Liverpool Live: about sweaters, luggage and more!

Today, the rehearsals started. Ten countries will have their first rehearsal. No press is allowed to watch them, but EBU keeps us updated.

photo credits: EBU/Sarah Louise Bennett/Corinne Cummings

Norway

The rehearsals started with Norway. Alessandra has an act that is quite similar to what one could see at the national final, wearing black and gold with a metallic bustier, huge shoulders and a black cape. Alessandra is accompanied by four dancers having giant glo-sticks. Eurovision.tv is quite enthousiastic about the high note at the end.

Malta

It is clear that The Busker, representing Malta, feel better in their sweater. It is what they wear. Singer Dav jr. even changes his sweater during the performance! A lot of things happen on stage: first they are on and around a bench in a park, later you can see them in a discotheque were the word ‘DANCE’ is visible. Later they are in a red car and in a small room with a sofa. Note that there are also cardboard cutouts of former Maltese participants like Destiny, Glen Vella and Chiara.

Serbia

Also the Serbian act looks the same as in the national final: Luke Black starts singing from a huge shell/bed. The four dancers are connected to she shell with long hoses. There’s smoke coming out of the hoses at the end. Eurovision.tv is positive about the act: “With the pulsing bass and video game graphics, the whole thing is dark and surreal and hypnotic – definitely a performance viewers won’t forget.”  

Latvia

Panic in the Latvian delegation: the members of Sudden Lights are here, but their luggage isn’t. The guys expect their luggage to still be in Germany. The airlines company told the band the problem will be solved soon. However, the planned costumes could not be worn on stage today. 
The staging almost looks the same as during the national final. They perform as a band, with the drums on stage. They are surrounded by big lamps. The colours are quite dark, although we don’t know what the band members are going to wear.

Portugal

Portugal has chosen not to do a similar act as in the national final. Mimicat is performing with four dancers. The colour red remains however. The dress Mimicat herself is wearing is entirely made of feathers. The backing dancers are wearing red too. Eurovision.tv reporters are very much impressed by Mimicat’s strong voice. “This is a classy cabaret crowd-pleaser and the final note is HUGE.”, they say.

in collaboration with Eurovision Artists

Related news

Eurovision 2026

Road to Vienna: Austria

Just before rehearsals kick off in Vienna, we’ve got one more stop on our daily Road to Vienna: the host country itself, Austria. Cosmó: Austria’s Young Pop Star and student to Eurovision 2026 Cosmó, born Benjamin Gedeon on 18 June 2006 in Budapest, is a 19-year-old Austrian singer-songwriter from Burgenland. He started music early, attending music school at just four years old and learning piano by six. By his early teens, he was already writing songs, inspired by musical theatre, karaoke experiences, and a growing love for pop music. Early Career and TV Breakthrough Cosmó first appeared on The Voice Kids Germany in 2020, gaining early stage experience. His breakthrough came in 2022 when he reached the final under the mentorship of Álvaro Soler. Around the same time, he won a regional songwriting competition with his original track “Fall into Your Arms,” strengthening his reputation as a rising young talent. Building His Sound and Identity After his TV success, Cosmó began performing live across Austria and collaborating with established artists. He formed his own band and developed a distinct pop style influenced by electronic music and club culture. In 2025, he released his debut EP From My Room, showcasing his modern, youthful sound and growing artistic identity.      Now based in Vienna and studying dentistry, Cosmó balances academic life with a fast-growing music career. His name, short for “Cosmopolitan,” reflects his open-minded and global outlook. Tanzschein: A Club Anthem with a Deeper Message At first listen, “Tanzschein” by Cosmó sounds like a high-energy club track built for the dance floor. Neon lights, nightlife excitement, and party energy set the tone—but underneath the upbeat surface lies a layered social commentary. The Club as a Mirror of Society In “Tanzschein,” the nightclub becomes a metaphor for society itself. The lyrics portray partygoers as instinct-driven and performative, highlighting themes of dominance, ego, and social hierarchy. By exaggerating nightlife behavior, the song subtly reflects real-world social dynamics in a humorous yet critical way. The Meaning of the “Dance License” A central concept in the song is the fictional “dance license.” While it sounds playful, it represents emotional intelligence, respect, and self-awareness. Those who “have it” are welcomed into the club, while those who don’t remain outside—symbolizing exclusion caused by ego-driven or impulsive behavior. Satire, Vulnerability, and Growth What makes “Tanzschein” stand out is its balance between satire and sincerity. The song critiques toxic behavior often found in nightlife culture, but it also introduces vulnerability through a character afraid to join the dance floor. This shift transforms the club from a place of competition into one of acceptance and self-expression. A Dance Floor as a Social Lesson Ultimately, “Tanzschein” turns nightlife into a reflection of society. It suggests that true connection goes beyond rhythm and appearance—it requires empathy, awareness, and openness. The song delivers a playful yet thought-provoking message, making it one of the more conceptually rich entries on the Eurovision 2026 stage.   Austria in the Eurovision Song Contest Austria has participated in the Eurovision Song Contest 56 times since its debut in 1957. The country has won three times: in 1966 with Udo Jürgens‘ “Merci, Chérie”, in 2014 with Conchita Wurst‘s “Rise Like a Phoenix.” And ofcourse last year with JJ‘s “Wasted love” Austria has experienced varying success over the years, with several last-place finishes and instances of receiving zero points. The Bookmakers With a guaranteed spot in the Grand Final as last year’s winner, Austria somehow finds itself ranked 32nd with the bookmakers—while only 25 acts will actually compete.  

Read More »
Eurovision 2026
Anja Kroeze

Road to Vienna: Austria

Just before rehearsals kick off in Vienna, we’ve got one more stop on our daily Road to Vienna: the host country itself, Austria. Cosmó: Austria’s Young Pop Star and student to Eurovision 2026 Cosmó, born Benjamin Gedeon on 18 June 2006 in Budapest, is a 19-year-old Austrian singer-songwriter from Burgenland. He started music early, attending music school at just four years old and learning piano by six. By his early teens, he was already writing songs, inspired by musical theatre, karaoke experiences, and a growing love for pop music. Early Career and TV Breakthrough Cosmó first appeared on The Voice Kids Germany in 2020, gaining early stage experience. His breakthrough came in 2022 when he reached the final under the mentorship of Álvaro Soler. Around the same time, he won a regional songwriting competition with his original track “Fall into Your Arms,” strengthening his reputation as a rising young talent. Building His Sound and Identity After his TV success, Cosmó began performing live across Austria and collaborating with established artists. He formed his own band and developed a distinct pop style influenced by electronic music and club culture. In 2025, he released his debut EP From My Room, showcasing his modern, youthful sound and growing artistic identity.      Now based in Vienna and studying dentistry, Cosmó balances academic life with a fast-growing music career. His name, short for “Cosmopolitan,” reflects his open-minded and global outlook. Tanzschein: A Club Anthem with a Deeper Message At first listen, “Tanzschein” by Cosmó sounds like a high-energy club track built for the dance floor. Neon lights, nightlife excitement, and party energy set the tone—but underneath the upbeat surface lies a layered social commentary. The Club as a Mirror of Society In “Tanzschein,” the nightclub becomes a metaphor for society itself. The lyrics portray partygoers as instinct-driven and performative, highlighting themes of dominance, ego, and social hierarchy. By exaggerating nightlife behavior, the song subtly reflects real-world social dynamics in a humorous yet critical way. The Meaning of the “Dance License” A central concept in the song is the fictional “dance license.” While it sounds playful, it represents emotional intelligence, respect, and self-awareness. Those who “have it” are welcomed into the club, while those who don’t remain outside—symbolizing exclusion caused by ego-driven or impulsive behavior. Satire, Vulnerability, and Growth What makes “Tanzschein” stand out is its balance between satire and sincerity. The song critiques toxic behavior often found in nightlife culture, but it also introduces vulnerability through a character afraid to join the dance floor. This shift transforms the club from a place of competition into one of acceptance and self-expression. A Dance Floor as a Social Lesson Ultimately, “Tanzschein” turns nightlife into a reflection of society. It suggests that true connection goes beyond rhythm and appearance—it requires empathy, awareness, and openness. The song delivers a playful yet thought-provoking message, making it one of the more conceptually rich entries on the Eurovision 2026 stage.   Austria in the Eurovision Song Contest Austria has participated in the Eurovision Song Contest 56 times since its debut in 1957. The country has won three times: in 1966 with Udo Jürgens‘ “Merci, Chérie”, in 2014 with Conchita Wurst‘s “Rise Like a Phoenix.” And ofcourse last year with JJ‘s “Wasted love” Austria has experienced varying success over the years, with several last-place finishes and instances of receiving zero points. The Bookmakers With a guaranteed spot in the Grand Final as last year’s winner, Austria somehow finds itself ranked 32nd with the bookmakers—while only 25 acts will actually compete.  

Read More »
Follow Us: