How to make the most of Milan during the Eurovision Song Contest 2022

The battle for hosting the Eurovision Song Contest in 2022 in Italy began the minute Måneskin won the ESC 2021, in Rotterdam. Earlier this summer, we told you how to make the most of Rome and we told you everything you need to know about Pesaro. These two cities are still in the race to become a hosting city, as well as Milan. 

Milan is a city in the north of Italy. The city has the most habitants of Italy, after Rome. Milan is considered a leading global city, with strengths in many fields, like art, commerce, design, education, entertainment finance, healthcare, and tourism. Of course we all know Milan for being one of the fashion capitals of the world. Let’s take a look at what Milan has to offer!

Milan Cathedral

Cathedral of Milan

The cathedral, also called the Metropolitan Cathedral-Basilica of the Nativity of Saint Mary (Italian: Basilica cattedrale metropolitana di Santa Maria Nascente), is the most famous cathedral church in Milan.

The construction of the cathedral took about 6 centuries. Simone da Orsenigo started the construction in 1386. Benigno Mörlin Visconti Castiglione was the last architect to work on the property, in 1965. It is the largest church in Italy, even bigger than St. Peter’s Basilica is in the State of Vatican City

The view from the roof is breathtaking. Please note that the elevator does not reach the top floor. Prepare for a lot of stairs. Believe us, it’s definitely worth it! Definitely book a (private) tour if you’re interested in the history of the cathedral. This gives a visit to the church an extra dimension through the beautiful stories of the tour guide.

Brera District

Brera is a district (“quartiere”) in Milan. The district has an artistic and bohemian atmosphere and is located in zone 1, (the historic core of the city). Brera is also called “the Milanese Montmartre”. Sounds promising, right? The neighborhood is filled with bars and restaurants. It is less suitable if you want to shop.

The main historical building is Palazzo Brera. Brera houses the Brera Academy of Fine Arts and the Brera Art Gallery are located here, as well as Milan’s botanical garden as well as an astronomical observatory and the Braidense National Library. Other features that contribute to the character of Brera include restaurants, bars, night clubs, antique and art shops, colorful street markets, as well as fortune tellers’ booths. Especially this last feature might be interesting if you want to place a bet on the Eurovision Song Contest.

Galleria Vittorio Emanuele II

Galleria Vittorio Emanuele II

Do you prefer to go to a place where you can shop (in the most exclusive stores)? Then you should pay the Galleria Vittorio Emanuele II a visit. This is Italy’s oldest active shopping arcade and a landmark of Milan. The inspiration for the name of the building is the first king of Italy, Victor Emmanuel II.

The building was designed in 1861 and built between 1865 and 1877. The architect who completed this job is Guiseppe Mengoni. A common nickname is Il Salotto di Milano (Salon of Milan), because of its many shops and importance as a common meeting and dining place in Milan.

The shopping center is located in ”Centro Storico”, in the center of the city. Some of the oldest shops reside in the Galleria. Several of the stores and restaurants have been there since the 19th century. The entrance to the building is particularly impressive.

Fun fact: Mac Donalds was the first to being denied a renewal of their contract, after housing in the Galleria for 20 years. Mac Donalds sued the landlord – the city of Milan – for 24 million in damages. The fast food chain renounced the suit after receiving the opportunity to open a new restaurant nearby. Prada opened their second store in the Galleria, replacing the fast food restaurant.

Tram Ristorante ATMosfera

If you have a night off of the Eurovision craziness, you could choose to have an exclusive dinner at Tram Ristorante ATMosfera. The restaurant is located at Sforzesco Castle. It’s a fine dining experience combined with round trip in the city of Milan. ATMosfera offers two historic trams and thus the first itinerant trams in Italy.

The menus offer options for meat lovers, fish eaters and vegetarians. The chef is responsible for putting together the menu. Updates on the menu are regular and in tune with the seasons.

You can visit the restaurant 7 days a week. However, it is necessary to book in advance. You can book your table on the ATMosfera website.

”Gaying” in Milan

As we’ve mentioned before, Milan is one of the fashion capitals of the world. Milan is a big city and offers plenty of accommodations. From hotels to home rentals, you are sure to find something that fits your needs. Be sure to visit websites like Tripadvisor to read the most recent reviews.

There is also a gay scene in Milan. Signs of affection like holding hands, hugging in the street, and kissing cheek to cheek are perfectly accepted in the city. The gay scene used to be around the area that’s called Via Sammartini. We do not advise that you visit this area, as it’s considered unsafe. The gay scene has moved to the Porta Venezia district, on Via Lecco. In town, you need a club card to access most gay clubs. You can purchase this card at the participating locations.

