The second semifinal

photo: EBU/Sarah Louise Bennett

The hosts Petra Mede and Malin Åkerman open the show with their own version of “Tattoo.”

Malta

In the Maltese act by Sarah Bonnici, there is a lot of movement and dancing. Later during the act, she is blindfolded, as are her dancers. Despite so much movement, Sarah manages to sing remarkably well.

Albania

Besa wears a turquoise gown with gemstones. The stage also includes several dancers, which might make it look a bit messy. However, many dancers are projected onto LED screens. Besa’s voice sounds a bit sharp here and there.

Greece

First, we see her purple boots, then the whole Marina Satti. She is also flanked by four dancers, but it looks much more organized. Greece has chosen a sophisticated entry not meant for casual listeners. A lot happens during this entry. Marina continues to sing well.

Switzerland

Nemo takes the viewer into his story with the song “The Code,” managing to crack the (binary) code. Their clothing says it all. Nemo has so far managed to enhance their narrative through fashion statements. Nemo jumps, skips, shows himself to be a balancing artist… and continues to sing crystal clear. We do not know if this is a winner, but we definitely respect their skills.

Czechia

You would expect Aiko to be standing on a pedestal during her performance. That’s not the case, but we find that the ceiling (one of the cubes) is very low. Aiko has four… Her nipples are no longer visible. Pay particular attention to the high note that Aiko effortlessly hits. Aiko surprises!

During the first semifinal, Nicole (from Hugo) received a tribute, and in this semifinal, Jahn Teigen (ESC 1978, 1982, 1983) is honored. We are treated to a journey through Eurovision history with several participants who did not finish very high.

France

Slimane, dressed in white, starts singing while lying down, then sits up. Everything is shot in close-up, which makes the song even more intimate. Slimane pulls out all the stops in terms of his singing ability. The song has its distinct fans, but others are completely on the opposite end of the spectrum.

Austria

It’s interesting to put someone on stage who has held various other roles at the contest. Singing is clearly not Kaleen’s strongest suit. Regardless of how enjoyable the song may be found, the singing is forgotten in Austria. However, the act looks absolutely tight, and Kaleen knows very well what she is doing in terms of dance.

Denmark

It seems like you only see a singer sprinkling some sand and singing her song. However, we also see a second Saba in the background… A hologram, as it turns out, because at one point she disintegrates into sand. Occasionally, Saba tends to sing too loud, which makes the whole thing seem a bit shouty.

Armenia

Cheerfulness all over, garnished with typical Armenian sounds. Singer Jaklin Baghdasarian of Ladaniva plays a leading role throughout the act. The other band members and backing band stand behind her, but at one point, the flutist also comes forward. We see all sorts of things in the background: trumpets, chickens, and the artists themselves.

Latvia

Looking at his Instagram account, he is very cheerful and humorous: the Latvian Dons. But seeing him standing there in his sleeveless leather outfit amid a circle, and hearing his very serious ballad, we notice little of that. There is nothing wrong with this song, but that might also be the problem.

Spain

Both the singer and the dancers are dressed in black. The singing isn’t fantastic, but Nebulossa certainly knows how to throw a party in the hall. And of course, halfway through the act, the dancers strip off their clothes and continue dancing with bare chests and buttocks. At the end, a keyhole appears behind the singer Mery. The Spaniards really throw a party.

San Marino

We stick with the Spanish language, as San Marino sends the Spanish group Megara. Singer Kenzy Loevett is briefly flanked by two dancers in scary Easter bunny suits. Everything is pink and black in this act. It’s all rock, and the group tries to match the scariness of Bambie Thug, but it remains rather tame for a horror show.

Georgia

Nutsa Buzaladze is dressed in gold and stands in a circle of fire, which at one moment looks like a sun, the next a burning hoop. Nutsa is flanked by four dancers, and gives her all in terms of singing, but that doesn’t necessarily mean it’s good. For Georgia, it’s definitely not a done deal.

Belgium

We had already seen photos of Mustii amid a circle of microphones, but he starts alone on stage. He then stands on a rotating platform. Later, he goes into this circle. Mustii is dressed in white. The singing we hear here is very cautious, with Mustii consciously staying below the high notes. He did not, as we previously reported, take his shirt off. But towards the end, we see the whole hall going wild with the Belgian entry!

Estonia

5miinust and Puuluup are having a party on stage. The title of the song is, as previously mentioned, the longest ever. Whether the party really come across with all the “hey hey hey” is still a question. Possibly a finalist position for Estonia, but that is by no means certain.

Italy

Angelina Mango starts lying down, with roses projected under her. She has a sort of henna-like print depicted. This print also continues with the dancers. There are so many prints all over. There are so many details that you occasionally don’t see Angelina and her dancers at all. The singing is fine where it concerns Angelina. She ends a cappella. That takes skilsl, and Angelina has them. Italy will finish high, but perhaps not win.

Israel

The Israeli entry is the only ballad in this latter stage of the second semifinal. Just before she starts singing, Eden Golan leans back in a circle with lights. Five dancers flank her, and of course, she is lifted in the middle of the song. The singing is good, including the high note. Israel got both bood and cheered; possibly SVT and EBU will filter the booing tomorrow.

Norway

Norwegian instruments, we see branches everywhere, and we see the Norwegian band Gåte. Nightwish meets Within Temptation during this entry. The whole has a Norwegian mystical character. The band seems to have come right out of the Norwegian mythology. Singer Gunnhild Sunli effortlessly hits all the high notes.

Netherlands

Joost starts while standing on a picture of his head, depicted on the floor. Next to him are two dancers, and on stage with him are his friends Appie Mussa (in a bird suit) and Stuntkabouter in a blue suit. The graphics correspond in part with the text. It’s a lot, we see many different graphics. Next to typical Dutch snacks, we also see the burning mill, silhouettes of the parents, and the word papa (daddy) pass by. During the 90s gabber music part, the stage turns red. During the emotional outro, the background is black, with subtitles. Then follows the text for his parents.

Tonights  interval act contains various surprises. First, we see a singalong with Sertab Erener, Charlotte Perrelli, and Helena Paparizou. Then we see the two presenters singing the song “We just love Eurovision too much.” They do this with the aforementioned Sertab, Charlotte, and Helena, but also Käärijä and The Herreys take the stage.

After that follows the moment of announcement. We think the following countries will make it to the final: Greece, Switzerland, Austria, Denmark, Armenia, Georgia, Belgium, Israel, Norway, and the Netherlands.

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70 years of Eurovision: she won, they won

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 2023 Because Ukraine could not safely host the Eurovision Song Contest, the United Kingdom stepped in as the runner-up from 2022. Liverpool was chosen as the host city, and the M&S Bank Arena became the stage. Hannah Waddingham, Julia Sanina, Alesha Dixon, and Graham Norton presented the event. The city embraced the occasion wholeheartedly, decorating itself in Ukrainian blue and yellow throughout contest week. It was one of the most warmly received editions in recent memory. The songs Marco Mengoni represented Italy for the second time. He secured a respectable fourth place. Moldova’s contestant was no newcomer either. Pasha Parfeni already participated in 2012. Teya and Salena from Austria wondered: “Who The Hell Is Edgar?” Together with Joëlle Ursull in 1990, they were the second to mention Edgar Allan Poe in their song. Although the two did well with the bookmakers, they still finished in 15th place. The Polish contestant Blanka was controversial. She had been promoted in advance by the Polish broadcaster. And she was said to know the son of jury chairwoman Edyta Górniak quite well. TVP was also accused of homophobia because the favorite Jann received very few points. The Canadian singer La Zarra represented France but failed to live up to expectations. When the televote for France was announced, she put her middle finger on the camera. The Belgian contestant Gustaph repeated what Laura Tesoro did in 2016. No one had confidence in the entry, but from the moment the stage act was revealed, Gustaph’s odds rose. Ultimately, he exceeded all expectations with a seventh-place finish. Striking, but unpopular with the jury, was Let 3 from Croatia. Featuring, among other things, a pink version of a German army uniform, Let 3’s act looked more like a fever dream. As mentioned, the jury did not appreciate it, but the televoters did. Mae Muller represented the host country, the United Kingdom. During all the rehearsals, she sang so terribly badly that the men feared the worst. And although the singing was better during the broadcast, a 25th place was the best she could achieve. Käärijä, crowd favorite Both the people in the audience and the televoters at home had a clear preference for the Finn Käärijä. With a unique act, charisma, and a neon-green bolero, he managed to capture everyone’s full attention. He therefore won comfortably with the televoter with his “Cha-Cha-Cha”. The jury was slightly less charmed by it, which resulted in a result deemed unnecessary by the audience. The entire hall chanted “Käärijä! Käärijä! Käärijä!”. Loreen In the end, the professional jury vote was decisive. Loreen won convincingly among the national juries, while Käärijä took the public televote by storm. When the final scores were combined, Loreen came out ahead. She became the second artist in Eurovision history to win the contest twice, the first being Johnny Logan of Ireland, who won in 1980 and 1987. Sweden claimed its seventh Eurovision title. The result was controversial among fans, many of whom felt Käärijä deserved the victory. The debate about the balance between jury and public vote flared up again with renewed intensity. Regardless, Loreen’s vocal performance on the night was flawless, and “Tattoo” became one of the most-streamed Eurovision winners in the contest’s history. 2024 Sweden hosted for the seventh time. The Malmö Arena welcomed the contest, and (of course) Petra Mede and Malin Åkerman presented the event. Malmö had hosted before, in 1992 and 2013. The contest, however, took place in a charged political atmosphere. Israel’s participation was the subject of intense debate, given the ongoing conflict in Gaza. Protests took place outside the arena throughout the week. Inside, the contest carried on. Several calls to exclude Israel were made by broadcasters and artists alike. The EBU held firm: Israel would participate. Eden Golan represented the country with “Hurricane,” a song whose original lyrics had been altered at the EBU’s request. Despite, or perhaps because of, the controversy, Golan finished fifth. Romania withdrew from the contest. On the other hand, there was also good news: Luxembourg returned to Eurovision for the first time since 1993.  The songs Hera Björk from Iceland participated for the second time. However, the success she achieved in 2010 was not present this time. Natalia Barbu from Moldova also failed to reach the final. Fortunately, the rule that applied to her in 2007 (if you do not reach the final, you pay the costs yourself) was not in effect this time. Alyona Alyona and Jerry Heil represented Ukraine. The latter had already participated in the national final several times. The entry impressed so much that Ukraine could count on a third place. Although Spain did not finish very high, the entry, “Zorra”, was hugely popular. Ireland came with the first non-binary participant, Bambie Thug. They performed their entry “Doomsday Blues” in a very unique way: seated in a sort of witches’ circle, Bambie Thug defeated their demons. The act was very popular with some, while others found it too scary for a family program. Bambie Thug finished sixth. Olly Alexander represented the United Kingdom. His act took place in a somewhat dingy dressing room. The entry was not a success. Windows95man finished low in the final. During the national final, he was wearing a shirt with the Windows 95 logo. This had to be blurred during the live broadcast. The French entry was very popular. Singer Slimane was certainly not qutie unknown in his own country either. His song “Mon Amour” ultimately finished fourth. The Croatian Baby Lasagna was very popular and was even seen as a potential winner. His song about leaving home and hearth resonated with the audience. Joost Klein “Europapa”, the Dutch entry by Joost Klein, did the same. He participated in the festival

