The first semifinal

Finally, the moment has arrived: we get to see the full first semifinal. Only now can we truly judge if and how good it is.

In the opening of the show, we see ’12 points’ and old footage, after which the cubes rise. This is followed by Eleni Foureira, then Eric Saade, and subsequently, Chanel also makes an appearance.

Then the presenters Malin Åkerman and Petra Mede make their entrance, dressed in clashing pink and orange.

Cyprus:

Now that we can hear the entire song, it’s noticeable that Silia Kapsis’s singing has improved considerably during rehearsals. She and the dancers are dressed in white against a turquoise background. And yes, the shirts come off, at least the dancers’ shirts. And, of course, there’s a dance break.

Serbia:

In a cloudy sky, on a rock, Teya Dora sings her song. Later in the act, she steps off her rock. The act barely resonates because not everyone understands why there’s a flower at the end of the act. Serbia might struggle; there’s a risk it might be overshadowed.

Lithuania:

We now effortlessly recognize the song with the ‘lady Mondegreen’ lyrics. Silvester Belt’s entry does make an impact. The song is accessible to a wide audience, which cannot really be said for several other entries this evening.

Ireland:

Bambie Thug is doing their best to put on a terrifying act. With a devil on stage, a witches’ circle, and a pentagram, the artist definitely stands out. Whether the average viewer understands what’s happening is questionable, even as Bambie Thug exorcises the devil at the end and remains in an outfit in the transgender colours. For fans of beautiful singing: Bambie Thug has a beautiful singing voice, but also lets out a lot of screams.

Then the hosts chat, during which the attentive (and somewhat older) viewer might notice a reference to Lill Lindfors (the 1985 host).

United Kingdom:

We previously reported that Olly Alexander had said this was the most homosexual act ever. Having seen the entire act, we can wholeheartedly agree. Whether this entry is suitable for very young viewers is debatable, but perhaps you had already sent them out of the room during the previous act.

Ukraine:

On the floor, we see blue and yellow, the Ukrainian colors. The song is beautifully performed by Jerry Heil. As Alyona Alyona starts to rap, we see concrete colors. On the cubes, silhouettes of people are projected. Altogether, it’s very impressive and could possibly be a winner.

Poland:

Luna sings from a chessboard. The two towers in the center play a major role in the song, along with a black, a white, and a red king. It’s a chess game for three players, and Luna seems to have entered it. She, too, overcomes forces from the past.

Croatia:

There’s a lot happening; the song is about young people leaving the country in search of greener pastures. The song is ranked number one by the bookmakers. It could well finish very high. It certainly swings, but it will require some skills from Baby Lasagna to properly convey the message.

Iceland:

After several acts where a lot has happened, Hera Björk is somewhat of a breather. Unfortunately, this challenging song doesn’t really stand out compared to the rest. But perhaps that’s precisely its strength. Of course, we wish Hera Björk the best in the contest.

Then there’s a video; watch closely, because it’s brief. We definitely see a role for Arcade and Dancing Lasha Tumbai.

Germany:

Then, out of competition tonight, comes Isaak, who has brought his fire pit indoors. He sings that he’s always on the run but meanwhile doesn’t move from his spot; an interesting contradiction. It would be nice if Isaak could shake off the curse of the lower ranks. We fear that’s wishful thinking.

Slovenia:

Then the ode to Veronika of Desenice follows. Certainly, a good singer, but whether this act will clearly convey what Raiven intends to spotlight is doubtful. The viewers will hear and see how well it’s sung, but unfortunately, the televoters aren’t generally moved in large numbers.

Finland:

We see a whirlwind show from Windows95man. For three minutes, something happens that keeps the viewer engaged. The joke with the underwear and the attempt to suggest a naked Windows95man does the trick. However, Windows95man cannot sing; that’s what Henri Piispanen is for. And he does it quite well.

Moldova:

Really, no one believes in a final spot for Natalia Barbu anymore. It’s a shame because the graphics are certainly worth noting. Only, we had already noticed that when Natalia Barbu seems to get wings, she’s not positioned correctly for the camera. We still want to point out her dress, which is special. The song, unfortunately, is not.

Sweden:

Of course, the hall goes wild, the Norwegian twins Marcus & Martinus representing Sweden are incredibly popular. A music video, a slick show. The show by the twins from Norway, competing for Sweden, is solid. But whether the song is strong enough for a high score could be doubted.

Azerbaijan:

The Azerbaijani act consists of a woman who seems to come out of the water on the LED screens, waving her hands. These hands later reappear on stage. Fahree and Ilkin Dovlatov sing the song with this ensemble in the background. Whether the traditional Azerbaijani singing (mugham) comes across and makes it to the final is doubtful.

Australia:

An act that does make an impression. Especially singer Zaachariaha impresses with strong vocals. Initially, he stands at the front singing the song with the background singers. Later, there’s a lot of dancing and movement, and it turns into a cheerful, friendly performance. Australia might make it to the final.

Portugal:

A calming moment in this busy evening. No frills, a well-singing singer, and several masked dancers, all in white. Iolanda’s high note certainly makes a big impression in the press center. After so much commotion, it just might be that Portugal suddenly makes it to the final.

Luxembourg:

The act from Luxembourg looked very slick in the photos. Now that we see it live and for three minutes, it somehow lacks something and looks somewhat messy. Midway through the song, suddenly from two sides a tiger appears on the graphics. We would like to see Luxembourg in the final. It could definitely happen, but it’s not at all certain.

Johnny Logan returns to Eurovision to sing again, not as a competitor but as a guest.

We are also treated to a performance by Benjamin Ingrosso, the man who represented Sweden in 2018. He looks a bit different now but presents well with new music.

Our suggestion for semifinal 1: Cyprus, Serbia, Lithuania, Ireland, Ukraine, Croatia, Slovenia, Finland, Australia and Portugal will get through.

 

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History

70 years of Eurovision: Céline Dion and…. eh… who?

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1988 For the second time, the Royal Dublin Society was the venue. Two hosts were in charge: Pat Kenny and Michelle Rocca. Cyprus had to withdraw. The Cypriot entry turned out to have already participated in the national final four years earlier. That came out so late that Cyprus could not find a new song in time. Tommy Körberg participated for Sweden. He did that back in 1969 as well. Back then, there were two winners in the national final: Tommy and Jan Malmsjö. After a runoff, Tommy was allowed to go to the Eurovision Song Contest. And lo and behold, in 1988 he was the replacement for…. that very same Jan Malmsjö! Yardena Arazi participated for Israel. She did so in 1976, but in 1979 she was the host. It is the first and only time that a former host participated. MFÖ represented Turkey for the second time. Furthermore, the duo Hot Eyes was present for the third time. This time, singer Kirsten Siggaard was pregnant for no less than eight months! And then there was Dora. She had participated for Portugal before, and now again. Many big stars traveled to Dublin. Scott Fitzgerald had already had a worldwide hit with “If I Had Words” and now sang “Go” for the United Kingdom. Gerard Joling, who had just completed a tour of Asia, was the Dutch candidate. And France also came up with a big star: Gérard Lenorman. Unfortunately, there was little attention for his “Chanteur de charme”. And then there was the Belgian Lara Fabian. She represented Luxembourg with the song “Croire”. At that time she was still unknown; later she would score many hits.   Céline Dion It was nail-bitingly exciting. The United Kingdom and Switzerland constantly swapped first place. Until the very last point, it was unclear who would win. It was ultimately Céline Dion for Switzerland. This Canadian singer sang “Ne partez pas sans moi”. It didn’t become a big hit everywhere. But a year later, she got to open the festival and sang “Where Does My Heart Beat Now”. It became her first international hit, but certainly not the last. Her absolute biggest success was “My Heart Will Go On”, but she scored many hits. Due to illness, she was unable to perform for a long time. So there was admiration when she did sing during the Olympic Games in Paris. And recently she announced that she will start performing again. 1989 The Eurovision Song Contest was held in Lausanne. Once again, there was a duo presentation: Jacques Descheneaux and Lolita Morena. Cyprus was back after a long absence. Not a single participant had been on the Eurovision stage before. However, two very young participants were striking and controversial. 12-year-old Gili Netanel participated for Israel as half of the duo Gili & Galit. For France, the even younger, 11-year-old Nathalie Pâque took the stage. This makes her the youngest soloist ever. Many people disagreed with the participation of such young children. A year later, a minimum age was therefore introduced. The show opened with the occasional duo Anna Oxa and Fausto Leali. Two big names in Italian music, who now finished ninth together with “Avrei voluto”. One of the favorites competed for the Netherlands: Justine Pelmelay. But Justine missed a high final note and did not finish as high as expected at all. Birthe Kjær (Denmark) and Anneli Saaristo (Finland) had both tried to represent their country several times before. Now that the time had finally come, both were very successful. With a bright red dress and a swinging song, Birthe came third. Anneli was accompanied by Spanish guitar sounds and sang her song to a seventh place. The Icelandic Daníel was also notable. During the national final, then still with a shaved head, he seemed unable to crack a smile after his victory. As if participating in the Eurovision Song Contest was a severe punishment for the Icelandic singer. Once in Lausanne, now with hair, the Icelander failed to secure even a single point. Riva For the third consecutive time, the duo Stevo Cvikić and Rajko Dujmić wrote the entry. Always following the same recipe: a group with a female singer and a cheerful trifle. As there was no other clear favorite, the group Riva won for Yugoslavia with “Rock Me”. In Yugoslavia, people were happy, but in the rest of Europe, incomprehension prevailed. This wasn’t the best song, was it? What had the jury done!? During the afterparty, a number of participating artists huddled together for a jam session. Among those on stage were the Spanish Nina and the Dutch Justine. Friend and foe alike agreed that this was all much better than the winning song.

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2026
Anja Kroeze

Road to Vienna: Germany

Road to Vienna: Germany We cannot wait for the Eurovision Song Contest in Vienna. Therefore, we take a closer look at one of the contestants each day. Today, we highlight Germany Sarah Engels: From Talent Show Contestant to Eurovision 2026 Sarah Engels was born on October 15, 1992, in Cologne and raised in Hürth. She discovered her passion for music early, performing at school events and local festivals. Despite taking singing lessons for years, her first attempts at Deutschland sucht den Superstar in 2009 and 2010 ended in early elimination. Still, these setbacks helped shape her determination. Breakthrough on DSDS and Chart Success Her breakthrough came in 2011 during her third attempt at DSDS. After an initial elimination, she returned to the competition and finished as runner-up behind Pietro Lombardi. Soon after, she achieved major chart success with “Call My Name” and “I Miss You,” while her debut album Heartbeat reached number 2 in Germany and earned an Echo nomination. Expanding Career in Music and Television Following DSDS, Sarah Engels built a strong presence in both music and TV. Together with Pietro Lombardi, she released successful duo albums. At the same time, she became a familiar TV personality, finishing second on Let’s Dance and winning shows like The Masked Singer. This phase expanded her audience beyond music. From 2018 onward, Sarah explored a broader sound with albums like Zurück zu mir and Im Augenblick. She blended pop, schlager, and modern radio music, proving her ability to evolve. Her participation in the Free European Song Contest 2020 further strengthened her position in the German music scene. Acting, Musical Theatre, and New Projects In addition to music, Sarah moved into acting and voice work. She appeared in Das Traumschiff and voiced a character in Miraculous: Ladybug & Cat Noir – Der Film. In 2025, she released Strong Girls Club and took on a leading role in the musical Moulin Rouge! in Cologne, highlighting her versatility as a performer. Eurovision 2026: Representing Germany In 2026, Sarah Engels reached a new milestone by winning Germany’s national selection for the Eurovision Song Contest 2026 with her song “Fire.” The track delivers a message of empowerment and self-confidence. Her journey—from early setbacks to international representation—shows her growth into a complete artist. Fire: A Bold Message About Honesty   Fire is a powerful pop track about confronting lies in a relationship. With a catchy chorus and direct lyrics, the song captures the moment someone refuses to accept dishonesty any longer. From the start, the lyrics show strength and clarity. The singer rejects emotional games and chooses honesty over pretending. This creates a relatable message about self-respect and emotional independence. The Meaning Behind “Fire” The recurring image of “fire” symbolizes inner strength, passion, and confidence. In contrast, the “vampire” metaphor highlights a dishonest partner who hides the truth. Together, these images make the song emotionally impactful and easy to connect with. More Than a Breakup Song Fire goes beyond heartbreak. It focuses on self-worth and personal growth. The message is clear: don’t repeat toxic patterns and know when to walk away.     Germany in the Eurovision Song Contest Germany has been a steadfast participant in the Eurovision Song Contest since its inception in 1956, missing only one edition in 1996 due to elimination in a pre-qualification round. The country has secured two victories: in 1982 with Nicole‘s “Ein bißchen Frieden” and in 2010 with Lena‘s “Satellite.” In recent years, Germany has faced challenges, often placing lower on the scoreboard, with notable exceptions like Michael Schulte‘s fourth-place finish in 2018. As a member of the “Big Five,” Germany automatically qualifies for the Grand Final. The Bookmakers This year as well, the outlook for Germany isn’t very promising. Currently sitting at 23rd place with the bookmakers, it seems likely that Germany could once again finish in the lower ranks of the scoreboard.

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