After the Eurovision Fame: Johnny Logan

Johnny Logan won the Eurovision Song Contest three times. Twice he did this as a performing artist; in 1980 in The Hague, The Netherlands with “What’s another year” and in 1987 in Brussels, Belgium with “Hold me now”. In 1992 he participated in Malmö, Sweden as a lyricist and composer of “Why me?” (Linda Martin). It earned him the nickname “Mr. Eurovision”.

 

Early life and career

Johnny Logan was born as Seán Patrick Michael Sherrard in Frankston, Victoria (Australia), on May 13, 1954. He was the son of the famous Irish tenor Patrick O’Hagan.

When he was three years old, the family moved back to Ireland. Sherrard had a musical childhood in which he learned to play the guitar at a young age. He composed his first songs when he was 13.

After high school, he started working as an electrician. He also performed as a musician in clubs. He also starred in several musicals. Together with his brother Michael he was part of several bands.

At the beginning of his professional music career, Sherrard took the stage name Johnny Logan. This name was taken from the main character from the movie Johnny Guitar. He then recorded his first single in 1978: “No, I don’t want to fall in love”.

The song wasn’t a hit. In a quest for more success, he decided to register for the Irish national heat for the Eurovision Song Contest of 1979. With the song “Angie ” he finished behind winner Cathal Dunne in third place. Later that year his debut album, “In London” , was released.

First Eurovision victory

In March 1980, Logan made another attempt to go to the Eurovision Song Contest for Ireland. In the Irish heat of that year he performed “What’s another year”, a song by Shay Healy. This time Logan easily won the national competition and was able to represent Ireland at the Eurovision Song Contest, on April 19, 1980 in The Hague.

He was previously counted among the favorites for the final victory and turned out to be able to meet those expectations. Excluding Morocco and Turkey, he received points from every country and with a total score of 143 points he gave Ireland a Eurovision victory after ten years.

“What’s another year” became a big hit in several European countries. In addition to Ireland itself, it also reached the number 1 position in Belgium and the United Kingdom, among others. Nevertheless, Logan failed to maintain his sudden international success. Successive singles flopped and the number of bookings was disappointing, in his own words due to poor management and his own inexperience.

As a result, the singer got into financial trouble and also developed an alcohol problem.

In 1984, however, Logan had another success as a writer of the song “Terminal 3”, with which Linda Martin finished second on behalf of Ireland at that year’s Eurovision Song Contest. He got the taste of the Eurovision song contest again and continued to write potential entries.

For example, his brother Michael (Mike) Sherrard appeared in the Irish heat of 1985 with the song “Hearts” written by Logan, which ended up in last place.

Mike (Michael Sherrard)

In 1986, his song “If I can change your mind,” was re-performed by Linda Martin, became fourth in the Irish preselection.

Second Eurovision victory

In an attempt to get his career back on track, and to erase his predicate of one-day fly, Logan himself wanted to return to the Eurovision song contest to try to win the event again.

In 1987 he wrote and composed the song “Hold me now”, which he submitted to the Irish national heat of that year. He managed to win the selection again and was thus allowed to represent Ireland again at the Eurovision Song Contest, which was held two months later in Brussels, Belgium.

At the Eurovision song contest, where he received a lot of media attention as a former winner, Logan was again considered one of the favorites. The total points score of 172 was ultimately enough for the victory. It meant, after 1970 and 1980, the third Irish Eurovision victory, and the second for Logan personally. He thus became the first (and to date only) performing artist to win the Eurovision Song Contest twice.

As with “What’s another year”, Johnny Logan also scored a big hit with “Hold me now” in several European countries. In addition to Ireland himself, he also reached the number 1 position in Flanders. The subsequent single “I’m not in love” was, as well as the released album “Hold me now”, a modest success.

Third Eurovision victory

After a few years, in which he made an international tour, Logan again occupied himself with the Eurovision Song Contest at the beginning of the nineties. For the 1991 Irish national heat he wrote the song “When do I get over you?” which put his brother Mike in sixth place. A year later he resumed his collaboration with Linda Martin and wrote for her the song “Why me?”, which would become the Irish entry at the 1992 Eurovision Song Contest in Malmö. The song caught on and ensured another victory for Ireland. Logan became the first (and to date only) person to win the Eurovision Song Contest three times.

