Malmö Messages: microphones, fire and circles

San Marino is represented by Megara. This morning, a discussion arose around the rehearsals: it was a missed opportunity not to have the group rehearse at 11:11, since that was the title of the song. Little has changed since the first rehearsal. Pink and black are still the colors, including of the graphics. Expectations are low: a 35th place in the odds.

EBU/Sarah Louise Bennett


Georgian Nutsa Buzaladze is surrounded by a lot of fire. What else can you expect with a song called “Firefighter”. She is mostly standing in a circle with, of course, a red background. The circle seems to depict the sun. Here too, few changes compared to the previous rehearsal. Georgia is currently 18th at the bookmakers and seems set to break the curse of not reaching the finals.

EBU/Sarah Louise Bennett


Belgium rehearsed third today. We already know the act: Mustii stands in a circle of microphones, dressed in a white, gem-studded outfit. At one point, he steps out of the circle and removes his blouse. It now seems as if he continues singing with a bare torso, but his torso is also adorned with gemstones. The criticism of Mustii’s singing has by now subsided, and we are curious to hear how it will sound today when the video comes out on Youtube. Belgium is currently 12th with the bookmakers.

EBU/Sarah Louise Bennett


Some things only become apparent when more photos are released. 5miinust x Puuluup make clever use of the available cubes. There is a lot of attention to the instruments used during Estonia’s act. Estonia is currently 21st with the bookmakers. It will be close whether the Estonians make it to the final with (of these) narcotics we (certainly) know nothing.


EBU/Sarah Louise Bennett


Also, little news to report from Israel, although now we see different colors of lighting in the photos: blue and yellow. The clothing is still white and Eden Golan stands in a glowing circle singing her song Hurricane. The song is one of the few ballads in this year’s festival. The bookmakers expect an 8th place.

EBU/Sarah Louise Bennett

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Road to Vienna: Austria

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Eurovision 2026
Anja Kroeze

Road to Vienna: Austria

Just before rehearsals kick off in Vienna, we’ve got one more stop on our daily Road to Vienna: the host country itself, Austria. Cosmó: Austria’s Young Pop Star and student to Eurovision 2026 Cosmó, born Benjamin Gedeon on 18 June 2006 in Budapest, is a 19-year-old Austrian singer-songwriter from Burgenland. He started music early, attending music school at just four years old and learning piano by six. By his early teens, he was already writing songs, inspired by musical theatre, karaoke experiences, and a growing love for pop music. Early Career and TV Breakthrough Cosmó first appeared on The Voice Kids Germany in 2020, gaining early stage experience. His breakthrough came in 2022 when he reached the final under the mentorship of Álvaro Soler. Around the same time, he won a regional songwriting competition with his original track “Fall into Your Arms,” strengthening his reputation as a rising young talent. Building His Sound and Identity After his TV success, Cosmó began performing live across Austria and collaborating with established artists. He formed his own band and developed a distinct pop style influenced by electronic music and club culture. In 2025, he released his debut EP From My Room, showcasing his modern, youthful sound and growing artistic identity.      Now based in Vienna and studying dentistry, Cosmó balances academic life with a fast-growing music career. His name, short for “Cosmopolitan,” reflects his open-minded and global outlook. Tanzschein: A Club Anthem with a Deeper Message At first listen, “Tanzschein” by Cosmó sounds like a high-energy club track built for the dance floor. Neon lights, nightlife excitement, and party energy set the tone—but underneath the upbeat surface lies a layered social commentary. The Club as a Mirror of Society In “Tanzschein,” the nightclub becomes a metaphor for society itself. The lyrics portray partygoers as instinct-driven and performative, highlighting themes of dominance, ego, and social hierarchy. By exaggerating nightlife behavior, the song subtly reflects real-world social dynamics in a humorous yet critical way. The Meaning of the “Dance License” A central concept in the song is the fictional “dance license.” While it sounds playful, it represents emotional intelligence, respect, and self-awareness. Those who “have it” are welcomed into the club, while those who don’t remain outside—symbolizing exclusion caused by ego-driven or impulsive behavior. Satire, Vulnerability, and Growth What makes “Tanzschein” stand out is its balance between satire and sincerity. The song critiques toxic behavior often found in nightlife culture, but it also introduces vulnerability through a character afraid to join the dance floor. This shift transforms the club from a place of competition into one of acceptance and self-expression. A Dance Floor as a Social Lesson Ultimately, “Tanzschein” turns nightlife into a reflection of society. It suggests that true connection goes beyond rhythm and appearance—it requires empathy, awareness, and openness. The song delivers a playful yet thought-provoking message, making it one of the more conceptually rich entries on the Eurovision 2026 stage.   Austria in the Eurovision Song Contest Austria has participated in the Eurovision Song Contest 56 times since its debut in 1957. The country has won three times: in 1966 with Udo Jürgens‘ “Merci, Chérie”, in 2014 with Conchita Wurst‘s “Rise Like a Phoenix.” And ofcourse last year with JJ‘s “Wasted love” Austria has experienced varying success over the years, with several last-place finishes and instances of receiving zero points. The Bookmakers With a guaranteed spot in the Grand Final as last year’s winner, Austria somehow finds itself ranked 32nd with the bookmakers—while only 25 acts will actually compete.  

Read More »
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