The second semifinal

photo: EBU/Sarah Louise Bennett

The hosts Petra Mede and Malin Åkerman open the show with their own version of “Tattoo.”

Malta

In the Maltese act by Sarah Bonnici, there is a lot of movement and dancing. Later during the act, she is blindfolded, as are her dancers. Despite so much movement, Sarah manages to sing remarkably well.

Albania

Besa wears a turquoise gown with gemstones. The stage also includes several dancers, which might make it look a bit messy. However, many dancers are projected onto LED screens. Besa’s voice sounds a bit sharp here and there.

Greece

First, we see her purple boots, then the whole Marina Satti. She is also flanked by four dancers, but it looks much more organized. Greece has chosen a sophisticated entry not meant for casual listeners. A lot happens during this entry. Marina continues to sing well.

Switzerland

Nemo takes the viewer into his story with the song “The Code,” managing to crack the (binary) code. Their clothing says it all. Nemo has so far managed to enhance their narrative through fashion statements. Nemo jumps, skips, shows himself to be a balancing artist… and continues to sing crystal clear. We do not know if this is a winner, but we definitely respect their skills.

Czechia

You would expect Aiko to be standing on a pedestal during her performance. That’s not the case, but we find that the ceiling (one of the cubes) is very low. Aiko has four… Her nipples are no longer visible. Pay particular attention to the high note that Aiko effortlessly hits. Aiko surprises!

During the first semifinal, Nicole (from Hugo) received a tribute, and in this semifinal, Jahn Teigen (ESC 1978, 1982, 1983) is honored. We are treated to a journey through Eurovision history with several participants who did not finish very high.

France

Slimane, dressed in white, starts singing while lying down, then sits up. Everything is shot in close-up, which makes the song even more intimate. Slimane pulls out all the stops in terms of his singing ability. The song has its distinct fans, but others are completely on the opposite end of the spectrum.

Austria

It’s interesting to put someone on stage who has held various other roles at the contest. Singing is clearly not Kaleen’s strongest suit. Regardless of how enjoyable the song may be found, the singing is forgotten in Austria. However, the act looks absolutely tight, and Kaleen knows very well what she is doing in terms of dance.

Denmark

It seems like you only see a singer sprinkling some sand and singing her song. However, we also see a second Saba in the background… A hologram, as it turns out, because at one point she disintegrates into sand. Occasionally, Saba tends to sing too loud, which makes the whole thing seem a bit shouty.

Armenia

Cheerfulness all over, garnished with typical Armenian sounds. Singer Jaklin Baghdasarian of Ladaniva plays a leading role throughout the act. The other band members and backing band stand behind her, but at one point, the flutist also comes forward. We see all sorts of things in the background: trumpets, chickens, and the artists themselves.

Latvia

Looking at his Instagram account, he is very cheerful and humorous: the Latvian Dons. But seeing him standing there in his sleeveless leather outfit amid a circle, and hearing his very serious ballad, we notice little of that. There is nothing wrong with this song, but that might also be the problem.

Spain

Both the singer and the dancers are dressed in black. The singing isn’t fantastic, but Nebulossa certainly knows how to throw a party in the hall. And of course, halfway through the act, the dancers strip off their clothes and continue dancing with bare chests and buttocks. At the end, a keyhole appears behind the singer Mery. The Spaniards really throw a party.

San Marino

We stick with the Spanish language, as San Marino sends the Spanish group Megara. Singer Kenzy Loevett is briefly flanked by two dancers in scary Easter bunny suits. Everything is pink and black in this act. It’s all rock, and the group tries to match the scariness of Bambie Thug, but it remains rather tame for a horror show.

Georgia

Nutsa Buzaladze is dressed in gold and stands in a circle of fire, which at one moment looks like a sun, the next a burning hoop. Nutsa is flanked by four dancers, and gives her all in terms of singing, but that doesn’t necessarily mean it’s good. For Georgia, it’s definitely not a done deal.

Belgium

We had already seen photos of Mustii amid a circle of microphones, but he starts alone on stage. He then stands on a rotating platform. Later, he goes into this circle. Mustii is dressed in white. The singing we hear here is very cautious, with Mustii consciously staying below the high notes. He did not, as we previously reported, take his shirt off. But towards the end, we see the whole hall going wild with the Belgian entry!

