The second semifinal

photo: EBU/Sarah Louise Bennett

The hosts Petra Mede and Malin Åkerman open the show with their own version of “Tattoo.”

Malta

In the Maltese act by Sarah Bonnici, there is a lot of movement and dancing. Later during the act, she is blindfolded, as are her dancers. Despite so much movement, Sarah manages to sing remarkably well.

Albania

Besa wears a turquoise gown with gemstones. The stage also includes several dancers, which might make it look a bit messy. However, many dancers are projected onto LED screens. Besa’s voice sounds a bit sharp here and there.

Greece

First, we see her purple boots, then the whole Marina Satti. She is also flanked by four dancers, but it looks much more organized. Greece has chosen a sophisticated entry not meant for casual listeners. A lot happens during this entry. Marina continues to sing well.

Switzerland

Nemo takes the viewer into his story with the song “The Code,” managing to crack the (binary) code. Their clothing says it all. Nemo has so far managed to enhance their narrative through fashion statements. Nemo jumps, skips, shows himself to be a balancing artist… and continues to sing crystal clear. We do not know if this is a winner, but we definitely respect their skills.

Czechia

You would expect Aiko to be standing on a pedestal during her performance. That’s not the case, but we find that the ceiling (one of the cubes) is very low. Aiko has four… Her nipples are no longer visible. Pay particular attention to the high note that Aiko effortlessly hits. Aiko surprises!

During the first semifinal, Nicole (from Hugo) received a tribute, and in this semifinal, Jahn Teigen (ESC 1978, 1982, 1983) is honored. We are treated to a journey through Eurovision history with several participants who did not finish very high.

France

Slimane, dressed in white, starts singing while lying down, then sits up. Everything is shot in close-up, which makes the song even more intimate. Slimane pulls out all the stops in terms of his singing ability. The song has its distinct fans, but others are completely on the opposite end of the spectrum.

Austria

It’s interesting to put someone on stage who has held various other roles at the contest. Singing is clearly not Kaleen’s strongest suit. Regardless of how enjoyable the song may be found, the singing is forgotten in Austria. However, the act looks absolutely tight, and Kaleen knows very well what she is doing in terms of dance.

Denmark

It seems like you only see a singer sprinkling some sand and singing her song. However, we also see a second Saba in the background… A hologram, as it turns out, because at one point she disintegrates into sand. Occasionally, Saba tends to sing too loud, which makes the whole thing seem a bit shouty.

Armenia

Cheerfulness all over, garnished with typical Armenian sounds. Singer Jaklin Baghdasarian of Ladaniva plays a leading role throughout the act. The other band members and backing band stand behind her, but at one point, the flutist also comes forward. We see all sorts of things in the background: trumpets, chickens, and the artists themselves.

Latvia

Looking at his Instagram account, he is very cheerful and humorous: the Latvian Dons. But seeing him standing there in his sleeveless leather outfit amid a circle, and hearing his very serious ballad, we notice little of that. There is nothing wrong with this song, but that might also be the problem.

Spain

Both the singer and the dancers are dressed in black. The singing isn’t fantastic, but Nebulossa certainly knows how to throw a party in the hall. And of course, halfway through the act, the dancers strip off their clothes and continue dancing with bare chests and buttocks. At the end, a keyhole appears behind the singer Mery. The Spaniards really throw a party.

San Marino

We stick with the Spanish language, as San Marino sends the Spanish group Megara. Singer Kenzy Loevett is briefly flanked by two dancers in scary Easter bunny suits. Everything is pink and black in this act. It’s all rock, and the group tries to match the scariness of Bambie Thug, but it remains rather tame for a horror show.

Georgia

Nutsa Buzaladze is dressed in gold and stands in a circle of fire, which at one moment looks like a sun, the next a burning hoop. Nutsa is flanked by four dancers, and gives her all in terms of singing, but that doesn’t necessarily mean it’s good. For Georgia, it’s definitely not a done deal.

Belgium

We had already seen photos of Mustii amid a circle of microphones, but he starts alone on stage. He then stands on a rotating platform. Later, he goes into this circle. Mustii is dressed in white. The singing we hear here is very cautious, with Mustii consciously staying below the high notes. He did not, as we previously reported, take his shirt off. But towards the end, we see the whole hall going wild with the Belgian entry!

Estonia

5miinust and Puuluup are having a party on stage. The title of the song is, as previously mentioned, the longest ever. Whether the party really come across with all the “hey hey hey” is still a question. Possibly a finalist position for Estonia, but that is by no means certain.

Italy

Angelina Mango starts lying down, with roses projected under her. She has a sort of henna-like print depicted. This print also continues with the dancers. There are so many prints all over. There are so many details that you occasionally don’t see Angelina and her dancers at all. The singing is fine where it concerns Angelina. She ends a cappella. That takes skilsl, and Angelina has them. Italy will finish high, but perhaps not win.

Israel

The Israeli entry is the only ballad in this latter stage of the second semifinal. Just before she starts singing, Eden Golan leans back in a circle with lights. Five dancers flank her, and of course, she is lifted in the middle of the song. The singing is good, including the high note. Israel got both bood and cheered; possibly SVT and EBU will filter the booing tomorrow.

Norway

Norwegian instruments, we see branches everywhere, and we see the Norwegian band Gåte. Nightwish meets Within Temptation during this entry. The whole has a Norwegian mystical character. The band seems to have come right out of the Norwegian mythology. Singer Gunnhild Sunli effortlessly hits all the high notes.

Netherlands

Joost starts while standing on a picture of his head, depicted on the floor. Next to him are two dancers, and on stage with him are his friends Appie Mussa (in a bird suit) and Stuntkabouter in a blue suit. The graphics correspond in part with the text. It’s a lot, we see many different graphics. Next to typical Dutch snacks, we also see the burning mill, silhouettes of the parents, and the word papa (daddy) pass by. During the 90s gabber music part, the stage turns red. During the emotional outro, the background is black, with subtitles. Then follows the text for his parents.

Tonights  interval act contains various surprises. First, we see a singalong with Sertab Erener, Charlotte Perrelli, and Helena Paparizou. Then we see the two presenters singing the song “We just love Eurovision too much.” They do this with the aforementioned Sertab, Charlotte, and Helena, but also Käärijä and The Herreys take the stage.

After that follows the moment of announcement. We think the following countries will make it to the final: Greece, Switzerland, Austria, Denmark, Armenia, Georgia, Belgium, Israel, Norway, and the Netherlands.

