Executive supervisor: an important job in Eurovision!

“Mr. Clifford Brown!?”, 1969 Eurovision host Laurita Valenzuela called with panic in her voice. Four entries ended up in first place. It was event supervisor and scruteneer Clifford Brown who cleared up things: there were, in fact, four winners.

Today, we learned that in 2021, Martin Österdahl will take over the job from Jon Ola Sand. But already the first Eurovision Song Contest had an event supervisor. We take a closer look at the men and women who did the job before Österdahl.

Rolf Liebermann was the first one in 1956 and 1957. At the first ever Eurovision Song Contest, Liebermann was the chairman of the jury.  That makes him the man who has seen the complete result of the 1956 Eurovision Song Contest. However, he never revealed the secret. Liebermann passed away in 1999.

Rolf Liebermann (© Claude Truong-Ngoc / Wikimedia Commons)

Miroslav Vilček took the job in 1964 and 1965. Vilček was a Slovenian man from Yugoslavia. 1964 was the first year that someone who was not invited entered the stage: a protester.

Clifford Brown did the job from 1966 until 1977. It was a tough time: Spain winning over the United Kingdom by one vote in 1968, four winners in 1969, only twelve participants in 1970. Eurovision almost died during his time as an executive supervisor, but it survived it’s worst year. Many different ways of voting came across, but the ‘twelve points’ started when he was there in 1975.

Frank Naef was the executive supervisor from 1978 until 1992; not a tough time at all, maybe with the exception of 1991. With Toto Cutugno as a host, who hardly spoke English and was hardly listening to anyone anyway, not coordinating the show at all, it was not easy for Naef. In the end, two countries were on the first spot. Immediately Naef explained why Sweden had won, and not France.

Frank Naef

Christian Clousen did the job for only three years, but not the easiest ones. In 1993, there was an Eastern European preselection and in the other years, countries faced degradation because of the high number of participants.

Christine Marchal-Ortiz did the job from 1996 until 2002, with the exception of 1997, when Marie-Claire Vionet took over the job. A lot of changes appeared during Marchal-Ortiz’ time: the orchestra and the language rule disappeared, the big 5 (in those days the big 4) came. Also televoting was new. She brought the contest into a new millennium.

Christine Marchal-Ortiz, ©Stijn Smulders, eurovision.tv

Sarah Yuen only took over for one year, 2003. It was the last year that the Eurovision Song Contest was broadcast over only one evening.

Svante Stockselius took over and showed a lot of enthusiasm about the contest. His first contest was the first one with a semifinal in 2004. He was also the one who saw the contest grow to a three night show. He was also the one who made an end to the 100% televoting.

Jon Ola Sand took over the job in 2010, 2011 was his first contest. The show made some major changes under Sand. For example, the following order of appearance was no longer decided by a draw. A lot of experiments with the voting were going on to make the show more exciting. That resulted, last year, in the moment that both Duncan Laurence and John Lundvik were hoping for a victory. 2020 will be Jon Ola’s last year.

Jon Ola Sand, ©Okras, Wikimedia Commons

From 2021 on, Martin Österdahl will take the job, as we mentioned earlier today.

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70 years of Eurovision: politics and heart problems

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 2016 Måns Zelmerlöw hosted the 2016 Eurovision Song Contest together with the inevitable Petra Meede. The contest was held at the Globe Arena in Stockholm. Bulgaria, Croatia, Bosnia and Herzegovina, and Ukraine returned. Portugal and Romania did not participate. The songs Bojan Jovović of the Montenegrin group No Name returned in a different band, Highway. Greta Salomé took the stage for Iceland for the second time. The Bosnian Deen also participated for a second time. Kaliopi was once again the Macedonian candidate. Bulgaria sent Poli Genova again, who was much more successful with “If Love Was A Crime” than during her first participation. Poli managed to achieve a record for Bulgaria: a fourth place. 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Ivan did too, naked, but neatly covered. Mental health issues plagued the Norwegian singer Agnete: she did not appear at press conferences. And perhaps she didn’t mind too much that she didn’t make it to the final. She called her performance a victory in itself. The final The final was opened by Laura Tesoro from Belgium. No one in Belgium had any confidence in a good outcome for Laura. That is, until they saw Laura’s act and confident performance in Stockholm. Laura achieved a respectable tenth place. The Dutchman Douwe Bob did something special during his performance. In the song “Slow Down,” he inserted a ten-second silence to emphasize the lyrics. Swedish participant Frans managed to score a modest European hit with his song “If I Were Sorry.” The Pole Michał Szpak scored surprisingly high with the televoter, something that caused much grumbling about the Polish diaspora. South Korean-born Dami Im represented Australia, where she had lived for almost her entire life. “Sound of Silence” was in contention for the final victory right up to the very end. Zoë also stood out; this Austrian sang her song “Loin d’Ici” entirely in French. Final Battle The EBU had decided to change the voting method. Those exciting ‘twelve points’ were now the points from the professional jury. The televoter points were added together and announced by the presenters from bottom to top. This kept the festival exciting until the very last moment. The Australian Dami Im was the favorite with the professional jury, but the Russian Sergey Lazarev won with the televoter. Ultimately, the country that came second with both juries won: Ukraine. Jamala The Ukrainian Jamala had previously participated in the national final. With her song “1944”, she won for the first time. This song was about the deportation and murder of the Crimean Tatars by Stalin in 1944. “When strangers are coming, they come to your house, they kill you all and say: we’re not guilty”. Ukraines song was about a historical fact but could hardly be viewed separately from the Russian occupation of Crimea in 2014. The Russians were of course not amused that this particular song prevented them from achieving a second victory. 2017 Eurovision went to Kyiv again. The event was held at the International Exhibition Centre. For the first time, three men hosted it: Oleksandr Skichko, Volodymyr Ostapchuk, and Timur Miroshnychenko. Portugal and Romania participated again, but Bosnia and Herzegovina withdrew. Russia was going to participate, but Ukraine presented a list of Russian artists who had performed in Crimea. By doing so, they had violated Ukrainian law and were not allowed into the country. It took some searching, but eventually the Russians found someone who *had* performed in Crimea but was not on the list. The singer was the severely physically disabled Julia Samoylova. It was thought that the Ukrainians would not refuse someone in a wheelchair at the border. However, Samoylova was not allowed into the country. The Russians subsequently withdrew. The songs Tamara Gachechiladze had almost participated before, as a member of the group 3G. At the time, she sang “We Don’t Wanna Put In”. Now she was allowed to participate. Omar Naber already competed for Slovenia in 2005, and now again. And for the second time, he failed to reach the final. Valentina Monetta participated for San Marino for no less than the fourth time. The Estonian duo had also participated before, but not together: Koit Toome in 1998, Laura Põldvere in 2005. The ‘epic sax guy’ also competed once again as a member of The Sunstroke Project. With a 4th place finish, the group was very successful this time. 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