Day 7: A crystal mask, a thunderstorm and Murphy’s Law

The penultimate day of rehearsal: it is becoming increasingly clear what the viewer can expect. Today we saw the last artists of the second semifinal. Let’s take a closer look at the rehearsals:

AUSTRALIA: Whatever you think of Sheldon Riley, he sings like no other. During his emotional ballad he wears the white suit with the enormous drag of feathers. He wears his crystal mask for most of the act, but it goes off. It can’t be difficult for Australia to make it to the final.

CYPRUS: For the first time in years, Cyprus is singing (partially) in Greek again. Andromache and her dancers stand in a kind of shell as they sing the song. We have to admit that we would describe Andromache’s vocals as ‘not bad’. If is that a recommendation….?

IRELAND: Ireland falls into the ‘how nice’ category. Brooke’s vocals are certainly not bad, neither is the act. However, you may wonder if this is the song with which Ireland will finally reach the final again. We cannot rule out the possibility that it will not work.

NORTH MACEDONIA: Perhaps Andrea had hoped for greater success. She was not happy with her first rehearsal. The song comes across as screaming; a hoarseness that suits Kaliopi (2012 and 2016) but not Andrea.

ESTONIA: Unfortunately, Stefan can’t count on the 12 points from Armenia, because the country where his roots lie is performing in the other semifinal. The many movements he makes do have an effect on Stefan’s voice, but somehow it doesn’t seem to matter for the entry. It is a happy song that can easily go through to the final.

ROMANIA: The Romanians made some minor changes to the act, making it even better and slicker. Furthermore, it seemed as if WRS had changed the melody of the chorus a little bit here and there. In any case, a spectacular show is in store for Romania.

POLAND: The ballad of Polen starts very calmly with Ochman alone on stage. Halfway through, when the song becomes a little less quiet, the aforementioned dancers (forest nymphs?) come on stage. We see that a heavy thunderstorm erupts on the stage. Finally a strong contender for Poland agiain.

MONTENEGRO: A ballad in which not much happens in 3 minutes. The advantage is that not much can go wrong. We had already mentioned the blue dress that Vladana is wearing. Behind her a circle that most resembles the fluff ball of a dandelion. It is not sure whether it stands out enough to go to the final.

BELGIUM: The Belgians have a strong singer with a gospel-like power ballad in JĂ©rĂ©mie Makiese. He will definitely get points for that. Fortunately, because the act he shows looks a bit stiff and doesn’t really do justice to the song and singer.

SWEDEN: Murphy’s Law strikes. If one thing goes wrong, everything immediately goes wrong. Problems with the sound, problems with the technique and a falling cameraman meant that she was only able to do one whole runthrough. Cornelia did manage to show how professional she is, by showing a good rehearsal even with all that trouble.

CZECH REPUBLIC: The act with lots of light and nice graphics fits very well with the Czech entry. In that respect it is a unity. The vocals, however, leave a lot to be desired. That could cost them their heads if it has to be clear who will go to the final.

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Weekly Update

It’s time for another weekly Eurovision update. Belgium has officially joined the list of 2026 participants, and Israel intends to take part. The EBU shared a statement after recent discussions. Luxembourg, Austria, and Denmark opened their national selection processes. Meanwhile, two Austrian cities exited the host city race, while two others moved forward with formal bids. Belgium Confirms, Israel Plans to Participate Belgium confirmed its participation in the Eurovision Song Contest 2026. Broadcaster RTBF announced the decision and will later decide how it will choose its entry. The Flemish broadcaster VRT will not be in charge this time, following the usual alternation. source: escspot 📷 EBU/Sarah Bennett Israel also intends to take part. Public broadcaster KAN said preparations are underway for next year’s contest in Austria. Although discussions about Israel’s role in Eurovision have drawn attention recently, KAN made its stance clear. Israel joins over a dozen broadcasters that have already declared their intention to participate.  EBU Responds with Statement after Assembly The European Broadcasting Union (EBU) addressed recent concerns about Eurovision’s direction. During the General Assembly in London, members shared their views on the contest’s growing challenges in a complex global climate. The EBU released a statement afterward, recognizing that participation questions have become more sensitive and complicated. Broadcasters voiced many opinions and expressed support for KAN’s independence, especially under political pressure. To move forward, the EBU brought in a former senior television executive to lead a structured dialogue with its members. This process will include further discussions and a report with recommendations, expected in the autumn. Countries Start Their Search for 2026 Entries In this weekly update we also look at national selections. Several countries have now launched their search for Eurovision 2026 songs. Luxembourg opened its submission platform on 4 July. Songwriters and performers can submit entries online. The national final will take place on 24 January 2026 at the Rockhal Arena. source: RTL Austria also began preparing for next year. Broadcaster ORF opened submissions for artists and songwriters. The submission deadline is 15 September. Last month, ORF hosted a songwriting camp in Vienna. Artists and producers worked together, creating 18 new songs. Some of these songs could be selected internally to represent Austria. source: Merci,Cherie In Denmark, broadcaster DR opened submissions for Dansk Melodi Grand Prix 2026. Composers can send in their songs until 2 November. A professional jury will select eight finalists. The national final is set for 14 February 2026 in Frederikshavn. The winner will represent Denmark at Eurovision 2026. source: DR 📷 EBU/Sarah Louise Bennett Vienna and Innsbruck Submit Host Bids The list of potential host cities is getting shorter. Wels and Linz, who planned a joint bid, decided not to move forward. Technical issues and high costs led them to withdraw. Their venue, the TipsArena, didn’t meet key Eurovision requirements. source: OTS At the same time, Vienna and Innsbruck submitted official bids to host the contest. Vienna proposed the Wiener Stadthalle, the same venue it used in 2015. Innsbruck chose the Olympiaworld complex. Both cities confirmed their bids with detailed proposals. ORF, the Austrian broadcaster, will now review the applications. A decision on the 2026 host city is expected by 8 August. That’s all for this weekly update. Stay tuned for another weekly roundup next week as the road to Eurovision 2026 continues! Share

