The second semifinal

photo: EBU/Sarah Louise Bennett

The hosts Petra Mede and Malin Åkerman open the show with their own version of “Tattoo.”

Malta

In the Maltese act by Sarah Bonnici, there is a lot of movement and dancing. Later during the act, she is blindfolded, as are her dancers. Despite so much movement, Sarah manages to sing remarkably well.

Albania

Besa wears a turquoise gown with gemstones. The stage also includes several dancers, which might make it look a bit messy. However, many dancers are projected onto LED screens. Besa’s voice sounds a bit sharp here and there.

Greece

First, we see her purple boots, then the whole Marina Satti. She is also flanked by four dancers, but it looks much more organized. Greece has chosen a sophisticated entry not meant for casual listeners. A lot happens during this entry. Marina continues to sing well.

Switzerland

Nemo takes the viewer into his story with the song “The Code,” managing to crack the (binary) code. Their clothing says it all. Nemo has so far managed to enhance their narrative through fashion statements. Nemo jumps, skips, shows himself to be a balancing artist… and continues to sing crystal clear. We do not know if this is a winner, but we definitely respect their skills.

Czechia

You would expect Aiko to be standing on a pedestal during her performance. That’s not the case, but we find that the ceiling (one of the cubes) is very low. Aiko has four… Her nipples are no longer visible. Pay particular attention to the high note that Aiko effortlessly hits. Aiko surprises!

During the first semifinal, Nicole (from Hugo) received a tribute, and in this semifinal, Jahn Teigen (ESC 1978, 1982, 1983) is honored. We are treated to a journey through Eurovision history with several participants who did not finish very high.

France

Slimane, dressed in white, starts singing while lying down, then sits up. Everything is shot in close-up, which makes the song even more intimate. Slimane pulls out all the stops in terms of his singing ability. The song has its distinct fans, but others are completely on the opposite end of the spectrum.

Austria

It’s interesting to put someone on stage who has held various other roles at the contest. Singing is clearly not Kaleen’s strongest suit. Regardless of how enjoyable the song may be found, the singing is forgotten in Austria. However, the act looks absolutely tight, and Kaleen knows very well what she is doing in terms of dance.

Denmark

It seems like you only see a singer sprinkling some sand and singing her song. However, we also see a second Saba in the background… A hologram, as it turns out, because at one point she disintegrates into sand. Occasionally, Saba tends to sing too loud, which makes the whole thing seem a bit shouty.

Armenia

Cheerfulness all over, garnished with typical Armenian sounds. Singer Jaklin Baghdasarian of Ladaniva plays a leading role throughout the act. The other band members and backing band stand behind her, but at one point, the flutist also comes forward. We see all sorts of things in the background: trumpets, chickens, and the artists themselves.

Latvia

Looking at his Instagram account, he is very cheerful and humorous: the Latvian Dons. But seeing him standing there in his sleeveless leather outfit amid a circle, and hearing his very serious ballad, we notice little of that. There is nothing wrong with this song, but that might also be the problem.

Spain

Both the singer and the dancers are dressed in black. The singing isn’t fantastic, but Nebulossa certainly knows how to throw a party in the hall. And of course, halfway through the act, the dancers strip off their clothes and continue dancing with bare chests and buttocks. At the end, a keyhole appears behind the singer Mery. The Spaniards really throw a party.

San Marino

We stick with the Spanish language, as San Marino sends the Spanish group Megara. Singer Kenzy Loevett is briefly flanked by two dancers in scary Easter bunny suits. Everything is pink and black in this act. It’s all rock, and the group tries to match the scariness of Bambie Thug, but it remains rather tame for a horror show.

Georgia

Nutsa Buzaladze is dressed in gold and stands in a circle of fire, which at one moment looks like a sun, the next a burning hoop. Nutsa is flanked by four dancers, and gives her all in terms of singing, but that doesn’t necessarily mean it’s good. For Georgia, it’s definitely not a done deal.

Belgium

We had already seen photos of Mustii amid a circle of microphones, but he starts alone on stage. He then stands on a rotating platform. Later, he goes into this circle. Mustii is dressed in white. The singing we hear here is very cautious, with Mustii consciously staying below the high notes. He did not, as we previously reported, take his shirt off. But towards the end, we see the whole hall going wild with the Belgian entry!

Estonia

5miinust and Puuluup are having a party on stage. The title of the song is, as previously mentioned, the longest ever. Whether the party really come across with all the “hey hey hey” is still a question. Possibly a finalist position for Estonia, but that is by no means certain.