Estonia

5miinust and Puuluup are having a party on stage. The title of the song is, as previously mentioned, the longest ever. Whether the party really come across with all the “hey hey hey” is still a question. Possibly a finalist position for Estonia, but that is by no means certain.

Italy

Angelina Mango starts lying down, with roses projected under her. She has a sort of henna-like print depicted. This print also continues with the dancers. There are so many prints all over. There are so many details that you occasionally don’t see Angelina and her dancers at all. The singing is fine where it concerns Angelina. She ends a cappella. That takes skilsl, and Angelina has them. Italy will finish high, but perhaps not win.

Israel

The Israeli entry is the only ballad in this latter stage of the second semifinal. Just before she starts singing, Eden Golan leans back in a circle with lights. Five dancers flank her, and of course, she is lifted in the middle of the song. The singing is good, including the high note. Israel got both bood and cheered; possibly SVT and EBU will filter the booing tomorrow.

Norway

Norwegian instruments, we see branches everywhere, and we see the Norwegian band Gåte. Nightwish meets Within Temptation during this entry. The whole has a Norwegian mystical character. The band seems to have come right out of the Norwegian mythology. Singer Gunnhild Sunli effortlessly hits all the high notes.

Netherlands

Joost starts while standing on a picture of his head, depicted on the floor. Next to him are two dancers, and on stage with him are his friends Appie Mussa (in a bird suit) and Stuntkabouter in a blue suit. The graphics correspond in part with the text. It’s a lot, we see many different graphics. Next to typical Dutch snacks, we also see the burning mill, silhouettes of the parents, and the word papa (daddy) pass by. During the 90s gabber music part, the stage turns red. During the emotional outro, the background is black, with subtitles. Then follows the text for his parents.

Tonights  interval act contains various surprises. First, we see a singalong with Sertab Erener, Charlotte Perrelli, and Helena Paparizou. Then we see the two presenters singing the song “We just love Eurovision too much.” They do this with the aforementioned Sertab, Charlotte, and Helena, but also Käärijä and The Herreys take the stage.

After that follows the moment of announcement. We think the following countries will make it to the final: Greece, Switzerland, Austria, Denmark, Armenia, Georgia, Belgium, Israel, Norway, and the Netherlands.

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Austria in the Eurovision Song Contest, part 7

