The second semifinal

photo: EBU/Sarah Louise Bennett

The hosts Petra Mede and Malin Åkerman open the show with their own version of “Tattoo.”

Malta

In the Maltese act by Sarah Bonnici, there is a lot of movement and dancing. Later during the act, she is blindfolded, as are her dancers. Despite so much movement, Sarah manages to sing remarkably well.

Albania

Besa wears a turquoise gown with gemstones. The stage also includes several dancers, which might make it look a bit messy. However, many dancers are projected onto LED screens. Besa’s voice sounds a bit sharp here and there.

Greece

First, we see her purple boots, then the whole Marina Satti. She is also flanked by four dancers, but it looks much more organized. Greece has chosen a sophisticated entry not meant for casual listeners. A lot happens during this entry. Marina continues to sing well.

Switzerland

Nemo takes the viewer into his story with the song “The Code,” managing to crack the (binary) code. Their clothing says it all. Nemo has so far managed to enhance their narrative through fashion statements. Nemo jumps, skips, shows himself to be a balancing artist… and continues to sing crystal clear. We do not know if this is a winner, but we definitely respect their skills.

Czechia

You would expect Aiko to be standing on a pedestal during her performance. That’s not the case, but we find that the ceiling (one of the cubes) is very low. Aiko has four… Her nipples are no longer visible. Pay particular attention to the high note that Aiko effortlessly hits. Aiko surprises!

During the first semifinal, Nicole (from Hugo) received a tribute, and in this semifinal, Jahn Teigen (ESC 1978, 1982, 1983) is honored. We are treated to a journey through Eurovision history with several participants who did not finish very high.

France

Slimane, dressed in white, starts singing while lying down, then sits up. Everything is shot in close-up, which makes the song even more intimate. Slimane pulls out all the stops in terms of his singing ability. The song has its distinct fans, but others are completely on the opposite end of the spectrum.

Austria

It’s interesting to put someone on stage who has held various other roles at the contest. Singing is clearly not Kaleen’s strongest suit. Regardless of how enjoyable the song may be found, the singing is forgotten in Austria. However, the act looks absolutely tight, and Kaleen knows very well what she is doing in terms of dance.

Denmark

It seems like you only see a singer sprinkling some sand and singing her song. However, we also see a second Saba in the background… A hologram, as it turns out, because at one point she disintegrates into sand. Occasionally, Saba tends to sing too loud, which makes the whole thing seem a bit shouty.

Armenia

Cheerfulness all over, garnished with typical Armenian sounds. Singer Jaklin Baghdasarian of Ladaniva plays a leading role throughout the act. The other band members and backing band stand behind her, but at one point, the flutist also comes forward. We see all sorts of things in the background: trumpets, chickens, and the artists themselves.

Latvia

Looking at his Instagram account, he is very cheerful and humorous: the Latvian Dons. But seeing him standing there in his sleeveless leather outfit amid a circle, and hearing his very serious ballad, we notice little of that. There is nothing wrong with this song, but that might also be the problem.

Spain

Both the singer and the dancers are dressed in black. The singing isn’t fantastic, but Nebulossa certainly knows how to throw a party in the hall. And of course, halfway through the act, the dancers strip off their clothes and continue dancing with bare chests and buttocks. At the end, a keyhole appears behind the singer Mery. The Spaniards really throw a party.

San Marino

We stick with the Spanish language, as San Marino sends the Spanish group Megara. Singer Kenzy Loevett is briefly flanked by two dancers in scary Easter bunny suits. Everything is pink and black in this act. It’s all rock, and the group tries to match the scariness of Bambie Thug, but it remains rather tame for a horror show.

Georgia

Nutsa Buzaladze is dressed in gold and stands in a circle of fire, which at one moment looks like a sun, the next a burning hoop. Nutsa is flanked by four dancers, and gives her all in terms of singing, but that doesn’t necessarily mean it’s good. For Georgia, it’s definitely not a done deal.