 

Later career

In the years that followed, Logan continued to write and release music. He became a much sought-after artist at events where the Eurovision Song Contest is central. His popularity stabilized especially in Scandinavia, Germany, the Netherlands and Belgium.

Live during ” Het Grote Songfestivalfeest” in Amsterdam in 2019

Logan remained involved in the Eurovision Song Contest in various ways over the years. For example, during the scoring in 2004 he passed on the Irish points and he wrote several songs for preliminary rounds, and he also regularly sat on professional juries during national selections.

In both 2007 and 2009, Logan was approached by Irish broadcaster RTÉ to represent Ireland again at the Eurovision Song Contest, but in both cases the talks came to nothing. In 2010 it was reported that Logan would write the French entry of that year, but in the end nothing came of it.

With his album “The Irish connection”, Logan achieved great success in the Scandinavian countries in 2007. In Sweden and Norway, the album reached the first place of the album list. A second part was published in 2012.

 His most recent album was released in 2017, titled “It is what it is”.

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70 years of Eurovision: big hits and bare feet

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1965 Sweden was back. Ireland made its debut. That brought the total number of countries in Naples, Italy, to no less than 18. In the RAI auditorium in this city, Renata Mauro presented the largest festival to date. Udo Jürgens participated for Austria for the second time. Conchita Bautista returned for Spain. Vice Vukov was there for the second time representing Yugoslavia. But those were not the entries that caused a stir. Bobby Solo (Italy) and Guy Mardel (France) managed to score an international hit. But the most notable one was Ingvar Wixell from Sweden. This opera singer had been assigned the song “Annorstädes Vals” in the national final. But in Naples, he suddenly sang “Absent Friend,” the English version. Nowhere in the Eurovision regulations did it state that this was not allowed. You can imagine that it was included a year later. The French singer France Gall won for Luxembourg. Her “Poupée de cire, poupée de son” was written by none other than Serge Gainsbourg. He stated that he had never watched Eurovision. He therefore had no clue what he was writing for. And perhaps that was exactly the key to the success. During the reprise, France Gall seemed to realize she had won only halfway through. Only then a smile appeared on her face. 1966 Once again, the Eurovision circus moved to the tiny studio in the Villa Lauvigny in Luxembourg. The presentation was now in the hands of Josiane Shen. The same countries as in 1965 participated. Udo Jürgens participated for Austria for the third consecutive time. Domenico Modugno returned for Italy. And then we do not want to leave two candidates unmentioned: Åse Kleveland (Norway) and Lill Lindfors (Sweden) would later host the contest themselves. Kleveland, who later also became Minister of Culture in Norway, won the hearts of the jury members with her guitar. She came third. Lindfors sang a fairy tale to jazzy music in a duet. She came second with it. However, we do not want to leave the Dutch Milly Scott out either. Not only because she was the first black singer at Eurovision. She had also quite misjudged the size of the stage. She wanted to enter with a steeplechase. That was impossible. She had to back down and put on a much simpler act. As mentioned, Udo Jürgens participated for Austria for the third time. Third time was the charm for him: he won! A promising career lay ahead of him. When he won and got to sing his “Merci Chérie” again, he turned it into “Merci Jury”. 1967 For the first time, the Eurovision Song Contest went to Vienna. Erika Vaal hosted the contest at the Vienna Hofburg. She opened the show with a speech in no less than four languages. In addition, she apologized for not being proficient in all the participants’ other languages. Denmark was not present this year and would be absent for a long time. This country was angry about the bloc formation during the voting. Raphaël from Spain and Kirsti Sparboe from Norway both participated for a second time. So did Claudio Villa from Italy. Serge Gainsbourg wrote a song, just like two years earlier. This time it was for Monaco. Singer Minouche Barelli let loose completely during Gainsbourg’s “Boum Badaboum”. The Greek Vicky (Leandros, though she did not use that surname yet) did the same. Her “L’amour est bleu” became a big hit, but not exactly for her. Orchestra conductor Paul Mauriat made a single with the instrumental version and walked away with the hit. The voting was incredibly exciting. Not because of the winner, as that was the United Kingdom with a landslide. Rather because of the many errors and misses during the scoring. The scoreboard kept malfunctioning, forcing poor Erika Vaal to constantly make adjustments. In her panic, she forgot about the last one, the Irish jury. “I thought we were going to be left out,” a crestfallen Irish jury chairman remarked. But then again, it was pop star Sandie Shaw who won for the United Kingdom with “Puppet on a String.” She caused a sensation by winning barefoot! Her song became a worldwide hit and a classic. However, Sandie Shaw has never made a secret of the fact that she herself hated that song. There have indeed been times when she refused to sing it. For example, on a Dutch television show, she simply walked away when the interviewer mentioned the word Eurovision.

