The first semifinal

Finally, the moment has arrived: we get to see the full first semifinal. Only now can we truly judge if and how good it is.

In the opening of the show, we see ’12 points’ and old footage, after which the cubes rise. This is followed by Eleni Foureira, then Eric Saade, and subsequently, Chanel also makes an appearance.

Then the presenters Malin Åkerman and Petra Mede make their entrance, dressed in clashing pink and orange.

Cyprus:

Now that we can hear the entire song, it’s noticeable that Silia Kapsis’s singing has improved considerably during rehearsals. She and the dancers are dressed in white against a turquoise background. And yes, the shirts come off, at least the dancers’ shirts. And, of course, there’s a dance break.

Serbia:

In a cloudy sky, on a rock, Teya Dora sings her song. Later in the act, she steps off her rock. The act barely resonates because not everyone understands why there’s a flower at the end of the act. Serbia might struggle; there’s a risk it might be overshadowed.

Lithuania:

We now effortlessly recognize the song with the ‘lady Mondegreen’ lyrics. Silvester Belt’s entry does make an impact. The song is accessible to a wide audience, which cannot really be said for several other entries this evening.

Ireland:

Bambie Thug is doing their best to put on a terrifying act. With a devil on stage, a witches’ circle, and a pentagram, the artist definitely stands out. Whether the average viewer understands what’s happening is questionable, even as Bambie Thug exorcises the devil at the end and remains in an outfit in the transgender colours. For fans of beautiful singing: Bambie Thug has a beautiful singing voice, but also lets out a lot of screams.

Then the hosts chat, during which the attentive (and somewhat older) viewer might notice a reference to Lill Lindfors (the 1985 host).

United Kingdom:

We previously reported that Olly Alexander had said this was the most homosexual act ever. Having seen the entire act, we can wholeheartedly agree. Whether this entry is suitable for very young viewers is debatable, but perhaps you had already sent them out of the room during the previous act.

Ukraine:

On the floor, we see blue and yellow, the Ukrainian colors. The song is beautifully performed by Jerry Heil. As Alyona Alyona starts to rap, we see concrete colors. On the cubes, silhouettes of people are projected. Altogether, it’s very impressive and could possibly be a winner.

Poland:

Luna sings from a chessboard. The two towers in the center play a major role in the song, along with a black, a white, and a red king. It’s a chess game for three players, and Luna seems to have entered it. She, too, overcomes forces from the past.

Croatia:

There’s a lot happening; the song is about young people leaving the country in search of greener pastures. The song is ranked number one by the bookmakers. It could well finish very high. It certainly swings, but it will require some skills from Baby Lasagna to properly convey the message.

Iceland:

After several acts where a lot has happened, Hera Björk is somewhat of a breather. Unfortunately, this challenging song doesn’t really stand out compared to the rest. But perhaps that’s precisely its strength. Of course, we wish Hera Björk the best in the contest.

Then there’s a video; watch closely, because it’s brief. We definitely see a role for Arcade and Dancing Lasha Tumbai.

Germany:

Then, out of competition tonight, comes Isaak, who has brought his fire pit indoors. He sings that he’s always on the run but meanwhile doesn’t move from his spot; an interesting contradiction. It would be nice if Isaak could shake off the curse of the lower ranks. We fear that’s wishful thinking.

Slovenia:

Then the ode to Veronika of Desenice follows. Certainly, a good singer, but whether this act will clearly convey what Raiven intends to spotlight is doubtful. The viewers will hear and see how well it’s sung, but unfortunately, the televoters aren’t generally moved in large numbers.

Finland:

We see a whirlwind show from Windows95man. For three minutes, something happens that keeps the viewer engaged. The joke with the underwear and the attempt to suggest a naked Windows95man does the trick. However, Windows95man cannot sing; that’s what Henri Piispanen is for. And he does it quite well.

Moldova:

Really, no one believes in a final spot for Natalia Barbu anymore. It’s a shame because the graphics are certainly worth noting. Only, we had already noticed that when Natalia Barbu seems to get wings, she’s not positioned correctly for the camera. We still want to point out her dress, which is special. The song, unfortunately, is not.

Sweden:

Of course, the hall goes wild, the Norwegian twins Marcus & Martinus representing Sweden are incredibly popular. A music video, a slick show. The show by the twins from Norway, competing for Sweden, is solid. But whether the song is strong enough for a high score could be doubted.

Azerbaijan:

The Azerbaijani act consists of a woman who seems to come out of the water on the LED screens, waving her hands. These hands later reappear on stage. Fahree and Ilkin Dovlatov sing the song with this ensemble in the background. Whether the traditional Azerbaijani singing (mugham) comes across and makes it to the final is doubtful.