Belgium

We had already seen photos of Mustii amid a circle of microphones, but he starts alone on stage. He then stands on a rotating platform. Later, he goes into this circle. Mustii is dressed in white. The singing we hear here is very cautious, with Mustii consciously staying below the high notes. He did not, as we previously reported, take his shirt off. But towards the end, we see the whole hall going wild with the Belgian entry!

Estonia

5miinust and Puuluup are having a party on stage. The title of the song is, as previously mentioned, the longest ever. Whether the party really come across with all the “hey hey hey” is still a question. Possibly a finalist position for Estonia, but that is by no means certain.

Italy

Angelina Mango starts lying down, with roses projected under her. She has a sort of henna-like print depicted. This print also continues with the dancers. There are so many prints all over. There are so many details that you occasionally don’t see Angelina and her dancers at all. The singing is fine where it concerns Angelina. She ends a cappella. That takes skilsl, and Angelina has them. Italy will finish high, but perhaps not win.

Israel

The Israeli entry is the only ballad in this latter stage of the second semifinal. Just before she starts singing, Eden Golan leans back in a circle with lights. Five dancers flank her, and of course, she is lifted in the middle of the song. The singing is good, including the high note. Israel got both bood and cheered; possibly SVT and EBU will filter the booing tomorrow.

Norway

Norwegian instruments, we see branches everywhere, and we see the Norwegian band Gåte. Nightwish meets Within Temptation during this entry. The whole has a Norwegian mystical character. The band seems to have come right out of the Norwegian mythology. Singer Gunnhild Sunli effortlessly hits all the high notes.

Netherlands

Joost starts while standing on a picture of his head, depicted on the floor. Next to him are two dancers, and on stage with him are his friends Appie Mussa (in a bird suit) and Stuntkabouter in a blue suit. The graphics correspond in part with the text. It’s a lot, we see many different graphics. Next to typical Dutch snacks, we also see the burning mill, silhouettes of the parents, and the word papa (daddy) pass by. During the 90s gabber music part, the stage turns red. During the emotional outro, the background is black, with subtitles. Then follows the text for his parents.

Tonights  interval act contains various surprises. First, we see a singalong with Sertab Erener, Charlotte Perrelli, and Helena Paparizou. Then we see the two presenters singing the song “We just love Eurovision too much.” They do this with the aforementioned Sertab, Charlotte, and Helena, but also Käärijä and The Herreys take the stage.

After that follows the moment of announcement. We think the following countries will make it to the final: Greece, Switzerland, Austria, Denmark, Armenia, Georgia, Belgium, Israel, Norway, and the Netherlands.

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Vienna 12 points: Eurovision semi final 2 takes the stage

Day three of first rehearsals at the 70th Eurovision Song Contest is underway in Vienna. The first seven countries of Semi-Final 2 step onto the Wiener Stadthalle stage for the very first time today, Monday 4 May. First rehearsals remain closed to press, three approved images per country will be published approximately 24 hours after each performance. The official Eurovision subreddit is providing live descriptions throughout the day. Eurovision Universe sought additional detail through national broadcaster coverage, social media, and press reports. All five countries below compete in Semi-Final 2 on Thursday, 14 May. 🇧🇬 Bulgaria — DARA, “Bangaranga” Running order: 1 | Rehearsal: 4 May, 10:30–11:00 CEST | Second rehearsal: 8 May DARA opened the entire Semi-Final 2 rehearsal block on Monday morning, and by all accounts she did not ease anyone in gently. The performance draws directly from the ancient Bulgarian Kukeri tradition. 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Sources: BNT / Instagram @darnadude / Wikipedia 🇦🇿 Azerbaijan — JIVA, “Just Go” Running order: 2 | Rehearsal: 4 May, 11:10–11:40 CEST | Second rehearsal: 8 May JIVA’s staging opens with JIVA stepping out of smoke in a shimmering gown that catches light in darker tones. Behind her, monochrome imagery on the LED screens depicts fragments of a relationship in decline, a visual counterpart to the ballad’s lyrical arc. The choreography remains restrained throughout, keeping focus on JIVA’s vocal delivery rather than on movement. Broadcaster ITV selected JIVA, real name Jamila Hashimova, through an internal process that reviewed 186 submitted songs and ultimately evaluated three finalists. ITV confirmed that “Just Go” is an entirely original composition by Azerbaijani-American writer Fuad Javadov and pushed back publicly against social media claims suggesting AI involvement in the songwriting process. For what it’s worth…. JIVA won the third season of The Voice of Azerbaijan in 2025. Azerbaijan competes 2nd in Semi-Final 2. Sources: ITV / AzerNews / Instagram @jiva_jh 🇷🇴 Romania — Alexandra Căpitănescu, “Choke Me” Running order: 3 | Rehearsal: 4 May, 11:50–12:20 CEST | Second rehearsal: 8 May Romania’s rehearsal brings a staging concept that broadcaster TVR has confirmed is largely rebuilt from scratch. Creative Director Jan Bors, former Head of Delegation for Czechia, told TVR that the Vienna performance is cinematic, fast-paced, and true to the rock identity of the song, retaining only minimal elements from the Selecția Națională performance. Alexandra Căpitănescu performs with her full four-piece live band: Bogdan Stoican on guitar, Matei Cohal on bass, Thomas Cîrcotă on piano and Luca Șofron on drums. The band hinted in an April YouTube livestream that additional elements may appear on stage beyond the five core performers. Căpitănescu won The Voice of Romania in 2023 and is currently completing a Master’s degree in physics in Bucharest. 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Eva Marija Kavaš Puc was born in Luxembourg City in 2005 to Slovenian parents, speaks six languages, and is currently finishing a songwriting degree at the Institute of Contemporary Music Performance in London. She took both the jury and public vote at the Luxembourg Song Contest in January. Eva co-wrote “Mother Nature” with Julie Aagaard, Maria Broberg, and Thomas Stengaard during an RTL songwriting camp. Luxembourg competes 4th in Semi-Final 2. Sources: RTL / Wikipedia / Culture Fix / Instagram @evamarija 🇨🇿 Czechia — Daniel Žižka, “CROSSROADS” Running order: 5 | Rehearsal: 4 May, 13:25–13:55 CEST | Second rehearsal: 9 May The day before his Vienna rehearsal, broadcaster ČT posted a clip on social media showing Daniel Žižka working with a large mirror prop in a Prague studio. That is the first concrete visual hint at what Artistic Director Ruy Okamura has been building for three months. According to the official Eurovision subreddit, that mirror prop is central to the Wiener Stadthalle staging: Žižka performs in and around it, with the reflective surfaces used to multiply and fragment his image across the stage. The performance is restrained and singer-focused. Speaking to Czech outlet iDNES ahead of the contest, Žižka described his goal as giving “CROSSROADS” as much space as possible to speak for itself, adding that the team had pursued a more intimate visual message. Okamura told the Czech delegation’s press team the approach was designed to be rather unusual for the Eurovision stage. Žižka, 23, studied musical theatre at the Jaroslav Ježek Conservatory in Prague before moving into indie pop songwriting. “CROSSROADS” was

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Eurovision 2026
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Vienna 12 points: Eurovision semi final 2 takes the stage