Milan

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70 years of Eurovision: chaos

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1990 Eurovision was held in Zagreb. The hosting proved to be quite a challenge. When hosts Oliver Mlakar and Helga Vlahović discovered that a much younger duo was ready to replace them, they called it quits. It took the Yugoslav broadcaster considerable effort to get the two back. The Norwegian Ketil Stokkan participated for the second time. After 1986, he now sang about the “Brandenburger Tor”. After the fall of the Berlin Wall, a striking number of songs were built around the theme of peace. The German entry was titled “Frei zu Leben” (Free to Live). Italy sang about the unification of Europe in “Insieme: 1992” (In Together: 1992). The Finnish group Beat sang “Fri?” (Free?), and the Austrian Simone sang “Keine Mauern mehr” (No More Walls). The latter did not even win the national final. The winning duo, Duett, was disqualified because it turned out that the song had already participated in a German national final.  The show started in a peculiar way. Spain was allowed to open, but after the intro, the ladies of the duo Azucar Moreno walked off angrily. The backing track had been started incorrectly. The ladies had to start over. The uptempo number by the Icelandic duo Stjórnin also stood out. It achieved a fourth place. Honking cars drove down the streets in Iceland as if the country had won. Joëlle Ursull represented France with a song by Serge Gainsbourg: “The White and Black Blues”. There was cheerful drumming on oil drums. Ursull came second, but had to share that place with the Irishman Liam Reilly. Seated at the piano, he sang “Somewhere in Europe”. And we do not want to leave Tajči unmentioned. She was a sort of Yugoslavian Marilyn Monroe, who managed to score quite nicely with the cheerful “Hajde da ludujemo”.  Toto Cutugno But Italy’s European song, “Insieme: 1992”, won. The singer, Toto Cutugno, was certainly no stranger. His biggest hit across Europe was “L’Italiano”. He finished high at the San Remo festival several times. In 1990 he did not win, but the numbers one and two were not interested in participating in Eurovision. When he won, all sorts of things happened. Champagne was poured over his head, causing the black dye to start dripping from his hair. That was very visible because he was wearing a white jacket. Someone in a black jacket quickly rushed over to solve this problem. Out of enthusiasm, Cutugno crawled into the audience during the encore, followed by a whole horde of journalists. For the public, the whole thing was not really safe. But Cutugno hadn’t noticed any of that, he said later. 1991 The entire 1991 Eurovision Song Contest can be summed up by one word: chaos. It started with the venue itself. The contest was supposed to be held in San Remo, but after the outbreak of the Gulf War, that proved not to be safe enough. It became Cinecittà, the studio in Rome where the spaghetti westerns were filmed. The set looked mostly like a collection of props that hadn’t been put away. The Italian broadcaster RAI decided to invite the two former winners, Gigliola Cinquetti and Toto Cutugno, as hosts. While Gigliola tried to keep things on track a little bit, Toto Cutugno was mainly an unguided missile. He didn’t listen, talked over jury chairmen, and started talking about something completely different at unexpected moments. At the end of the evening, scrutineer Frank Naef, usually an eloquent man, sat behind his table, turned red with annoyance. The songs Thomas Forstner returned for Austria. He had been successful in 1989, so he hoped to finish in the top 10 once again. It was quite disappointing: no one had points for him. The group Just4Fun from Norway included former Bobbysock Hanne Krogh and former Icy member Eirikur Hauksson from Iceland. Stefan Hilmarsson participated for Iceland itself; he was one half of the duo Beathoven. Malta was back! Not having participated since 1975, the duo Georgina & Paul Giordimaina was back. Surprisingly, their ballad “Could It Be” finished sixth. That was Malta’s best score ever up to that point. The Israeli Duo Datz also stood out, particularly with their typical Israeli dance. Sergio Dalma from Spain lived up to his reputation as a crooner with a fourth-place finish. And then there was Atlantis 2000 from Germany. They had bypassed the televoter and let a panel of a thousand people choose the song. Not a good idea, as it turned out. Singer and face of the group, Hermann Weindorff, sang so badly that his solos were distributed among the other group members to salvage what could still be salvaged. The group Clouseau, wildly popular in Belgium, also failed to do well, despite an Italian newspaper labeling them as the big favorites. The Belgians received no support from the Netherlands, where the group was also very popular. The Netherlands had to withdraw due to a remembrance day. And then there was Greece. Sophia Vossou’s song “I Anixi” featured a saxophone solo. Unfortunately, the young saxophonist from the orchestra was replaced at the last minute by an older gentleman. He couldn’t manage to get his fingers on the saxophone at the right moment. The sax solo went completely wrong. Carola At the end of the show, there were two winners. France and Sweden had the same number of points. The countries also received 12 points equally often, but Sweden received 10 more frequently. Sweden therefore won in the end. 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70 years of Eurovision: chaos

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1990 Eurovision was held in Zagreb. The hosting proved to be quite a challenge. When hosts Oliver Mlakar and Helga Vlahović discovered that a much younger duo was ready to replace them, they called it quits. It took the Yugoslav broadcaster considerable effort to get the two back. The Norwegian Ketil Stokkan participated for the second time. After 1986, he now sang about the “Brandenburger Tor”. After the fall of the Berlin Wall, a striking number of songs were built around the theme of peace. The German entry was titled “Frei zu Leben” (Free to Live). Italy sang about the unification of Europe in “Insieme: 1992” (In Together: 1992). The Finnish group Beat sang “Fri?” (Free?), and the Austrian Simone sang “Keine Mauern mehr” (No More Walls). The latter did not even win the national final. The winning duo, Duett, was disqualified because it turned out that the song had already participated in a German national final.  The show started in a peculiar way. Spain was allowed to open, but after the intro, the ladies of the duo Azucar Moreno walked off angrily. The backing track had been started incorrectly. The ladies had to start over. The uptempo number by the Icelandic duo Stjórnin also stood out. It achieved a fourth place. Honking cars drove down the streets in Iceland as if the country had won. Joëlle Ursull represented France with a song by Serge Gainsbourg: “The White and Black Blues”. There was cheerful drumming on oil drums. Ursull came second, but had to share that place with the Irishman Liam Reilly. Seated at the piano, he sang “Somewhere in Europe”. And we do not want to leave Tajči unmentioned. She was a sort of Yugoslavian Marilyn Monroe, who managed to score quite nicely with the cheerful “Hajde da ludujemo”.  Toto Cutugno But Italy’s European song, “Insieme: 1992”, won. The singer, Toto Cutugno, was certainly no stranger. His biggest hit across Europe was “L’Italiano”. He finished high at the San Remo festival several times. In 1990 he did not win, but the numbers one and two were not interested in participating in Eurovision. When he won, all sorts of things happened. Champagne was poured over his head, causing the black dye to start dripping from his hair. That was very visible because he was wearing a white jacket. Someone in a black jacket quickly rushed over to solve this problem. Out of enthusiasm, Cutugno crawled into the audience during the encore, followed by a whole horde of journalists. For the public, the whole thing was not really safe. But Cutugno hadn’t noticed any of that, he said later. 1991 The entire 1991 Eurovision Song Contest can be summed up by one word: chaos. It started with the venue itself. The contest was supposed to be held in San Remo, but after the outbreak of the Gulf War, that proved not to be safe enough. It became Cinecittà, the studio in Rome where the spaghetti westerns were filmed. The set looked mostly like a collection of props that hadn’t been put away. The Italian broadcaster RAI decided to invite the two former winners, Gigliola Cinquetti and Toto Cutugno, as hosts. While Gigliola tried to keep things on track a little bit, Toto Cutugno was mainly an unguided missile. He didn’t listen, talked over jury chairmen, and started talking about something completely different at unexpected moments. At the end of the evening, scrutineer Frank Naef, usually an eloquent man, sat behind his table, turned red with annoyance. The songs Thomas Forstner returned for Austria. He had been successful in 1989, so he hoped to finish in the top 10 once again. It was quite disappointing: no one had points for him. The group Just4Fun from Norway included former Bobbysock Hanne Krogh and former Icy member Eirikur Hauksson from Iceland. Stefan Hilmarsson participated for Iceland itself; he was one half of the duo Beathoven. Malta was back! Not having participated since 1975, the duo Georgina & Paul Giordimaina was back. Surprisingly, their ballad “Could It Be” finished sixth. That was Malta’s best score ever up to that point. The Israeli Duo Datz also stood out, particularly with their typical Israeli dance. Sergio Dalma from Spain lived up to his reputation as a crooner with a fourth-place finish. And then there was Atlantis 2000 from Germany. They had bypassed the televoter and let a panel of a thousand people choose the song. Not a good idea, as it turned out. Singer and face of the group, Hermann Weindorff, sang so badly that his solos were distributed among the other group members to salvage what could still be salvaged. The group Clouseau, wildly popular in Belgium, also failed to do well, despite an Italian newspaper labeling them as the big favorites. The Belgians received no support from the Netherlands, where the group was also very popular. The Netherlands had to withdraw due to a remembrance day. And then there was Greece. Sophia Vossou’s song “I Anixi” featured a saxophone solo. Unfortunately, the young saxophonist from the orchestra was replaced at the last minute by an older gentleman. He couldn’t manage to get his fingers on the saxophone at the right moment. The sax solo went completely wrong. Carola At the end of the show, there were two winners. France and Sweden had the same number of points. The countries also received 12 points equally often, but Sweden received 10 more frequently. Sweden therefore won in the end. France had scored well with a singer from Tunisia. That was clearly audible. The song contained many Arabic influences. Singer Amina knew how to capitalize on her participation. Her song “Le dernier qui à parlé” became an international hit. But it was Carola, also

Read More »
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