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Martijn

Weekly Update

It’s time for another weekly Eurovision update. Belgium has officially joined the list of 2026 participants, and Israel intends to take part. The EBU shared a statement after recent discussions. Luxembourg, Austria, and Denmark opened their national selection processes. Meanwhile, two Austrian cities exited the host city race, while two others moved forward with formal bids. Belgium Confirms, Israel Plans to Participate Belgium confirmed its participation in the Eurovision Song Contest 2026. Broadcaster RTBF announced the decision and will later decide how it will choose its entry. The Flemish broadcaster VRT will not be in charge this time, following the usual alternation. source: escspot 📷 EBU/Sarah Bennett Israel also intends to take part. Public broadcaster KAN said preparations are underway for next year’s contest in Austria. Although discussions about Israel’s role in Eurovision have drawn attention recently, KAN made its stance clear. Israel joins over a dozen broadcasters that have already declared their intention to participate.  EBU Responds with Statement after Assembly The European Broadcasting Union (EBU) addressed recent concerns about Eurovision’s direction. During the General Assembly in London, members shared their views on the contest’s growing challenges in a complex global climate. The EBU released a statement afterward, recognizing that participation questions have become more sensitive and complicated. Broadcasters voiced many opinions and expressed support for KAN’s independence, especially under political pressure. To move forward, the EBU brought in a former senior television executive to lead a structured dialogue with its members. This process will include further discussions and a report with recommendations, expected in the autumn. Countries Start Their Search for 2026 Entries In this weekly update we also look at national selections. Several countries have now launched their search for Eurovision 2026 songs. Luxembourg opened its submission platform on 4 July. Songwriters and performers can submit entries online. The national final will take place on 24 January 2026 at the Rockhal Arena. source: RTL Austria also began preparing for next year. Broadcaster ORF opened submissions for artists and songwriters. The submission deadline is 15 September. Last month, ORF hosted a songwriting camp in Vienna. Artists and producers worked together, creating 18 new songs. Some of these songs could be selected internally to represent Austria. source: Merci,Cherie In Denmark, broadcaster DR opened submissions for Dansk Melodi Grand Prix 2026. Composers can send in their songs until 2 November. A professional jury will select eight finalists. The national final is set for 14 February 2026 in Frederikshavn. The winner will represent Denmark at Eurovision 2026. source: DR 📷 EBU/Sarah Louise Bennett Vienna and Innsbruck Submit Host Bids The list of potential host cities is getting shorter. Wels and Linz, who planned a joint bid, decided not to move forward. Technical issues and high costs led them to withdraw. Their venue, the TipsArena, didn’t meet key Eurovision requirements. source: OTS At the same time, Vienna and Innsbruck submitted official bids to host the contest. Vienna proposed the Wiener Stadthalle, the same venue it used in 2015. Innsbruck chose the Olympiaworld complex. Both cities confirmed their bids with detailed proposals. ORF, the Austrian broadcaster, will now review the applications. A decision on the 2026 host city is expected by 8 August. That’s all for this weekly update. Stay tuned for another weekly roundup next week as the road to Eurovision 2026 continues! Share

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