The second semifinal

photo: EBU/Sarah Louise Bennett

The hosts Petra Mede and Malin Åkerman open the show with their own version of “Tattoo.”

Malta

In the Maltese act by Sarah Bonnici, there is a lot of movement and dancing. Later during the act, she is blindfolded, as are her dancers. Despite so much movement, Sarah manages to sing remarkably well.

Albania

Besa wears a turquoise gown with gemstones. The stage also includes several dancers, which might make it look a bit messy. However, many dancers are projected onto LED screens. Besa’s voice sounds a bit sharp here and there.

Greece

First, we see her purple boots, then the whole Marina Satti. She is also flanked by four dancers, but it looks much more organized. Greece has chosen a sophisticated entry not meant for casual listeners. A lot happens during this entry. Marina continues to sing well.

Switzerland

Nemo takes the viewer into his story with the song “The Code,” managing to crack the (binary) code. Their clothing says it all. Nemo has so far managed to enhance their narrative through fashion statements. Nemo jumps, skips, shows himself to be a balancing artist… and continues to sing crystal clear. We do not know if this is a winner, but we definitely respect their skills.

Czechia

You would expect Aiko to be standing on a pedestal during her performance. That’s not the case, but we find that the ceiling (one of the cubes) is very low. Aiko has four… Her nipples are no longer visible. Pay particular attention to the high note that Aiko effortlessly hits. Aiko surprises!

During the first semifinal, Nicole (from Hugo) received a tribute, and in this semifinal, Jahn Teigen (ESC 1978, 1982, 1983) is honored. We are treated to a journey through Eurovision history with several participants who did not finish very high.

France

Slimane, dressed in white, starts singing while lying down, then sits up. Everything is shot in close-up, which makes the song even more intimate. Slimane pulls out all the stops in terms of his singing ability. The song has its distinct fans, but others are completely on the opposite end of the spectrum.

Austria

It’s interesting to put someone on stage who has held various other roles at the contest. Singing is clearly not Kaleen’s strongest suit. Regardless of how enjoyable the song may be found, the singing is forgotten in Austria. However, the act looks absolutely tight, and Kaleen knows very well what she is doing in terms of dance.

Denmark

It seems like you only see a singer sprinkling some sand and singing her song. However, we also see a second Saba in the background… A hologram, as it turns out, because at one point she disintegrates into sand. Occasionally, Saba tends to sing too loud, which makes the whole thing seem a bit shouty.

Armenia

Cheerfulness all over, garnished with typical Armenian sounds. Singer Jaklin Baghdasarian of Ladaniva plays a leading role throughout the act. The other band members and backing band stand behind her, but at one point, the flutist also comes forward. We see all sorts of things in the background: trumpets, chickens, and the artists themselves.

Latvia

Looking at his Instagram account, he is very cheerful and humorous: the Latvian Dons. But seeing him standing there in his sleeveless leather outfit amid a circle, and hearing his very serious ballad, we notice little of that. There is nothing wrong with this song, but that might also be the problem.

Spain

Both the singer and the dancers are dressed in black. The singing isn’t fantastic, but Nebulossa certainly knows how to throw a party in the hall. And of course, halfway through the act, the dancers strip off their clothes and continue dancing with bare chests and buttocks. At the end, a keyhole appears behind the singer Mery. The Spaniards really throw a party.

San Marino

We stick with the Spanish language, as San Marino sends the Spanish group Megara. Singer Kenzy Loevett is briefly flanked by two dancers in scary Easter bunny suits. Everything is pink and black in this act. It’s all rock, and the group tries to match the scariness of Bambie Thug, but it remains rather tame for a horror show.

Georgia

Nutsa Buzaladze is dressed in gold and stands in a circle of fire, which at one moment looks like a sun, the next a burning hoop. Nutsa is flanked by four dancers, and gives her all in terms of singing, but that doesn’t necessarily mean it’s good. For Georgia, it’s definitely not a done deal.

Belgium

We had already seen photos of Mustii amid a circle of microphones, but he starts alone on stage. He then stands on a rotating platform. Later, he goes into this circle. Mustii is dressed in white. The singing we hear here is very cautious, with Mustii consciously staying below the high notes. He did not, as we previously reported, take his shirt off. But towards the end, we see the whole hall going wild with the Belgian entry!

Estonia

5miinust and Puuluup are having a party on stage. The title of the song is, as previously mentioned, the longest ever. Whether the party really come across with all the “hey hey hey” is still a question. Possibly a finalist position for Estonia, but that is by no means certain.

Italy

Angelina Mango starts lying down, with roses projected under her. She has a sort of henna-like print depicted. This print also continues with the dancers. There are so many prints all over. There are so many details that you occasionally don’t see Angelina and her dancers at all. The singing is fine where it concerns Angelina. She ends a cappella. That takes skilsl, and Angelina has them. Italy will finish high, but perhaps not win.

Israel

The Israeli entry is the only ballad in this latter stage of the second semifinal. Just before she starts singing, Eden Golan leans back in a circle with lights. Five dancers flank her, and of course, she is lifted in the middle of the song. The singing is good, including the high note. Israel got both bood and cheered; possibly SVT and EBU will filter the booing tomorrow.

Norway

Norwegian instruments, we see branches everywhere, and we see the Norwegian band Gåte. Nightwish meets Within Temptation during this entry. The whole has a Norwegian mystical character. The band seems to have come right out of the Norwegian mythology. Singer Gunnhild Sunli effortlessly hits all the high notes.

Netherlands

Joost starts while standing on a picture of his head, depicted on the floor. Next to him are two dancers, and on stage with him are his friends Appie Mussa (in a bird suit) and Stuntkabouter in a blue suit. The graphics correspond in part with the text. It’s a lot, we see many different graphics. Next to typical Dutch snacks, we also see the burning mill, silhouettes of the parents, and the word papa (daddy) pass by. During the 90s gabber music part, the stage turns red. During the emotional outro, the background is black, with subtitles. Then follows the text for his parents.

Tonights  interval act contains various surprises. First, we see a singalong with Sertab Erener, Charlotte Perrelli, and Helena Paparizou. Then we see the two presenters singing the song “We just love Eurovision too much.” They do this with the aforementioned Sertab, Charlotte, and Helena, but also Käärijä and The Herreys take the stage.

After that follows the moment of announcement. We think the following countries will make it to the final: Greece, Switzerland, Austria, Denmark, Armenia, Georgia, Belgium, Israel, Norway, and the Netherlands.

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She continued releasing singles, rebranded from “Senit” to “Senhit” in 2014, and built a strong presence in the European club scene, leading to her EP Hey Buddy (2017). Eurovision Comeback and “Adrenalina” Success Selected again for Eurovision 2020, her entry was canceled due to the pandemic. She returned in 2021 with “Adrenalina” featuring Flo Rida, reaching the final and gaining major streaming success, becoming a fan favorite across Europe. Recent Music and Projects In recent years, Senhit has stayed active with new releases, live performances, and hosting San Marino’s national selection show. Her 2024 album Dangerous includes collaborations with top international producers and artists. Eurovision 2026 Return In 2026, Senhit won San Marino’s national selection with “Superstar,” featuring Boy George. This marks her third Eurovision appearance, reinforcing her status as a dynamic and enduring figure in the pop music scene. Boy George: An 80s Icon Boy George, born George Alan O’Dowd in London, grew up in a working-class Irish family. Inspired by glam rock legend David Bowie, he developed a passion for music early on. His bold, androgynous style and love for performance quickly made him stand out in London’s vibrant club scene. Culture Club and Global Fame In 1981, Boy George formed Culture Club, achieving worldwide success with hits like “Do You Really Want to Hurt Me” and “Karma Chameleon.” By the mid-1980s, the band became one of the biggest pop acts globally, winning a Grammy Award and multiple Brit Awards. His unique voice and image made him a defining figure of 80s pop culture. Challenges and Solo Career Facing personal struggles and addiction, Culture Club disbanded in 1986. Boy George later rebuilt his career with solo hits like “Everything I Own” and “The Crying Game.” He also explored DJing and dance music while becoming an influential LGBTQ+ icon. 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In contrast, one person stands out—not for confidence, but for insecurity and self-doubt. From Insecurity to Empowerment As the song develops, it shifts into a powerful message of growth. The lyrics encourage stepping out of the shadows and embracing who you are. What starts as uncertainty transforms into confidence and self-belief. Strength Through Struggles References to heartbreak and emotional scars add depth to the story. The song highlights that true confidence doesn’t come from perfection, but from overcoming challenges and learning from past experiences. Embracing Individuality The second verse celebrates uniqueness, describing the individual as strong and valuable. Differences are not flaws—they are strengths. The journey through hardship becomes a source of inner power. Be Your Own Superstar At its heart, “Superstar” is about authenticity. It reminds listeners that being a “superstar” isn’t about fame, but about self-acceptance. By embracing imperfections and showing your true self, you turn vulnerability into confidence. San Marino in the Eurovision Song Contest San Marino has participated in the Eurovision Song Contest since 2008. Despite being one of the smallest countries in the competition, it has made notable contributions, with its best result in 2019 when Serhat‘s “Say Na Na Na” finished 19th in the Grand Final. But when we talk about San Marino, we must not forget Valentina Monetta. She participated for her country on no less than four occasions. She was, in 2014, the first one to bring San Marino to the final. The Bookmakers Ranked 27th with the bookmakers, San Marino faces an uphill battle — will they defy the odds and make it to the final?    

Read More »
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