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The first semifinal

Finally, the moment has arrived: we get to see the full first semifinal. Only now can we truly judge if and how good it is.

In the opening of the show, we see ’12 points’ and old footage, after which the cubes rise. This is followed by Eleni Foureira, then Eric Saade, and subsequently, Chanel also makes an appearance.

Then the presenters Malin Åkerman and Petra Mede make their entrance, dressed in clashing pink and orange.

Cyprus:

Now that we can hear the entire song, it’s noticeable that Silia Kapsis’s singing has improved considerably during rehearsals. She and the dancers are dressed in white against a turquoise background. And yes, the shirts come off, at least the dancers’ shirts. And, of course, there’s a dance break.

Serbia:

In a cloudy sky, on a rock, Teya Dora sings her song. Later in the act, she steps off her rock. The act barely resonates because not everyone understands why there’s a flower at the end of the act. Serbia might struggle; there’s a risk it might be overshadowed.

Lithuania:

We now effortlessly recognize the song with the ‘lady Mondegreen’ lyrics. Silvester Belt’s entry does make an impact. The song is accessible to a wide audience, which cannot really be said for several other entries this evening.

Ireland:

Bambie Thug is doing their best to put on a terrifying act. With a devil on stage, a witches’ circle, and a pentagram, the artist definitely stands out. Whether the average viewer understands what’s happening is questionable, even as Bambie Thug exorcises the devil at the end and remains in an outfit in the transgender colours. For fans of beautiful singing: Bambie Thug has a beautiful singing voice, but also lets out a lot of screams.

Then the hosts chat, during which the attentive (and somewhat older) viewer might notice a reference to Lill Lindfors (the 1985 host).

United Kingdom:

We previously reported that Olly Alexander had said this was the most homosexual act ever. Having seen the entire act, we can wholeheartedly agree. Whether this entry is suitable for very young viewers is debatable, but perhaps you had already sent them out of the room during the previous act.

Ukraine:

On the floor, we see blue and yellow, the Ukrainian colors. The song is beautifully performed by Jerry Heil. As Alyona Alyona starts to rap, we see concrete colors. On the cubes, silhouettes of people are projected. Altogether, it’s very impressive and could possibly be a winner.

Poland:

Luna sings from a chessboard. The two towers in the center play a major role in the song, along with a black, a white, and a red king. It’s a chess game for three players, and Luna seems to have entered it. She, too, overcomes forces from the past.

Croatia:

There’s a lot happening; the song is about young people leaving the country in search of greener pastures. The song is ranked number one by the bookmakers. It could well finish very high. It certainly swings, but it will require some skills from Baby Lasagna to properly convey the message.

Iceland:

After several acts where a lot has happened, Hera Björk is somewhat of a breather. Unfortunately, this challenging song doesn’t really stand out compared to the rest. But perhaps that’s precisely its strength. Of course, we wish Hera Björk the best in the contest.

Then there’s a video; watch closely, because it’s brief. We definitely see a role for Arcade and Dancing Lasha Tumbai.

Germany:

Then, out of competition tonight, comes Isaak, who has brought his fire pit indoors. He sings that he’s always on the run but meanwhile doesn’t move from his spot; an interesting contradiction. It would be nice if Isaak could shake off the curse of the lower ranks. We fear that’s wishful thinking.

Slovenia:

Then the ode to Veronika of Desenice follows. Certainly, a good singer, but whether this act will clearly convey what Raiven intends to spotlight is doubtful. The viewers will hear and see how well it’s sung, but unfortunately, the televoters aren’t generally moved in large numbers.

Finland:

We see a whirlwind show from Windows95man. For three minutes, something happens that keeps the viewer engaged. The joke with the underwear and the attempt to suggest a naked Windows95man does the trick. However, Windows95man cannot sing; that’s what Henri Piispanen is for. And he does it quite well.

Moldova:

Really, no one believes in a final spot for Natalia Barbu anymore. It’s a shame because the graphics are certainly worth noting. Only, we had already noticed that when Natalia Barbu seems to get wings, she’s not positioned correctly for the camera. We still want to point out her dress, which is special. The song, unfortunately, is not.

