Eurovision hosts announced

It was already rumoured before, but now it is sure. During the festival of Sanremo 2022, the hosts of the upcoming Eurovision song contest are announced. Laura Pausini, Alessandro Cattelan and Mika will host the show.

Laura Pausini won the festival of Sanremo in 1993. It was the start of a brilliant carreer; her winning Sanremo song “La solitudine” became a worldwide hit, followed by songs like “Strani amori” (3rd in Sanremo 1994), “Gente”, “Incancellabile” and “Fantastico (fai quello que sei)”.

source: wikimedia commons 

Alessandro Cattelan is a famous Italian tv-show host and actor. He hosted the Italian version of “Total request live” and X-Factor Italia.

Mika, born as Michael Holbrooke Penniman jr., is a Lebanese-born British singer. His greatest hits were “Relax (take it easy” and “Grace Kelly”. Italy was interested in him because he hosted the show “Stasera Casa Mika” on Italian television and he was a judge in X-Factor Italy.

source: Wikimedia Commons

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Eurovision 2026
Martijn

EBU warning Israel after voting campaign

📷EBU/Corinne Cumming The EBU warning to Israel concerns broadcaster KAN and its promotion of “Michelle” by Noam Bettan. The song is Israel’s Eurovision 2026 entry. The warning followed promotional videos in which viewers were urged to use all ten votes for Israel. Eurovision director Martin Green said the EBU contacted the delegation soon after the videos appeared. The campaign was then removed from the relevant platforms. According to the EBU, such a direct voting appeal does not fit the contest rules. It also goes against the spirit of fair competition. KAN said the campaign was the artist’s own initiative. The broadcaster also denied that illegal funding was involved. Rule changes after Israel debate The EBU warning to Israel is notable because it comes in the first year under stricter Eurovision rules. These changes followed the debate after Eurovision 2025. That year, Israel’s Yuval Raphael finished second overall and won the public vote. Several broadcasters and commentators then raised questions about promotion, voting transparency and organised support. As a result, the EBU changed parts of the voting system. The maximum number of votes per payment method was reduced from 20 to 10. Professional juries also returned to the semi-finals. In addition, the EBU tightened its rules on disproportionate promotion. This is especially relevant when governments or third parties are involved. Israel’s Eurovision entries have also faced repeated scrutiny over lyrics. In 2024, Eden Golan’s original song “October Rain” was rejected by the EBU. The lyrics were seen as too political for the contest. A second version, “Dance Forever”, was also not accepted in its first form. Israel eventually competed with the revised song “Hurricane”. This year, Israel’s 2026 entry was approved only after extra checks and reported minor changes. Taken together, the warning, the rule changes and the lyric interventions show a clear pattern. Israel remains part of Eurovision, and KAN denies deliberate rule-breaking. Still, Israel again seems to test how far the rules go. Time after time, the country appears to search for the edges of what is allowed.           

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