The second semifinal

photo: EBU/Sarah Louise Bennett

The hosts Petra Mede and Malin Åkerman open the show with their own version of “Tattoo.”

Malta

In the Maltese act by Sarah Bonnici, there is a lot of movement and dancing. Later during the act, she is blindfolded, as are her dancers. Despite so much movement, Sarah manages to sing remarkably well.

Albania

Besa wears a turquoise gown with gemstones. The stage also includes several dancers, which might make it look a bit messy. However, many dancers are projected onto LED screens. Besa’s voice sounds a bit sharp here and there.

Greece

First, we see her purple boots, then the whole Marina Satti. She is also flanked by four dancers, but it looks much more organized. Greece has chosen a sophisticated entry not meant for casual listeners. A lot happens during this entry. Marina continues to sing well.

Switzerland

Nemo takes the viewer into his story with the song “The Code,” managing to crack the (binary) code. Their clothing says it all. Nemo has so far managed to enhance their narrative through fashion statements. Nemo jumps, skips, shows himself to be a balancing artist… and continues to sing crystal clear. We do not know if this is a winner, but we definitely respect their skills.

Czechia

You would expect Aiko to be standing on a pedestal during her performance. That’s not the case, but we find that the ceiling (one of the cubes) is very low. Aiko has four… Her nipples are no longer visible. Pay particular attention to the high note that Aiko effortlessly hits. Aiko surprises!

During the first semifinal, Nicole (from Hugo) received a tribute, and in this semifinal, Jahn Teigen (ESC 1978, 1982, 1983) is honored. We are treated to a journey through Eurovision history with several participants who did not finish very high.

France

Slimane, dressed in white, starts singing while lying down, then sits up. Everything is shot in close-up, which makes the song even more intimate. Slimane pulls out all the stops in terms of his singing ability. The song has its distinct fans, but others are completely on the opposite end of the spectrum.

Austria

It’s interesting to put someone on stage who has held various other roles at the contest. Singing is clearly not Kaleen’s strongest suit. Regardless of how enjoyable the song may be found, the singing is forgotten in Austria. However, the act looks absolutely tight, and Kaleen knows very well what she is doing in terms of dance.

Denmark

It seems like you only see a singer sprinkling some sand and singing her song. However, we also see a second Saba in the background… A hologram, as it turns out, because at one point she disintegrates into sand. Occasionally, Saba tends to sing too loud, which makes the whole thing seem a bit shouty.

Armenia

Cheerfulness all over, garnished with typical Armenian sounds. Singer Jaklin Baghdasarian of Ladaniva plays a leading role throughout the act. The other band members and backing band stand behind her, but at one point, the flutist also comes forward. We see all sorts of things in the background: trumpets, chickens, and the artists themselves.

Latvia

Looking at his Instagram account, he is very cheerful and humorous: the Latvian Dons. But seeing him standing there in his sleeveless leather outfit amid a circle, and hearing his very serious ballad, we notice little of that. There is nothing wrong with this song, but that might also be the problem.

Spain

Both the singer and the dancers are dressed in black. The singing isn’t fantastic, but Nebulossa certainly knows how to throw a party in the hall. And of course, halfway through the act, the dancers strip off their clothes and continue dancing with bare chests and buttocks. At the end, a keyhole appears behind the singer Mery. The Spaniards really throw a party.

San Marino

We stick with the Spanish language, as San Marino sends the Spanish group Megara. Singer Kenzy Loevett is briefly flanked by two dancers in scary Easter bunny suits. Everything is pink and black in this act. It’s all rock, and the group tries to match the scariness of Bambie Thug, but it remains rather tame for a horror show.

Georgia

Nutsa Buzaladze is dressed in gold and stands in a circle of fire, which at one moment looks like a sun, the next a burning hoop. Nutsa is flanked by four dancers, and gives her all in terms of singing, but that doesn’t necessarily mean it’s good. For Georgia, it’s definitely not a done deal.

Belgium

We had already seen photos of Mustii amid a circle of microphones, but he starts alone on stage. He then stands on a rotating platform. Later, he goes into this circle. Mustii is dressed in white. The singing we hear here is very cautious, with Mustii consciously staying below the high notes. He did not, as we previously reported, take his shirt off. But towards the end, we see the whole hall going wild with the Belgian entry!

Estonia

5miinust and Puuluup are having a party on stage. The title of the song is, as previously mentioned, the longest ever. Whether the party really come across with all the “hey hey hey” is still a question. Possibly a finalist position for Estonia, but that is by no means certain.

Italy

Angelina Mango starts lying down, with roses projected under her. She has a sort of henna-like print depicted. This print also continues with the dancers. There are so many prints all over. There are so many details that you occasionally don’t see Angelina and her dancers at all. The singing is fine where it concerns Angelina. She ends a cappella. That takes skilsl, and Angelina has them. Italy will finish high, but perhaps not win.

Israel

The Israeli entry is the only ballad in this latter stage of the second semifinal. Just before she starts singing, Eden Golan leans back in a circle with lights. Five dancers flank her, and of course, she is lifted in the middle of the song. The singing is good, including the high note. Israel got both bood and cheered; possibly SVT and EBU will filter the booing tomorrow.

Norway

Norwegian instruments, we see branches everywhere, and we see the Norwegian band Gåte. Nightwish meets Within Temptation during this entry. The whole has a Norwegian mystical character. The band seems to have come right out of the Norwegian mythology. Singer Gunnhild Sunli effortlessly hits all the high notes.

Netherlands

Joost starts while standing on a picture of his head, depicted on the floor. Next to him are two dancers, and on stage with him are his friends Appie Mussa (in a bird suit) and Stuntkabouter in a blue suit. The graphics correspond in part with the text. It’s a lot, we see many different graphics. Next to typical Dutch snacks, we also see the burning mill, silhouettes of the parents, and the word papa (daddy) pass by. During the 90s gabber music part, the stage turns red. During the emotional outro, the background is black, with subtitles. Then follows the text for his parents.

Tonights  interval act contains various surprises. First, we see a singalong with Sertab Erener, Charlotte Perrelli, and Helena Paparizou. Then we see the two presenters singing the song “We just love Eurovision too much.” They do this with the aforementioned Sertab, Charlotte, and Helena, but also Käärijä and The Herreys take the stage.

After that follows the moment of announcement. We think the following countries will make it to the final: Greece, Switzerland, Austria, Denmark, Armenia, Georgia, Belgium, Israel, Norway, and the Netherlands.

Related news

Eurovision 2026

Vienna 12 points: from a huge table to 7,000 crystals

  Day four of first rehearsals at the 70th Eurovision Song Contest is underway in Vienna. The final eight countries of Semi-Final 2 step onto the Wiener Stadthalle stage for the very first time today, Tuesday 5 May. First rehearsals remain closed to press; three approved images per country will be published approximately 24 hours after each performance. The official Eurovision subreddit is providing live descriptions throughout the day. Eurovision Universe sought additional detail through national broadcaster coverage, social media, and press reports. All five countries below compete in Semi-Final 2 on Thursday, May 14. 🇨🇾 Cyprus — Antigoni, “Jalla” Running order: 8 | Rehearsal: 5 May, 09:00–09:30 CEST | Second rehearsal: 9 May Antigoni has been promising she would dance on the table. This morning at the Wiener Stadthalle she delivered  in a way nobody quite anticipated. The centrepiece of the staging is a table of extraordinary scale: large enough for all four dancers to join Antigoni on top of it, large enough to function as a full catwalk, and large enough that the chairs do not go beside it but on it. This choreography is tight and deliberate. The dancers even work with plates. And the whole setup directly brings to life the song’s most iconic lyric. It is a reference with Eurovision history behind it: Ivi Adamou danced on a table for Cyprus at Baku 2012, but the 2026 version operates on an entirely different scale. The table itself has a table runner made from an LED strip, which comes into its own during the “you want more?” section of the song. From there, Antigoni steps off the table and onto the catwalk with a purposeful strut, before the staging closes out with fire and pyrotechnics more commonly associated with rock entries than Mediterranean pop. The backdrop features giant ancient pillars lit in blue. Antigoni wears a short white beaded dress. Staging is by Sacha Jean-Baptiste, whose Eurovision credits include “Fuego” (Cyprus 2018) and the 2023 winner “Tattoo” for Sweden. Antigoni Buxton, 29, is a British-Cypriot singer-songwriter from North London who gained wider recognition after Love Island UK in 2022. CyBC selected her internally in November 2025. “Jalla”, meaning “more” in the Cypriot dialect, was co-written with Charalambous Kallona, Connor Mullally-Knight, Demetris Nikolaou, Claydee, Paris Kalpos, and Trey Qua. Cyprus competes 8th in Semi-Final 2. Sources: r/eurovision live thread / CyBC / Eurovoix / Instagram @antigoni 🇱🇻 Latvia — Atvara, “Ēnā” Running order: 9 | Rehearsal: 5 May, 09:40–10:10 CEST | Second rehearsal: 8 May Latvia’s first Vienna rehearsal delivers a scaled-up version of the performance that won Supernova 2026 in February. If the subreddit’s reporters are to be believed, it translates powerfully to the larger Wiener Stadthalle stage. Atvara completed three full run-throughs of “Ēnā.” The core concept remains unchanged: an intimate, atmospheric performance built around the song’s cinematic ballad structure and Atvara’s vocal. What has changed is the detail. Atvara is wearing a newly designed gown decorated with sparkling stones. They now extend further down the side and along her left arm. Speaking to Latvian broadcaster LSM ahead of Vienna, Atvara confirmed that the team had worked to adapt the Supernova concept to the Eurovision scale. They refined technical elements while leaving the core performance intact. Her stylist Inna Bertāne described the new dress in Latvian press as a deliberate step up. Atvara rose to prominence on TikTok via her debut single “Pie Manis Tveries” and later sold out 22 solo shows in Latvia in 2025. She won Supernova on 14 February, taking both the jury and public votes. Latvia competes 9th in Semi-Final 1. Sources: LSM / Supernova / Latvian Radio / Instagram @atvara.liene 🇩🇰 Denmark — Søren Torpegaard Lund, “Før vi går hjem” Running order: 10 | Rehearsal: 5 May, 10:20–10:50 CEST | Second rehearsal: 9 May The Melodi Grand Prix staging has arrived in Vienna completely intact, and apparently quite literally so. The box that defined Søren’s breakthrough performance in Frederikshavn was not dismantled and rebuilt for the Wiener Stadthalle; it was shipped as-is. When something works that well, you don’t take risks with it. That said, what is inside the box has been elevated for Eurovision. Søren opens in black leather trousers and an aquamarine silk chiffon shirt, before ripping it off mid-performance. The singer than reveals a sparkly black mesh top underneath. The outfit reveal lands as a proper moment. Inside the box, red tube lights illuminate and intensify as the performance builds, so that by the second chorus the whole structure is radiating heat, matching the choreography. This has been noticeably scaled up from the national final, particularly the thrusting during the first verse. When Søren finally steps out of the box towards the end of the song, a storm takes over the stage floor and the backdrop behind him. The respite is brief: the graphics transform into blazing fire for the final twenty seconds.  Søren Torpegaard Lund, 27, is a trained musical theatre actor who graduated from the Danish Stage Arts School and played Tony in West Side Story at the Copenhagen Opera House in 2021–22. He co-wrote “Før vi går hjem” with Clara Sofie Fabricius, Thomas Meilstrup, and Valdemar Littauer Bendixen, winning Melodi Grand Prix on 14 February with both the jury and public votes. Denmark competes 10th in Semi-Final 2. Sources: r/eurovision live thread / DR / ESC Insight / Instagram @sorentorpegaardlund 🇦🇺 Australia — Delta Goodrem, “Eclipse” Running order: 11 | Rehearsal: 5 May, 11:00–11:30 CEST | Second rehearsal: 9 May The biggest name in this year’s contest steps onto the Wiener Stadthalle stage and, by all accounts, does not disappoint. Delta Goodrem’s first Vienna rehearsal for “Eclipse” is a significant production. The staging is developed by Black Skull Creative, the team behind the entire Liverpool 2023 contest, alongside creative director Paul Clarke. It is described as one of the most technically ambitious performances in Vienna this year. The concept tracks a journey from a moon world into a sun world, culminating in a

