The second semifinal

photo: EBU/Sarah Louise Bennett

The hosts Petra Mede and Malin Åkerman open the show with their own version of “Tattoo.”

Malta

In the Maltese act by Sarah Bonnici, there is a lot of movement and dancing. Later during the act, she is blindfolded, as are her dancers. Despite so much movement, Sarah manages to sing remarkably well.

Albania

Besa wears a turquoise gown with gemstones. The stage also includes several dancers, which might make it look a bit messy. However, many dancers are projected onto LED screens. Besa’s voice sounds a bit sharp here and there.

Greece

First, we see her purple boots, then the whole Marina Satti. She is also flanked by four dancers, but it looks much more organized. Greece has chosen a sophisticated entry not meant for casual listeners. A lot happens during this entry. Marina continues to sing well.

Switzerland

Nemo takes the viewer into his story with the song “The Code,” managing to crack the (binary) code. Their clothing says it all. Nemo has so far managed to enhance their narrative through fashion statements. Nemo jumps, skips, shows himself to be a balancing artist… and continues to sing crystal clear. We do not know if this is a winner, but we definitely respect their skills.

Czechia

You would expect Aiko to be standing on a pedestal during her performance. That’s not the case, but we find that the ceiling (one of the cubes) is very low. Aiko has four… Her nipples are no longer visible. Pay particular attention to the high note that Aiko effortlessly hits. Aiko surprises!

During the first semifinal, Nicole (from Hugo) received a tribute, and in this semifinal, Jahn Teigen (ESC 1978, 1982, 1983) is honored. We are treated to a journey through Eurovision history with several participants who did not finish very high.

France

Slimane, dressed in white, starts singing while lying down, then sits up. Everything is shot in close-up, which makes the song even more intimate. Slimane pulls out all the stops in terms of his singing ability. The song has its distinct fans, but others are completely on the opposite end of the spectrum.

Austria

It’s interesting to put someone on stage who has held various other roles at the contest. Singing is clearly not Kaleen’s strongest suit. Regardless of how enjoyable the song may be found, the singing is forgotten in Austria. However, the act looks absolutely tight, and Kaleen knows very well what she is doing in terms of dance.

Denmark

It seems like you only see a singer sprinkling some sand and singing her song. However, we also see a second Saba in the background… A hologram, as it turns out, because at one point she disintegrates into sand. Occasionally, Saba tends to sing too loud, which makes the whole thing seem a bit shouty.

Armenia

Cheerfulness all over, garnished with typical Armenian sounds. Singer Jaklin Baghdasarian of Ladaniva plays a leading role throughout the act. The other band members and backing band stand behind her, but at one point, the flutist also comes forward. We see all sorts of things in the background: trumpets, chickens, and the artists themselves.

Latvia

Looking at his Instagram account, he is very cheerful and humorous: the Latvian Dons. But seeing him standing there in his sleeveless leather outfit amid a circle, and hearing his very serious ballad, we notice little of that. There is nothing wrong with this song, but that might also be the problem.

Spain

Both the singer and the dancers are dressed in black. The singing isn’t fantastic, but Nebulossa certainly knows how to throw a party in the hall. And of course, halfway through the act, the dancers strip off their clothes and continue dancing with bare chests and buttocks. At the end, a keyhole appears behind the singer Mery. The Spaniards really throw a party.

San Marino

We stick with the Spanish language, as San Marino sends the Spanish group Megara. Singer Kenzy Loevett is briefly flanked by two dancers in scary Easter bunny suits. Everything is pink and black in this act. It’s all rock, and the group tries to match the scariness of Bambie Thug, but it remains rather tame for a horror show.

Georgia

Nutsa Buzaladze is dressed in gold and stands in a circle of fire, which at one moment looks like a sun, the next a burning hoop. Nutsa is flanked by four dancers, and gives her all in terms of singing, but that doesn’t necessarily mean it’s good. For Georgia, it’s definitely not a done deal.

Belgium

We had already seen photos of Mustii amid a circle of microphones, but he starts alone on stage. He then stands on a rotating platform. Later, he goes into this circle. Mustii is dressed in white. The singing we hear here is very cautious, with Mustii consciously staying below the high notes. He did not, as we previously reported, take his shirt off. But towards the end, we see the whole hall going wild with the Belgian entry!

Estonia

5miinust and Puuluup are having a party on stage. The title of the song is, as previously mentioned, the longest ever. Whether the party really come across with all the “hey hey hey” is still a question. Possibly a finalist position for Estonia, but that is by no means certain.

Italy

Angelina Mango starts lying down, with roses projected under her. She has a sort of henna-like print depicted. This print also continues with the dancers. There are so many prints all over. There are so many details that you occasionally don’t see Angelina and her dancers at all. The singing is fine where it concerns Angelina. She ends a cappella. That takes skilsl, and Angelina has them. Italy will finish high, but perhaps not win.

Israel

The Israeli entry is the only ballad in this latter stage of the second semifinal. Just before she starts singing, Eden Golan leans back in a circle with lights. Five dancers flank her, and of course, she is lifted in the middle of the song. The singing is good, including the high note. Israel got both bood and cheered; possibly SVT and EBU will filter the booing tomorrow.

Norway

Norwegian instruments, we see branches everywhere, and we see the Norwegian band Gåte. Nightwish meets Within Temptation during this entry. The whole has a Norwegian mystical character. The band seems to have come right out of the Norwegian mythology. Singer Gunnhild Sunli effortlessly hits all the high notes.

Netherlands

Joost starts while standing on a picture of his head, depicted on the floor. Next to him are two dancers, and on stage with him are his friends Appie Mussa (in a bird suit) and Stuntkabouter in a blue suit. The graphics correspond in part with the text. It’s a lot, we see many different graphics. Next to typical Dutch snacks, we also see the burning mill, silhouettes of the parents, and the word papa (daddy) pass by. During the 90s gabber music part, the stage turns red. During the emotional outro, the background is black, with subtitles. Then follows the text for his parents.

Tonights  interval act contains various surprises. First, we see a singalong with Sertab Erener, Charlotte Perrelli, and Helena Paparizou. Then we see the two presenters singing the song “We just love Eurovision too much.” They do this with the aforementioned Sertab, Charlotte, and Helena, but also Käärijä and The Herreys take the stage.

After that follows the moment of announcement. We think the following countries will make it to the final: Greece, Switzerland, Austria, Denmark, Armenia, Georgia, Belgium, Israel, Norway, and the Netherlands.

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70 years of Eurovision: #metoo and TikTok

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 2018 For the first time, Portugal was the host. The festival was held in the Altice Arena in Lisbon. Sílvia Alberto, Daniela Ruah, Catarina Furtado, and Filomena Cautela presented the event. Russia participated again, and there were no dropouts this year. The songs She didn’t really make a return, but the Russian Julia Samoylova, who missed out on participation last year, was present this time. Julia sang “I Won’t Break,” requiring a lot of support from the backing vocals. She herself did not really have a strong voice. Waylon participated for the Netherlands again. And a real Eurovision winner was also present: Alexander Rybak. Using virtual reality, he won the semi-final with “That’s How You Write A Song,” but finished in fifteenth place in the final. In the final, we saw the Ukrainian Mélovin with a burning fake piano. Cesár Sampson, who had already performed twice as a backing vocalist for Bulgaria, now represented his native Austria. His gospel song “Nobody But You” won with the professional jury and finished third overall. The British SuRie had also sung in backing choirs before, but for Belgium. At Eurovision In Concert in Amsterdam, she already showed she was capable of a lot: she stepped in for her French colleague who was ill. During the live broadcast, someone snatched the microphone out of her hands. She bravely continued singing, although she later admitted to having been traumatized by it. Michael Schulte brought Germany back to the top with a song about his father. The duo Ermal Meta and Fabrizio Moro finished high for Italy. And then there was Eleni Foureira for Cyprus. No one expected a high position for her “Fuego”. But once the act had been seen after the first rehearsals, Foureira slowly but surely rose to first place with the bookmakers. Netta She alternated that first place with the Israeli Netta. Immediately after the release of her song “Toy,” she was first in the odds and never relinquished that spot. With an act featuring Japanese lucky cats, the so-called Maneki Neko, she ultimately took first place. Israel achieved its fourth victory with Netta. “Toy” was a song with a message. Inspired by the #metoo movement, Netta sang that she was not a toy. Remarkably: although Netta’s charisma and performance had contributed significantly to the victory, composer Doron Medalie felt that Netta owed everything to him. Apparently, he hadn’t quite understood his own lyrics. 2019 The Eurovision Song Contest was held in Israel for the third time. That caused some trouble. 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Sergey Lazarev represented Russia for the second time. When the song “Scream” was released, Sergey immediately lost his number one spot with the bookmakers. With a slick act, Lazarev managed to secure third place once again. Tamara Todevska was the woman who once started Macedonia’s streak of failed finals. Now, she did the reverse. She even won at the jury. With a seventh place, her “Proud” achieved the best score ever for North Macedonia. One of the favorites was gospel singer John Lundvik. With “Too Late For Love” for Sweden, he was expected to be in the running for the final victory up to the very last moment. However, he did not receive enough points from the televoter. Keiino did; this Norwegian group even received the highest score from the televoter. And if you are wondering what that special chant is that can be heard in the song “Spirit In The Sky”: it is the joik, a traditional song of the Sami, who live in Northern Scandinavia. Iceland came up with a BDSM act. 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History
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70 years of Eurovision: #metoo and TikTok

