The first semifinal

Finally, the moment has arrived: we get to see the full first semifinal. Only now can we truly judge if and how good it is.

In the opening of the show, we see ’12 points’ and old footage, after which the cubes rise. This is followed by Eleni Foureira, then Eric Saade, and subsequently, Chanel also makes an appearance.

Then the presenters Malin Åkerman and Petra Mede make their entrance, dressed in clashing pink and orange.

Cyprus:

Now that we can hear the entire song, it’s noticeable that Silia Kapsis’s singing has improved considerably during rehearsals. She and the dancers are dressed in white against a turquoise background. And yes, the shirts come off, at least the dancers’ shirts. And, of course, there’s a dance break.

Serbia:

In a cloudy sky, on a rock, Teya Dora sings her song. Later in the act, she steps off her rock. The act barely resonates because not everyone understands why there’s a flower at the end of the act. Serbia might struggle; there’s a risk it might be overshadowed.

Lithuania:

We now effortlessly recognize the song with the ‘lady Mondegreen’ lyrics. Silvester Belt’s entry does make an impact. The song is accessible to a wide audience, which cannot really be said for several other entries this evening.

Ireland:

Bambie Thug is doing their best to put on a terrifying act. With a devil on stage, a witches’ circle, and a pentagram, the artist definitely stands out. Whether the average viewer understands what’s happening is questionable, even as Bambie Thug exorcises the devil at the end and remains in an outfit in the transgender colours. For fans of beautiful singing: Bambie Thug has a beautiful singing voice, but also lets out a lot of screams.

Then the hosts chat, during which the attentive (and somewhat older) viewer might notice a reference to Lill Lindfors (the 1985 host).

United Kingdom:

We previously reported that Olly Alexander had said this was the most homosexual act ever. Having seen the entire act, we can wholeheartedly agree. Whether this entry is suitable for very young viewers is debatable, but perhaps you had already sent them out of the room during the previous act.

Ukraine:

On the floor, we see blue and yellow, the Ukrainian colors. The song is beautifully performed by Jerry Heil. As Alyona Alyona starts to rap, we see concrete colors. On the cubes, silhouettes of people are projected. Altogether, it’s very impressive and could possibly be a winner.

Poland:

Luna sings from a chessboard. The two towers in the center play a major role in the song, along with a black, a white, and a red king. It’s a chess game for three players, and Luna seems to have entered it. She, too, overcomes forces from the past.

Croatia:

There’s a lot happening; the song is about young people leaving the country in search of greener pastures. The song is ranked number one by the bookmakers. It could well finish very high. It certainly swings, but it will require some skills from Baby Lasagna to properly convey the message.

Iceland:

After several acts where a lot has happened, Hera Björk is somewhat of a breather. Unfortunately, this challenging song doesn’t really stand out compared to the rest. But perhaps that’s precisely its strength. Of course, we wish Hera Björk the best in the contest.

Then there’s a video; watch closely, because it’s brief. We definitely see a role for Arcade and Dancing Lasha Tumbai.

Germany:

Then, out of competition tonight, comes Isaak, who has brought his fire pit indoors. He sings that he’s always on the run but meanwhile doesn’t move from his spot; an interesting contradiction. It would be nice if Isaak could shake off the curse of the lower ranks. We fear that’s wishful thinking.

Slovenia:

Then the ode to Veronika of Desenice follows. Certainly, a good singer, but whether this act will clearly convey what Raiven intends to spotlight is doubtful. The viewers will hear and see how well it’s sung, but unfortunately, the televoters aren’t generally moved in large numbers.

Finland:

We see a whirlwind show from Windows95man. For three minutes, something happens that keeps the viewer engaged. The joke with the underwear and the attempt to suggest a naked Windows95man does the trick. However, Windows95man cannot sing; that’s what Henri Piispanen is for. And he does it quite well.

Moldova:

Really, no one believes in a final spot for Natalia Barbu anymore. It’s a shame because the graphics are certainly worth noting. Only, we had already noticed that when Natalia Barbu seems to get wings, she’s not positioned correctly for the camera. We still want to point out her dress, which is special. The song, unfortunately, is not.

Sweden:

Of course, the hall goes wild, the Norwegian twins Marcus & Martinus representing Sweden are incredibly popular. A music video, a slick show. The show by the twins from Norway, competing for Sweden, is solid. But whether the song is strong enough for a high score could be doubted.

Azerbaijan:

The Azerbaijani act consists of a woman who seems to come out of the water on the LED screens, waving her hands. These hands later reappear on stage. Fahree and Ilkin Dovlatov sing the song with this ensemble in the background. Whether the traditional Azerbaijani singing (mugham) comes across and makes it to the final is doubtful.

Australia:

An act that does make an impression. Especially singer Zaachariaha impresses with strong vocals. Initially, he stands at the front singing the song with the background singers. Later, there’s a lot of dancing and movement, and it turns into a cheerful, friendly performance. Australia might make it to the final.