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History

Austria in the Eurovision Song Contest, part 7

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For Austria in the Eurovision Song Contest, part 7, we look back at the start of the 21st century. Alf Poier participated for Austria, but there were also some unsuccesful entries. And there was a 3-year gap. 2000 – The Rounder Girls – All To You Austria’s 2000 entry “All To You” was internally selected by broadcaster ORF. The song was written by American songwriter Dave Moskin. Moskin gave the three-piece vocal group The Rounder Girls an up-tempo, gospel-influenced pop track. Performing last in the Stockholm final, the trio, with members from Austria, the US and the UK, delivered slick harmonies and choreography. They finished 14th out of 24 countries with 34 points. The Rounder Girls were a seasoned soul/gospel ensemble, and their Eurovision appearance raised their profile, though Austria’s middling result meant the country sat out the contest in 2001. 2002 – Manuel Ortega – Say A Word “Say A Word” by Manuel Ortega won Austria’s “Song.Null.Zwei” 2002 national final out of ten songs. this entry was an upbeat pop song with a catchy, boy-band style hook. It was composed by Alexander Kahr with lyrics by Robert Pfluger. At Eurovision 2002 in Tallinn, Ortega performed third and Austria placed 18th (26 points) in the final. Manuel Ortega, a young pop singer, had scored a summer hit in 2001 and was nicknamed “the Austrian Ricky Martin” for his Latin pop flair. His Eurovision song’s fun choreography and positive message reflected that image, though the result was a lower mid-table finish. 2003 – Alf Poier – Weil der Mensch zählt ORF organized the “Song.Null.Drei” 2003 selection. Petra Frey (ESC 1994) was the runner up. Comedian-singer Alf Poier triumphed with “Weil der Mensch zählt”. Poier penned this satirical song himself. Musically it’s a quirky folk-pop tune delivered in Styrian dialect. The performance, complete with cartoonish animal props, was a parody of Eurovision’s over-the-top style. At the Riga contest, this offbeat entry surprised many by scoring 6th place with 101 points. Alf Poier, an Austrian stand-up comedian known for absurdist humor, thus earned Austria’s best Eurovision result in over a decade. His comedic approach and catchy refrain turned him into a fan favorite that year. 2004 – Tie Break – Du bist Austria’s national final “Song.Null.Vier” chose Tie Break’s “Du bist” for Eurovision 2004. Waterloo & Robinson (ESC 1976!) were the runners up. Note that a song, written by popstar Falco, participated too. So posthumously, Falco did a Eurovision attempt!Written by composer Peter Zimmermann, “Du bist” is a tender schlager-style pop ballad performed in German. Tie Break, a trio of fresh-faced male singers (a boy band formed via a talent search), delivered tight harmonies in Istanbul’s final. Thanks to Austria’s top-10 result the year before, they pre-qualified directly for the final. Tie Break finished 21st out of 24 