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For Austria in the Eurovision Song Contest, part 7, we look back at the start of the 21st century. Alf Poier participated for Austria, but there were also some unsuccesful entries. And there was a 3-year gap. 2000 – The Rounder Girls – All To You Austria’s 2000 entry “All To You” was internally selected by broadcaster ORF. The song was written by American songwriter Dave Moskin. Moskin gave the three-piece vocal group The Rounder Girls an up-tempo, gospel-influenced pop track. Performing last in the Stockholm final, the trio, with members from Austria, the US and the UK, delivered slick harmonies and choreography. They finished 14th out of 24 countries with 34 points. The Rounder Girls were a seasoned soul/gospel ensemble, and their Eurovision appearance raised their profile, though Austria’s middling result meant the country sat out the contest in 2001. 2002 – Manuel Ortega – Say A Word “Say A Word” by Manuel Ortega won Austria’s “Song.Null.Zwei” 2002 national final out of ten songs. this entry was an upbeat pop song with a catchy, boy-band style hook. It was composed by Alexander Kahr with lyrics by Robert Pfluger. At Eurovision 2002 in Tallinn, Ortega performed third and Austria placed 18th (26 points) in the final. Manuel Ortega, a young pop singer, had scored a summer hit in 2001 and was nicknamed “the Austrian Ricky Martin” for his Latin pop flair. His Eurovision song’s fun choreography and positive message reflected that image, though the result was a lower mid-table finish. 2003 – Alf Poier – Weil der Mensch zählt ORF organized the “Song.Null.Drei” 2003 selection. Petra Frey (ESC 1994) was the runner up. Comedian-singer Alf Poier triumphed with “Weil der Mensch zählt”. Poier penned this satirical song himself. Musically it’s a quirky folk-pop tune delivered in Styrian dialect. The performance, complete with cartoonish animal props, was a parody of Eurovision’s over-the-top style. At the Riga contest, this offbeat entry surprised many by scoring 6th place with 101 points. Alf Poier, an Austrian stand-up comedian known for absurdist humor, thus earned Austria’s best Eurovision result in over a decade. His comedic approach and catchy refrain turned him into a fan favorite that year. 2004 – Tie Break – Du bist Austria’s national final “Song.Null.Vier” chose Tie Break’s “Du bist” for Eurovision 2004. Waterloo & Robinson (ESC 1976!) were the runners up. Note that a song, written by popstar Falco, participated too. So posthumously, Falco did a Eurovision attempt!Written by composer Peter Zimmermann, “Du bist” is a tender schlager-style pop ballad performed in German. Tie Break, a trio of fresh-faced male singers (a boy band formed via a talent search), delivered tight harmonies in Istanbul’s final. Thanks to Austria’s top-10 result the year before, they pre-qualified directly for the final. Tie Break finished 21st out of 24 with 9 points. The group had gained national fame through the selection process, but on the Eurovision stage their gentle ballad struggled to stand out in a field dominated by more dynamic acts. 2005 – Global.Kryner – Y así In 2005, “Song.Null.Fünf” was held and the crossover folk band Global.Kryner won with “Y así”. They narrowly beated Alf Poier. The controversy was that Austria changed the rules of the voting on the very last moment. Would the original voting procedure be used, Alf Poier would have won. Band members Edi Köhldorfer (composer) and Christof Spörk (lyricist) combined Latin salsa rhythms with Austrian alpine polka to create this unique “salsa-polka-pop” song. Global.Kryner was a six-member ensemble known for blending folk and jazz influences. They opened the Eurovision semi-final in Kyiv with an energetic performance featuring yodels and Latin dance breaks. However, “Y así” did not advance to the final, placing 21st of 25 in the semi-final with 30 points. The group had earned acclaim in Austria and Germany, but their daring genre fusion proved too quirky for the Eurovision televote that year. 2007 – Eric Papilaya – Get A Life – Get Alive After a brief Eurovision hiatus, Austria returned in 2007 by internally selecting Eric Papilaya. His entry “Get A Life – Get Alive” – composed by Greg Usek with lyrics by Austin Howard. It was the official anthem of Vienna’s Life Ball AIDS charity event. This song is an upbeat pop-rock anthem with an inspirational message and flashy staging. Papilaya performed with a giant red ribbon on stage. Papilaya, a rock vocalist who rose to fame on the TV talent show Starmania, gave a spirited performance in Helsinki’s semi-final. Unfortunately Austria did not qualify for the final; he placed 27th (four points) in the semi. The entry drew media attention for its charity theme, but it wasn’t enough to overcome tough competition in 2007. 2011 – Nadine Beiler – The Secret Is Love Austria returned to Eurovision in 2011 through the national selection “Düsseldorf – wir kommen!”. The competition featured ten songs. However, well-known artists Alf Poier and Petra Frey failed to pass the online preselection. As a result, Nadine Beiler won the final with her soulful ballad “The Secret Is Love”. She co-wrote the song with veteran producer Thomas Rabitsch. Musically, the entry combines elements of gospel and pop, while it clearly highlights Beiler’s strong vocal range. Previously, Nadine Beiler had gained national fame by winning the television talent show Starmania in 2007 at the age of 16. Therefore, expectations were already high when she took the stage in Düsseldorf. Her Eurovision performance began a cappella and gradually built towards a powerful climax. Consequently, Austria qualified from the semi-final in seventh place with 69 points. In the grand final, Beiler finished 18th, scoring 64 points. Nevertheless, this result marked Austria’s first appearance in a Eurovision final in seven years and therefore signalled a credible and positive comeback.

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History

🇦🇹 Austria in the Eurovision Song Contest – final episode

📷 EBU/Corinne Cumming In this final episode of our series on Austria in the Eurovision Song Contest, we cover the years 2019–2025. We’ll look at each Austrian entry’s national selection process (if any), the song’s lyricists and composers, musical style, Eurovision score, and a few facts about the artist. 2019 – PÆNDA – “Limits” In 2019, Austria internally selected singer-songwriter PÆNDA (Gabriela Horn) to perform the song “Limits” at Eurovision. PÆNDA wrote and composed the song herself; a minimalist electro-pop ballad that highlights her ethereal vocals and emotional songwriting. The lyrics describe pushing oneself too far and hitting personal limits. Despite its intimate staging and artistic vibe, Limits failed to advance from the semi-finals, placing 17th in Semi-Final 2. PÆNDA, a native of Styria, is an EDM-pop producer who launched her project in 2016. She blends underground electronic beats with catchy pop elements, and her Eurovision entry appeared on her 2019 album Evolution II.  2020 – Vincent Bueno – “Alive” For Eurovision 2020, ORF internally selected Vincent Bueno to represent Austria. “Alive” is an upbeat pop track with R&B and funk influences. Vincent co-wrote the song with a team including David “Davey” Yang and Felix van Göns. The track’s groovy bassline and falsetto riffs convey a message of liberation. It’s about feeling truly “alive” by letting go of one’s ego. Vincent is an Austrian-Filipino singer who first found fame by winning ORF’s musical talent show in 2008. He also performed in theater productions, showcasing his stage experience. Sadly, Eurovision 2020 was cancelled due to the pandemic. As a result, “Alive” never reached the Rotterdam stage and received no final score. 2021 – Vincent Bueno – “Amen” In 2021, Austria kept faith with Vincent Bueno, who returned with the power ballad “Amen”. ORF again internally selected Vincent after 2020’s cancellation. A trio of songwriters – Tobias Carshey, Ashley Hicklin, and Jonas Thander – crafted “Amen”. The entry starts as a gentle pop ballad and swells into a gospel-tinged climax, allowing Vincent to showcase soulful vocal runs. Lyrically, it’s an emotional farewell to a failed relationship, with the title evoking a final prayer or conclusion. Vincent’s performance in Rotterdam featured minimalist staging to match the song’s sincerity. However, “Amen” did not qualify for the Grand Final, placing 12th in its semi-final with 66 points. Vincent Bueno’s experience in show business, he’s a Musical! Die Show 2008 winner and skilled performer, was evident in his poised delivery, even if Austria missed out on the final. 2022 – LUM!X feat. Pia Maria – “Halo” For 2022, Austrian DJ LUM!X (Luca Michlmayr) teamed up with newcomer Pia Maria for the high-energy song “Halo”. ORF internally selected the duo for Eurovision 2022. A songwriting team including LUM!X himself, Italian DJ Gabry Ponte, Norwegian producer Anders Nilsen, Swedish songwriter Rasmus Flyckt, and Canadian singer-songwriter Sophie Simmons wrote “Halo”. The track is a high-BPM dance number with a pulsating beat and a catchy hook. On stage in Turin, LUM!X worked the DJ decks while Pia Maria sang amid vibrant neon visuals. Despite the song’s hit potential, the live vocals were shaky and Austria failed to reach the final. “Halo” finished 15th in its semi-final (42 points). At the time, LUM!X was only 19 and already had viral hits like “Monster.” Meanwhile, 18-year-old Pia Maria was a newcomer making her live TV debut. 2023 – Teya & Salena – “Who the Hell Is Edgar?” Austria took a witty turn in 2023 with “Who the Hell Is Edgar?”, a satirical electropop duet by Teya & Salena. The pair – Teodora “Teya” Špirić and Selina “Salena” Edbauer – were internally selected by ORF. They had written the song together at a songwriting camp. Teya, Salena, Czech producer Ronald Janeček, and Swiss songwriter Pele Loriano co-wrote “Who the Hell Is Edgar?”. It’s an up-tempo track with tongue-in-cheek lyrics about being “possessed” by the ghost of Edgar Allan Poe. This is a metaphor for the struggles of female songwriters in the music industry. The catchy “Poe, Poe, Poe” hook and quirky choreography made it one of that year’s most memorable entries. Teya & Salena’s charismatic performance carried Austria to the Grand Final in Liverpool, where they finished 15th with 120 points. The song also sparked conversations about streaming royalties and sexism – topics cleverly referenced in its lyrics. 2024 – Kaleen – “We Will Rave” In 2024, Austria sent Kaleen (Marie-Sophie Kreissl) to Eurovision with the song “We Will Rave”. ORF held an internal selection with live auditions to choose Kaleen. “We Will Rave” is a techno-pop banger written by Anderz Wrethov, Jimmy “Joker” Thörnfeldt, Julie Aagaard (Kill J), and Thomas Stengaard. Its thumping bass and EDM drops created a rave-like atmosphere on stage. Kaleen delivered a flashy, dance-heavy performance befitting her background as a professional dancer. Austria ultimately struggled in the Grand Final – “We Will Rave” finished 24th (second-last) with only 24 points. Kaleen was already a five-time world dance champion and had worked on Eurovision shows as a choreographer and creative director. Yet 2024 was her first time stepping into the Eurovision spotlight as a singer. 2025 – JJ – “Wasted Love” Austria achieved a historic victory in 2025 when JJ took the Eurovision crown with “Wasted Love”. ORF internally selected JJ (born Johannes Pietsch) to represent Austria. He co-wrote this operatic pop ballad with Teodora Špirić (Teya, see 2023) and composer Thomas Thurner. Orchestral strings and a melody that builds to a powerful climax make the song a perfect showcase for JJ’s soaring countertenor vocals. The lyrics lament lost love, delivered with the emotional intensity of a classical aria. “Wasted Love” captivated the audience, ultimately winning the Eurovision 2025 final with 436 points. At 24, JJ was already performing as a countertenor at the Vienna State Opera and had been a finalist on ORF’s Starmania in 2021. This triumph marked Austria’s third-ever Eurovision win. sources: Eurovision.tv, de.wikipedia.org, en.wikipedia.org