Portugal:

A calming moment in this busy evening. No frills, a well-singing singer, and several masked dancers, all in white. Iolanda’s high note certainly makes a big impression in the press center. After so much commotion, it just might be that Portugal suddenly makes it to the final.

Luxembourg:

The act from Luxembourg looked very slick in the photos. Now that we see it live and for three minutes, it somehow lacks something and looks somewhat messy. Midway through the song, suddenly from two sides a tiger appears on the graphics. We would like to see Luxembourg in the final. It could definitely happen, but it’s not at all certain.

Johnny Logan returns to Eurovision to sing again, not as a competitor but as a guest.

We are also treated to a performance by Benjamin Ingrosso, the man who represented Sweden in 2018. He looks a bit different now but presents well with new music.

Our suggestion for semifinal 1: Cyprus, Serbia, Lithuania, Ireland, Ukraine, Croatia, Slovenia, Finland, Australia and Portugal will get through.

 

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🇨🇾 Blast from the past: Cyprus 2000

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 2000, when the duo Voice represented Cyprus with the song “Nomiza”. Cyprus in the Eurovision Song Contest Cyprus debuted at the Eurovision Song Contest in 1981 and has become a consistent finalist, yet is still chasing its first victory. The island’s benchmark result came in 2018. Eleni Foureira’s uptempo entry “Fuego” finished second with 436 points, the country’s best placing to date. Earlier, Cyprus had reached the top five with songs such as Anna Vissi’s “Mono i agapi” (1982), Hara and Andreas Constantinou’s “Mana mou” (1997) and Lisa Andreas’ “Stronger Every Minute” (2004).  In recent years Cyprus has relied on internal selections and close collaboration with international songwriters. In 2023, Australian‑Cypriot singer Andrew Lambrou took “Break a Broken Heart” to 12th place in the Liverpool final. Silia Kapsis followed in 2024 with the dance‑pop track “Liar”, qualifying from Malmö’s first semi‑final and finishing 15th overall. In 2025 Theo Evan performed “Shh” in Basel. He narrowly missed qualification in semi‑final one, placing 11th.  📷 Eleni Foureira, photo EBU/Andres Putting Diagonismós Tragoudioú Giourovízion 2000 The Cypriot national selection in 2000 was called Diagonismós Tragoudioú Giourovízion. The contest was held on 16 February. Eleven songs competed: Marina Solonos, “Eima akoma edo“, 148 pts, 3rd Annie, “Na m’agapas“, 131 pts, 5th Maria Amman, “Fones“, 87 pts, 10th Marilia Perikleous & Demetris Mouhtadouris, “Trikymia”, 93 pts, 9th Chrystanthos Chrystanthou, “An”, 78 pts, 11th Alexandros Panayi & Christina Argyri, “Nomiza“, 225 pts, 1st Lefki Stylianou, “Antio, loipon“, 94 pts, 8th Antonia Orthanou, “Sti gi eirini“, 100 pts, 7th Marian Georgiou & Kostas Kountos, “Paradeisos“, 145 pts, 4th Giorgos Gavriel, “Volt“, 122 pts, 6th Haroula Pirta, “Ki akoma s’agapo“, 184 pts, 2nd   Voice (Alexandros Panayi and Christina Argyri) Voice was the Cypriot vocal duo formed by Alexandros Panayi and Christina Argyri to represent Cyprus at the Eurovision Song Contest 2000 with the ballad “Nomiza”. Alexandros Panayi Alexandros Panayi (born 1970 in Nicosia) is a Greek-Cypriot singer, composer, lyricist and vocal coach with a long-standing relationship with Eurovision. He first appeared for Cyprus as a soloist in 1995 with “Sti fotia”, returning five years later as half of Voice and co-writer of “Nomiza”. Trained at Berklee College of Music in Boston, he has since worked extensively as a vocal director, producer and backing vocalist for several Eurovision delegations, including Greece’s winning entry “My Number One” in 2005. He has since returned regularly as songwriter, vocal director and mentor for various national and Eurovision projects.  Christina Argyri Christina Argyri (born 1971 in Nicosia) is a singer and actress who studied piano and music theory in Cyprus before also attending Berklee, specialising in jazz performance. Active mainly in theatre, she composes and performs music for stage productions and collaborates with Cypriot ensembles. Beyond Voice, Argyri has appeared as a backing vocalist at Eurovision, notably supporting Cypriot boyband One in 2002, and is also active as a dubbing and voice artist. Nomiza “Nomiza” was the Cypriot entry at the Eurovision Song Contest 2000. Written and composed by Panayi, the song is a dramatic pop ballad that shifts between Greek and Italian lyrics, telling the story of a love the narrator “thought” would last forever.  Musically, “Nomiza” builds from an intimate, slow‑to‑mid‑tempo opening into a bigger, more orchestral climax, showcasing the powerful harmonies between the two vocalists. Its bilingual structure gives it a distinctive Mediterranean flavour compared with other ballads in the 2000 line‑up. The song won the Cypriot national final and was later released as a CD single featuring Greek‑only and Italian versions, including the Italian title “Rosso Vivo”.  On stage in Stockholm, the performance focused on the singers’ interplay, with restrained staging and dark blue visuals reinforcing the emotional tone. In the final, “Nomiza” was performed 11th on the night and finished 21st out of 24 entries, scoring 8 points and relegating Cyprus from Eurovision 2001.  

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Blast from the past
Martijn

🇨🇾 Blast from the past: Cyprus 2000

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 2000, when the duo Voice represented Cyprus with the song “Nomiza”. Cyprus in the Eurovision Song Contest Cyprus debuted at the Eurovision Song Contest in 1981 and has become a consistent finalist, yet is still chasing its first victory. The island’s benchmark result came in 2018. Eleni Foureira’s uptempo entry “Fuego” finished second with 436 points, the country’s best placing to date. Earlier, Cyprus had reached the top five with songs such as Anna Vissi’s “Mono i agapi” (1982), Hara and Andreas Constantinou’s “Mana mou” (1997) and Lisa Andreas’ “Stronger Every Minute” (2004).  In recent years Cyprus has relied on internal selections and close collaboration with international songwriters. In 2023, Australian‑Cypriot singer Andrew Lambrou took “Break a Broken Heart” to 12th place in the Liverpool final. Silia Kapsis followed in 2024 with the dance‑pop track “Liar”, qualifying from Malmö’s first semi‑final and finishing 15th overall. In 2025 Theo Evan performed “Shh” in Basel. He narrowly missed qualification in semi‑final one, placing 11th.  📷 Eleni Foureira, photo EBU/Andres Putting Diagonismós Tragoudioú Giourovízion 2000 The Cypriot national selection in 2000 was called Diagonismós Tragoudioú Giourovízion. The contest was held on 16 February. Eleven songs competed: Marina Solonos, “Eima akoma edo“, 148 pts, 3rd Annie, “Na m’agapas“, 131 pts, 5th Maria Amman, “Fones“, 87 pts, 10th Marilia Perikleous & Demetris Mouhtadouris, “Trikymia”, 93 pts, 9th Chrystanthos Chrystanthou, “An”, 78 pts, 11th Alexandros Panayi & Christina Argyri, “Nomiza“, 225 pts, 1st Lefki Stylianou, “Antio, loipon“, 94 pts, 8th Antonia Orthanou, “Sti gi eirini“, 100 pts, 7th Marian Georgiou & Kostas Kountos, “Paradeisos“, 145 pts, 4th Giorgos Gavriel, “Volt“, 122 pts, 6th Haroula Pirta, “Ki akoma s’agapo“, 184 pts, 2nd   Voice (Alexandros Panayi and Christina Argyri) Voice was the Cypriot vocal duo formed by Alexandros Panayi and Christina Argyri to represent Cyprus at the Eurovision Song Contest 2000 with the ballad “Nomiza”. Alexandros Panayi Alexandros Panayi (born 1970 in Nicosia) is a Greek-Cypriot singer, composer, lyricist and vocal coach with a long-standing relationship with Eurovision. He first appeared for Cyprus as a soloist in 1995 with “Sti fotia”, returning five years later as half of Voice and co-writer of “Nomiza”. Trained at Berklee College of Music in Boston, he has since worked extensively as a vocal director, producer and backing vocalist for several Eurovision delegations, including Greece’s winning entry “My Number One” in 2005. He has since returned regularly as songwriter, vocal director and mentor for various national and Eurovision projects.  Christina Argyri Christina Argyri (born 1971 in Nicosia) is a singer and actress who studied piano and music theory in Cyprus before also attending Berklee, specialising in jazz performance. Active mainly in theatre, she composes and performs music for stage productions and collaborates with Cypriot ensembles. Beyond Voice, Argyri has appeared as a backing vocalist at Eurovision, notably supporting Cypriot boyband One in 2002, and is also active as a dubbing and voice artist. Nomiza “Nomiza” was the Cypriot entry at the Eurovision Song Contest 2000. Written and composed by Panayi, the song is a dramatic pop ballad that shifts between Greek and Italian lyrics, telling the story of a love the narrator “thought” would last forever.  Musically, “Nomiza” builds from an intimate, slow‑to‑mid‑tempo opening into a bigger, more orchestral climax, showcasing the powerful harmonies between the two vocalists. Its bilingual structure gives it a distinctive Mediterranean flavour compared with other ballads in the 2000 line‑up. The song won the Cypriot national final and was later released as a CD single featuring Greek‑only and Italian versions, including the Italian title “Rosso Vivo”.  On stage in Stockholm, the performance focused on the singers’ interplay, with restrained staging and dark blue visuals reinforcing the emotional tone. In the final, “Nomiza” was performed 11th on the night and finished 21st out of 24 entries, scoring 8 points and relegating Cyprus from Eurovision 2001.  

Read More »
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