Executive supervisor: an important job in Eurovision!

“Mr. Clifford Brown!?”, 1969 Eurovision host Laurita Valenzuela called with panic in her voice. Four entries ended up in first place. It was event supervisor and scruteneer Clifford Brown who cleared up things: there were, in fact, four winners.

Today, we learned that in 2021, Martin Österdahl will take over the job from Jon Ola Sand. But already the first Eurovision Song Contest had an event supervisor. We take a closer look at the men and women who did the job before Österdahl.

Rolf Liebermann was the first one in 1956 and 1957. At the first ever Eurovision Song Contest, Liebermann was the chairman of the jury.  That makes him the man who has seen the complete result of the 1956 Eurovision Song Contest. However, he never revealed the secret. Liebermann passed away in 1999.

Rolf Liebermann (© Claude Truong-Ngoc / Wikimedia Commons)

Miroslav Vilček took the job in 1964 and 1965. Vilček was a Slovenian man from Yugoslavia. 1964 was the first year that someone who was not invited entered the stage: a protester.

Clifford Brown did the job from 1966 until 1977. It was a tough time: Spain winning over the United Kingdom by one vote in 1968, four winners in 1969, only twelve participants in 1970. Eurovision almost died during his time as an executive supervisor, but it survived it’s worst year. Many different ways of voting came across, but the ‘twelve points’ started when he was there in 1975.

Frank Naef was the executive supervisor from 1978 until 1992; not a tough time at all, maybe with the exception of 1991. With Toto Cutugno as a host, who hardly spoke English and was hardly listening to anyone anyway, not coordinating the show at all, it was not easy for Naef. In the end, two countries were on the first spot. Immediately Naef explained why Sweden had won, and not France.

Frank Naef

Christian Clousen did the job for only three years, but not the easiest ones. In 1993, there was an Eastern European preselection and in the other years, countries faced degradation because of the high number of participants.

Christine Marchal-Ortiz did the job from 1996 until 2002, with the exception of 1997, when Marie-Claire Vionet took over the job. A lot of changes appeared during Marchal-Ortiz’ time: the orchestra and the language rule disappeared, the big 5 (in those days the big 4) came. Also televoting was new. She brought the contest into a new millennium.

Christine Marchal-Ortiz, ©Stijn Smulders, eurovision.tv

Sarah Yuen only took over for one year, 2003. It was the last year that the Eurovision Song Contest was broadcast over only one evening.

Svante Stockselius took over and showed a lot of enthusiasm about the contest. His first contest was the first one with a semifinal in 2004. He was also the one who saw the contest grow to a three night show. He was also the one who made an end to the 100% televoting.

Jon Ola Sand took over the job in 2010, 2011 was his first contest. The show made some major changes under Sand. For example, the following order of appearance was no longer decided by a draw. A lot of experiments with the voting were going on to make the show more exciting. That resulted, last year, in the moment that both Duncan Laurence and John Lundvik were hoping for a victory. 2020 will be Jon Ola’s last year.

Jon Ola Sand, ©Okras, Wikimedia Commons

From 2021 on, Martin Österdahl will take the job, as we mentioned earlier today.

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Martijn

Weekly Update

It’s time for another weekly Eurovision update. Belgium has officially joined the list of 2026 participants, and Israel intends to take part. The EBU shared a statement after recent discussions. Luxembourg, Austria, and Denmark opened their national selection processes. Meanwhile, two Austrian cities exited the host city race, while two others moved forward with formal bids. Belgium Confirms, Israel Plans to Participate Belgium confirmed its participation in the Eurovision Song Contest 2026. Broadcaster RTBF announced the decision and will later decide how it will choose its entry. The Flemish broadcaster VRT will not be in charge this time, following the usual alternation. source: escspot 📷 EBU/Sarah Bennett Israel also intends to take part. Public broadcaster KAN said preparations are underway for next year’s contest in Austria. Although discussions about Israel’s role in Eurovision have drawn attention recently, KAN made its stance clear. Israel joins over a dozen broadcasters that have already declared their intention to participate.  EBU Responds with Statement after Assembly The European Broadcasting Union (EBU) addressed recent concerns about Eurovision’s direction. During the General Assembly in London, members shared their views on the contest’s growing challenges in a complex global climate. The EBU released a statement afterward, recognizing that participation questions have become more sensitive and complicated. Broadcasters voiced many opinions and expressed support for KAN’s independence, especially under political pressure. To move forward, the EBU brought in a former senior television executive to lead a structured dialogue with its members. This process will include further discussions and a report with recommendations, expected in the autumn. Countries Start Their Search for 2026 Entries In this weekly update we also look at national selections. Several countries have now launched their search for Eurovision 2026 songs. Luxembourg opened its submission platform on 4 July. Songwriters and performers can submit entries online. The national final will take place on 24 January 2026 at the Rockhal Arena. source: RTL Austria also began preparing for next year. Broadcaster ORF opened submissions for artists and songwriters. The submission deadline is 15 September. Last month, ORF hosted a songwriting camp in Vienna. Artists and producers worked together, creating 18 new songs. Some of these songs could be selected internally to represent Austria. source: Merci,Cherie In Denmark, broadcaster DR opened submissions for Dansk Melodi Grand Prix 2026. Composers can send in their songs until 2 November. A professional jury will select eight finalists. The national final is set for 14 February 2026 in Frederikshavn. The winner will represent Denmark at Eurovision 2026. source: DR 📷 EBU/Sarah Louise Bennett Vienna and Innsbruck Submit Host Bids The list of potential host cities is getting shorter. Wels and Linz, who planned a joint bid, decided not to move forward. Technical issues and high costs led them to withdraw. Their venue, the TipsArena, didn’t meet key Eurovision requirements. source: OTS At the same time, Vienna and Innsbruck submitted official bids to host the contest. Vienna proposed the Wiener Stadthalle, the same venue it used in 2015. Innsbruck chose the Olympiaworld complex. Both cities confirmed their bids with detailed proposals. ORF, the Austrian broadcaster, will now review the applications. A decision on the 2026 host city is expected by 8 August. That’s all for this weekly update. Stay tuned for another weekly roundup next week as the road to Eurovision 2026 continues! Share

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