with 9 points. The group had gained national fame through the selection process, but on the Eurovision stage their gentle ballad struggled to stand out in a field dominated by more dynamic acts. 2005 – Global.Kryner – Y así In 2005, “Song.Null.Fünf” was held and the crossover folk band Global.Kryner won with “Y así”. They narrowly beated Alf Poier. The controversy was that Austria changed the rules of the voting on the very last moment. Would the original voting procedure be used, Alf Poier would have won. Band members Edi Köhldorfer (composer) and Christof Spörk (lyricist) combined Latin salsa rhythms with Austrian alpine polka to create this unique “salsa-polka-pop” song. Global.Kryner was a six-member ensemble known for blending folk and jazz influences. They opened the Eurovision semi-final in Kyiv with an energetic performance featuring yodels and Latin dance breaks. However, “Y así” did not advance to the final, placing 21st of 25 in the semi-final with 30 points. The group had earned acclaim in Austria and Germany, but their daring genre fusion proved too quirky for the Eurovision televote that year. 2007 – Eric Papilaya – Get A Life – Get Alive After a brief Eurovision hiatus, Austria returned in 2007 by internally selecting Eric Papilaya. His entry “Get A Life – Get Alive” – composed by Greg Usek with lyrics by Austin Howard. It was the official anthem of Vienna’s Life Ball AIDS charity event. This song is an upbeat pop-rock anthem with an inspirational message and flashy staging. Papilaya performed with a giant red ribbon on stage. Papilaya, a rock vocalist who rose to fame on the TV talent show Starmania, gave a spirited performance in Helsinki’s semi-final. Unfortunately Austria did not qualify for the final; he placed 27th (four points) in the semi. The entry drew media attention for its charity theme, but it wasn’t enough to overcome tough competition in 2007. 2011 – Nadine Beiler – The Secret Is Love Austria returned to Eurovision in 2011 through the national selection “Düsseldorf – wir kommen!”. The competition featured ten songs. However, well-known artists Alf Poier and Petra Frey failed to pass the online preselection. As a result, Nadine Beiler won the final with her soulful ballad “The Secret Is Love”. She co-wrote the song with veteran producer Thomas Rabitsch. Musically, the entry combines elements of gospel and pop, while it clearly highlights Beiler’s strong vocal range. Previously, Nadine Beiler had gained national fame by winning the television talent show Starmania in 2007 at the age of 16. Therefore, expectations were already high when she took the stage in Düsseldorf. Her Eurovision performance began a cappella and gradually built towards a powerful climax. Consequently, Austria qualified from the semi-final in seventh place with 69 points. In the grand final, Beiler finished 18th, scoring 64 points. Nevertheless, this result marked Austria’s first appearance in a Eurovision final in seven years and therefore signalled a credible and positive comeback.

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Eurovision 2026

Weekly Update

It’s Tuesday, December 23, 2025. Time for another weekly update! This week saw the first two countries confirm their Eurovision 2026 entries. Several others moved forward with national selection plans. Broadcasters from San Marino to Bulgaria unveiled updates on their contests. Meanwhile in Vienna, preparations for the 70th Eurovision Song Contest are in full swing. Here are this week’s top stories: New Entries 🇦🇱 Albania: Alis – Nân Albania has now selected its entry for the Eurovision Song Contest 2026. At the 64th Festivali i Këngës, Alis won with the song “Nân”. The festival is one of Europe’s longest-running national selection events. Combined jury and public televoting in the final decided the winner. “Nân” topped both the televote and the jury scoreboard, earning Alis the overall victory and the right to compete for Albania at the upcoming contest. “Nân” is described as a poignant ballad about enduring love and personal connection. Its success at FiK 64 marks a new chapter for Albania’s Eurovision journey. You can write all about the 64th Festivali i Këngës here, and a full biography of Alis here. 🇲🇪 Montenegro: Tamara Živković – Nova Zora Tamara Živković emerged victorious in Montesong 2025. She will thus represent at Eurovision 2026 with her song “Nova zora”. Fifteen acts competed in the live show in Podgorica, where the winner was decided by an equal mix of jury and televote. Tamara is a newcomer on the Eurovision stage. You can read everything about Montesong here. You can read Tamara’s full biography here. National Finals and Selections 🇸🇲 San Marino San Marino RTV has adjusted the dates of its newly rebranded San Marino Song Contest selection. The two semi-finals will now take place on March 2 and 3. This will be followed by the grand final on March 6. Itmoved one day earlier than initially planned. Over the past week, San Marino continued holding casting auditions, including online sessions for international hopefuls. At a year-end press conference, the SMRTV Director General also affirmed ongoing efforts to strengthen the broadcaster’s relationship with the EBU. He was underscoring San Marino’s commitment to a successful Eurovision return. source: SMRTV 🇲🇩 Moldova 16 Finalists Chosen for Selecția Națională – Teleradio-Moldova (TRM) has revealed the 16 artists who will compete in Moldova’s national final on January 17, 2026. These finalists were selected on December 16 after live auditions involving 34 performers. Initially the selection was to be only 10 acts. However, TRM expanded the lineup to 16, citing an unexpected surge of high-quality entries and polished performances at the auditions. Producers noted that the talent level “exceeded initial expectations,” leading to the rule change to give more acts a shot at the big stage. Moldova returns to Eurovision in 2026 after a one-year absence, aiming to build on its past successes. source: TRM 🇧🇬 Bulgaria Bulgaria’s broadcaster BNT has published the rules for its Eurovision 2026 selection. They confirm a national final on February 28. The process will unfold in three televised phases. First, 15 invited artists perform one of their own songs on January 24, with a jury and an online public vote narrowing the field to seven. Those top 7 acts will sing again on January 31. The highest combined jury+public score that night wins the ticket to Eurovision for the artist. Finally, on Feb 28 the winning artist will present three brand-new songs created for Eurovision. A 10-person jury alongside the public will pick the winning song that becomes Bulgaria’s entry. This marks Bulgaria’s return to Eurovision after last participating in 2022. source: BNT 🇦🇹 Austria In host country Austria, preparations continue for the national final “Vienna Calling – Wer singt für Österreich?”. The national final is scheduled on February 20, 2026. This week the line-up of 12 acts was finalized after singer Tamara Flores withdrew from the competition for personal reasons. Sidrit Vokshi, a 35-year-old artist from Vienna, has been announced as her replacement, joining the other eleven contenders vying to represent Austria in May. source: ORF 🇵🇹 Portugal A wave of artist protests has hit Portugal’s Eurovision selection. AGRIDOCE, an indie pop duo competing in Festival da Canção 2026, announced that they will not go to Eurovision even if they win the national final. In fact, 13 of the 16 composers/acts in FdC 2026 have now publicly stated they would refuse Eurovision participation should they win Portugal’s ticket. The artists cite political and ethical reasons behind this stance. In an Instagram post, Agridoce expressed hope for “signs of accountability and justice” in response to ongoing events, lamenting that the situation “remains unchanged”. They refer to the Israel-Palestine conflict. Portugal’s broadcaster RTP has not yet commented on how it will proceed if its FdC winner declines to go to Vienna. source: Instagram Eurovision 2026 News Vienna: 2,000 Apply for Eurovision Stand-In Roles Host broadcaster ORF reports an overwhelming response to its call for stand-in performers for Eurovision 2026. Around 2,000 singers and dancers from around the world applied to be stand-ins. Those are the performers who rehearse in place of the actual acts during early technical rehearsals. ORF invited about 650 of them to live auditions in Vienna this montht. Only 30 stand-in positions are available in total. The final selection of these lucky performers will be announced by the end of January 2026. In past years, stand-in opportunities have even led to some performers later joining actual Eurovision delegations as backing vocalists or dancers. That’s a true backstage springboard. source: ORF Allocation Draw Scheduled for January 12 The official Semi-Final Allocation Draw for Eurovision 2026 will take place on January 12, 2026. This ceremony will be held in the historic Vienna Rathaus (City Hall) and broadcast live on ORF 1 and online via ORF’s streaming platform. During the event, the Mayor of Vienna will receive the Eurovision insignia (the symbolic keys to the contest) from the Mayor of Basel (host city of ESC 2025). He will get it in the traditional Host City handover ceremony. Following that, officials will draw lots

