The first semifinal

Finally, the moment has arrived: we get to see the full first semifinal. Only now can we truly judge if and how good it is.

In the opening of the show, we see ’12 points’ and old footage, after which the cubes rise. This is followed by Eleni Foureira, then Eric Saade, and subsequently, Chanel also makes an appearance.

Then the presenters Malin Åkerman and Petra Mede make their entrance, dressed in clashing pink and orange.

Cyprus:

Now that we can hear the entire song, it’s noticeable that Silia Kapsis’s singing has improved considerably during rehearsals. She and the dancers are dressed in white against a turquoise background. And yes, the shirts come off, at least the dancers’ shirts. And, of course, there’s a dance break.

Serbia:

In a cloudy sky, on a rock, Teya Dora sings her song. Later in the act, she steps off her rock. The act barely resonates because not everyone understands why there’s a flower at the end of the act. Serbia might struggle; there’s a risk it might be overshadowed.

Lithuania:

We now effortlessly recognize the song with the ‘lady Mondegreen’ lyrics. Silvester Belt’s entry does make an impact. The song is accessible to a wide audience, which cannot really be said for several other entries this evening.

Ireland:

Bambie Thug is doing their best to put on a terrifying act. With a devil on stage, a witches’ circle, and a pentagram, the artist definitely stands out. Whether the average viewer understands what’s happening is questionable, even as Bambie Thug exorcises the devil at the end and remains in an outfit in the transgender colours. For fans of beautiful singing: Bambie Thug has a beautiful singing voice, but also lets out a lot of screams.

Then the hosts chat, during which the attentive (and somewhat older) viewer might notice a reference to Lill Lindfors (the 1985 host).

United Kingdom:

We previously reported that Olly Alexander had said this was the most homosexual act ever. Having seen the entire act, we can wholeheartedly agree. Whether this entry is suitable for very young viewers is debatable, but perhaps you had already sent them out of the room during the previous act.

Ukraine:

On the floor, we see blue and yellow, the Ukrainian colors. The song is beautifully performed by Jerry Heil. As Alyona Alyona starts to rap, we see concrete colors. On the cubes, silhouettes of people are projected. Altogether, it’s very impressive and could possibly be a winner.

Poland:

Luna sings from a chessboard. The two towers in the center play a major role in the song, along with a black, a white, and a red king. It’s a chess game for three players, and Luna seems to have entered it. She, too, overcomes forces from the past.

Croatia:

There’s a lot happening; the song is about young people leaving the country in search of greener pastures. The song is ranked number one by the bookmakers. It could well finish very high. It certainly swings, but it will require some skills from Baby Lasagna to properly convey the message.

Iceland:

After several acts where a lot has happened, Hera Björk is somewhat of a breather. Unfortunately, this challenging song doesn’t really stand out compared to the rest. But perhaps that’s precisely its strength. Of course, we wish Hera Björk the best in the contest.

Then there’s a video; watch closely, because it’s brief. We definitely see a role for Arcade and Dancing Lasha Tumbai.

Germany:

Then, out of competition tonight, comes Isaak, who has brought his fire pit indoors. He sings that he’s always on the run but meanwhile doesn’t move from his spot; an interesting contradiction. It would be nice if Isaak could shake off the curse of the lower ranks. We fear that’s wishful thinking.

Slovenia:

Then the ode to Veronika of Desenice follows. Certainly, a good singer, but whether this act will clearly convey what Raiven intends to spotlight is doubtful. The viewers will hear and see how well it’s sung, but unfortunately, the televoters aren’t generally moved in large numbers.

Finland:

We see a whirlwind show from Windows95man. For three minutes, something happens that keeps the viewer engaged. The joke with the underwear and the attempt to suggest a naked Windows95man does the trick. However, Windows95man cannot sing; that’s what Henri Piispanen is for. And he does it quite well.