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History
Martijn

70 years of Eurovision: she won, they won

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 2023 Because Ukraine could not safely host the Eurovision Song Contest, the United Kingdom stepped in as the runner-up from 2022. Liverpool was chosen as the host city, and the M&S Bank Arena became the stage. Hannah Waddingham, Julia Sanina, Alesha Dixon, and Graham Norton presented the event. The city embraced the occasion wholeheartedly, decorating itself in Ukrainian blue and yellow throughout contest week. It was one of the most warmly received editions in recent memory. The songs Marco Mengoni represented Italy for the second time. He secured a respectable fourth place. Moldova’s contestant was no newcomer either. Pasha Parfeni already participated in 2012. Teya and Salena from Austria wondered: “Who The Hell Is Edgar?” Together with Joëlle Ursull in 1990, they were the second to mention Edgar Allan Poe in their song. Although the two did well with the bookmakers, they still finished in 15th place. The Polish contestant Blanka was controversial. She had been promoted in advance by the Polish broadcaster. And she was said to know the son of jury chairwoman Edyta Górniak quite well. TVP was also accused of homophobia because the favorite Jann received very few points. The Canadian singer La Zarra represented France but failed to live up to expectations. When the televote for France was announced, she put her middle finger on the camera. The Belgian contestant Gustaph repeated what Laura Tesoro did in 2016. No one had confidence in the entry, but from the moment the stage act was revealed, Gustaph’s odds rose. Ultimately, he exceeded all expectations with a seventh-place finish. Striking, but unpopular with the jury, was Let 3 from Croatia. Featuring, among other things, a pink version of a German army uniform, Let 3’s act looked more like a fever dream. As mentioned, the jury did not appreciate it, but the televoters did. Mae Muller represented the host country, the United Kingdom. During all the rehearsals, she sang so terribly badly that the men feared the worst. And although the singing was better during the broadcast, a 25th place was the best she could achieve. Käärijä, crowd favorite Both the people in the audience and the televoters at home had a clear preference for the Finn Käärijä. With a unique act, charisma, and a neon-green bolero, he managed to capture everyone’s full attention. He therefore won comfortably with the televoter with his “Cha-Cha-Cha”. The jury was slightly less charmed by it, which resulted in a result deemed unnecessary by the audience. The entire hall chanted “Käärijä! Käärijä! Käärijä!”. Loreen In the end, the professional jury vote was decisive. Loreen won convincingly among the national juries, while Käärijä took the public televote by storm. When the final scores were combined, Loreen came out ahead. She became the second artist in Eurovision history to win the contest twice, the first being Johnny Logan of Ireland, who won in 1980 and 1987. Sweden claimed its seventh Eurovision title. The result was controversial among fans, many of whom felt Käärijä deserved the victory. The debate about the balance between jury and public vote flared up again with renewed intensity. Regardless, Loreen’s vocal performance on the night was flawless, and “Tattoo” became one of the most-streamed Eurovision winners in the contest’s history. 2024 Sweden hosted for the seventh time. The Malmö Arena welcomed the contest, and (of course) Petra Mede and Malin Åkerman presented the event. Malmö had hosted before, in 1992 and 2013. The contest, however, took place in a charged political atmosphere. Israel’s participation was the subject of intense debate, given the ongoing conflict in Gaza. Protests took place outside the arena throughout the week. Inside, the contest carried on. Several calls to exclude Israel were made by broadcasters and artists alike. The EBU held firm: Israel would participate. Eden Golan represented the country with “Hurricane,” a song whose original lyrics had been altered at the EBU’s request. Despite, or perhaps because of, the controversy, Golan finished fifth. Romania withdrew from the contest. On the other hand, there was also good news: Luxembourg returned to Eurovision for the first time since 1993.  The songs Hera Björk from Iceland participated for the second time. However, the success she achieved in 2010 was not present this time. Natalia Barbu from Moldova also failed to reach the final. Fortunately, the rule that applied to her in 2007 (if you do not reach the final, you pay the costs yourself) was not in effect this time. Alyona Alyona and Jerry Heil represented Ukraine. The latter had already participated in the national final several times. The entry impressed so much that Ukraine could count on a third place. Although Spain did not finish very high, the entry, “Zorra”, was hugely popular. Ireland came with the first non-binary participant, Bambie Thug. They performed their entry “Doomsday Blues” in a very unique way: seated in a sort of witches’ circle, Bambie Thug defeated their demons. The act was very popular with some, while others found it too scary for a family program. Bambie Thug finished sixth. Olly Alexander represented the United Kingdom. His act took place in a somewhat dingy dressing room. The entry was not a success. Windows95man finished low in the final. During the national final, he was wearing a shirt with the Windows 95 logo. This had to be blurred during the live broadcast. The French entry was very popular. Singer Slimane was certainly not qutie unknown in his own country either. His song “Mon Amour” ultimately finished fourth. The Croatian Baby Lasagna was very popular and was even seen as a potential winner. His song about leaving home and hearth resonated with the audience. Joost Klein “Europapa”, the Dutch entry by Joost Klein, did the same. He participated in the festival

Read More »
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