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Eurovision 2026
Martijn

Weekly Update

It’s Tuesday, December 23, 2025. Time for another weekly update! This week saw the first two countries confirm their Eurovision 2026 entries. Several others moved forward with national selection plans. Broadcasters from San Marino to Bulgaria unveiled updates on their contests. Meanwhile in Vienna, preparations for the 70th Eurovision Song Contest are in full swing. Here are this week’s top stories: New Entries 🇦🇱 Albania: Alis – Nân Albania has now selected its entry for the Eurovision Song Contest 2026. At the 64th Festivali i Këngës, Alis won with the song “Nân”. The festival is one of Europe’s longest-running national selection events. Combined jury and public televoting in the final decided the winner. “Nân” topped both the televote and the jury scoreboard, earning Alis the overall victory and the right to compete for Albania at the upcoming contest. “Nân” is described as a poignant ballad about enduring love and personal connection. Its success at FiK 64 marks a new chapter for Albania’s Eurovision journey. You can write all about the 64th Festivali i Këngës here, and a full biography of Alis here. 🇲🇪 Montenegro: Tamara Živković – Nova Zora Tamara Živković emerged victorious in Montesong 2025. She will thus represent at Eurovision 2026 with her song “Nova zora”. Fifteen acts competed in the live show in Podgorica, where the winner was decided by an equal mix of jury and televote. Tamara is a newcomer on the Eurovision stage. You can read everything about Montesong here. You can read Tamara’s full biography here. National Finals and Selections 🇸🇲 San Marino San Marino RTV has adjusted the dates of its newly rebranded San Marino Song Contest selection. The two semi-finals will now take place on March 2 and 3. This will be followed by the grand final on March 6. Itmoved one day earlier than initially planned. Over the past week, San Marino continued holding casting auditions, including online sessions for international hopefuls. At a year-end press conference, the SMRTV Director General also affirmed ongoing efforts to strengthen the broadcaster’s relationship with the EBU. He was underscoring San Marino’s commitment to a successful Eurovision return. source: SMRTV 🇲🇩 Moldova 16 Finalists Chosen for Selecția Națională – Teleradio-Moldova (TRM) has revealed the 16 artists who will compete in Moldova’s national final on January 17, 2026. These finalists were selected on December 16 after live auditions involving 34 performers. Initially the selection was to be only 10 acts. However, TRM expanded the lineup to 16, citing an unexpected surge of high-quality entries and polished performances at the auditions. Producers noted that the talent level “exceeded initial expectations,” leading to the rule change to give more acts a shot at the big stage. Moldova returns to Eurovision in 2026 after a one-year absence, aiming to build on its past successes. source: TRM 🇧🇬 Bulgaria Bulgaria’s broadcaster BNT has published the rules for its Eurovision 2026 selection. They confirm a national final on February 28. The process will unfold in three televised phases. First, 15 invited artists perform one of their own songs on January 24, with a jury and an online public vote narrowing the field to seven. Those top 7 acts will sing again on January 31. The highest combined jury+public score that night wins the ticket to Eurovision for the artist. Finally, on Feb 28 the winning artist will present three brand-new songs created for Eurovision. A 10-person jury alongside the public will pick the winning song that becomes Bulgaria’s entry. This marks Bulgaria’s return to Eurovision after last participating in 2022. source: BNT 🇦🇹 Austria In host country Austria, preparations continue for the national final “Vienna Calling – Wer singt für Österreich?”. The national final is scheduled on February 20, 2026. This week the line-up of 12 acts was finalized after singer Tamara Flores withdrew from the competition for personal reasons. Sidrit Vokshi, a 35-year-old artist from Vienna, has been announced as her replacement, joining the other eleven contenders vying to represent Austria in May. source: ORF 🇵🇹 Portugal A wave of artist protests has hit Portugal’s Eurovision selection. AGRIDOCE, an indie pop duo competing in Festival da Canção 2026, announced that they will not go to Eurovision even if they win the national final. In fact, 13 of the 16 composers/acts in FdC 2026 have now publicly stated they would refuse Eurovision participation should they win Portugal’s ticket. The artists cite political and ethical reasons behind this stance. In an Instagram post, Agridoce expressed hope for “signs of accountability and justice” in response to ongoing events, lamenting that the situation “remains unchanged”. They refer to the Israel-Palestine conflict. Portugal’s broadcaster RTP has not yet commented on how it will proceed if its FdC winner declines to go to Vienna. source: Instagram Eurovision 2026 News Vienna: 2,000 Apply for Eurovision Stand-In Roles Host broadcaster ORF reports an overwhelming response to its call for stand-in performers for Eurovision 2026. Around 2,000 singers and dancers from around the world applied to be stand-ins. Those are the performers who rehearse in place of the actual acts during early technical rehearsals. ORF invited about 650 of them to live auditions in Vienna this montht. Only 30 stand-in positions are available in total. The final selection of these lucky performers will be announced by the end of January 2026. In past years, stand-in opportunities have even led to some performers later joining actual Eurovision delegations as backing vocalists or dancers. That’s a true backstage springboard. source: ORF Allocation Draw Scheduled for January 12 The official Semi-Final Allocation Draw for Eurovision 2026 will take place on January 12, 2026. This ceremony will be held in the historic Vienna Rathaus (City Hall) and broadcast live on ORF 1 and online via ORF’s streaming platform. During the event, the Mayor of Vienna will receive the Eurovision insignia (the symbolic keys to the contest) from the Mayor of Basel (host city of ESC 2025). He will get it in the traditional Host City handover ceremony. Following that, officials will draw lots

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