Sweden:

Of course, the hall goes wild, the Norwegian twins Marcus & Martinus representing Sweden are incredibly popular. A music video, a slick show. The show by the twins from Norway, competing for Sweden, is solid. But whether the song is strong enough for a high score could be doubted.

Azerbaijan:

The Azerbaijani act consists of a woman who seems to come out of the water on the LED screens, waving her hands. These hands later reappear on stage. Fahree and Ilkin Dovlatov sing the song with this ensemble in the background. Whether the traditional Azerbaijani singing (mugham) comes across and makes it to the final is doubtful.

Australia:

An act that does make an impression. Especially singer Zaachariaha impresses with strong vocals. Initially, he stands at the front singing the song with the background singers. Later, there’s a lot of dancing and movement, and it turns into a cheerful, friendly performance. Australia might make it to the final.

Portugal:

A calming moment in this busy evening. No frills, a well-singing singer, and several masked dancers, all in white. Iolanda’s high note certainly makes a big impression in the press center. After so much commotion, it just might be that Portugal suddenly makes it to the final.

Luxembourg:

The act from Luxembourg looked very slick in the photos. Now that we see it live and for three minutes, it somehow lacks something and looks somewhat messy. Midway through the song, suddenly from two sides a tiger appears on the graphics. We would like to see Luxembourg in the final. It could definitely happen, but it’s not at all certain.

Johnny Logan returns to Eurovision to sing again, not as a competitor but as a guest.

We are also treated to a performance by Benjamin Ingrosso, the man who represented Sweden in 2018. He looks a bit different now but presents well with new music.

Our suggestion for semifinal 1: Cyprus, Serbia, Lithuania, Ireland, Ukraine, Croatia, Slovenia, Finland, Australia and Portugal will get through.

 

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Blast from the past

Blast from the past: Yugoslavia 1991

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1991, when Baby Doll represented Yugoslavia with her song “Brazil”. Yugoslavia in the Eurovision Song Contest Yugoslavia debuted in the Eurovision Song Contest in 1961. Already in their 2nd year, Yugoslavia reached a high score (4th) with Lola Novaković and her “Ne pali svetlo u sumrak”. Unfortunately, it was hard for the country to break that record. In 1983, the country reached the 4th place again with Danijel Popović and his “Džuli”. The English version of that song “Julie” became a worldwide hit. But Yugoslavia had to await their first and only victory until 1989. Riva won the contest with “Rock me”. Only three more Yugoslav entries followed, but the country fell apart. In 1992 they had their very last entry. Riva Jugovizija 1991 The Yugoslav national final was called Jugovizija. Eight regional television stations all had their contributions and their jury. In 1991, the contest was held on 9 March in Sarajevo. 16 songs participated: Tedi Spalato sang “Gospode moj”, 29 pts, 5th (HTV, Zagreb) Zorana Pavić sang “Ritam ljubavi“, 26 pts, 6th (TVBg, Belgrade) Milica Milisavljević-Dugalić sang “Sta će nebo reći“, 20 pts, 10th (TVPr, Pristina) Baby Doll sang “Brazil“, 68 pts, 1st (TVBg, Belgrade) Miran Rudan sang “Ne reci goodbye“, 5 pts, 15th (TVSl, Ljubljana) Jelena Džoja sang “Čuvaj se ljubavi“, 9 pts, 13th (TVSa, Sarajevo) Margarita Hristova sang “Daj mi krilja“, 3 pts, 16th (TVSk, Skopje) Vesna Ivić sang “Ime“, 11 pts, 11th (TVNS, Novi Sad) Ivana Banfić sang “Daj, povedi me“, 57 pts, 3rd (HTV, Zagreb) Helena Blagne sang “Navaden majski dan“, 25 pts, 7th (TVSl, Ljubljana) Šeri sang “Da li već spavaš“, 6 pts, 14th (TVBg, Belgrade) Ponoćni express sang “Pjesma o tebi“, 22 pts, 8th (TVCg, Titograd) Tony Cetinski sang “Marina“, 22 pts, 8th (TVNS, Novi Sad) Danijel Popović sang “Ma daj obuci levisice“, 66 pts, 2nd (HTV, Zagreb) Anastasija Nizamova-Muhić sang “Molitva“, 11 pts, 11th (TVSk, Skopje) Zerina Cokoja, “Bez tebe“, 52 pts, 4th, 52 pts, 4th (TVSa, Sarajevo) Danijel was the hot favourite to win the competition. However, Yugoslavia was about to fall apart. In June 1991, Croatia and Slovenia declared their independence. Four months before that, the political tension was very high. The result was that the jury of TVSl, TVSa and TVSk did not vote for any of the Serbian songs. TVBg and TVPr did not vote for Danijel, the latter did not vote for the other Croatian entry either. However, both juries gave “Brazil” their maximum number of points. That is what brought Baby Doll her victory. Danijel Popović Baby Doll Bebi Dol or Baby Doll, born Dragana Šarić on October 2, 1962, in Belgrade, is a prominent Serbian and former Yugoslav pop-rock singer. Raised by her jazz musician father, Milisav Šarić, she began her career in the late 1970s with the band Tarkus before co-founding Anoda Ruž with Goran Vejvoda in 1981. Following the band’s short run, she embarked on a solo career and gained fame with the 1981 single Mustafa, which won Song of the Year. In 1983, her debut album Ruže i krv earned her acclaim and established her popularity across Yugoslavia. Bebi Dol’s style evolved with each release, from the oriental-inspired Inš-Alah in 1986 to the dance-influenced tracks on her 1995 album Ritam srca. Her 1991 Eurovision entry, Brazil, remains iconic despite placing low, a result often attributed to Yugoslavia’s political turmoil. Her 2002 album Ljuta sam received mixed reviews, but she continued performing, venturing into cover albums like Čovek rado izvan sebe živi in 2006. In 2009, she participated as a finalist in the reality show Farma, appearing again in 2013 and 2015. Eight years later, she competed in the fourth season of Tvoje lice zvuči poznato, though she did not make it to the finals. In 2018, she entered the reality show Zadruga, but was quickly eliminated. In 2020, she appeared as a special guest in the series Tajkun. Brazil “Brazil” was written by Dragana Šarić herself, with music composed by Saša Habić and Zoran Vračević, the song blends Latin-inspired rhythms with Balkan pop, creating a vibrant, energetic piece. Known for its catchy melody and exotic flair, Brazil highlighted Bebi Dol’s theatrical style and ambitious staging, featuring elaborate costumes and dynamic choreography. Despite its popularity at home, the song faced challenges on the European stage, likely influenced by the tense political climate in Yugoslavia at the time. Ultimately, Brazil scored only one point at the contest, finishing in last place. However, the song later gained recognition as a unique Eurovision entry, maintaining a dedicated following among fans for its creativity and Bebi Dol’s distinct performance.   Share

