Winners press conference

Ten countries head to the final. After this there is a winners press conference. The ten winners all answered some questions, and here is a short overview of what was said.

Croatia  will perform in the second half of the final. The groups wants to make this world a little bit better place for everybody. The singer said “please stop f*cking wars. In wars there is no winners, in Eurovision there is no losers. They are proud to reach the final, as several times they reached the 11th place.

Moldova will perform in the second half of the final. It felt pretty similar to his 2012 performance, because even Loreen is back! He likes to feel that they were more prepared this year. His wife says that if you work together you do everything together, even taking a shower together.

Switzerland will perform in the first half of the final. Remo says it was his biggest dream to go to the finals. He started believing in it. Remo also confirms that the fan bubble in Eurovision is another level: he felt the love, also in the preview parties. He is the youngest qualifier. The next goal in his life is to win Eurovision. He always had a very low voice, people never expected it. “It is what it is, I have a babyface and a low voice. It’s okay for me to be the baby”. When he heard the song for the first time he started crying. It’s about a boy with a watergun now having to fight for his country. He is very sad about the situation in Ukraine. There is hope for a better future and he keeps Ukraine in his prayers.

Finland will perform in the first half of the final. He is one of the favourites, and he says he doesn’t want to take any pressure. He wanted to have his vocals good by training and practicing. All artists want to win. “I just go and do my best and let’s see what happens”. Maybe he just wants to smile when he does his performance in the final. Some people do some crazy things, they got power and energy, maybe they can do the same in the final. It feels great for him to do the song entirely in Finnish. He wants to show and do his best, showing that you can win, also with a song in Finnish.

Czechia will perform in the first half of the final. They say that they wanted braids because it shows the concept of sisterhood. She said that if all people no matter in what country would feel with their heart, there wouldn’t be a war like this. In the past the husband said “it is me or the career’, but she is happy that there is not a situation like this anymore. In some countries there is still that situation, and she hopes that is gonna change. The hands in the song symbolize manipulation. At one point you see the hand that is coming up above them. It symbolize the power that you have when you use it for bad things, you have the power to use it in a good way too.

Israel will perform in the second half of the final. She feels the energy, this is different from other things as you are representing her country. In the beginning she was afraid not to make it to the final. She says “You know me, I am never relaxed, I want to do it better and better and better.” Her parents were with her in the green room: “Making my parents proud is so important to me. They were always there for me, there couldn’t be something more powerful than for them to be there”.

Portugal will perform in the first half of the final. She thought of giving away “Ai coração” to other people. Her husband told her not to do it. The song is a very traditional song but she wanted to do a specific Mimicat song. As soon as she was selected she changed the arrangement. She says she was not confident with herself and her body as a teenager. She started living her live when she was in college and started making music. She played in a band and the members of the band told her she was vulgar. That’s where she wanted to prove them wrong. She wanted to say: keep going on and be yourself, as a message to her younger self. About getting to the final she says: “I have no expectations for the final as my goal was to get into the final”.

Sweden will perform in the first half of the final. She never thought in her wildest dreams that she would come back to Eurovision. She fell in love with the song and then the Melodifestivalen question came up. She first said no but when she said ‘maybe’, people were so happy. That is how she decided to do it again. She had to feel not like she had to improve herself but she does have a need to make us feel and for that she works her ass off. Thoughts about winning or losing she blocks, as in her opinion the performance is not authentic anymore. “My job is to make you feel”.

Serbia will perform in the first half of the final. He wrote the song originally as an anthem during the pandemic. He wanted to sleep through everything by playing videogames. He wanted to wake up himself and then wake up the world for the world problems. Luke Black also talks about the mass shootings in Belgrade. It triggered people more in their mental health. Luke wants to dedicate this performance to the victims. He wants to say ‘stay strong’ to the families.

Norway will perform in the second half of the final. Alessandra said it was nervewrecking to be mentioned as the last one. She said her stomach was talking while waiting for the results. She says she likes being positive but at the same time can be very serious.

 

 
 

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This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the second episode, we will look back at the time when the world was still in black and white. Austria found the perfect contestant: Udo Jürgens. It took him three times to win, but he did it! 1963: Carmela Corren – “Vielleicht geschieht ein Wunder” Carmela Corren, an Israeli-born singer and actress, represented Austria in 1963 with the song “Vielleicht geschieht ein Wunder” (“Maybe a Miracle Will Happen”). It’s a romantic schlager-style ballad. The song was composed by Erwin Halletz with lyrics by Peter Wehle and performed in German (with a few lines in English). It earned a respectable 16 points, finishing 7th out of 16 countries. Corren was already known in the early 1960s German-language music scene and had appeared in films, bringing star quality to Austria’s Eurovision stage. In 1962, she did an attempt to represent Germany. 1964: Udo Jürgens – “Warum nur, warum?” Austria’s 1964 entry “Warum nur, warum?” was written and performed by Udo Jürgens. He was a renowned Austrian singer-songwrite. He would later win Eurovision 1966. The song is in an elegant chanson style, with Jürgens poignantly asking “why” bad things happen in life. Jürgens composed both the music and lyrics himself. The song scored 11 points and placed 6th among 16 entries, establishing Jürgens as a strong Eurovision contender. 1965: Udo Jürgens – “Sag ihr, ich lass sie grüßen” For the second year in a row, Udo Jürgens represented Austria at Eurovision. In 1965 he performed “Sag ihr, ich lass sie grüßen” (“Tell Her I Send My Greetings”). The ballad brims with longing and emotional depth. Jürgens again composed the music, with Frank Bohlen supplying the lyrics. The song earned 16 points and finished 4th out of 18 entries in Naples. That strong result further cemented Udo Jürgens’s status as one of Austria’s leading pop stars and set up his ultimate Eurovision triumph the following year. 1966: Udo Jürgens – “Merci, Chérie” In 1966, Udo Jürgens finally clinched Austria’s first Eurovision victory with “Merci, Chérie”. This entry, an earnest orchestral ballad of farewell, was composed by Jürgens with lyrics co-written by actor Thomas Hörbiger. Performed in Luxembourg, “Merci, Chérie” stood out for its emotional melody and gracious theme. It scored 31 points, securing the 1st-place trophy against 17 competitors. Already a beloved entertainer (Jürgens’s career spanned 50 years and over 1,000 songs), his Eurovision win solidified his legacy in Austrian pop music history. 1967: Peter Horten – “Warum es hunderttausend Sterne gibt” As host country in 1967, Austria fielded singer‑guitarist Peter Horten (the stage name of Peter Müller) on home soil. His entry, “Warum es hunderttausend Sterne gibt” (“Why Are There a Hundred Thousand Stars”), delivered a gentle pop‑schlager ballad with philosophical lyrics about life’s mysteries. Kurt Peche composed the song, and Karin Bognar wrote the words. Despite its reflective tone, the entry earned just 2 points, finishing 14th of 17 contestants. Horten, a classically trained singer, began his career in the Vienna Boys’ Choir. He remained active in music throughout the years despite this low Eurovision placing. 1968: Karel Gott – “Tausend Fenster” In 1968, Austria chose Karel Gott as its representative to perform its Eurovision entry. Fans dubbed the Czech pop superstar the “Golden Voice of Prague”. His song “Tausend Fenster” (“Thousand Windows”) is a dramatic chanson (a sweeping orchestral ballad). Eurovision veteran Udo Jürgens composed it, and Walter Brandin wrote the lyrics. The song about urban loneliness earned only 2 points, placing 13th out of 17 in London in the contest. Although Eurovision 1968 disappointed Austria, Karel Gott’s illustrious career continued. He released over 100 albums and enjoyed decades of fame across Europe. Next time, we will look at the next episode of Austria in the Eurovision Song Contest.

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History
Martijn

Austria in the Eurovision Song Contest, part 2

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the second episode, we will look back at the time when the world was still in black and white. Austria found the perfect contestant: Udo Jürgens. It took him three times to win, but he did it! 1963: Carmela Corren – “Vielleicht geschieht ein Wunder” Carmela Corren, an Israeli-born singer and actress, represented Austria in 1963 with the song “Vielleicht geschieht ein Wunder” (“Maybe a Miracle Will Happen”). It’s a romantic schlager-style ballad. The song was composed by Erwin Halletz with lyrics by Peter Wehle and performed in German (with a few lines in English). It earned a respectable 16 points, finishing 7th out of 16 countries. Corren was already known in the early 1960s German-language music scene and had appeared in films, bringing star quality to Austria’s Eurovision stage. In 1962, she did an attempt to represent Germany. 1964: Udo Jürgens – “Warum nur, warum?” Austria’s 1964 entry “Warum nur, warum?” was written and performed by Udo Jürgens. He was a renowned Austrian singer-songwrite. He would later win Eurovision 1966. The song is in an elegant chanson style, with Jürgens poignantly asking “why” bad things happen in life. Jürgens composed both the music and lyrics himself. The song scored 11 points and placed 6th among 16 entries, establishing Jürgens as a strong Eurovision contender. 1965: Udo Jürgens – “Sag ihr, ich lass sie grüßen” For the second year in a row, Udo Jürgens represented Austria at Eurovision. In 1965 he performed “Sag ihr, ich lass sie grüßen” (“Tell Her I Send My Greetings”). The ballad brims with longing and emotional depth. Jürgens again composed the music, with Frank Bohlen supplying the lyrics. The song earned 16 points and finished 4th out of 18 entries in Naples. That strong result further cemented Udo Jürgens’s status as one of Austria’s leading pop stars and set up his ultimate Eurovision triumph the following year. 1966: Udo Jürgens – “Merci, Chérie” In 1966, Udo Jürgens finally clinched Austria’s first Eurovision victory with “Merci, Chérie”. This entry, an earnest orchestral ballad of farewell, was composed by Jürgens with lyrics co-written by actor Thomas Hörbiger. Performed in Luxembourg, “Merci, Chérie” stood out for its emotional melody and gracious theme. It scored 31 points, securing the 1st-place trophy against 17 competitors. Already a beloved entertainer (Jürgens’s career spanned 50 years and over 1,000 songs), his Eurovision win solidified his legacy in Austrian pop music history. 1967: Peter Horten – “Warum es hunderttausend Sterne gibt” As host country in 1967, Austria fielded singer‑guitarist Peter Horten (the stage name of Peter Müller) on home soil. His entry, “Warum es hunderttausend Sterne gibt” (“Why Are There a Hundred Thousand Stars”), delivered a gentle pop‑schlager ballad with philosophical lyrics about life’s mysteries. Kurt Peche composed the song, and Karin Bognar wrote the words. Despite its reflective tone, the entry earned just 2 points, finishing 14th of 17 contestants. Horten, a classically trained singer, began his career in the Vienna Boys’ Choir. He remained active in music throughout the years despite this low Eurovision placing. 1968: Karel Gott – “Tausend Fenster” In 1968, Austria chose Karel Gott as its representative to perform its Eurovision entry. Fans dubbed the Czech pop superstar the “Golden Voice of Prague”. His song “Tausend Fenster” (“Thousand Windows”) is a dramatic chanson (a sweeping orchestral ballad). Eurovision veteran Udo Jürgens composed it, and Walter Brandin wrote the lyrics. The song about urban loneliness earned only 2 points, placing 13th out of 17 in London in the contest. Although Eurovision 1968 disappointed Austria, Karel Gott’s illustrious career continued. He released over 100 albums and enjoyed decades of fame across Europe. Next time, we will look at the next episode of Austria in the Eurovision Song Contest.

Read More »
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