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 2018 For the first time, Portugal was the host. The festival was held in the Altice Arena in Lisbon. Sílvia Alberto, Daniela Ruah, Catarina Furtado, and Filomena Cautela presented the event. Russia participated again, and there were no dropouts this year. The songs She didn’t really make a return, but the Russian Julia Samoylova, who missed out on participation last year, was present this time. Julia sang “I Won’t Break,” requiring a lot of support from the backing vocals. She herself did not really have a strong voice. Waylon participated for the Netherlands again. And a real Eurovision winner was also present: Alexander Rybak. Using virtual reality, he won the semi-final with “That’s How You Write A Song,” but finished in fifteenth place in the final. In the final, we saw the Ukrainian Mélovin with a burning fake piano. Cesár Sampson, who had already performed twice as a backing vocalist for Bulgaria, now represented his native Austria. His gospel song “Nobody But You” won with the professional jury and finished third overall. The British SuRie had also sung in backing choirs before, but for Belgium. At Eurovision In Concert in Amsterdam, she already showed she was capable of a lot: she stepped in for her French colleague who was ill. During the live broadcast, someone snatched the microphone out of her hands. She bravely continued singing, although she later admitted to having been traumatized by it. Michael Schulte brought Germany back to the top with a song about his father. The duo Ermal Meta and Fabrizio Moro finished high for Italy. And then there was Eleni Foureira for Cyprus. No one expected a high position for her “Fuego”. But once the act had been seen after the first rehearsals, Foureira slowly but surely rose to first place with the bookmakers. Netta She alternated that first place with the Israeli Netta. Immediately after the release of her song “Toy,” she was first in the odds and never relinquished that spot. With an act featuring Japanese lucky cats, the so-called Maneki Neko, she ultimately took first place. Israel achieved its fourth victory with Netta. “Toy” was a song with a message. Inspired by the #metoo movement, Netta sang that she was not a toy. Remarkably: although Netta’s charisma and performance had contributed significantly to the victory, composer Doron Medalie felt that Netta owed everything to him. Apparently, he hadn’t quite understood his own lyrics. 2019 The Eurovision Song Contest was held in Israel for the third time. That caused some trouble. The festival could not be held in Jerusalem, and the favorite in the national final had to withdraw due to rehearsals on Shabbat. That was a problem in itself. The EBU had to force things. “Either rehearsals take place on Shabbat, or the festival will not be held in Israel,” they stated. It eventually became the Expo Hall in Tel Aviv, and Erez Tal, Bar Refaeli, Assi Azar, and Lucy Ayoub were allowed to present it. Bulgaria did not participate. Ukraine did have an entry, but it turned out that the singer had performed on the peninsula after Russia’s annexation of Crimea. She was disqualified, and after the tightening of national rules, no one in Ukraine was willing to participate anymore. So, no Ukrainian entry. For some strange reason, we are not allowed to embed the second semifinal. However, you can watch it here. The songs Serhat participated again for San Marino, but this time he did make it to the final. Joci Pápai did not make it to the final for Hungary. Sergey Lazarev represented Russia for the second time. When the song “Scream” was released, Sergey immediately lost his number one spot with the bookmakers. With a slick act, Lazarev managed to secure third place once again. Tamara Todevska was the woman who once started Macedonia’s streak of failed finals. Now, she did the reverse. She even won at the jury. With a seventh place, her “Proud” achieved the best score ever for North Macedonia. One of the favorites was gospel singer John Lundvik. With “Too Late For Love” for Sweden, he was expected to be in the running for the final victory up to the very last moment. However, he did not receive enough points from the televoter. Keiino did; this Norwegian group even received the highest score from the televoter. And if you are wondering what that special chant is that can be heard in the song “Spirit In The Sky”: it is the joik, a traditional song of the Sami, who live in Northern Scandinavia. Iceland came up with a BDSM act. The group Hatari made no secret of being pro-Palestinian. During the scoring, they showed a Palestinian shawl. For France, the androgynous Bilal Hassani was the contender. He received many hateful comments in his own country regarding his feminine appearance and his open homosexuality. This prompted presenter Assi Azar to stand up for Bilal and offer him encouragement online. Switzerland was back after many lean years: Luca Hänni came with the swinging “She Got Me”. The song was originally going to be called “Dirty Dancing”, but that was not allowed. Copyrights were attached to this title. Watch the final here. Duncan Laurence It was Common Linnet Ilse Delange who discovered Duncan Laurence through The Voice. Now it was also Ilse who suggested him as a contestant and guided him in Tel Aviv. She had devised the act. “Arcade” was the overwhelming favorite in the odds. However, the performance was quite disappointing during the first rehearsals. A new light was needed, and the camera work had to be different. Ilse Delange repeatedly informed the press present that ‘little things’ needed to be improved. This was to conceal the fact that there was

Read More »
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