Moldova:

Really, no one believes in a final spot for Natalia Barbu anymore. It’s a shame because the graphics are certainly worth noting. Only, we had already noticed that when Natalia Barbu seems to get wings, she’s not positioned correctly for the camera. We still want to point out her dress, which is special. The song, unfortunately, is not.

Sweden:

Of course, the hall goes wild, the Norwegian twins Marcus & Martinus representing Sweden are incredibly popular. A music video, a slick show. The show by the twins from Norway, competing for Sweden, is solid. But whether the song is strong enough for a high score could be doubted.

Azerbaijan:

The Azerbaijani act consists of a woman who seems to come out of the water on the LED screens, waving her hands. These hands later reappear on stage. Fahree and Ilkin Dovlatov sing the song with this ensemble in the background. Whether the traditional Azerbaijani singing (mugham) comes across and makes it to the final is doubtful.

Australia:

An act that does make an impression. Especially singer Zaachariaha impresses with strong vocals. Initially, he stands at the front singing the song with the background singers. Later, there’s a lot of dancing and movement, and it turns into a cheerful, friendly performance. Australia might make it to the final.

Portugal:

A calming moment in this busy evening. No frills, a well-singing singer, and several masked dancers, all in white. Iolanda’s high note certainly makes a big impression in the press center. After so much commotion, it just might be that Portugal suddenly makes it to the final.

Luxembourg:

The act from Luxembourg looked very slick in the photos. Now that we see it live and for three minutes, it somehow lacks something and looks somewhat messy. Midway through the song, suddenly from two sides a tiger appears on the graphics. We would like to see Luxembourg in the final. It could definitely happen, but it’s not at all certain.

Johnny Logan returns to Eurovision to sing again, not as a competitor but as a guest.

We are also treated to a performance by Benjamin Ingrosso, the man who represented Sweden in 2018. He looks a bit different now but presents well with new music.

Our suggestion for semifinal 1: Cyprus, Serbia, Lithuania, Ireland, Ukraine, Croatia, Slovenia, Finland, Australia and Portugal will get through.

 

Related news

Eurovision 2026

Road to Vienna: Montenegro

Road to Vienna: Montenegro As the Eurovision Song Contest 2026 in Vienna approaches, we continue our daily spotlight on this year’s contestants. Today, we focus on Montenegro Tamara Živković: from local festivals to the Eurovision stage Tamara Živković is a Montenegrin singer and flutist known for her powerful vocals and emotional performances. She rose to fame through major Balkan music competitions and gained international attention after winning Montesong 2025. This victory secured her place as Montenegro’s representative at the Eurovision Song Contest 2026. Early Life and Musical Education Born in Kotor, Montenegro, Tamara showed musical talent from a young age. She completed both primary and secondary music school, specializing in flute performance. During this time, she won several national and international awards in wind instrument competitions. She later studied at the Faculty of Music Arts in Belgrade, where she refined her classical training. This strong musical foundation plays a key role in her vocal control and stage presence today. From Choir Singer to TV Competitions Tamara began singing at the age of 10 in her school choir, quickly becoming a soloist. She performed at well-known children’s festivals such as Zlatna Pahulja and Naša Radost. Her national breakthrough came in 2016 when she appeared on Pinkove Zvezdice. In the early 2020s, she expanded her audience by competing in Zvezde Granda, one of the most popular music shows in the Balkans. Reaching the finals, she stood out as the only Montenegrin contestant and showcased her versatility across pop, rock, and ethno music. Montesong Journey and Breakthrough Win Tamara first entered Montenegro’s Eurovision selection with Montesong 2024. Performing “Poguban let,” she finished 9th in the final. In 2025, she returned stronger than ever. Competing with “Nova Zora,” Tamara won Montesong 2025, earning top scores from both the jury and the public. This marked a major turning point in her career. With a unique blend of classical training and modern style, Tamara is set to become one of Montenegro’s most exciting music exports. Nova Zora: A Song About Letting Go and New Beginnings Nova Zora tells the story of reaching a personal breaking point and choosing a fresh start. The song focuses on leaving behind toxic relationships, emotional pain, and outside expectations. It delivers a powerful message about reclaiming identity and putting yourself first. Self-Love and Empowerment At its core, the track highlights self-love, resilience, and inner strength. With a strong sense of female empowerment, it emphasizes that true confidence comes from within, not from external validation. The message is clear: growth begins when you choose yourself. Symbolism and Imagery Nature imagery plays a key role in the song. Storms and rain represent emotional struggle and release, while the “new dawn” symbolizes hope, clarity, and renewal. This contrast reinforces the journey from hardship to healing.     Montenegro in the Eurovision Song Contest Montenegro has participated in the Eurovision Song Contest since 2007. The country’s best result came in 2015 when Knez‘s “Adio” reached 13th place in the Grand Final.  The Bookmakers Tamara Živković is currently ranked 33rd with the bookmakers, making a place in the final seem almost out of reach. But could she defy the odds and deliver one of the competition’s biggest surprises?

Read More »
Eurovision 2026
Anja Kroeze

Road to Vienna: Montenegro

Road to Vienna: Montenegro As the Eurovision Song Contest 2026 in Vienna approaches, we continue our daily spotlight on this year’s contestants. Today, we focus on Montenegro Tamara Živković: from local festivals to the Eurovision stage Tamara Živković is a Montenegrin singer and flutist known for her powerful vocals and emotional performances. She rose to fame through major Balkan music competitions and gained international attention after winning Montesong 2025. This victory secured her place as Montenegro’s representative at the Eurovision Song Contest 2026. Early Life and Musical Education Born in Kotor, Montenegro, Tamara showed musical talent from a young age. She completed both primary and secondary music school, specializing in flute performance. During this time, she won several national and international awards in wind instrument competitions. She later studied at the Faculty of Music Arts in Belgrade, where she refined her classical training. This strong musical foundation plays a key role in her vocal control and stage presence today. From Choir Singer to TV Competitions Tamara began singing at the age of 10 in her school choir, quickly becoming a soloist. She performed at well-known children’s festivals such as Zlatna Pahulja and Naša Radost. Her national breakthrough came in 2016 when she appeared on Pinkove Zvezdice. In the early 2020s, she expanded her audience by competing in Zvezde Granda, one of the most popular music shows in the Balkans. Reaching the finals, she stood out as the only Montenegrin contestant and showcased her versatility across pop, rock, and ethno music. Montesong Journey and Breakthrough Win Tamara first entered Montenegro’s Eurovision selection with Montesong 2024. Performing “Poguban let,” she finished 9th in the final. In 2025, she returned stronger than ever. Competing with “Nova Zora,” Tamara won Montesong 2025, earning top scores from both the jury and the public. This marked a major turning point in her career. With a unique blend of classical training and modern style, Tamara is set to become one of Montenegro’s most exciting music exports. Nova Zora: A Song About Letting Go and New Beginnings Nova Zora tells the story of reaching a personal breaking point and choosing a fresh start. The song focuses on leaving behind toxic relationships, emotional pain, and outside expectations. It delivers a powerful message about reclaiming identity and putting yourself first. Self-Love and Empowerment At its core, the track highlights self-love, resilience, and inner strength. With a strong sense of female empowerment, it emphasizes that true confidence comes from within, not from external validation. The message is clear: growth begins when you choose yourself. Symbolism and Imagery Nature imagery plays a key role in the song. Storms and rain represent emotional struggle and release, while the “new dawn” symbolizes hope, clarity, and renewal. This contrast reinforces the journey from hardship to healing.     Montenegro in the Eurovision Song Contest Montenegro has participated in the Eurovision Song Contest since 2007. The country’s best result came in 2015 when Knez‘s “Adio” reached 13th place in the Grand Final.  The Bookmakers Tamara Živković is currently ranked 33rd with the bookmakers, making a place in the final seem almost out of reach. But could she defy the odds and deliver one of the competition’s biggest surprises?

Read More »
Follow Us: