Day 7: A crystal mask, a thunderstorm and Murphy’s Law

The penultimate day of rehearsal: it is becoming increasingly clear what the viewer can expect. Today we saw the last artists of the second semifinal. Let’s take a closer look at the rehearsals:

AUSTRALIA: Whatever you think of Sheldon Riley, he sings like no other. During his emotional ballad he wears the white suit with the enormous drag of feathers. He wears his crystal mask for most of the act, but it goes off. It can’t be difficult for Australia to make it to the final.

CYPRUS: For the first time in years, Cyprus is singing (partially) in Greek again. Andromache and her dancers stand in a kind of shell as they sing the song. We have to admit that we would describe Andromache’s vocals as ‘not bad’. If is that a recommendation….?

IRELAND: Ireland falls into the ‘how nice’ category. Brooke’s vocals are certainly not bad, neither is the act. However, you may wonder if this is the song with which Ireland will finally reach the final again. We cannot rule out the possibility that it will not work.

NORTH MACEDONIA: Perhaps Andrea had hoped for greater success. She was not happy with her first rehearsal. The song comes across as screaming; a hoarseness that suits Kaliopi (2012 and 2016) but not Andrea.

ESTONIA: Unfortunately, Stefan can’t count on the 12 points from Armenia, because the country where his roots lie is performing in the other semifinal. The many movements he makes do have an effect on Stefan’s voice, but somehow it doesn’t seem to matter for the entry. It is a happy song that can easily go through to the final.

ROMANIA: The Romanians made some minor changes to the act, making it even better and slicker. Furthermore, it seemed as if WRS had changed the melody of the chorus a little bit here and there. In any case, a spectacular show is in store for Romania.

POLAND: The ballad of Polen starts very calmly with Ochman alone on stage. Halfway through, when the song becomes a little less quiet, the aforementioned dancers (forest nymphs?) come on stage. We see that a heavy thunderstorm erupts on the stage. Finally a strong contender for Poland agiain.

MONTENEGRO: A ballad in which not much happens in 3 minutes. The advantage is that not much can go wrong. We had already mentioned the blue dress that Vladana is wearing. Behind her a circle that most resembles the fluff ball of a dandelion. It is not sure whether it stands out enough to go to the final.

BELGIUM: The Belgians have a strong singer with a gospel-like power ballad in Jérémie Makiese. He will definitely get points for that. Fortunately, because the act he shows looks a bit stiff and doesn’t really do justice to the song and singer.

SWEDEN: Murphy’s Law strikes. If one thing goes wrong, everything immediately goes wrong. Problems with the sound, problems with the technique and a falling cameraman meant that she was only able to do one whole runthrough. Cornelia did manage to show how professional she is, by showing a good rehearsal even with all that trouble.

CZECH REPUBLIC: The act with lots of light and nice graphics fits very well with the Czech entry. In that respect it is a unity. The vocals, however, leave a lot to be desired. That could cost them their heads if it has to be clear who will go to the final.

Related news

Eurovision 2026

Vienna 12 points: from a huge table to 7,000 crystals

  Day four of first rehearsals at the 70th Eurovision Song Contest is underway in Vienna. The final eight countries of Semi-Final 2 step onto the Wiener Stadthalle stage for the very first time today, Tuesday 5 May. First rehearsals remain closed to press; three approved images per country will be published approximately 24 hours after each performance. The official Eurovision subreddit is providing live descriptions throughout the day. Eurovision Universe sought additional detail through national broadcaster coverage, social media, and press reports. All five countries below compete in Semi-Final 2 on Thursday, May 14. 🇨🇾 Cyprus — Antigoni, “Jalla” Running order: 8 | Rehearsal: 5 May, 09:00–09:30 CEST | Second rehearsal: 9 May Antigoni has been promising she would dance on the table. This morning at the Wiener Stadthalle she delivered  in a way nobody quite anticipated. The centrepiece of the staging is a table of extraordinary scale: large enough for all four dancers to join Antigoni on top of it, large enough to function as a full catwalk, and large enough that the chairs do not go beside it but on it. This choreography is tight and deliberate. The dancers even work with plates. And the whole setup directly brings to life the song’s most iconic lyric. It is a reference with Eurovision history behind it: Ivi Adamou danced on a table for Cyprus at Baku 2012, but the 2026 version operates on an entirely different scale. The table itself has a table runner made from an LED strip, which comes into its own during the “you want more?” section of the song. From there, Antigoni steps off the table and onto the catwalk with a purposeful strut, before the staging closes out with fire and pyrotechnics more commonly associated with rock entries than Mediterranean pop. The backdrop features giant ancient pillars lit in blue. Antigoni wears a short white beaded dress. Staging is by Sacha Jean-Baptiste, whose Eurovision credits include “Fuego” (Cyprus 2018) and the 2023 winner “Tattoo” for Sweden. Antigoni Buxton, 29, is a British-Cypriot singer-songwriter from North London who gained wider recognition after Love Island UK in 2022. CyBC selected her internally in November 2025. “Jalla”, meaning “more” in the Cypriot dialect, was co-written with Charalambous Kallona, Connor Mullally-Knight, Demetris Nikolaou, Claydee, Paris Kalpos, and Trey Qua. Cyprus competes 8th in Semi-Final 2. Sources: r/eurovision live thread / CyBC / Eurovoix / Instagram @antigoni 🇱🇻 Latvia — Atvara, “Ēnā” Running order: 9 | Rehearsal: 5 May, 09:40–10:10 CEST | Second rehearsal: 8 May Latvia’s first Vienna rehearsal delivers a scaled-up version of the performance that won Supernova 2026 in February. If the subreddit’s reporters are to be believed, it translates powerfully to the larger Wiener Stadthalle stage. Atvara completed three full run-throughs of “Ēnā.” The core concept remains unchanged: an intimate, atmospheric performance built around the song’s cinematic ballad structure and Atvara’s vocal. What has changed is the detail. Atvara is wearing a newly designed gown decorated with sparkling stones. They now extend further down the side and along her left arm. Speaking to Latvian broadcaster LSM ahead of Vienna, Atvara confirmed that the team had worked to adapt the Supernova concept to the Eurovision scale. They refined technical elements while leaving the core performance intact. Her stylist Inna Bertāne described the new dress in Latvian press as a deliberate step up. Atvara rose to prominence on TikTok via her debut single “Pie Manis Tveries” and later sold out 22 solo shows in Latvia in 2025. She won Supernova on 14 February, taking both the jury and public votes. Latvia competes 9th in Semi-Final 1. Sources: LSM / Supernova / Latvian Radio / Instagram @atvara.liene 🇩🇰 Denmark — Søren Torpegaard Lund, “Før vi går hjem” Running order: 10 | Rehearsal: 5 May, 10:20–10:50 CEST | Second rehearsal: 9 May The Melodi Grand Prix staging has arrived in Vienna completely intact, and apparently quite literally so. The box that defined Søren’s breakthrough performance in Frederikshavn was not dismantled and rebuilt for the Wiener Stadthalle; it was shipped as-is. When something works that well, you don’t take risks with it. That said, what is inside the box has been elevated for Eurovision. Søren opens in black leather trousers and an aquamarine silk chiffon shirt, before ripping it off mid-performance. The singer than reveals a sparkly black mesh top underneath. The outfit reveal lands as a proper moment. Inside the box, red tube lights illuminate and intensify as the performance builds, so that by the second chorus the whole structure is radiating heat, matching the choreography. This has been noticeably scaled up from the national final, particularly the thrusting during the first verse. When Søren finally steps out of the box towards the end of the song, a storm takes over the stage floor and the backdrop behind him. The respite is brief: the graphics transform into blazing fire for the final twenty seconds.  Søren Torpegaard Lund, 27, is a trained musical theatre actor who graduated from the Danish Stage Arts School and played Tony in West Side Story at the Copenhagen Opera House in 2021–22. He co-wrote “Før vi går hjem” with Clara Sofie Fabricius, Thomas Meilstrup, and Valdemar Littauer Bendixen, winning Melodi Grand Prix on 14 February with both the jury and public votes. Denmark competes 10th in Semi-Final 2. Sources: r/eurovision live thread / DR / ESC Insight / Instagram @sorentorpegaardlund 🇦🇺 Australia — Delta Goodrem, “Eclipse” Running order: 11 | Rehearsal: 5 May, 11:00–11:30 CEST | Second rehearsal: 9 May The biggest name in this year’s contest steps onto the Wiener Stadthalle stage and, by all accounts, does not disappoint. Delta Goodrem’s first Vienna rehearsal for “Eclipse” is a significant production. The staging is developed by Black Skull Creative, the team behind the entire Liverpool 2023 contest, alongside creative director Paul Clarke. It is described as one of the most technically ambitious performances in Vienna this year. The concept tracks a journey from a moon world into a sun world, culminating in a

Read More »
Eurovision 2026
Martijn

Vienna 12 points: from a huge table to 7,000 crystals

  Day four of first rehearsals at the 70th Eurovision Song Contest is underway in Vienna. The final eight countries of Semi-Final 2 step onto the Wiener Stadthalle stage for the very first time today, Tuesday 5 May. First rehearsals remain closed to press; three approved images per country will be published approximately 24 hours after each performance. The official Eurovision subreddit is providing live descriptions throughout the day. Eurovision Universe sought additional detail through national broadcaster coverage, social media, and press reports. All five countries below compete in Semi-Final 2 on Thursday, May 14. 🇨🇾 Cyprus — Antigoni, “Jalla” Running order: 8 | Rehearsal: 5 May, 09:00–09:30 CEST | Second rehearsal: 9 May Antigoni has been promising she would dance on the table. This morning at the Wiener Stadthalle she delivered  in a way nobody quite anticipated. The centrepiece of the staging is a table of extraordinary scale: large enough for all four dancers to join Antigoni on top of it, large enough to function as a full catwalk, and large enough that the chairs do not go beside it but on it. This choreography is tight and deliberate. The dancers even work with plates. And the whole setup directly brings to life the song’s most iconic lyric. It is a reference with Eurovision history behind it: Ivi Adamou danced on a table for Cyprus at Baku 2012, but the 2026 version operates on an entirely different scale. The table itself has a table runner made from an LED strip, which comes into its own during the “you want more?” section of the song. From there, Antigoni steps off the table and onto the catwalk with a purposeful strut, before the staging closes out with fire and pyrotechnics more commonly associated with rock entries than Mediterranean pop. The backdrop features giant ancient pillars lit in blue. Antigoni wears a short white beaded dress. Staging is by Sacha Jean-Baptiste, whose Eurovision credits include “Fuego” (Cyprus 2018) and the 2023 winner “Tattoo” for Sweden. Antigoni Buxton, 29, is a British-Cypriot singer-songwriter from North London who gained wider recognition after Love Island UK in 2022. CyBC selected her internally in November 2025. “Jalla”, meaning “more” in the Cypriot dialect, was co-written with Charalambous Kallona, Connor Mullally-Knight, Demetris Nikolaou, Claydee, Paris Kalpos, and Trey Qua. Cyprus competes 8th in Semi-Final 2. Sources: r/eurovision live thread / CyBC / Eurovoix / Instagram @antigoni 🇱🇻 Latvia — Atvara, “Ēnā” Running order: 9 | Rehearsal: 5 May, 09:40–10:10 CEST | Second rehearsal: 8 May Latvia’s first Vienna rehearsal delivers a scaled-up version of the performance that won Supernova 2026 in February. If the subreddit’s reporters are to be believed, it translates powerfully to the larger Wiener Stadthalle stage. Atvara completed three full run-throughs of “Ēnā.” The core concept remains unchanged: an intimate, atmospheric performance built around the song’s cinematic ballad structure and Atvara’s vocal. What has changed is the detail. Atvara is wearing a newly designed gown decorated with sparkling stones. They now extend further down the side and along her left arm. Speaking to Latvian broadcaster LSM ahead of Vienna, Atvara confirmed that the team had worked to adapt the Supernova concept to the Eurovision scale. They refined technical elements while leaving the core performance intact. Her stylist Inna Bertāne described the new dress in Latvian press as a deliberate step up. Atvara rose to prominence on TikTok via her debut single “Pie Manis Tveries” and later sold out 22 solo shows in Latvia in 2025. She won Supernova on 14 February, taking both the jury and public votes. Latvia competes 9th in Semi-Final 1. Sources: LSM / Supernova / Latvian Radio / Instagram @atvara.liene 🇩🇰 Denmark — Søren Torpegaard Lund, “Før vi går hjem” Running order: 10 | Rehearsal: 5 May, 10:20–10:50 CEST | Second rehearsal: 9 May The Melodi Grand Prix staging has arrived in Vienna completely intact, and apparently quite literally so. The box that defined Søren’s breakthrough performance in Frederikshavn was not dismantled and rebuilt for the Wiener Stadthalle; it was shipped as-is. When something works that well, you don’t take risks with it. That said, what is inside the box has been elevated for Eurovision. Søren opens in black leather trousers and an aquamarine silk chiffon shirt, before ripping it off mid-performance. The singer than reveals a sparkly black mesh top underneath. The outfit reveal lands as a proper moment. Inside the box, red tube lights illuminate and intensify as the performance builds, so that by the second chorus the whole structure is radiating heat, matching the choreography. This has been noticeably scaled up from the national final, particularly the thrusting during the first verse. When Søren finally steps out of the box towards the end of the song, a storm takes over the stage floor and the backdrop behind him. The respite is brief: the graphics transform into blazing fire for the final twenty seconds.  Søren Torpegaard Lund, 27, is a trained musical theatre actor who graduated from the Danish Stage Arts School and played Tony in West Side Story at the Copenhagen Opera House in 2021–22. He co-wrote “Før vi går hjem” with Clara Sofie Fabricius, Thomas Meilstrup, and Valdemar Littauer Bendixen, winning Melodi Grand Prix on 14 February with both the jury and public votes. Denmark competes 10th in Semi-Final 2. Sources: r/eurovision live thread / DR / ESC Insight / Instagram @sorentorpegaardlund 🇦🇺 Australia — Delta Goodrem, “Eclipse” Running order: 11 | Rehearsal: 5 May, 11:00–11:30 CEST | Second rehearsal: 9 May The biggest name in this year’s contest steps onto the Wiener Stadthalle stage and, by all accounts, does not disappoint. Delta Goodrem’s first Vienna rehearsal for “Eclipse” is a significant production. The staging is developed by Black Skull Creative, the team behind the entire Liverpool 2023 contest, alongside creative director Paul Clarke. It is described as one of the most technically ambitious performances in Vienna this year. The concept tracks a journey from a moon world into a sun world, culminating in a

Read More »
Follow Us: