Malmö messages: Fire, costume changes, sand and tradition

“Pedestal” is the entry that Aiko brings for the Czech Republic. The Czech team announced, although they had said this before, that they would be depicting the five stages of grief. By now, Aiko has reached the fifth stage, acceptance. The four dancers represent denial, anger, bargaining, and depression. The dancers are dressed in black. Aiko herself too, with wide-legged pants. The lighting mainly consists of red and black. And if we are to believe eurovision.tv, there will be flames throughout the song. The ESCZ Instagram account had images of this, but unfortunately removed it.

EBU/Sarah Louise Bennett

Austria has a costume change act. During her song “We Will Rave,” Kaleen starts in a long white coat with a train, which she later removes. Underneath, she wears a glittery outfit and matching boots. All this takes place under an inverted pyramid, where she and her four dancers perform. The men wear huge sunglasses. Dance plays a major role in this act. Eurovision.tv reports that Kaleen wears a different coat during the second rehearsal. And there’s a lot of smoke. We’re very curious about the singing in this song.

EBU/Corinne Cumming

In contrast to Austria, Denmark’s performance is static: Saba sings her song “Sand” entirely in one spot. She stands on a raised platform. She wears, as during the national final, a white pant suit. Her pockets are filled with sand which she then scatters across the stage. Behind her, a large LED version of herself is projected. The smoke machine is in full operation.

EBU/Sarah Louise Bennett

As we move to Armenia, we see a circle of torches. Amidst them, Ladaniva sings their song “Jako.” Singer Jaklin Baghdasaryan wears traditional Armenian attire and has her hair in traditional braids. Many traditional Armenian images are also seen on the LED screens and the cube above the duo.

EBU/Corinne Cumming

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Vienna 12 points: Eurovision 2026 Turquoise Carpet opens contest week

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