Italy

Angelina Mango starts lying down, with roses projected under her. She has a sort of henna-like print depicted. This print also continues with the dancers. There are so many prints all over. There are so many details that you occasionally don’t see Angelina and her dancers at all. The singing is fine where it concerns Angelina. She ends a cappella. That takes skilsl, and Angelina has them. Italy will finish high, but perhaps not win.

Israel

The Israeli entry is the only ballad in this latter stage of the second semifinal. Just before she starts singing, Eden Golan leans back in a circle with lights. Five dancers flank her, and of course, she is lifted in the middle of the song. The singing is good, including the high note. Israel got both bood and cheered; possibly SVT and EBU will filter the booing tomorrow.

Norway

Norwegian instruments, we see branches everywhere, and we see the Norwegian band Gåte. Nightwish meets Within Temptation during this entry. The whole has a Norwegian mystical character. The band seems to have come right out of the Norwegian mythology. Singer Gunnhild Sunli effortlessly hits all the high notes.

Netherlands

Joost starts while standing on a picture of his head, depicted on the floor. Next to him are two dancers, and on stage with him are his friends Appie Mussa (in a bird suit) and Stuntkabouter in a blue suit. The graphics correspond in part with the text. It’s a lot, we see many different graphics. Next to typical Dutch snacks, we also see the burning mill, silhouettes of the parents, and the word papa (daddy) pass by. During the 90s gabber music part, the stage turns red. During the emotional outro, the background is black, with subtitles. Then follows the text for his parents.

Tonights  interval act contains various surprises. First, we see a singalong with Sertab Erener, Charlotte Perrelli, and Helena Paparizou. Then we see the two presenters singing the song “We just love Eurovision too much.” They do this with the aforementioned Sertab, Charlotte, and Helena, but also Käärijä and The Herreys take the stage.

After that follows the moment of announcement. We think the following countries will make it to the final: Greece, Switzerland, Austria, Denmark, Armenia, Georgia, Belgium, Israel, Norway, and the Netherlands.

Related news

Eurovision 2026

Weekly Update

It’s Tuesday, November 25, 2025, and time for another weekly update! This week the Eurovision community saw major news straight from the EBU. A comprehensive overhaul of the Eurovision Song Contest voting system was announced ahead of Vienna 2026. The news was accompanied by an open letter to fans. Meanwhile, Eurovision’s online presence got a big upgrade with the launch of a brand-new official website. Plans for Eurovision 2026 tickets were revealed. The road to the 70th Contest is truly heating up. Here are this week’s top stories: Contest Updates Martin Green Addresses Fans in Open Letter on Voting Changes Martin Green, the Eurovision Song Contest Director, has written an open letter to the fan community about upcoming voting change. He acknowledged concerns raised after Eurovision 2025 and said the EBU spent the summer reviewing issues and consulting broadcasters. Green stressed the need to “strengthen trust” in the Contest’s fairness and keep Eurovision a “neutral space” where music unites people. He assured fans that a “series of significant changes” in 2026 will  as the Contest moves forward. 📷 Martin Green, EBU Eurovision 2026 Voting Overhaul: Key Rule Changes Unveiled The EBU has unveiled a major overhaul of Eurovision voting rules for 2026. These updates aim to ensure a fairer contest after concerns last year. Stricter promotion rules will now ban any broadcaster or artist from supporting third-party voting campaigns (including government-backed drives) that could distort the results. The maximum number of votes per viewer (per payment method) is being halved from 20 to 10. This encourages viewers to spread their support across multiple entries. Professional juries will return to the Semi-Finals. A roughly 50/50 jury–public vote balance is restored. Each national jury is expanding from 5 to 7 members (with at least two aged 18–25) to add more diverse expertise. In addition, enhanced anti-fraud systems will monitor and block any suspicious or coordinated voting activity. Together, these measures are designed to strengthen trust and transparency in the lead-up to Eurovision 2026. Fan Updates Official Eurovision Website Moves to Eurovision.com Eurovision’s official website has a new home. The organisation has launched Eurovision.com as the “new home for everything” Eurovision, replacing the longtime Eurovision.tv site. The old site will shut down next week. The modernised platform is fully accessible and packed with features. One highlight is a comprehensive Contest database covering all 70 editions of the contest, dating back to 1956. Fans can also create a free “Eurofan” account on the site. This offers early ticket access, exclusive merchandise, special perks and personalised content. The Eurovision app, Junior Eurovision site, and other digital platforms will be updated over the coming months to match the new site. New features will start rolling out from February, as the road to Vienna 2026 officially begins on this upgraded online hub. Eurovision 2026 Tickets: Registration Required for January Sale Tickets for Eurovision 2026 are on the way, but fans need to act now to secure their chance. The first wave of tickets will go on sale on Tuesday 13 January 2026 at 13:00 CET. To participate in this sale, fans must pre-register during the current registration window (open now until 18 December 2025). Registration involves creating a free Eurofan account on the new official website and signing up with Eurovision’s ticketing partner, Oeticket, using the same email address. Only those who complete both steps by 18 December will receive an email in early January with a personal link and access code to buy tickets. Each code will allow the purchase of up to four tickets. Demand is expected to be very high. Receiving a code doesn’t guarantee tickets. Additional ticket sales rounds are likely to follow later, so fans who miss out should keep an eye on official updates.   source: eurovision.tv

Read More »
Eurovision 2026
Martijn

Weekly Update

It’s Tuesday, November 25, 2025, and time for another weekly update! This week the Eurovision community saw major news straight from the EBU. A comprehensive overhaul of the Eurovision Song Contest voting system was announced ahead of Vienna 2026. The news was accompanied by an open letter to fans. Meanwhile, Eurovision’s online presence got a big upgrade with the launch of a brand-new official website. Plans for Eurovision 2026 tickets were revealed. The road to the 70th Contest is truly heating up. Here are this week’s top stories: Contest Updates Martin Green Addresses Fans in Open Letter on Voting Changes Martin Green, the Eurovision Song Contest Director, has written an open letter to the fan community about upcoming voting change. He acknowledged concerns raised after Eurovision 2025 and said the EBU spent the summer reviewing issues and consulting broadcasters. Green stressed the need to “strengthen trust” in the Contest’s fairness and keep Eurovision a “neutral space” where music unites people. He assured fans that a “series of significant changes” in 2026 will  as the Contest moves forward. 📷 Martin Green, EBU Eurovision 2026 Voting Overhaul: Key Rule Changes Unveiled The EBU has unveiled a major overhaul of Eurovision voting rules for 2026. These updates aim to ensure a fairer contest after concerns last year. Stricter promotion rules will now ban any broadcaster or artist from supporting third-party voting campaigns (including government-backed drives) that could distort the results. The maximum number of votes per viewer (per payment method) is being halved from 20 to 10. This encourages viewers to spread their support across multiple entries. Professional juries will return to the Semi-Finals. A roughly 50/50 jury–public vote balance is restored. Each national jury is expanding from 5 to 7 members (with at least two aged 18–25) to add more diverse expertise. In addition, enhanced anti-fraud systems will monitor and block any suspicious or coordinated voting activity. Together, these measures are designed to strengthen trust and transparency in the lead-up to Eurovision 2026. Fan Updates Official Eurovision Website Moves to Eurovision.com Eurovision’s official website has a new home. The organisation has launched Eurovision.com as the “new home for everything” Eurovision, replacing the longtime Eurovision.tv site. The old site will shut down next week. The modernised platform is fully accessible and packed with features. One highlight is a comprehensive Contest database covering all 70 editions of the contest, dating back to 1956. Fans can also create a free “Eurofan” account on the site. This offers early ticket access, exclusive merchandise, special perks and personalised content. The Eurovision app, Junior Eurovision site, and other digital platforms will be updated over the coming months to match the new site. New features will start rolling out from February, as the road to Vienna 2026 officially begins on this upgraded online hub. Eurovision 2026 Tickets: Registration Required for January Sale Tickets for Eurovision 2026 are on the way, but fans need to act now to secure their chance. The first wave of tickets will go on sale on Tuesday 13 January 2026 at 13:00 CET. To participate in this sale, fans must pre-register during the current registration window (open now until 18 December 2025). Registration involves creating a free Eurofan account on the new official website and signing up with Eurovision’s ticketing partner, Oeticket, using the same email address. Only those who complete both steps by 18 December will receive an email in early January with a personal link and access code to buy tickets. Each code will allow the purchase of up to four tickets. Demand is expected to be very high. Receiving a code doesn’t guarantee tickets. Additional ticket sales rounds are likely to follow later, so fans who miss out should keep an eye on official updates.   source: eurovision.tv

Read More »
Follow Us: