Day 8: Of good voices and proper acts from the Big Five!

It’s the end of the individual rehearsals every year: those of the Big Five. And every year it is the disappointment of a group of countries that seem to be unable to bring anything good to the stage. Last year there was already a noticeable change in this, but this year the countries really surprise!

Rehearsals Big Five

FRANCE: For the first time since 1996, the Breton language can be heard at the Eurovision Song Contest. Back then France finished at the bottom. That won’t happen now, but the act made quite a messy impression during rehearsals. The points will really have to come in thanks to the song and enthusiasm of Alvan and Ahez.

ITALY: The performance of Italy, now that Blanco is around, is rather disappointing. This is mainly due to the poor vocals of both. Mahmood is dressed in black, Blanco in white and there is a lot of light. But that doesn’t help much if the vocals remain as bad as they are now. However, our friends from songfestivalweblog.nl remember that Mahmood did not excel during the rehearsals in 2019 either, but when it came to the jury final and the final, he really showed his best. Perhaps that will happen again three years later.

UNITED KINGDOM: Sam Ryder stands amid scaffolding singing his song. And that is all he needs for this song. His strong voice seems to be enough for a very high score, something for which the British have to go way back. The British will also finally experience that you can end up high with a good song.

SPAIN: We remember the act, in which singing and dancing are combined, from the Spanish national final. This usually has an effect on the singer’s voice. Not so with Chanel. Because with this performance she proves that she is more, much more than an average pop singer. Like the British, the Spaniards can look forward to the festival with confidence.

GERMANY: With guitar and drum machine Malik Harris manages to show an act that is not bad at all. As far as vocals go, Malik continues to do well. The act is not directly in the top-5 with the bookmakers, and the song is perhaps just a bit too anonymous for that. One thing is certain: Germany is also out of the lower regions this year.

Conclusion: unlike in previous years, the Big Five seem to be doing reasonably well this year and there is even a potential winner. Has Måneskin’s win brought new impetus to these five countries? Who’ knows…?

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Eurovision 2026
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Road to Vienna: Austria

Just before rehearsals kick off in Vienna, we’ve got one more stop on our daily Road to Vienna: the host country itself, Austria. Cosmó: Austria’s Young Pop Star and student to Eurovision 2026 Cosmó, born Benjamin Gedeon on 18 June 2006 in Budapest, is a 19-year-old Austrian singer-songwriter from Burgenland. He started music early, attending music school at just four years old and learning piano by six. By his early teens, he was already writing songs, inspired by musical theatre, karaoke experiences, and a growing love for pop music. Early Career and TV Breakthrough Cosmó first appeared on The Voice Kids Germany in 2020, gaining early stage experience. His breakthrough came in 2022 when he reached the final under the mentorship of Álvaro Soler. Around the same time, he won a regional songwriting competition with his original track “Fall into Your Arms,” strengthening his reputation as a rising young talent. Building His Sound and Identity After his TV success, Cosmó began performing live across Austria and collaborating with established artists. He formed his own band and developed a distinct pop style influenced by electronic music and club culture. In 2025, he released his debut EP From My Room, showcasing his modern, youthful sound and growing artistic identity.      Now based in Vienna and studying dentistry, Cosmó balances academic life with a fast-growing music career. His name, short for “Cosmopolitan,” reflects his open-minded and global outlook. Tanzschein: A Club Anthem with a Deeper Message At first listen, “Tanzschein” by Cosmó sounds like a high-energy club track built for the dance floor. Neon lights, nightlife excitement, and party energy set the tone—but underneath the upbeat surface lies a layered social commentary. The Club as a Mirror of Society In “Tanzschein,” the nightclub becomes a metaphor for society itself. The lyrics portray partygoers as instinct-driven and performative, highlighting themes of dominance, ego, and social hierarchy. By exaggerating nightlife behavior, the song subtly reflects real-world social dynamics in a humorous yet critical way. The Meaning of the “Dance License” A central concept in the song is the fictional “dance license.” While it sounds playful, it represents emotional intelligence, respect, and self-awareness. Those who “have it” are welcomed into the club, while those who don’t remain outside—symbolizing exclusion caused by ego-driven or impulsive behavior. Satire, Vulnerability, and Growth What makes “Tanzschein” stand out is its balance between satire and sincerity. The song critiques toxic behavior often found in nightlife culture, but it also introduces vulnerability through a character afraid to join the dance floor. This shift transforms the club from a place of competition into one of acceptance and self-expression. A Dance Floor as a Social Lesson Ultimately, “Tanzschein” turns nightlife into a reflection of society. It suggests that true connection goes beyond rhythm and appearance—it requires empathy, awareness, and openness. The song delivers a playful yet thought-provoking message, making it one of the more conceptually rich entries on the Eurovision 2026 stage.   Austria in the Eurovision Song Contest Austria has participated in the Eurovision Song Contest 56 times since its debut in 1957. The country has won three times: in 1966 with Udo Jürgens‘ “Merci, Chérie”, in 2014 with Conchita Wurst‘s “Rise Like a Phoenix.” And ofcourse last year with JJ‘s “Wasted love” Austria has experienced varying success over the years, with several last-place finishes and instances of receiving zero points. The Bookmakers With a guaranteed spot in the Grand Final as last year’s winner, Austria somehow finds itself ranked 32nd with the bookmakers—while only 25 acts will actually compete.  

Read More »
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