Australia:

An act that does make an impression. Especially singer Zaachariaha impresses with strong vocals. Initially, he stands at the front singing the song with the background singers. Later, there’s a lot of dancing and movement, and it turns into a cheerful, friendly performance. Australia might make it to the final.

Portugal:

A calming moment in this busy evening. No frills, a well-singing singer, and several masked dancers, all in white. Iolanda’s high note certainly makes a big impression in the press center. After so much commotion, it just might be that Portugal suddenly makes it to the final.

Luxembourg:

The act from Luxembourg looked very slick in the photos. Now that we see it live and for three minutes, it somehow lacks something and looks somewhat messy. Midway through the song, suddenly from two sides a tiger appears on the graphics. We would like to see Luxembourg in the final. It could definitely happen, but it’s not at all certain.

Johnny Logan returns to Eurovision to sing again, not as a competitor but as a guest.

We are also treated to a performance by Benjamin Ingrosso, the man who represented Sweden in 2018. He looks a bit different now but presents well with new music.

Our suggestion for semifinal 1: Cyprus, Serbia, Lithuania, Ireland, Ukraine, Croatia, Slovenia, Finland, Australia and Portugal will get through.

 

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Austria in the Eurovision Song Contest, part 6

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the sixth episode, we look back at the nineties. With Tony Wegas’ double, and a total of three top-10 scores, the hard times began for Austria in the Eurovision Song Contest. 1992: Tony Wegas – “Zusammen geh’n” Tony Wegas, an Austrian singer and television actor, represented Austria at Eurovision 1992 with the power ballad “Zusammen geh’n”. Dieter Bohlen composed the music and Joachim Horn-Bernges wrote the lyrics, giving the song a classic pop-ballad style. Wegas delivered an emotive performance of this German-language track on the Malmö stage. “Zusammen geh’n” earned 63 points, securing a 10th place finish for Austria at the 1992 contest. 1993: Tony Wegas – “Maria Magdalena” Tony Wegas returned in 1993 to represent Austria with “Maria Magdalena,” a dramatic pop song with biblical references. He was selected internally, and presented 7 songs. Wegas, known for his singing career and TV acting, gave an engaging performance of this German-language track about Mary Magdalene. Christian Kolonovits and Johann Bertl composed the music, while Thomas Spitzer penned the lyrics, infusing the song with theatrical flair. Despite its uptempo style compared to the previous year, “Maria Magdalena” scored 32 points and placed 14th out of 25 entries at Eurovision 1993. 1994: Petra Frey – “Für den Frieden der Welt” Eight artists and songs competed in the national final. Simone participated but did not win. Petra Frey, only 16 years old at the time, represented Austria at Eurovision 1994 in Dublin with the ballad “Für den Frieden der Welt” (translated as “For the Peace of the World”). Alfons Weindorf composed the music, and brothers Karl & Johann Brunner wrote the lyrics, creating a heartfelt pop ballad calling for world peace. The song showcased Frey’s strong vocals, honed from her early schlager music career, and delivered a sincere message on stage. Austria’s 1994 entry earned 19 points, finishing in 17th place among 25 countries. 1995: Stella Jones – “Die Welt dreht sich verkehrt” Stella Jones, an Austrian singer with jazz and soul roots, took the stage in 1995 with “Die Welt dreht sich verkehrt” (meaning “The World Turns Upside Down”). Jones delivered a funky, blues-infused pop performance that reflected her versatile musical background. Michael W. Krausz both wrote the lyrics and composed the music for this entry, a song which stood out amid a contest often dominated by ballads. The Austrian entry scored 67 points, achieving a 13th place finish in the 1995 Eurovision final. 1996: George Nussbaumer – “Weil’s dr guat got” George Nussbaumer, a blind Austrian blues musician, brought a unique gospel-blues flair to Eurovision 1996 with “Weil’s dr guat got”. Sung in his native Vorarlberg dialect (the title roughly means “Because You’re Doing Well”), the song blended upbeat soul and pop elements. Nussbaumer co-wrote the entry himself. He composed the music and co-authored the lyrics with Michael W. Krausz and infused it with authentic blues style. His uplifting performance in Oslo resonated with the juries, as Austria earned 68 points and a 10th place finish at the 1996 contest. 1997: Bettina Soriat – “One Step” Bettina Soriat, an Austrian singer and stage performer, stepped into the spotlight in 1997 with “One Step.” Having been a backing vocalist for Austria’s 1996 entry, Soriat brought an upbeat dance-pop routine to Eurovision 1997. Marc Berry (stage name of Marcus Dlugaiczyk) wrote the song’s lyrics and co-composed the music with Ina Siber, crafting a catchy tune with playful choreography. Despite the energetic performance and its fun pop appeal, “One Step” received just 12 points, placing 21st out of 25 entries in the Dublin final. 1999: Bobbie Singer – “Reflection” Bobbie Singer (born Tina Schosser), an 18-year-old Austrian pop singer, returned for Eurovision 1999 after Austria’s one-year absence. She performed “Reflection,” a contemporary English-language pop song that projected a youthful, radio-friendly vibe. Dave Moskin wrote and composed “Reflection”, providing a modern pop sound accompanied by a live band on stage. Bobbie’s engaging performance in Jerusalem gave Austria a fresh image in the contest. The entry scored 65 points, achieving a 10th place finish out of 23 countries – Austria’s best Eurovision result of the 1990s.        

Read More »
History
Martijn

Austria in the Eurovision Song Contest, part 6

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the sixth episode, we look back at the nineties. With Tony Wegas’ double, and a total of three top-10 scores, the hard times began for Austria in the Eurovision Song Contest. 1992: Tony Wegas – “Zusammen geh’n” Tony Wegas, an Austrian singer and television actor, represented Austria at Eurovision 1992 with the power ballad “Zusammen geh’n”. Dieter Bohlen composed the music and Joachim Horn-Bernges wrote the lyrics, giving the song a classic pop-ballad style. Wegas delivered an emotive performance of this German-language track on the Malmö stage. “Zusammen geh’n” earned 63 points, securing a 10th place finish for Austria at the 1992 contest. 1993: Tony Wegas – “Maria Magdalena” Tony Wegas returned in 1993 to represent Austria with “Maria Magdalena,” a dramatic pop song with biblical references. He was selected internally, and presented 7 songs. Wegas, known for his singing career and TV acting, gave an engaging performance of this German-language track about Mary Magdalene. Christian Kolonovits and Johann Bertl composed the music, while Thomas Spitzer penned the lyrics, infusing the song with theatrical flair. Despite its uptempo style compared to the previous year, “Maria Magdalena” scored 32 points and placed 14th out of 25 entries at Eurovision 1993. 1994: Petra Frey – “Für den Frieden der Welt” Eight artists and songs competed in the national final. Simone participated but did not win. Petra Frey, only 16 years old at the time, represented Austria at Eurovision 1994 in Dublin with the ballad “Für den Frieden der Welt” (translated as “For the Peace of the World”). Alfons Weindorf composed the music, and brothers Karl & Johann Brunner wrote the lyrics, creating a heartfelt pop ballad calling for world peace. The song showcased Frey’s strong vocals, honed from her early schlager music career, and delivered a sincere message on stage. Austria’s 1994 entry earned 19 points, finishing in 17th place among 25 countries. 1995: Stella Jones – “Die Welt dreht sich verkehrt” Stella Jones, an Austrian singer with jazz and soul roots, took the stage in 1995 with “Die Welt dreht sich verkehrt” (meaning “The World Turns Upside Down”). Jones delivered a funky, blues-infused pop performance that reflected her versatile musical background. Michael W. Krausz both wrote the lyrics and composed the music for this entry, a song which stood out amid a contest often dominated by ballads. The Austrian entry scored 67 points, achieving a 13th place finish in the 1995 Eurovision final. 1996: George Nussbaumer – “Weil’s dr guat got” George Nussbaumer, a blind Austrian blues musician, brought a unique gospel-blues flair to Eurovision 1996 with “Weil’s dr guat got”. Sung in his native Vorarlberg dialect (the title roughly means “Because You’re Doing Well”), the song blended upbeat soul and pop elements. Nussbaumer co-wrote the entry himself. He composed the music and co-authored the lyrics with Michael W. Krausz and infused it with authentic blues style. His uplifting performance in Oslo resonated with the juries, as Austria earned 68 points and a 10th place finish at the 1996 contest. 1997: Bettina Soriat – “One Step” Bettina Soriat, an Austrian singer and stage performer, stepped into the spotlight in 1997 with “One Step.” Having been a backing vocalist for Austria’s 1996 entry, Soriat brought an upbeat dance-pop routine to Eurovision 1997. Marc Berry (stage name of Marcus Dlugaiczyk) wrote the song’s lyrics and co-composed the music with Ina Siber, crafting a catchy tune with playful choreography. Despite the energetic performance and its fun pop appeal, “One Step” received just 12 points, placing 21st out of 25 entries in the Dublin final. 1999: Bobbie Singer – “Reflection” Bobbie Singer (born Tina Schosser), an 18-year-old Austrian pop singer, returned for Eurovision 1999 after Austria’s one-year absence. She performed “Reflection,” a contemporary English-language pop song that projected a youthful, radio-friendly vibe. Dave Moskin wrote and composed “Reflection”, providing a modern pop sound accompanied by a live band on stage. Bobbie’s engaging performance in Jerusalem gave Austria a fresh image in the contest. The entry scored 65 points, achieving a 10th place finish out of 23 countries – Austria’s best Eurovision result of the 1990s.        

Read More »
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