Search
Close this search box.

Composer Wouter Hardy: not nervous tonight

Tonight the Dutchman Wouter Hardy, as composer of the Estonian entry Bridges, will participate for the 3rd time; and for the 3rd time for another country.

Kofax

Wouter co-wrote “Arcade” for Duncan Laurence. He was also responsible for “Tout l’univers”, the song Gjon’s Tears brought to Switzerland. But what else do we know him from? “I’ve played in bands, I’ve always been a pianist and a keyboardist. I’ve toured all over Europe, I’ve done Glastonbury. I opened for Robbie Williams. All of this was with Kofax, where I was band leader and keyboard player. And I have always played trumpet in orchestras and big bands. That’s where the classical influences come from,” explains Hardy.

Arcade

Back to the Eurovision Song Contest we come to “Arcade”. The composer says about this: “To win is absurd. Participation was already such that I thought: should we do this with Arcade? It had been there for quite a while. Then we were asked by Ilse Delange and yes, then you’re going to do it anyway. I thought: how can that work with such a song there? My association with the Eurovision Song Contest was circus and lots of dancing and fireworks. I think that’s exactly why it won; because it was so special. And I am very proud of that to this day, that it is something that I fully supported. Then I participated with Switzerland, which I also fully supported, and now again with Estonia. If not, I’m not going to do it.”

Intimidated

We can’t ignore it: on May 5th, an interview appeared in a Dutch newspaper in which Hardy explains how things went behind the scenes with Arcade at the time. Negotiations about rights didn’t go well. Hardy felt intimidated by Ilse Delange. When the votes came in, Hardy  was not in the greenroom. “I do hope that it will result in people being more willing to speak out about such things. I hope that helped. I have lost my story and that is a relief.”

Gjon’s Tears

And then, two years later, cqme the adventure with Gjon’s Tears in Switzerland. “Gjon was supposed to  participate in the Eurovision song contest in 2020. That was canceled, due to COVID19. So he had to have a new song, a new entry. Then he looked at who he could still work with. He was a big fan of “Arcade”, also thought that that was his sound. His references also really appealed to me, who passed them on, like Sam Smith, Hozier, Woodkid. When I read that I thought: okay that could be an interesting one, so I went to Zurich. That’s actually how it went. We subimtted that entry with some other songs and then we won. And in Rotterdam, that was quite special for me. In our own country but with a Swiss flag, that was a bit crazy, but that was cool”.

To the toilet

It was a close call for Gjon’s Tears to win. “I thought: we’re just going to do it again dude. And then Gjon said: I think we will get less points in the televoting. And he was rogjt, but I did think after the jury vote: now we’re just going to do it again. It’s very funny because we were drinking quite a lot in the greenroom, it was super fun. Then we finished at the top of the jury and then I said to Gjon: don’t drink too much because you might have to start singing if you win. Then he started drinking a lot of water. He really needed to go to the toilet, but that was not allowed. And then every time that camera came, then Gjon would sit so wide and when that camera was gone again with his legs squeezed. In the end we finished third and I am very happy with that. We also won the Marcel Besançon Award for best composition that year. Duncan sang “Arcade” and “Stars”, which I also made. That evening three songs and an award, so that’s very nice.”

Estonia

And then Estonia came along: “It was the same as Gjon. Alika has always wanted to do the Eurovision song contest, that was her dream. Then they put together a Spotify list of songs she likes. It had “Arcade”,  and “Tout l’univers”. Then her manager texted me: “we’re going to work with you.” We worked together for two days and the second day was Bridges, there was no doubt about that after that. They didn’t go into the studio with other people after that and then we participated with Eesti Laul, the national final in Estonia.

How is Wouter Hardy doing tonight, is he nervous? “No,” he says firmly. “No. I haven’t listened to any other song either. I just want to be surprised tonight. I’ve only heard Loreen, you can’t miss her. And the Netherlands of course, there is no other way. But no other songs. I’m not really nervous, I don’t have to do anything anymore. That’s great, my work is done. I can just grab a drink and listen.”

Not nervous

Hardy has some nice things to look forward to anyway. A new album is coming under the name HRDY. “That will be an album with instrumental songs but also featuring vocalists. I released some songs from my album. Those are songs with synthesizers, pianos, strings and so now I’m going to make songs with singers for the first time.”

Share

Related news

Blast from the past

Blast from the past: Yugoslavia 1991

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1991, when Baby Doll represented Yugoslavia with her song “Brazil”. Yugoslavia in the Eurovision Song Contest Yugoslavia debuted in the Eurovision Song Contest in 1961. Already in their 2nd year, Yugoslavia reached a high score (4th) with Lola Novaković and her “Ne pali svetlo u sumrak”. Unfortunately, it was hard for the country to break that record. In 1983, the country reached the 4th place again with Danijel Popović and his “Džuli”. The English version of that song “Julie” became a worldwide hit. But Yugoslavia had to await their first and only victory until 1989. Riva won the contest with “Rock me”. Only three more Yugoslav entries followed, but the country fell apart. In 1992 they had their very last entry. Riva Jugovizija 1991 The Yugoslav national final was called Jugovizija. Eight regional television stations all had their contributions and their jury. In 1991, the contest was held on 9 March in Sarajevo. 16 songs participated: Tedi Spalato sang “Gospode moj”, 29 pts, 5th (HTV, Zagreb) Zorana Pavić sang “Ritam ljubavi“, 26 pts, 6th (TVBg, Belgrade) Milica Milisavljević-Dugalić sang “Sta će nebo reći“, 20 pts, 10th (TVPr, Pristina) Baby Doll sang “Brazil“, 68 pts, 1st (TVBg, Belgrade) Miran Rudan sang “Ne reci goodbye“, 5 pts, 15th (TVSl, Ljubljana) Jelena Džoja sang “Čuvaj se ljubavi“, 9 pts, 13th (TVSa, Sarajevo) Margarita Hristova sang “Daj mi krilja“, 3 pts, 16th (TVSk, Skopje) Vesna Ivić sang “Ime“, 11 pts, 11th (TVNS, Novi Sad) Ivana Banfić sang “Daj, povedi me“, 57 pts, 3rd (HTV, Zagreb) Helena Blagne sang “Navaden majski dan“, 25 pts, 7th (TVSl, Ljubljana) Šeri sang “Da li već spavaš“, 6 pts, 14th (TVBg, Belgrade) Ponoćni express sang “Pjesma o tebi“, 22 pts, 8th (TVCg, Titograd) Tony Cetinski sang “Marina“, 22 pts, 8th (TVNS, Novi Sad) Danijel Popović sang “Ma daj obuci levisice“, 66 pts, 2nd (HTV, Zagreb) Anastasija Nizamova-Muhić sang “Molitva“, 11 pts, 11th (TVSk, Skopje) Zerina Cokoja, “Bez tebe“, 52 pts, 4th, 52 pts, 4th (TVSa, Sarajevo) Danijel was the hot favourite to win the competition. However, Yugoslavia was about to fall apart. In June 1991, Croatia and Slovenia declared their independence. Four months before that, the political tension was very high. The result was that the jury of TVSl, TVSa and TVSk did not vote for any of the Serbian songs. TVBg and TVPr did not vote for Danijel, the latter did not vote for the other Croatian entry either. However, both juries gave “Brazil” their maximum number of points. That is what brought Baby Doll her victory. Danijel Popović Baby Doll Bebi Dol or Baby Doll, born Dragana Šarić on October 2, 1962, in Belgrade, is a prominent Serbian and former Yugoslav pop-rock singer. Raised by her jazz musician father, Milisav Šarić, she began her career in the late 1970s with the band Tarkus before co-founding Anoda Ruž with Goran Vejvoda in 1981. Following the band’s short run, she embarked on a solo career and gained fame with the 1981 single Mustafa, which won Song of the Year. In 1983, her debut album Ruže i krv earned her acclaim and established her popularity across Yugoslavia. Bebi Dol’s style evolved with each release, from the oriental-inspired Inš-Alah in 1986 to the dance-influenced tracks on her 1995 album Ritam srca. Her 1991 Eurovision entry, Brazil, remains iconic despite placing low, a result often attributed to Yugoslavia’s political turmoil. Her 2002 album Ljuta sam received mixed reviews, but she continued performing, venturing into cover albums like Čovek rado izvan sebe živi in 2006. In 2009, she participated as a finalist in the reality show Farma, appearing again in 2013 and 2015. Eight years later, she competed in the fourth season of Tvoje lice zvuči poznato, though she did not make it to the finals. In 2018, she entered the reality show Zadruga, but was quickly eliminated. In 2020, she appeared as a special guest in the series Tajkun. Brazil “Brazil” was written by Dragana Šarić herself, with music composed by Saša Habić and Zoran Vračević, the song blends Latin-inspired rhythms with Balkan pop, creating a vibrant, energetic piece. Known for its catchy melody and exotic flair, Brazil highlighted Bebi Dol’s theatrical style and ambitious staging, featuring elaborate costumes and dynamic choreography. Despite its popularity at home, the song faced challenges on the European stage, likely influenced by the tense political climate in Yugoslavia at the time. Ultimately, Brazil scored only one point at the contest, finishing in last place. However, the song later gained recognition as a unique Eurovision entry, maintaining a dedicated following among fans for its creativity and Bebi Dol’s distinct performance.   Share

Share
Read More »
Blast from the past
Martijn

Blast from the past: Yugoslavia 1991

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1991, when Baby Doll represented Yugoslavia with her song “Brazil”. Yugoslavia in the Eurovision Song Contest Yugoslavia debuted in the Eurovision Song Contest in 1961. Already in their 2nd year, Yugoslavia reached a high score (4th) with Lola Novaković and her “Ne pali svetlo u sumrak”. Unfortunately, it was hard for the country to break that record. In 1983, the country reached the 4th place again with Danijel Popović and his “Džuli”. The English version of that song “Julie” became a worldwide hit. But Yugoslavia had to await their first and only victory until 1989. Riva won the contest with “Rock me”. Only three more Yugoslav entries followed, but the country fell apart. In 1992 they had their very last entry. Riva Jugovizija 1991 The Yugoslav national final was called Jugovizija. Eight regional television stations all had their contributions and their jury. In 1991, the contest was held on 9 March in Sarajevo. 16 songs participated: Tedi Spalato sang “Gospode moj”, 29 pts, 5th (HTV, Zagreb) Zorana Pavić sang “Ritam ljubavi“, 26 pts, 6th (TVBg, Belgrade) Milica Milisavljević-Dugalić sang “Sta će nebo reći“, 20 pts, 10th (TVPr, Pristina) Baby Doll sang “Brazil“, 68 pts, 1st (TVBg, Belgrade) Miran Rudan sang “Ne reci goodbye“, 5 pts, 15th (TVSl, Ljubljana) Jelena Džoja sang “Čuvaj se ljubavi“, 9 pts, 13th (TVSa, Sarajevo) Margarita Hristova sang “Daj mi krilja“, 3 pts, 16th (TVSk, Skopje) Vesna Ivić sang “Ime“, 11 pts, 11th (TVNS, Novi Sad) Ivana Banfić sang “Daj, povedi me“, 57 pts, 3rd (HTV, Zagreb) Helena Blagne sang “Navaden majski dan“, 25 pts, 7th (TVSl, Ljubljana) Šeri sang “Da li već spavaš“, 6 pts, 14th (TVBg, Belgrade) Ponoćni express sang “Pjesma o tebi“, 22 pts, 8th (TVCg, Titograd) Tony Cetinski sang “Marina“, 22 pts, 8th (TVNS, Novi Sad) Danijel Popović sang “Ma daj obuci levisice“, 66 pts, 2nd (HTV, Zagreb) Anastasija Nizamova-Muhić sang “Molitva“, 11 pts, 11th (TVSk, Skopje) Zerina Cokoja, “Bez tebe“, 52 pts, 4th, 52 pts, 4th (TVSa, Sarajevo) Danijel was the hot favourite to win the competition. However, Yugoslavia was about to fall apart. In June 1991, Croatia and Slovenia declared their independence. Four months before that, the political tension was very high. The result was that the jury of TVSl, TVSa and TVSk did not vote for any of the Serbian songs. TVBg and TVPr did not vote for Danijel, the latter did not vote for the other Croatian entry either. However, both juries gave “Brazil” their maximum number of points. That is what brought Baby Doll her victory. Danijel Popović Baby Doll Bebi Dol or Baby Doll, born Dragana Šarić on October 2, 1962, in Belgrade, is a prominent Serbian and former Yugoslav pop-rock singer. Raised by her jazz musician father, Milisav Šarić, she began her career in the late 1970s with the band Tarkus before co-founding Anoda Ruž with Goran Vejvoda in 1981. Following the band’s short run, she embarked on a solo career and gained fame with the 1981 single Mustafa, which won Song of the Year. In 1983, her debut album Ruže i krv earned her acclaim and established her popularity across Yugoslavia. Bebi Dol’s style evolved with each release, from the oriental-inspired Inš-Alah in 1986 to the dance-influenced tracks on her 1995 album Ritam srca. Her 1991 Eurovision entry, Brazil, remains iconic despite placing low, a result often attributed to Yugoslavia’s political turmoil. Her 2002 album Ljuta sam received mixed reviews, but she continued performing, venturing into cover albums like Čovek rado izvan sebe živi in 2006. In 2009, she participated as a finalist in the reality show Farma, appearing again in 2013 and 2015. Eight years later, she competed in the fourth season of Tvoje lice zvuči poznato, though she did not make it to the finals. In 2018, she entered the reality show Zadruga, but was quickly eliminated. In 2020, she appeared as a special guest in the series Tajkun. Brazil “Brazil” was written by Dragana Šarić herself, with music composed by Saša Habić and Zoran Vračević, the song blends Latin-inspired rhythms with Balkan pop, creating a vibrant, energetic piece. Known for its catchy melody and exotic flair, Brazil highlighted Bebi Dol’s theatrical style and ambitious staging, featuring elaborate costumes and dynamic choreography. Despite its popularity at home, the song faced challenges on the European stage, likely influenced by the tense political climate in Yugoslavia at the time. Ultimately, Brazil scored only one point at the contest, finishing in last place. However, the song later gained recognition as a unique Eurovision entry, maintaining a dedicated following among fans for its creativity and Bebi Dol’s distinct performance.   Share

Share
Read More »