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Eurovision 2026
Martijn

Vienna 12 points: from a huge table to 7,000 crystals

  Day four of first rehearsals at the 70th Eurovision Song Contest is underway in Vienna. The final eight countries of Semi-Final 2 step onto the Wiener Stadthalle stage for the very first time today, Tuesday 5 May. First rehearsals remain closed to press; three approved images per country will be published approximately 24 hours after each performance. The official Eurovision subreddit is providing live descriptions throughout the day. Eurovision Universe sought additional detail through national broadcaster coverage, social media, and press reports. All five countries below compete in Semi-Final 2 on Thursday, May 14. 🇨🇾 Cyprus — Antigoni, “Jalla” Running order: 8 | Rehearsal: 5 May, 09:00–09:30 CEST | Second rehearsal: 9 May Antigoni has been promising she would dance on the table. This morning at the Wiener Stadthalle she delivered  in a way nobody quite anticipated. The centrepiece of the staging is a table of extraordinary scale: large enough for all four dancers to join Antigoni on top of it, large enough to function as a full catwalk, and large enough that the chairs do not go beside it but on it. This choreography is tight and deliberate. The dancers even work with plates. And the whole setup directly brings to life the song’s most iconic lyric. It is a reference with Eurovision history behind it: Ivi Adamou danced on a table for Cyprus at Baku 2012, but the 2026 version operates on an entirely different scale. The table itself has a table runner made from an LED strip, which comes into its own during the “you want more?” section of the song. From there, Antigoni steps off the table and onto the catwalk with a purposeful strut, before the staging closes out with fire and pyrotechnics more commonly associated with rock entries than Mediterranean pop. The backdrop features giant ancient pillars lit in blue. Antigoni wears a short white beaded dress. Staging is by Sacha Jean-Baptiste, whose Eurovision credits include “Fuego” (Cyprus 2018) and the 2023 winner “Tattoo” for Sweden. Antigoni Buxton, 29, is a British-Cypriot singer-songwriter from North London who gained wider recognition after Love Island UK in 2022. CyBC selected her internally in November 2025. “Jalla”, meaning “more” in the Cypriot dialect, was co-written with Charalambous Kallona, Connor Mullally-Knight, Demetris Nikolaou, Claydee, Paris Kalpos, and Trey Qua. Cyprus competes 8th in Semi-Final 2. Sources: r/eurovision live thread / CyBC / Eurovoix / Instagram @antigoni 🇱🇻 Latvia — Atvara, “Ēnā” Running order: 9 | Rehearsal: 5 May, 09:40–10:10 CEST | Second rehearsal: 8 May Latvia’s first Vienna rehearsal delivers a scaled-up version of the performance that won Supernova 2026 in February. If the subreddit’s reporters are to be believed, it translates powerfully to the larger Wiener Stadthalle stage. Atvara completed three full run-throughs of “Ēnā.” The core concept remains unchanged: an intimate, atmospheric performance built around the song’s cinematic ballad structure and Atvara’s vocal. What has changed is the detail. Atvara is wearing a newly designed gown decorated with sparkling stones. They now extend further down the side and along her left arm. Speaking to Latvian broadcaster LSM ahead of Vienna, Atvara confirmed that the team had worked to adapt the Supernova concept to the Eurovision scale. They refined technical elements while leaving the core performance intact. Her stylist Inna Bertāne described the new dress in Latvian press as a deliberate step up. Atvara rose to prominence on TikTok via her debut single “Pie Manis Tveries” and later sold out 22 solo shows in Latvia in 2025. She won Supernova on 14 February, taking both the jury and public votes. Latvia competes 9th in Semi-Final 1. Sources: LSM / Supernova / Latvian Radio / Instagram @atvara.liene 🇩🇰 Denmark — Søren Torpegaard Lund, “Før vi går hjem” Running order: 10 | Rehearsal: 5 May, 10:20–10:50 CEST | Second rehearsal: 9 May The Melodi Grand Prix staging has arrived in Vienna completely intact, and apparently quite literally so. The box that defined Søren’s breakthrough performance in Frederikshavn was not dismantled and rebuilt for the Wiener Stadthalle; it was shipped as-is. When something works that well, you don’t take risks with it. That said, what is inside the box has been elevated for Eurovision. Søren opens in black leather trousers and an aquamarine silk chiffon shirt, before ripping it off mid-performance. The singer than reveals a sparkly black mesh top underneath. The outfit reveal lands as a proper moment. Inside the box, red tube lights illuminate and intensify as the performance builds, so that by the second chorus the whole structure is radiating heat, matching the choreography. This has been noticeably scaled up from the national final, particularly the thrusting during the first verse. When Søren finally steps out of the box towards the end of the song, a storm takes over the stage floor and the backdrop behind him. The respite is brief: the graphics transform into blazing fire for the final twenty seconds.  Søren Torpegaard Lund, 27, is a trained musical theatre actor who graduated from the Danish Stage Arts School and played Tony in West Side Story at the Copenhagen Opera House in 2021–22. He co-wrote “Før vi går hjem” with Clara Sofie Fabricius, Thomas Meilstrup, and Valdemar Littauer Bendixen, winning Melodi Grand Prix on 14 February with both the jury and public votes. Denmark competes 10th in Semi-Final 2. Sources: r/eurovision live thread / DR / ESC Insight / Instagram @sorentorpegaardlund 🇦🇺 Australia — Delta Goodrem, “Eclipse” Running order: 11 | Rehearsal: 5 May, 11:00–11:30 CEST | Second rehearsal: 9 May The biggest name in this year’s contest steps onto the Wiener Stadthalle stage and, by all accounts, does not disappoint. Delta Goodrem’s first Vienna rehearsal for “Eclipse” is a significant production. The staging is developed by Black Skull Creative, the team behind the entire Liverpool 2023 contest, alongside creative director Paul Clarke. It is described as one of the most technically ambitious performances in Vienna this year. The concept tracks a journey from a moon world into a sun world, culminating in a

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