S10 prefers the small theaters in Paris and Berlin

Today we had the opportunity to talk to Stien den Hollander. You know her better as S10, the Dutch candidate for the festival in Turin. “We’ve been keeping an eye on it from the start, of course, and we really just wanted to see all of your faces too,” S10 explains why she’s so curious about the fan media.

Not a lot of choreogrography

The conversation soon came to the rehearsals: “Of course there are some problems with the sun, I think everyone suffers from that. So do we, but not too much because our act was also quite intimate and small.”, says S10 light-hearted. “We’ve actually built the show in a way that I’m very free in where I look and stand,” the singer explains about the act. “So there’s not a lot of choreography in terms of looking. When the camera is very close to me, I look into it and that feels nice to me. Then I enclose myself completely and I actually do things for the people at home. Not like Now I have to look here and oh yes, now I have to look there, that would really be a bit too much for me.”

I couldn’t wait

“I also saw the stand-in rehearsal”, the singer said, “That was crazy. They pick out someone who looks a bit like you, so it was a blonde girl too, but she was pretty sultry and pretty sexy. She had quite a sexy interpretation of “De diepte”, which I really liked, because it was something different. It was good to see because then you really see: oh yes, we made this and now she is performing it there.”

“I wasn’t nervous at all for the first rehearsal. It was also nice because it was still quite private. It just felt really good. The very first rehearsal went really well for me. We could just really do some stuff. I am of course completely in my own focus. I look into the camera and i don’t see what’s happening behind me. We had the first rehearsal on Saturday and the second rehearsal on Wednesday and I couldn’t wait for Wednesday. I really wanted to get on that stage again.”

Small theaters

S10 also looked ahead, because she possibly can end up high in the contest. So, what would be next? “It is quite difficult to estimate that. Thinking: the higher you finish, the bigger your career i think can be or become abroad. I would like, if I finish high, for example to do a tour through Europe end of this year, but especially the small theaters in Paris or Berlin, for example, a bit underground. I wouldn’t fly to LA to sign a contract there.”

Music first and rock and roll never dies

And who does she think, will win? “If there is someone I would really like to see win, it is Sam Ryder. I just think he is so nice and so sympathetic and such an appearance. Still find it quite difficult to place all Eurovision candidates in a sort of ranking. I feel like there were about five artists last year who we thought: yes, they can all win. I think i can really see Sam Ryder winning.”
And if S10 would win herself, what would she say? “I still don’t really have a plan for that. Maybe I’ll just say ‘Music first’ and ‘Rock and roll never dies’, just a copy of the other artists who won.”

 

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Eurovision 2026

Vienna 12 points: from a huge table to 7,000 crystals

  Day four of first rehearsals at the 70th Eurovision Song Contest is underway in Vienna. The final eight countries of Semi-Final 2 step onto the Wiener Stadthalle stage for the very first time today, Tuesday 5 May. First rehearsals remain closed to press; three approved images per country will be published approximately 24 hours after each performance. The official Eurovision subreddit is providing live descriptions throughout the day. Eurovision Universe sought additional detail through national broadcaster coverage, social media, and press reports. All five countries below compete in Semi-Final 2 on Thursday, May 14. 🇨🇾 Cyprus — Antigoni, “Jalla” Running order: 8 | Rehearsal: 5 May, 09:00–09:30 CEST | Second rehearsal: 9 May Antigoni has been promising she would dance on the table. This morning at the Wiener Stadthalle she delivered  in a way nobody quite anticipated. The centrepiece of the staging is a table of extraordinary scale: large enough for all four dancers to join Antigoni on top of it, large enough to function as a full catwalk, and large enough that the chairs do not go beside it but on it. This choreography is tight and deliberate. The dancers even work with plates. And the whole setup directly brings to life the song’s most iconic lyric. It is a reference with Eurovision history behind it: Ivi Adamou danced on a table for Cyprus at Baku 2012, but the 2026 version operates on an entirely different scale. The table itself has a table runner made from an LED strip, which comes into its own during the “you want more?” section of the song. From there, Antigoni steps off the table and onto the catwalk with a purposeful strut, before the staging closes out with fire and pyrotechnics more commonly associated with rock entries than Mediterranean pop. The backdrop features giant ancient pillars lit in blue. Antigoni wears a short white beaded dress. Staging is by Sacha Jean-Baptiste, whose Eurovision credits include “Fuego” (Cyprus 2018) and the 2023 winner “Tattoo” for Sweden. Antigoni Buxton, 29, is a British-Cypriot singer-songwriter from North London who gained wider recognition after Love Island UK in 2022. CyBC selected her internally in November 2025. “Jalla”, meaning “more” in the Cypriot dialect, was co-written with Charalambous Kallona, Connor Mullally-Knight, Demetris Nikolaou, Claydee, Paris Kalpos, and Trey Qua. Cyprus competes 8th in Semi-Final 2. Sources: r/eurovision live thread / CyBC / Eurovoix / Instagram @antigoni 🇱🇻 Latvia — Atvara, “Ēnā” Running order: 9 | Rehearsal: 5 May, 09:40–10:10 CEST | Second rehearsal: 8 May Latvia’s first Vienna rehearsal delivers a scaled-up version of the performance that won Supernova 2026 in February. If the subreddit’s reporters are to be believed, it translates powerfully to the larger Wiener Stadthalle stage. Atvara completed three full run-throughs of “Ēnā.” The core concept remains unchanged: an intimate, atmospheric performance built around the song’s cinematic ballad structure and Atvara’s vocal. What has changed is the detail. Atvara is wearing a newly designed gown decorated with sparkling stones. They now extend further down the side and along her left arm. Speaking to Latvian broadcaster LSM ahead of Vienna, Atvara confirmed that the team had worked to adapt the Supernova concept to the Eurovision scale. They refined technical elements while leaving the core performance intact. Her stylist Inna Bertāne described the new dress in Latvian press as a deliberate step up. Atvara rose to prominence on TikTok via her debut single “Pie Manis Tveries” and later sold out 22 solo shows in Latvia in 2025. She won Supernova on 14 February, taking both the jury and public votes. Latvia competes 9th in Semi-Final 1. Sources: LSM / Supernova / Latvian Radio / Instagram @atvara.liene 🇩🇰 Denmark — Søren Torpegaard Lund, “Før vi går hjem” Running order: 10 | Rehearsal: 5 May, 10:20–10:50 CEST | Second rehearsal: 9 May The Melodi Grand Prix staging has arrived in Vienna completely intact, and apparently quite literally so. The box that defined Søren’s breakthrough performance in Frederikshavn was not dismantled and rebuilt for the Wiener Stadthalle; it was shipped as-is. When something works that well, you don’t take risks with it. That said, what is inside the box has been elevated for Eurovision. Søren opens in black leather trousers and an aquamarine silk chiffon shirt, before ripping it off mid-performance. The singer than reveals a sparkly black mesh top underneath. The outfit reveal lands as a proper moment. Inside the box, red tube lights illuminate and intensify as the performance builds, so that by the second chorus the whole structure is radiating heat, matching the choreography. This has been noticeably scaled up from the national final, particularly the thrusting during the first verse. When Søren finally steps out of the box towards the end of the song, a storm takes over the stage floor and the backdrop behind him. The respite is brief: the graphics transform into blazing fire for the final twenty seconds.  Søren Torpegaard Lund, 27, is a trained musical theatre actor who graduated from the Danish Stage Arts School and played Tony in West Side Story at the Copenhagen Opera House in 2021–22. He co-wrote “Før vi går hjem” with Clara Sofie Fabricius, Thomas Meilstrup, and Valdemar Littauer Bendixen, winning Melodi Grand Prix on 14 February with both the jury and public votes. Denmark competes 10th in Semi-Final 2. Sources: r/eurovision live thread / DR / ESC Insight / Instagram @sorentorpegaardlund 🇦🇺 Australia — Delta Goodrem, “Eclipse” Running order: 11 | Rehearsal: 5 May, 11:00–11:30 CEST | Second rehearsal: 9 May The biggest name in this year’s contest steps onto the Wiener Stadthalle stage and, by all accounts, does not disappoint. Delta Goodrem’s first Vienna rehearsal for “Eclipse” is a significant production. The staging is developed by Black Skull Creative, the team behind the entire Liverpool 2023 contest, alongside creative director Paul Clarke. It is described as one of the most technically ambitious performances in Vienna this year. The concept tracks a journey from a moon world into a sun world, culminating in a