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Blast from the past
Martijn

Blast from the past: Yugoslavia 1991

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1991, when Baby Doll represented Yugoslavia with her song “Brazil”. Yugoslavia in the Eurovision Song Contest Yugoslavia debuted in the Eurovision Song Contest in 1961. Already in their 2nd year, Yugoslavia reached a high score (4th) with Lola Novaković and her “Ne pali svetlo u sumrak”. Unfortunately, it was hard for the country to break that record. In 1983, the country reached the 4th place again with Danijel Popović and his “Džuli”. The English version of that song “Julie” became a worldwide hit. But Yugoslavia had to await their first and only victory until 1989. Riva won the contest with “Rock me”. Only three more Yugoslav entries followed, but the country fell apart. In 1992 they had their very last entry. Riva Jugovizija 1991 The Yugoslav national final was called Jugovizija. Eight regional television stations all had their contributions and their jury. In 1991, the contest was held on 9 March in Sarajevo. 16 songs participated: Tedi Spalato sang “Gospode moj”, 29 pts, 5th (HTV, Zagreb) Zorana Pavić sang “Ritam ljubavi“, 26 pts, 6th (TVBg, Belgrade) Milica Milisavljević-Dugalić sang “Sta će nebo reći“, 20 pts, 10th (TVPr, Pristina) Baby Doll sang “Brazil“, 68 pts, 1st (TVBg, Belgrade) Miran Rudan sang “Ne reci goodbye“, 5 pts, 15th (TVSl, Ljubljana) Jelena Džoja sang “Čuvaj se ljubavi“, 9 pts, 13th (TVSa, Sarajevo) Margarita Hristova sang “Daj mi krilja“, 3 pts, 16th (TVSk, Skopje) Vesna Ivić sang “Ime“, 11 pts, 11th (TVNS, Novi Sad) Ivana Banfić sang “Daj, povedi me“, 57 pts, 3rd (HTV, Zagreb) Helena Blagne sang “Navaden majski dan“, 25 pts, 7th (TVSl, Ljubljana) Šeri sang “Da li već spavaš“, 6 pts, 14th (TVBg, Belgrade) Ponoćni express sang “Pjesma o tebi“, 22 pts, 8th (TVCg, Titograd) Tony Cetinski sang “Marina“, 22 pts, 8th (TVNS, Novi Sad) Danijel Popović sang “Ma daj obuci levisice“, 66 pts, 2nd (HTV, Zagreb) Anastasija Nizamova-Muhić sang “Molitva“, 11 pts, 11th (TVSk, Skopje) Zerina Cokoja, “Bez tebe“, 52 pts, 4th, 52 pts, 4th (TVSa, Sarajevo) Danijel was the hot favourite to win the competition. However, Yugoslavia was about to fall apart. In June 1991, Croatia and Slovenia declared their independence. Four months before that, the political tension was very high. The result was that the jury of TVSl, TVSa and TVSk did not vote for any of the Serbian songs. TVBg and TVPr did not vote for Danijel, the latter did not vote for the other Croatian entry either. However, both juries gave “Brazil” their maximum number of points. That is what brought Baby Doll her victory. Danijel Popović Baby Doll Bebi Dol or Baby Doll, born Dragana Šarić on October 2, 1962, in Belgrade, is a prominent Serbian and former Yugoslav pop-rock singer. Raised by her jazz musician father, Milisav Šarić, she began her career in the late 1970s with the band Tarkus before co-founding Anoda Ruž with Goran Vejvoda in 1981. Following the band’s short run, she embarked on a solo career and gained fame with the 1981 single Mustafa, which won Song of the Year. In 1983, her debut album Ruže i krv earned her acclaim and established her popularity across Yugoslavia. Bebi Dol’s style evolved with each release, from the oriental-inspired Inš-Alah in 1986 to the dance-influenced tracks on her 1995 album Ritam srca. Her 1991 Eurovision entry, Brazil, remains iconic despite placing low, a result often attributed to Yugoslavia’s political turmoil. Her 2002 album Ljuta sam received mixed reviews, but she continued performing, venturing into cover albums like Čovek rado izvan sebe živi in 2006. In 2009, she participated as a finalist in the reality show Farma, appearing again in 2013 and 2015. Eight years later, she competed in the fourth season of Tvoje lice zvuči poznato, though she did not make it to the finals. In 2018, she entered the reality show Zadruga, but was quickly eliminated. In 2020, she appeared as a special guest in the series Tajkun. Brazil “Brazil” was written by Dragana Šarić herself, with music composed by Saša Habić and Zoran Vračević, the song blends Latin-inspired rhythms with Balkan pop, creating a vibrant, energetic piece. Known for its catchy melody and exotic flair, Brazil highlighted Bebi Dol’s theatrical style and ambitious staging, featuring elaborate costumes and dynamic choreography. Despite its popularity at home, the song faced challenges on the European stage, likely influenced by the tense political climate in Yugoslavia at the time. Ultimately, Brazil scored only one point at the contest, finishing in last place. However, the song later gained recognition as a unique Eurovision entry, maintaining a dedicated following among fans for its creativity and Bebi Dol’s distinct performance.   Share

Share
Read More »