Executive supervisor: an important job in Eurovision!

“Mr. Clifford Brown!?”, 1969 Eurovision host Laurita Valenzuela called with panic in her voice. Four entries ended up in first place. It was event supervisor and scruteneer Clifford Brown who cleared up things: there were, in fact, four winners.

Today, we learned that in 2021, Martin Österdahl will take over the job from Jon Ola Sand. But already the first Eurovision Song Contest had an event supervisor. We take a closer look at the men and women who did the job before Österdahl.

Rolf Liebermann was the first one in 1956 and 1957. At the first ever Eurovision Song Contest, Liebermann was the chairman of the jury.  That makes him the man who has seen the complete result of the 1956 Eurovision Song Contest. However, he never revealed the secret. Liebermann passed away in 1999.

Rolf Liebermann (© Claude Truong-Ngoc / Wikimedia Commons)

Miroslav Vilček took the job in 1964 and 1965. Vilček was a Slovenian man from Yugoslavia. 1964 was the first year that someone who was not invited entered the stage: a protester.

Clifford Brown did the job from 1966 until 1977. It was a tough time: Spain winning over the United Kingdom by one vote in 1968, four winners in 1969, only twelve participants in 1970. Eurovision almost died during his time as an executive supervisor, but it survived it’s worst year. Many different ways of voting came across, but the ‘twelve points’ started when he was there in 1975.

Frank Naef was the executive supervisor from 1978 until 1992; not a tough time at all, maybe with the exception of 1991. With Toto Cutugno as a host, who hardly spoke English and was hardly listening to anyone anyway, not coordinating the show at all, it was not easy for Naef. In the end, two countries were on the first spot. Immediately Naef explained why Sweden had won, and not France.

Frank Naef

Christian Clousen did the job for only three years, but not the easiest ones. In 1993, there was an Eastern European preselection and in the other years, countries faced degradation because of the high number of participants.

Christine Marchal-Ortiz did the job from 1996 until 2002, with the exception of 1997, when Marie-Claire Vionet took over the job. A lot of changes appeared during Marchal-Ortiz’ time: the orchestra and the language rule disappeared, the big 5 (in those days the big 4) came. Also televoting was new. She brought the contest into a new millennium.

Christine Marchal-Ortiz, ©Stijn Smulders, eurovision.tv

Sarah Yuen only took over for one year, 2003. It was the last year that the Eurovision Song Contest was broadcast over only one evening.

Svante Stockselius took over and showed a lot of enthusiasm about the contest. His first contest was the first one with a semifinal in 2004. He was also the one who saw the contest grow to a three night show. He was also the one who made an end to the 100% televoting.

Jon Ola Sand took over the job in 2010, 2011 was his first contest. The show made some major changes under Sand. For example, the following order of appearance was no longer decided by a draw. A lot of experiments with the voting were going on to make the show more exciting. That resulted, last year, in the moment that both Duncan Laurence and John Lundvik were hoping for a victory. 2020 will be Jon Ola’s last year.

Jon Ola Sand, ©Okras, Wikimedia Commons

From 2021 on, Martin Österdahl will take the job, as we mentioned earlier today.

Related news

Eurovision 2026

Vienna 12 points: from a huge table to 7,000 crystals

Here is your article, ready to publish on Eurovision Universe. Written in the same style as the reference piece — with an intro, ~100 words per country, running order metadata, Yoast-friendly structure, and sources. Day four of first rehearsals at the 70th Eurovision Song Contest is underway in Vienna. The final eight countries of Semi-Final 2 step onto the Wiener Stadthalle stage for the very first time today, Tuesday 5 May. First rehearsals remain closed to press; three approved images per country will be published approximately 24 hours after each performance. The official Eurovision subreddit is providing live descriptions throughout the day. Eurovision Universe sought additional detail through national broadcaster coverage, social media, and press reports. All five countries below compete in Semi-Final 2 on Thursday, May 14. 🇨🇾 Cyprus — Antigoni, “Jalla” Running order: 8 | Rehearsal: 5 May, 09:00–09:30 CEST | Second rehearsal: 9 May Antigoni has been promising she would dance on the table. This morning at the Wiener Stadthalle she delivered  in a way nobody quite anticipated. The centrepiece of the staging is a table of extraordinary scale: large enough for all four dancers to join Antigoni on top of it, large enough to function as a full catwalk, and large enough that the chairs do not go beside it but on it. This choreography is tight and deliberate. The dancers even work with plates. And the whole setup directly brings to life the song’s most iconic lyric. It is a reference with Eurovision history behind it: Ivi Adamou danced on a table for Cyprus at Baku 2012, but the 2026 version operates on an entirely different scale. The table itself has a table runner made from an LED strip, which comes into its own during the “you want more?” section of the song. From there, Antigoni steps off the table and onto the catwalk with a purposeful strut, before the staging closes out with fire and pyrotechnics more commonly associated with rock entries than Mediterranean pop. The backdrop features giant ancient pillars lit in blue. Antigoni wears a short white beaded dress. Staging is by Sacha Jean-Baptiste, whose Eurovision credits include “Fuego” (Cyprus 2018) and the 2023 winner “Tattoo” for Sweden. Antigoni Buxton, 29, is a British-Cypriot singer-songwriter from North London who gained wider recognition after Love Island UK in 2022. CyBC selected her internally in November 2025. “Jalla”, meaning “more” in the Cypriot dialect, was co-written with Charalambous Kallona, Connor Mullally-Knight, Demetris Nikolaou, Claydee, Paris Kalpos, and Trey Qua. Cyprus competes 8th in Semi-Final 2. Sources: r/eurovision live thread / CyBC / Eurovoix / Instagram @antigoni 🇱🇻 Latvia — Atvara, “Ēnā” Running order: 9 | Rehearsal: 5 May, 09:40–10:10 CEST | Second rehearsal: 8 May Latvia’s first Vienna rehearsal delivers a scaled-up version of the performance that won Supernova 2026 in February. If the subreddit’s reporters are to be believed, it translates powerfully to the larger Wiener Stadthalle stage. Atvara completed three full run-throughs of “Ēnā.” The core concept remains unchanged: an intimate, atmospheric performance built around the song’s cinematic ballad structure and Atvara’s vocal. What has changed is the detail. Atvara is wearing a newly designed gown decorated with sparkling stones. They now extend further down the side and along her left arm. Speaking to Latvian broadcaster LSM ahead of Vienna, Atvara confirmed that the team had worked to adapt the Supernova concept to the Eurovision scale. They refined technical elements while leaving the core performance intact. Her stylist Inna Bertāne described the new dress in Latvian press as a deliberate step up. Atvara rose to prominence on TikTok via her debut single “Pie Manis Tveries” and later sold out 22 solo shows in Latvia in 2025. She won Supernova on 14 February, taking both the jury and public votes. Latvia competes 9th in Semi-Final 1. Sources: LSM / Supernova / Latvian Radio / Instagram @atvara.liene 🇩🇰 Denmark — Søren Torpegaard Lund, “Før vi går hjem” Running order: 10 | Rehearsal: 5 May, 10:20–10:50 CEST | Second rehearsal: 9 May The Melodi Grand Prix staging has arrived in Vienna completely intact, and apparently quite literally so. The box that defined Søren’s breakthrough performance in Frederikshavn was not dismantled and rebuilt for the Wiener Stadthalle; it was shipped as-is. When something works that well, you don’t take risks with it. That said, what is inside the box has been elevated for Eurovision. Søren opens in black leather trousers and an aquamarine silk chiffon shirt, before ripping it off mid-performance. The singer than reveals a sparkly black mesh top underneath. The outfit reveal lands as a proper moment. Inside the box, red tube lights illuminate and intensify as the performance builds, so that by the second chorus the whole structure is radiating heat, matching the choreography. This has been noticeably scaled up from the national final, particularly the thrusting during the first verse. When Søren finally steps out of the box towards the end of the song, a storm takes over the stage floor and the backdrop behind him. The respite is brief: the graphics transform into blazing fire for the final twenty seconds.  Søren Torpegaard Lund, 27, is a trained musical theatre actor who graduated from the Danish Stage Arts School and played Tony in West Side Story at the Copenhagen Opera House in 2021–22. He co-wrote “Før vi går hjem” with Clara Sofie Fabricius, Thomas Meilstrup, and Valdemar Littauer Bendixen, winning Melodi Grand Prix on 14 February with both the jury and public votes. Denmark competes 10th in Semi-Final 2. Sources: r/eurovision live thread / DR / ESC Insight / Instagram @sorentorpegaardlund 🇦🇺 Australia — Delta Goodrem, “Eclipse” Running order: 11 | Rehearsal: 5 May, 11:00–11:30 CEST | Second rehearsal: 9 May The biggest name in this year’s contest steps onto the Wiener Stadthalle stage and, by all accounts, does not disappoint. Delta Goodrem’s first Vienna rehearsal for “Eclipse” is a significant production. The staging is developed by Black Skull Creative, the team behind the entire Liverpool 2023 contest, alongside creative director

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Eurovision 2026
Martijn

Vienna 12 points: from a huge table to 7,000 crystals

Here is your article, ready to publish on Eurovision Universe. Written in the same style as the reference piece — with an intro, ~100 words per country, running order metadata, Yoast-friendly structure, and sources. Day four of first rehearsals at the 70th Eurovision Song Contest is underway in Vienna. The final eight countries of Semi-Final 2 step onto the Wiener Stadthalle stage for the very first time today, Tuesday 5 May. First rehearsals remain closed to press; three approved images per country will be published approximately 24 hours after each performance. The official Eurovision subreddit is providing live descriptions throughout the day. Eurovision Universe sought additional detail through national broadcaster coverage, social media, and press reports. All five countries below compete in Semi-Final 2 on Thursday, May 14. 🇨🇾 Cyprus — Antigoni, “Jalla” Running order: 8 | Rehearsal: 5 May, 09:00–09:30 CEST | Second rehearsal: 9 May Antigoni has been promising she would dance on the table. This morning at the Wiener Stadthalle she delivered  in a way nobody quite anticipated. The centrepiece of the staging is a table of extraordinary scale: large enough for all four dancers to join Antigoni on top of it, large enough to function as a full catwalk, and large enough that the chairs do not go beside it but on it. This choreography is tight and deliberate. The dancers even work with plates. And the whole setup directly brings to life the song’s most iconic lyric. It is a reference with Eurovision history behind it: Ivi Adamou danced on a table for Cyprus at Baku 2012, but the 2026 version operates on an entirely different scale. The table itself has a table runner made from an LED strip, which comes into its own during the “you want more?” section of the song. From there, Antigoni steps off the table and onto the catwalk with a purposeful strut, before the staging closes out with fire and pyrotechnics more commonly associated with rock entries than Mediterranean pop. The backdrop features giant ancient pillars lit in blue. Antigoni wears a short white beaded dress. Staging is by Sacha Jean-Baptiste, whose Eurovision credits include “Fuego” (Cyprus 2018) and the 2023 winner “Tattoo” for Sweden. Antigoni Buxton, 29, is a British-Cypriot singer-songwriter from North London who gained wider recognition after Love Island UK in 2022. CyBC selected her internally in November 2025. “Jalla”, meaning “more” in the Cypriot dialect, was co-written with Charalambous Kallona, Connor Mullally-Knight, Demetris Nikolaou, Claydee, Paris Kalpos, and Trey Qua. Cyprus competes 8th in Semi-Final 2. Sources: r/eurovision live thread / CyBC / Eurovoix / Instagram @antigoni 🇱🇻 Latvia — Atvara, “Ēnā” Running order: 9 | Rehearsal: 5 May, 09:40–10:10 CEST | Second rehearsal: 8 May Latvia’s first Vienna rehearsal delivers a scaled-up version of the performance that won Supernova 2026 in February. If the subreddit’s reporters are to be believed, it translates powerfully to the larger Wiener Stadthalle stage. Atvara completed three full run-throughs of “Ēnā.” The core concept remains unchanged: an intimate, atmospheric performance built around the song’s cinematic ballad structure and Atvara’s vocal. What has changed is the detail. Atvara is wearing a newly designed gown decorated with sparkling stones. They now extend further down the side and along her left arm. Speaking to Latvian broadcaster LSM ahead of Vienna, Atvara confirmed that the team had worked to adapt the Supernova concept to the Eurovision scale. They refined technical elements while leaving the core performance intact. Her stylist Inna Bertāne described the new dress in Latvian press as a deliberate step up. Atvara rose to prominence on TikTok via her debut single “Pie Manis Tveries” and later sold out 22 solo shows in Latvia in 2025. She won Supernova on 14 February, taking both the jury and public votes. Latvia competes 9th in Semi-Final 1. Sources: LSM / Supernova / Latvian Radio / Instagram @atvara.liene 🇩🇰 Denmark — Søren Torpegaard Lund, “Før vi går hjem” Running order: 10 | Rehearsal: 5 May, 10:20–10:50 CEST | Second rehearsal: 9 May The Melodi Grand Prix staging has arrived in Vienna completely intact, and apparently quite literally so. The box that defined Søren’s breakthrough performance in Frederikshavn was not dismantled and rebuilt for the Wiener Stadthalle; it was shipped as-is. When something works that well, you don’t take risks with it. That said, what is inside the box has been elevated for Eurovision. Søren opens in black leather trousers and an aquamarine silk chiffon shirt, before ripping it off mid-performance. The singer than reveals a sparkly black mesh top underneath. The outfit reveal lands as a proper moment. Inside the box, red tube lights illuminate and intensify as the performance builds, so that by the second chorus the whole structure is radiating heat, matching the choreography. This has been noticeably scaled up from the national final, particularly the thrusting during the first verse. When Søren finally steps out of the box towards the end of the song, a storm takes over the stage floor and the backdrop behind him. The respite is brief: the graphics transform into blazing fire for the final twenty seconds.  Søren Torpegaard Lund, 27, is a trained musical theatre actor who graduated from the Danish Stage Arts School and played Tony in West Side Story at the Copenhagen Opera House in 2021–22. He co-wrote “Før vi går hjem” with Clara Sofie Fabricius, Thomas Meilstrup, and Valdemar Littauer Bendixen, winning Melodi Grand Prix on 14 February with both the jury and public votes. Denmark competes 10th in Semi-Final 2. Sources: r/eurovision live thread / DR / ESC Insight / Instagram @sorentorpegaardlund 🇦🇺 Australia — Delta Goodrem, “Eclipse” Running order: 11 | Rehearsal: 5 May, 11:00–11:30 CEST | Second rehearsal: 9 May The biggest name in this year’s contest steps onto the Wiener Stadthalle stage and, by all accounts, does not disappoint. Delta Goodrem’s first Vienna rehearsal for “Eclipse” is a significant production. The staging is developed by Black Skull Creative, the team behind the entire Liverpool 2023 contest, alongside creative director

Read More »
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