Executive supervisor: an important job in Eurovision!

“Mr. Clifford Brown!?”, 1969 Eurovision host Laurita Valenzuela called with panic in her voice. Four entries ended up in first place. It was event supervisor and scruteneer Clifford Brown who cleared up things: there were, in fact, four winners.

Today, we learned that in 2021, Martin Österdahl will take over the job from Jon Ola Sand. But already the first Eurovision Song Contest had an event supervisor. We take a closer look at the men and women who did the job before Österdahl.

Rolf Liebermann was the first one in 1956 and 1957. At the first ever Eurovision Song Contest, Liebermann was the chairman of the jury.  That makes him the man who has seen the complete result of the 1956 Eurovision Song Contest. However, he never revealed the secret. Liebermann passed away in 1999.

Rolf Liebermann (© Claude Truong-Ngoc / Wikimedia Commons)

Miroslav Vilček took the job in 1964 and 1965. Vilček was a Slovenian man from Yugoslavia. 1964 was the first year that someone who was not invited entered the stage: a protester.

Clifford Brown did the job from 1966 until 1977. It was a tough time: Spain winning over the United Kingdom by one vote in 1968, four winners in 1969, only twelve participants in 1970. Eurovision almost died during his time as an executive supervisor, but it survived it’s worst year. Many different ways of voting came across, but the ‘twelve points’ started when he was there in 1975.

Frank Naef was the executive supervisor from 1978 until 1992; not a tough time at all, maybe with the exception of 1991. With Toto Cutugno as a host, who hardly spoke English and was hardly listening to anyone anyway, not coordinating the show at all, it was not easy for Naef. In the end, two countries were on the first spot. Immediately Naef explained why Sweden had won, and not France.

Frank Naef

Christian Clousen did the job for only three years, but not the easiest ones. In 1993, there was an Eastern European preselection and in the other years, countries faced degradation because of the high number of participants.

Christine Marchal-Ortiz did the job from 1996 until 2002, with the exception of 1997, when Marie-Claire Vionet took over the job. A lot of changes appeared during Marchal-Ortiz’ time: the orchestra and the language rule disappeared, the big 5 (in those days the big 4) came. Also televoting was new. She brought the contest into a new millennium.

Christine Marchal-Ortiz, ©Stijn Smulders, eurovision.tv

Sarah Yuen only took over for one year, 2003. It was the last year that the Eurovision Song Contest was broadcast over only one evening.

Svante Stockselius took over and showed a lot of enthusiasm about the contest. His first contest was the first one with a semifinal in 2004. He was also the one who saw the contest grow to a three night show. He was also the one who made an end to the 100% televoting.

Jon Ola Sand took over the job in 2010, 2011 was his first contest. The show made some major changes under Sand. For example, the following order of appearance was no longer decided by a draw. A lot of experiments with the voting were going on to make the show more exciting. That resulted, last year, in the moment that both Duncan Laurence and John Lundvik were hoping for a victory. 2020 will be Jon Ola’s last year.

Jon Ola Sand, ©Okras, Wikimedia Commons

From 2021 on, Martin Österdahl will take the job, as we mentioned earlier today.

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70 years of Eurovision: from squeezed legs to politics

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 2021 After the cancellation of Eurovision 2020 due to the COVID-19 pandemic, the Song Contest finally returned in 2021. The host city was Rotterdam, the Netherlands. The city that had been ready to welcome Europe a year earlier. Edselia Rombley, Chantal Janzen, Jan Smit, and Nikkie de Jager presented the event. Strict COVID measures were in place, but the organisation managed to fill the Rotterdam Ahoy arena with a live audience during all three shows. A true feat. Belarus was excluded by the EBU due to political circumstances following the disputed presidential election and the violent crackdown on protesters. Armenia withdrew because of its involvement in the Nagorno-Karabakh war.  The songs Many of the artists who were supposed to participate in 2020 were given the chance to try their luck in 2021 after all. It would be too much to name them all. However, the Estonian Uku Suviste is worth mentioning. He had not been given carte blanche, but managed to win the national final. Natalia Gordienko had already competed for Moldova in 2006. Composer Philipp Kirkorov incurred the wrath of the entire fan community during the presentation of Natalia’s song “Sugar” by saying about Conchita Wurst: “IT can sing”. And then there was Senhit: unsuccessful for San Marino in 2011, she did reach the final this time, but not alone. Rapper Flo Rida accompanied her on stage. We will see Senhit again this year, now with another global star: Boy George. Due to the strict COVID-19 rules, Australian singer Montaigne was not allowed to travel to Rotterdam. During one of the press conferences, this became too much for her and she burst into tears. The final A big name represented Belgium: Hooverphonic. Unfortunately, their song “The Wrong Place” did not finish very high. Maltese singer Destiny, a former winner of the Junior Eurovision Song Contest, was considered one of the favorites. She won the semi-final, but finished seventh in the final. Not bad, but a disappointment given the expectations. Daði & Gagnamagnið performed for Iceland, or rather, they didn’t. The year before, they were the top favorites; their “10 Years” was well-received, but not as the expected winner. One of the group members tested positive for Corona, meaning the group was not allowed to perform and a video of one of the rehearsals was shown instead. Then there was Jendrik from Germany. His entry was seen as having no chance. But the act did stand out, with a large walking middle finger on stage. The Roop for Lithuania did well. But it was the Ukrainian group Go-A that made the biggest impression. Both the music, which was very modern, and the act featuring an entire cardboard forest on stage ensured the group finished fifth. The Norwegian Tix also stood out. Not so much because of his enormous fur coat and his angel wings, but rather because of his story: Tix suffered from Gilles de la Tourette syndrome and had tics (Tix, that is). At the end of the performance, he took off his sunglasses, revealing his tics. Final Showdown It was the Swiss Gjon’s Tears who won the jury vote. With the high-pitched vocals in his “Tout l’univers,” he effortlessly received the highest number of points. Ultimately, he finished third. Because he mattered so much in the final showdown, poor Gjon couldn’t go to the toilet. With his legs squeezed together, he followed the scoring, pretending to relax every time the camera was focused on him. Barbara Pravi from France was also a favorite for the final victory. Although her “Voila”, more French than French, narrowly missed winning the Eurovision Song Contest, Pravi managed to turn her song into a true Eurovision classic in a short time. It is one of the most covered Eurovision songs of recent years. Måneskin The Roman rock band Måneskin had won Sanremo. When the results at Eurovision came in, it quickly became clear that the televoters were wild about them. Frontman Damiano David was accused of drug use after the final. Cameras had caught a suspicious movement near the table in the green room. He denied everything, offered to take a drug test, and was cleared. The controversy only seemed to boost the band’s profile. For Måneskin, it was just the beginning. Within months, they were performing sold-out shows across the United States. “Zitti e buoni” and especially “Beggin’”, an older track, became global streaming hits. Eurovision had rarely produced a winner with this kind of international commercial trajectory. 2022 For the first time since 1991, Italy hosted the Eurovision Song Contest. The Pala Olimpico arena in Turin was the venue. Laura Pausini, Alessandro Cattelan, and Mika hosted the event. Laura Pausini caught attention by suddenly disappearing during the final. Just as suddenly, she came back. Pausini didn’t feel well. To be honest, the organization was a mess. The large sun in the middle of the stage, in particular, drew attention. Not because it was so beautiful, but because it didn’t work. The context of the 2022 contest was dominated by one event: Russia’s invasion of Ukraine. The EBU expelled Russia from the contest shortly after the invasion began. There was also a debate about whether Belarus should be expelled as well, given its role in the conflict. It had already been excluded in 2021. Ukraine participated, and the contest quickly took on an emotional and political dimension that was impossible to ignore. The songs Mahmood, who had previously finished second, performed as half of a duo for host country Italy. Together with Blanco, he sang “Brividi”. It sounded good on the record, but live it didn’t. For the third time, the group Zdob și Zdub represented Moldova. The band finished seventh with a song about a train journey