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Eurovision 2026
Martijn

Vienna 12 points: from a huge table to 7,000 crystals

  Day four of first rehearsals at the 70th Eurovision Song Contest is underway in Vienna. The final eight countries of Semi-Final 2 step onto the Wiener Stadthalle stage for the very first time today, Tuesday 5 May. First rehearsals remain closed to press; three approved images per country will be published approximately 24 hours after each performance. The official Eurovision subreddit is providing live descriptions throughout the day. Eurovision Universe sought additional detail through national broadcaster coverage, social media, and press reports. All five countries below compete in Semi-Final 2 on Thursday, May 14. 🇨🇾 Cyprus — Antigoni, “Jalla” Running order: 8 | Rehearsal: 5 May, 09:00–09:30 CEST | Second rehearsal: 9 May Antigoni has been promising she would dance on the table. This morning at the Wiener Stadthalle she delivered  in a way nobody quite anticipated. The centrepiece of the staging is a table of extraordinary scale: large enough for all four dancers to join Antigoni on top of it, large enough to function as a full catwalk, and large enough that the chairs do not go beside it but on it. This choreography is tight and deliberate. The dancers even work with plates. And the whole setup directly brings to life the song’s most iconic lyric. It is a reference with Eurovision history behind it: Ivi Adamou danced on a table for Cyprus at Baku 2012, but the 2026 version operates on an entirely different scale. The table itself has a table runner made from an LED strip, which comes into its own during the “you want more?” section of the song. From there, Antigoni steps off the table and onto the catwalk with a purposeful strut, before the staging closes out with fire and pyrotechnics more commonly associated with rock entries than Mediterranean pop. The backdrop features giant ancient pillars lit in blue. Antigoni wears a short white beaded dress. Staging is by Sacha Jean-Baptiste, whose Eurovision credits include “Fuego” (Cyprus 2018) and the 2023 winner “Tattoo” for Sweden. Antigoni Buxton, 29, is a British-Cypriot singer-songwriter from North London who gained wider recognition after Love Island UK in 2022. CyBC selected her internally in November 2025. “Jalla”, meaning “more” in the Cypriot dialect, was co-written with Charalambous Kallona, Connor Mullally-Knight, Demetris Nikolaou, Claydee, Paris Kalpos, and Trey Qua. Cyprus competes 8th in Semi-Final 2. Sources: r/eurovision live thread / CyBC / Eurovoix / Instagram @antigoni 🇱🇻 Latvia — Atvara, “Ēnā” Running order: 9 | Rehearsal: 5 May, 09:40–10:10 CEST | Second rehearsal: 8 May Latvia’s first Vienna rehearsal delivers a scaled-up version of the performance that won Supernova 2026 in February. If the subreddit’s reporters are to be believed, it translates powerfully to the larger Wiener Stadthalle stage. Atvara completed three full run-throughs of “Ēnā.” The core concept remains unchanged: an intimate, atmospheric performance built around the song’s cinematic ballad structure and Atvara’s vocal. What has changed is the detail. Atvara is wearing a newly designed gown decorated with sparkling stones. They now extend further down the side and along her left arm. Speaking to Latvian broadcaster LSM ahead of Vienna, Atvara confirmed that the team had worked to adapt the Supernova concept to the Eurovision scale. They refined technical elements while leaving the core performance intact. Her stylist Inna Bertāne described the new dress in Latvian press as a deliberate step up. Atvara rose to prominence on TikTok via her debut single “Pie Manis Tveries” and later sold out 22 solo shows in Latvia in 2025. She won Supernova on 14 February, taking both the jury and public votes. Latvia competes 9th in Semi-Final 1. Sources: LSM / Supernova / Latvian Radio / Instagram @atvara.liene 🇩🇰 Denmark — Søren Torpegaard Lund, “Før vi går hjem” Running order: 10 | Rehearsal: 5 May, 10:20–10:50 CEST | Second rehearsal: 9 May The Melodi Grand Prix staging has arrived in Vienna completely intact, and apparently quite literally so. The box that defined Søren’s breakthrough performance in Frederikshavn was not dismantled and rebuilt for the Wiener Stadthalle; it was shipped as-is. When something works that well, you don’t take risks with it. That said, what is inside the box has been elevated for Eurovision. Søren opens in black leather trousers and an aquamarine silk chiffon shirt, before ripping it off mid-performance. The singer than reveals a sparkly black mesh top underneath. The outfit reveal lands as a proper moment. Inside the box, red tube lights illuminate and intensify as the performance builds, so that by the second chorus the whole structure is radiating heat, matching the choreography. This has been noticeably scaled up from the national final, particularly the thrusting during the first verse. When Søren finally steps out of the box towards the end of the song, a storm takes over the stage floor and the backdrop behind him. The respite is brief: the graphics transform into blazing fire for the final twenty seconds.  Søren Torpegaard Lund, 27, is a trained musical theatre actor who graduated from the Danish Stage Arts School and played Tony in West Side Story at the Copenhagen Opera House in 2021–22. He co-wrote “Før vi går hjem” with Clara Sofie Fabricius, Thomas Meilstrup, and Valdemar Littauer Bendixen, winning Melodi Grand Prix on 14 February with both the jury and public votes. Denmark competes 10th in Semi-Final 2. Sources: r/eurovision live thread / DR / ESC Insight / Instagram @sorentorpegaardlund 🇦🇺 Australia — Delta Goodrem, “Eclipse” Running order: 11 | Rehearsal: 5 May, 11:00–11:30 CEST | Second rehearsal: 9 May The biggest name in this year’s contest steps onto the Wiener Stadthalle stage and, by all accounts, does not disappoint. Delta Goodrem’s first Vienna rehearsal for “Eclipse” is a significant production. The staging is developed by Black Skull Creative, the team behind the entire Liverpool 2023 contest, alongside creative director Paul Clarke. It is described as one of the most technically ambitious performances in Vienna this year. The concept tracks a journey from a moon world into a sun world, culminating in a

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