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History
Martijn

🇦🇹 Austria in the Eurovision Song Contest – final episode

📷 EBU/Corinne Cumming In this final episode of our series on Austria in the Eurovision Song Contest, we cover the years 2019–2025. We’ll look at each Austrian entry’s national selection process (if any), the song’s lyricists and composers, musical style, Eurovision score, and a few facts about the artist. 2019 – PÆNDA – “Limits” In 2019, Austria internally selected singer-songwriter PÆNDA (Gabriela Horn) to perform the song “Limits” at Eurovision. PÆNDA wrote and composed the song herself; a minimalist electro-pop ballad that highlights her ethereal vocals and emotional songwriting. The lyrics describe pushing oneself too far and hitting personal limits. Despite its intimate staging and artistic vibe, Limits failed to advance from the semi-finals, placing 17th in Semi-Final 2. PÆNDA, a native of Styria, is an EDM-pop producer who launched her project in 2016. She blends underground electronic beats with catchy pop elements, and her Eurovision entry appeared on her 2019 album Evolution II.  2020 – Vincent Bueno – “Alive” For Eurovision 2020, ORF internally selected Vincent Bueno to represent Austria. “Alive” is an upbeat pop track with R&B and funk influences. Vincent co-wrote the song with a team including David “Davey” Yang and Felix van Göns. The track’s groovy bassline and falsetto riffs convey a message of liberation. It’s about feeling truly “alive” by letting go of one’s ego. Vincent is an Austrian-Filipino singer who first found fame by winning ORF’s musical talent show in 2008. He also performed in theater productions, showcasing his stage experience. Sadly, Eurovision 2020 was cancelled due to the pandemic. As a result, “Alive” never reached the Rotterdam stage and received no final score. 2021 – Vincent Bueno – “Amen” In 2021, Austria kept faith with Vincent Bueno, who returned with the power ballad “Amen”. ORF again internally selected Vincent after 2020’s cancellation. A trio of songwriters – Tobias Carshey, Ashley Hicklin, and Jonas Thander – crafted “Amen”. The entry starts as a gentle pop ballad and swells into a gospel-tinged climax, allowing Vincent to showcase soulful vocal runs. Lyrically, it’s an emotional farewell to a failed relationship, with the title evoking a final prayer or conclusion. Vincent’s performance in Rotterdam featured minimalist staging to match the song’s sincerity. However, “Amen” did not qualify for the Grand Final, placing 12th in its semi-final with 66 points. Vincent Bueno’s experience in show business, he’s a Musical! Die Show 2008 winner and skilled performer, was evident in his poised delivery, even if Austria missed out on the final. 2022 – LUM!X feat. Pia Maria – “Halo” For 2022, Austrian DJ LUM!X (Luca Michlmayr) teamed up with newcomer Pia Maria for the high-energy song “Halo”. ORF internally selected the duo for Eurovision 2022. A songwriting team including LUM!X himself, Italian DJ Gabry Ponte, Norwegian producer Anders Nilsen, Swedish songwriter Rasmus Flyckt, and Canadian singer-songwriter Sophie Simmons wrote “Halo”. The track is a high-BPM dance number with a pulsating beat and a catchy hook. On stage in Turin, LUM!X worked the DJ decks while Pia Maria sang amid vibrant neon visuals. Despite the song’s hit potential, the live vocals were shaky and Austria failed to reach the final. “Halo” finished 15th in its semi-final (42 points). At the time, LUM!X was only 19 and already had viral hits like “Monster.” Meanwhile, 18-year-old Pia Maria was a newcomer making her live TV debut. 2023 – Teya & Salena – “Who the Hell Is Edgar?” Austria took a witty turn in 2023 with “Who the Hell Is Edgar?”, a satirical electropop duet by Teya & Salena. The pair – Teodora “Teya” Špirić and Selina “Salena” Edbauer – were internally selected by ORF. They had written the song together at a songwriting camp. Teya, Salena, Czech producer Ronald Janeček, and Swiss songwriter Pele Loriano co-wrote “Who the Hell Is Edgar?”. It’s an up-tempo track with tongue-in-cheek lyrics about being “possessed” by the ghost of Edgar Allan Poe. This is a metaphor for the struggles of female songwriters in the music industry. The catchy “Poe, Poe, Poe” hook and quirky choreography made it one of that year’s most memorable entries. Teya & Salena’s charismatic performance carried Austria to the Grand Final in Liverpool, where they finished 15th with 120 points. The song also sparked conversations about streaming royalties and sexism – topics cleverly referenced in its lyrics. 2024 – Kaleen – “We Will Rave” In 2024, Austria sent Kaleen (Marie-Sophie Kreissl) to Eurovision with the song “We Will Rave”. ORF held an internal selection with live auditions to choose Kaleen. “We Will Rave” is a techno-pop banger written by Anderz Wrethov, Jimmy “Joker” Thörnfeldt, Julie Aagaard (Kill J), and Thomas Stengaard. Its thumping bass and EDM drops created a rave-like atmosphere on stage. Kaleen delivered a flashy, dance-heavy performance befitting her background as a professional dancer. Austria ultimately struggled in the Grand Final – “We Will Rave” finished 24th (second-last) with only 24 points. Kaleen was already a five-time world dance champion and had worked on Eurovision shows as a choreographer and creative director. Yet 2024 was her first time stepping into the Eurovision spotlight as a singer. 2025 – JJ – “Wasted Love” Austria achieved a historic victory in 2025 when JJ took the Eurovision crown with “Wasted Love”. ORF internally selected JJ (born Johannes Pietsch) to represent Austria. He co-wrote this operatic pop ballad with Teodora Špirić (Teya, see 2023) and composer Thomas Thurner. Orchestral strings and a melody that builds to a powerful climax make the song a perfect showcase for JJ’s soaring countertenor vocals. The lyrics lament lost love, delivered with the emotional intensity of a classical aria. “Wasted Love” captivated the audience, ultimately winning the Eurovision 2025 final with 436 points. At 24, JJ was already performing as a countertenor at the Vienna State Opera and had been a finalist on ORF’s Starmania in 2021. This triumph marked Austria’s third-ever Eurovision win. sources: Eurovision.tv, de.wikipedia.org, en.wikipedia.org

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