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History
Martijn

70 years of Eurovision: big hits and bare feet

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1965 Sweden was back. Ireland made its debut. That brought the total number of countries in Naples, Italy, to no less than 18. In the RAI auditorium in this city, Renata Mauro presented the largest festival to date. Udo Jürgens participated for Austria for the second time. Conchita Bautista returned for Spain. Vice Vukov was there for the second time representing Yugoslavia. But those were not the entries that caused a stir. Bobby Solo (Italy) and Guy Mardel (France) managed to score an international hit. But the most notable one was Ingvar Wixell from Sweden. This opera singer had been assigned the song “Annorstädes Vals” in the national final. But in Naples, he suddenly sang “Absent Friend,” the English version. Nowhere in the Eurovision regulations did it state that this was not allowed. You can imagine that it was included a year later. The French singer France Gall won for Luxembourg. Her “Poupée de cire, poupée de son” was written by none other than Serge Gainsbourg. He stated that he had never watched Eurovision. He therefore had no clue what he was writing for. And perhaps that was exactly the key to the success. During the reprise, France Gall seemed to realize she had won only halfway through. Only then a smile appeared on her face. 1966 Once again, the Eurovision circus moved to the tiny studio in the Villa Lauvigny in Luxembourg. The presentation was now in the hands of Josiane Shen. The same countries as in 1965 participated. Udo Jürgens participated for Austria for the third consecutive time. Domenico Modugno returned for Italy. And then we do not want to leave two candidates unmentioned: Åse Kleveland (Norway) and Lill Lindfors (Sweden) would later host the contest themselves. Kleveland, who later also became Minister of Culture in Norway, won the hearts of the jury members with her guitar. She came third. Lindfors sang a fairy tale to jazzy music in a duet. She came second with it. However, we do not want to leave the Dutch Milly Scott out either. Not only because she was the first black singer at Eurovision. She had also quite misjudged the size of the stage. She wanted to enter with a steeplechase. That was impossible. She had to back down and put on a much simpler act. As mentioned, Udo Jürgens participated for Austria for the third time. Third time was the charm for him: he won! A promising career lay ahead of him. When he won and got to sing his “Merci Chérie” again, he turned it into “Merci Jury”. 1967 For the first time, the Eurovision Song Contest went to Vienna. Erika Vaal hosted the contest at the Vienna Hofburg. She opened the show with a speech in no less than four languages. In addition, she apologized for not being proficient in all the participants’ other languages. Denmark was not present this year and would be absent for a long time. This country was angry about the bloc formation during the voting. Raphaël from Spain and Kirsti Sparboe from Norway both participated for a second time. So did Claudio Villa from Italy. Serge Gainsbourg wrote a song, just like two years earlier. This time it was for Monaco. Singer Minouche Barelli let loose completely during Gainsbourg’s “Boum Badaboum”. The Greek Vicky (Leandros, though she did not use that surname yet) did the same. Her “L’amour est bleu” became a big hit, but not exactly for her. Orchestra conductor Paul Mauriat made a single with the instrumental version and walked away with the hit. The voting was incredibly exciting. Not because of the winner, as that was the United Kingdom with a landslide. Rather because of the many errors and misses during the scoring. The scoreboard kept malfunctioning, forcing poor Erika Vaal to constantly make adjustments. In her panic, she forgot about the last one, the Irish jury. “I thought we were going to be left out,” a crestfallen Irish jury chairman remarked. But then again, it was pop star Sandie Shaw who won for the United Kingdom with “Puppet on a String.” She caused a sensation by winning barefoot! Her song became a worldwide hit and a classic. However, Sandie Shaw has never made a secret of the fact that she herself hated that song. There have indeed been times when she refused to sing it. For example, on a Dutch television show, she simply walked away when the interviewer mentioned the word Eurovision.

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