Day three of first rehearsals at the 70th Eurovision Song Contest is underway in Vienna. The first seven countries of Semi-Final 2 step onto the Wiener Stadthalle stage for the very first time today, Monday 4 May. First rehearsals remain closed to press, three approved images per country will be published approximately 24 hours after each performance. The official Eurovision subreddit is providing live descriptions throughout the day. Eurovision Universe sought additional detail through national broadcaster coverage, social media, and press reports. All five countries below compete in Semi-Final 2 on Thursday, 14 May. 🇧🇬 Bulgaria — DARA, “Bangaranga” Running order: 1 | Rehearsal: 4 May, 10:30–11:00 CEST | Second rehearsal: 8 May DARA opened the entire Semi-Final 2 rehearsal block on Monday morning, and by all accounts she did not ease anyone in gently. The performance draws directly from the ancient Bulgarian Kukeri tradition. That is a ritual of driving out evil spirits through masked, chaotic movement. The staging makes this explicit. DARA’s dancers move in deliberately exaggerated, almost unsettling ways across the opening, creating a visual sense of controlled mayhem. DARA herself stands apart from the chaos: dressed in a black skirt, black belt, black knee-high boots, a short pink top and elbow-length pink gloves. By the performance’s final moments, the ritual fully resolves into spectacle. Staging is directed by Fredrik Rydman, who confirmed the concept in social media posts by DARA ahead of Vienna. DARA, born Darina Yotova in Varna in 1998, rose to prominence on The X Factor Bulgaria in 2015 and co-wrote “Bangaranga” alongside Anne Judith Wik, Dimitris Kontopoulos, and Monoir. Bulgaria returns to Eurovision after a three-year absence and competes 1st in Semi-Final 2. Sources: BNT / Instagram @darnadude / Wikipedia 🇦🇿 Azerbaijan — JIVA, “Just Go” Running order: 2 | Rehearsal: 4 May, 11:10–11:40 CEST | Second rehearsal: 8 May JIVA’s staging opens with JIVA stepping out of smoke in a shimmering gown that catches light in darker tones. Behind her, monochrome imagery on the LED screens depicts fragments of a relationship in decline, a visual counterpart to the ballad’s lyrical arc. The choreography remains restrained throughout, keeping focus on JIVA’s vocal delivery rather than on movement. Broadcaster ITV selected JIVA, real name Jamila Hashimova, through an internal process that reviewed 186 submitted songs and ultimately evaluated three finalists. ITV confirmed that “Just Go” is an entirely original composition by Azerbaijani-American writer Fuad Javadov and pushed back publicly against social media claims suggesting AI involvement in the songwriting process. For what it’s worth…. JIVA won the third season of The Voice of Azerbaijan in 2025. 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Eva Marija Kavaš Puc was born in Luxembourg City in 2005 to Slovenian parents, speaks six languages, and is currently finishing a songwriting degree at the Institute of Contemporary Music Performance in London. She took both the jury and public vote at the Luxembourg Song Contest in January. Eva co-wrote “Mother Nature” with Julie Aagaard, Maria Broberg, and Thomas Stengaard during an RTL songwriting camp. Luxembourg competes 4th in Semi-Final 2. Sources: RTL / Wikipedia / Culture Fix / Instagram @evamarija 🇨🇿 Czechia — Daniel Žižka, “CROSSROADS” Running order: 5 | Rehearsal: 4 May, 13:25–13:55 CEST | Second rehearsal: 9 May The day before his Vienna rehearsal, broadcaster ČT posted a clip on social media showing Daniel Žižka working with a large mirror prop in a Prague studio. That is the first concrete visual hint at what Artistic Director Ruy Okamura has been building for three months. According to the official Eurovision subreddit, that mirror prop is central to the Wiener Stadthalle staging: Žižka performs in and around it, with the reflective surfaces used to multiply and fragment his image across the stage. The performance is restrained and singer-focused. Speaking to Czech outlet iDNES ahead of the contest, Žižka described his goal as giving “CROSSROADS” as much space as possible to speak for itself, adding that the team had pursued a more intimate visual message. Okamura told the Czech delegation’s press team the approach was designed to be rather unusual for the Eurovision stage. Žižka, 23, studied musical theatre at the Jaroslav Ježek Conservatory in Prague before moving into indie pop songwriting. “CROSSROADS” was

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