Read More »
History
Martijn

70 years of Eurovision: from squeezed legs to politics

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 2021 After the cancellation of Eurovision 2020 due to the COVID-19 pandemic, the Song Contest finally returned in 2021. The host city was Rotterdam, the Netherlands. The city that had been ready to welcome Europe a year earlier. Edselia Rombley, Chantal Janzen, Jan Smit, and Nikkie de Jager presented the event. Strict COVID measures were in place, but the organisation managed to fill the Rotterdam Ahoy arena with a live audience during all three shows. A true feat. Belarus was excluded by the EBU due to political circumstances following the disputed presidential election and the violent crackdown on protesters. Armenia withdrew because of its involvement in the Nagorno-Karabakh war.  The songs Many of the artists who were supposed to participate in 2020 were given the chance to try their luck in 2021 after all. It would be too much to name them all. However, the Estonian Uku Suviste is worth mentioning. He had not been given carte blanche, but managed to win the national final. Natalia Gordienko had already competed for Moldova in 2006. Composer Philipp Kirkorov incurred the wrath of the entire fan community during the presentation of Natalia’s song “Sugar” by saying about Conchita Wurst: “IT can sing”. And then there was Senhit: unsuccessful for San Marino in 2011, she did reach the final this time, but not alone. Rapper Flo Rida accompanied her on stage. We will see Senhit again this year, now with another global star: Boy George. Due to the strict COVID-19 rules, Australian singer Montaigne was not allowed to travel to Rotterdam. During one of the press conferences, this became too much for her and she burst into tears. The final A big name represented Belgium: Hooverphonic. Unfortunately, their song “The Wrong Place” did not finish very high. Maltese singer Destiny, a former winner of the Junior Eurovision Song Contest, was considered one of the favorites. She won the semi-final, but finished seventh in the final. Not bad, but a disappointment given the expectations. Daði & Gagnamagnið performed for Iceland, or rather, they didn’t. The year before, they were the top favorites; their “10 Years” was well-received, but not as the expected winner. One of the group members tested positive for Corona, meaning the group was not allowed to perform and a video of one of the rehearsals was shown instead. Then there was Jendrik from Germany. His entry was seen as having no chance. But the act did stand out, with a large walking middle finger on stage. The Roop for Lithuania did well. But it was the Ukrainian group Go-A that made the biggest impression. Both the music, which was very modern, and the act featuring an entire cardboard forest on stage ensured the group finished fifth. The Norwegian Tix also stood out. Not so much because of his enormous fur coat and his angel wings, but rather because of his story: Tix suffered from Gilles de la Tourette syndrome and had tics (Tix, that is). At the end of the performance, he took off his sunglasses, revealing his tics. Final Showdown It was the Swiss Gjon’s Tears who won the jury vote. With the high-pitched vocals in his “Tout l’univers,” he effortlessly received the highest number of points. Ultimately, he finished third. Because he mattered so much in the final showdown, poor Gjon couldn’t go to the toilet. With his legs squeezed together, he followed the scoring, pretending to relax every time the camera was focused on him. Barbara Pravi from France was also a favorite for the final victory. Although her “Voila”, more French than French, narrowly missed winning the Eurovision Song Contest, Pravi managed to turn her song into a true Eurovision classic in a short time. It is one of the most covered Eurovision songs of recent years. Måneskin The Roman rock band Måneskin had won Sanremo. When the results at Eurovision came in, it quickly became clear that the televoters were wild about them. Frontman Damiano David was accused of drug use after the final. Cameras had caught a suspicious movement near the table in the green room. He denied everything, offered to take a drug test, and was cleared. The controversy only seemed to boost the band’s profile. For Måneskin, it was just the beginning. Within months, they were performing sold-out shows across the United States. “Zitti e buoni” and especially “Beggin’”, an older track, became global streaming hits. Eurovision had rarely produced a winner with this kind of international commercial trajectory. 2022 For the first time since 1991, Italy hosted the Eurovision Song Contest. The Pala Olimpico arena in Turin was the venue. Laura Pausini, Alessandro Cattelan, and Mika hosted the event. Laura Pausini caught attention by suddenly disappearing during the final. Just as suddenly, she came back. Pausini didn’t feel well. To be honest, the organization was a mess. The large sun in the middle of the stage, in particular, drew attention. Not because it was so beautiful, but because it didn’t work. The context of the 2022 contest was dominated by one event: Russia’s invasion of Ukraine. The EBU expelled Russia from the contest shortly after the invasion began. There was also a debate about whether Belarus should be expelled as well, given its role in the conflict. It had already been excluded in 2021. Ukraine participated, and the contest quickly took on an emotional and political dimension that was impossible to ignore. The songs Mahmood, who had previously finished second, performed as half of a duo for host country Italy. Together with Blanco, he sang “Brividi”. It sounded good on the record, but live it didn’t. For the third time, the group Zdob și Zdub represented Moldova. The band finished seventh with a song about a train journey

Read More »
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