Malmö Messages: returning artists, strong women and underwear

Iceland is represented this year, 14 years after her participation in 2010, by Hera Björk. This time, she sings “Scared of Heights”. She starts on a sort of black platform. She has swapped her reddish-brown dress for a golden one with fringes. She is alone on stage without dancers. We see lots of lasers in the background. It seems like Hera is mainly focusing on singing. Given her past experiences, that will undoubtedly be good. And Hera is impressed, as she told us: “It was fantastic! It’s much bigger and more professional than in 2010”.

Photo: EBU/Sarah Louise Bennett

After the Irish witch comes a song about a witch from Slovenia. That is to say: Veronika really existed and was accused of witchcraft. Raiven sings about her being a powerful woman. She wears a silver bodysuit. Those who know the music video will recognize a lot. She starts off sitting and adds a lot of drama to the whole performance. She is surrounded by five dancers; and no, they are not naked, but wearing a skin-colored bodysuit.

photo: EBU/Corinne Cumming

Windows95man and Henri Piispanen show more or less the same act for Finland with “No Rules” as they did during UMK. Henri in denim and Windows95man in his underwear and then in a still not very revealing denim. The difference is that the Windows 95 logo is now blurred. It’s still advertising, and that’s just not allowed. Although he sings about the absence of rules, he still has to follow the rules. “I was nervous at first, but the more we performed the better it went. I burned my sock from the fireworks, so it was even quite dangerous. But it’s nice to be in Malmö and rehearse with all the professional technical stuff”.

Photo: EBU/Corinne Cumming

Also returning: Natalia Barbu. We have to go all the way back to 2007 for her last participation. Now she sings “In the Middle” for Moldova. Interestingly, she hasn’t brought the ladies who were around her during the national final. According to sources, that would be a matter of money. So Natalia is alone on the stage now. We see butterflies and blossoms at the LED screens. During the part with the violin, wings are shown on the LED screen, making it seem like Natalia is an angel.

photo: EBU/Corinne Cumming

in collaboration with Eurovision Artists

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Eurovision 2026

Road to Vienna: Austria

Just before rehearsals kick off in Vienna, we’ve got one more stop on our daily Road to Vienna: the host country itself, Austria. Cosmó: Austria’s Young Pop Star and student to Eurovision 2026 Cosmó, born Benjamin Gedeon on 18 June 2006 in Budapest, is a 19-year-old Austrian singer-songwriter from Burgenland. He started music early, attending music school at just four years old and learning piano by six. By his early teens, he was already writing songs, inspired by musical theatre, karaoke experiences, and a growing love for pop music. Early Career and TV Breakthrough Cosmó first appeared on The Voice Kids Germany in 2020, gaining early stage experience. His breakthrough came in 2022 when he reached the final under the mentorship of Álvaro Soler. Around the same time, he won a regional songwriting competition with his original track “Fall into Your Arms,” strengthening his reputation as a rising young talent. Building His Sound and Identity After his TV success, Cosmó began performing live across Austria and collaborating with established artists. He formed his own band and developed a distinct pop style influenced by electronic music and club culture. In 2025, he released his debut EP From My Room, showcasing his modern, youthful sound and growing artistic identity.      Now based in Vienna and studying dentistry, Cosmó balances academic life with a fast-growing music career. His name, short for “Cosmopolitan,” reflects his open-minded and global outlook. Tanzschein: A Club Anthem with a Deeper Message At first listen, “Tanzschein” by Cosmó sounds like a high-energy club track built for the dance floor. Neon lights, nightlife excitement, and party energy set the tone—but underneath the upbeat surface lies a layered social commentary. The Club as a Mirror of Society In “Tanzschein,” the nightclub becomes a metaphor for society itself. The lyrics portray partygoers as instinct-driven and performative, highlighting themes of dominance, ego, and social hierarchy. By exaggerating nightlife behavior, the song subtly reflects real-world social dynamics in a humorous yet critical way. The Meaning of the “Dance License” A central concept in the song is the fictional “dance license.” While it sounds playful, it represents emotional intelligence, respect, and self-awareness. Those who “have it” are welcomed into the club, while those who don’t remain outside—symbolizing exclusion caused by ego-driven or impulsive behavior. Satire, Vulnerability, and Growth What makes “Tanzschein” stand out is its balance between satire and sincerity. The song critiques toxic behavior often found in nightlife culture, but it also introduces vulnerability through a character afraid to join the dance floor. This shift transforms the club from a place of competition into one of acceptance and self-expression. A Dance Floor as a Social Lesson Ultimately, “Tanzschein” turns nightlife into a reflection of society. It suggests that true connection goes beyond rhythm and appearance—it requires empathy, awareness, and openness. The song delivers a playful yet thought-provoking message, making it one of the more conceptually rich entries on the Eurovision 2026 stage.   Austria in the Eurovision Song Contest Austria has participated in the Eurovision Song Contest 56 times since its debut in 1957. The country has won three times: in 1966 with Udo Jürgens‘ “Merci, Chérie”, in 2014 with Conchita Wurst‘s “Rise Like a Phoenix.” And ofcourse last year with JJ‘s “Wasted love” Austria has experienced varying success over the years, with several last-place finishes and instances of receiving zero points. The Bookmakers With a guaranteed spot in the Grand Final as last year’s winner, Austria somehow finds itself ranked 32nd with the bookmakers—while only 25 acts will actually compete.  

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Eurovision 2026
Anja Kroeze

Road to Vienna: Austria

Just before rehearsals kick off in Vienna, we’ve got one more stop on our daily Road to Vienna: the host country itself, Austria. Cosmó: Austria’s Young Pop Star and student to Eurovision 2026 Cosmó, born Benjamin Gedeon on 18 June 2006 in Budapest, is a 19-year-old Austrian singer-songwriter from Burgenland. He started music early, attending music school at just four years old and learning piano by six. By his early teens, he was already writing songs, inspired by musical theatre, karaoke experiences, and a growing love for pop music. Early Career and TV Breakthrough Cosmó first appeared on The Voice Kids Germany in 2020, gaining early stage experience. His breakthrough came in 2022 when he reached the final under the mentorship of Álvaro Soler. Around the same time, he won a regional songwriting competition with his original track “Fall into Your Arms,” strengthening his reputation as a rising young talent. Building His Sound and Identity After his TV success, Cosmó began performing live across Austria and collaborating with established artists. He formed his own band and developed a distinct pop style influenced by electronic music and club culture. In 2025, he released his debut EP From My Room, showcasing his modern, youthful sound and growing artistic identity.      Now based in Vienna and studying dentistry, Cosmó balances academic life with a fast-growing music career. His name, short for “Cosmopolitan,” reflects his open-minded and global outlook. Tanzschein: A Club Anthem with a Deeper Message At first listen, “Tanzschein” by Cosmó sounds like a high-energy club track built for the dance floor. Neon lights, nightlife excitement, and party energy set the tone—but underneath the upbeat surface lies a layered social commentary. The Club as a Mirror of Society In “Tanzschein,” the nightclub becomes a metaphor for society itself. The lyrics portray partygoers as instinct-driven and performative, highlighting themes of dominance, ego, and social hierarchy. By exaggerating nightlife behavior, the song subtly reflects real-world social dynamics in a humorous yet critical way. The Meaning of the “Dance License” A central concept in the song is the fictional “dance license.” While it sounds playful, it represents emotional intelligence, respect, and self-awareness. Those who “have it” are welcomed into the club, while those who don’t remain outside—symbolizing exclusion caused by ego-driven or impulsive behavior. Satire, Vulnerability, and Growth What makes “Tanzschein” stand out is its balance between satire and sincerity. The song critiques toxic behavior often found in nightlife culture, but it also introduces vulnerability through a character afraid to join the dance floor. This shift transforms the club from a place of competition into one of acceptance and self-expression. A Dance Floor as a Social Lesson Ultimately, “Tanzschein” turns nightlife into a reflection of society. It suggests that true connection goes beyond rhythm and appearance—it requires empathy, awareness, and openness. The song delivers a playful yet thought-provoking message, making it one of the more conceptually rich entries on the Eurovision 2026 stage.   Austria in the Eurovision Song Contest Austria has participated in the Eurovision Song Contest 56 times since its debut in 1957. The country has won three times: in 1966 with Udo Jürgens‘ “Merci, Chérie”, in 2014 with Conchita Wurst‘s “Rise Like a Phoenix.” And ofcourse last year with JJ‘s “Wasted love” Austria has experienced varying success over the years, with several last-place finishes and instances of receiving zero points. The Bookmakers With a guaranteed spot in the Grand Final as last year’s winner, Austria somehow finds itself ranked 32nd with the bookmakers—while only 25 acts will actually compete.  

Read More »
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