter Sattler wrote this German-language entry. The song is a love ballad comparing a beloved to music, name-dropping famous composers and dances. Blue Danube was a five-member ensemble formed just for Eurovision. Notably the group included singer Marty Brem. He would represent Austria again the following year. Conducted by Richard Österreicher, “Du bist Musik” opened the night’s show and scored 64 points for 8th place out of 19. Austria 1981 – Marty Brem – “Wenn du da bist” Marty Brem was part of Blue Danube in 1980. The singer returned solo for Austria in 1981. “Wenn du da bist” (“When You’re Here”) was composed and written by Werner Böhmler, and again Richard Österreicher conducted the orchestra. For the first time since 1963, the song was chosen through a national final. Brem was the only contestant. He sang three songs. “Wenn du da bist” is a romantic ballad with a slightly jazzy, complex composition. Unfortunately, it finished in 17th place (20 points) at the contest. Marty Brem’s performance featured an energetic stage show with flamboyant costumed dancers. The Austrian singer was frontman of a band called “Marty and the Bomfriz” at the time. After Eurovision, Brem pivoted to working in music journalism and the record industry. 1982 – Mess “Sonntag” Twelve songs competed in Austria’s 1982 national final. The duo Mess won with “Sonntag” (“Sunday”), an upbeat pop track full of early-’80s Europop charm. Both members, Michael Scheickl (also known as “Fritz”) and Elisabeth “Lizzi” Engstler, had also entered the competition as solo artists. Michael Scheickl (credited as “Michael Mell”) composed the song, while Rudolf Leve wrote the lyrics. Mess brought joyful energy to the stage with their lively, danceable performance. “Sonntag” celebrated the carefree feeling of a Sunday, wrapped in a catchy, cheerful style. The song earned 57 points and placed 9th out of 18 countries. Formed specifically for Eurovision, Mess disbanded soon after. Engstler, just 21 at the time, later built a successful career as a television presenter for Austria’s ORF network. 1983 – Westend “Hurricane” In 1983, Austria chose the pop group Westend to perform “Hurricane”, selecting them from 12 finalists that included Waterloo (ESC 1976). Band member Peter Vieweger composed the song, while Heli Deinboek and Heinz Nessizius wrote the lyrics. Sung in German, “Hurricane” delivers an upbeat synth-pop sound with Schlager influences, using a whirlwind metaphor to capture the chaos of lost love. The entry scored 53 points and finished in a tie for 9th place. Westend featured five members, including Gary Lux—whose role stood out. Lux went on to represent Austria at Eurovision six times during the 1980s, both as a solo performer and backing vocalist. “Hurricane” earned Austria a solid mid-table result and later became a beloved ’80s Eurovision memory. 1984 – Anita “Einfach weg” Twelve songs battled for the ticket to Luxembourg, with Gary Lux finishing as runner-up. Austria chose Anita Spanner, known simply as Anita, for the 1984 Eurovision Song Contest with “Einfach weg” (“Simply Gone”). Brigitte Seuberth composed the track, and Walter Müller wrote the lyrics. This energetic pop song featured a catchy melody and a synth-driven arrangement typical of the mid-80s. Despite strong expectations, Austria landed in 19th (last) place with just 5 points. Ironically, the song found huge success at home. It climbed to #1 on the Austrian singles chart and stayed in the Top 20 for ten weeks. Anita, a newcomer and surprise national final winner, took the stage in Luxembourg backed by vocalists including Gary Lux. Although “Einfach weg” didn’t resonate internationally, its popularity in Austria turned it into an iconic Austropop hit of the decade. 1985 – Gary Lux “Kinder dieser Welt” By 1985, Gary Lux had become a familiar face for Austria at Eurovision. Having been in Westend (1983) and a backing singer in 1984, Lux took center stage with “Kinder dieser Welt” (“Children of this World”) in Gothenburg. He was internally selected for the contest. His uplifting song was a pop anthem calling for hope and joy for children around the globe. It was written by prominent lyricist Michael Kunze and composed by the British duo Mick Jackson and Geoff Bastow. “Kinder dieser Welt” earned 60 points and secured 8th place for Austria out of 19 entries. The entry affirmed Gary Lux’s status as one of Austria’s most frequent Eurovision participants.

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