Day 5: A sun that doesn’t move, a Greek tavern and COVID19

Today we saw the second rehearsals for the first 14 countries from the first semifinal. For the first time the press was allowed to see the rehearsals on large TV screens in the press center. It is now certain that the kinetic sun does not rotate. During the first rehearsals it turned out that the time between performances was too short to move the center part of the sun. As a result, several countries had to adjust their graphics, because they were not or only partially visible

ALBANIA: The outfit had been changed and Ronela Hajati also had her own blond hair again, instead of the pink hair she had during the first rehearsal. It was a dynamic performance, in which there was almost constant dancing, together with her four dancers and a dancer. After the first rehearsal, there were some comments about an allegedly offensive dance move by Ronela with her dancer, but she kept it in anyway.

LATVIA: The six were wearing the familiar colorful suits and the decor was also very colorful. Various types of vegetables were displayed on the LED screen. In the middle of the song there was a moment for the saxophonist. The performance ended with the singer making a split.

LITHUANIA: Monika Liu stood alone on the big stage in Turin and mainly sang her song into the camera. She moved elegantly and attracted all the attention. The song doesn’t really need anything more.

SWITZERLAND: Dressed all in black, Marius Bear was on stage and a broken heart was visible on his face and on the floor. So emotions abound.

SLOVENIA: As said before, it was a big disco ball that mainly caught the attention of the Slovenian act. The boys wore 1970s-style velvet suits and the drummer appeared to be drumming above the disco ball. Compared to the previous rehearsal, there was little change.

UKRAINE: There was a lot to see on stage, besides the colorful costumes there was a lot of visual spectacle. It was traditional, ethnic with a modern twist, just like last year’s contribution. Because of the war in Ukraine, this performance has something emotional and that is subtly reflected in the visual spectacle.

BULGARIA: The performance started with a split screen, showing the drummer on one side and another member of the group. A small rock concert with all the trimmings, including a lot of fire(work).

THE NETHERLANDS: There were few noticeable changes from the first rehearsal of S10. In the Netherlands, there was some fuss about the singer’s bare belly, but it is still naked for a while. A lot has been taken out of the lighting of S10.

MOLDOVA: After the intimate moment of the Netherlands, a party erupted on stage with the contribution of Zdob şi Zdub, who are participating for the third time. They used the entire stage for their folklore song: Hey ho, let’s go…, but no train on stage. Lots of color, matching the contribution.

CROATIA: During rehearsals today, Mia had problems with her in-ears. No surprises at Mia’s performance. The postcards were also shown to the press today. A drone searches for the location where the artist of the country in question can be seen and we see the visual artist in the area.

DENMARK: The beginning was just like in the national final, Siggy starts alone at the piano, with her quieter part of the song and then the rock show starts. Last year we went back to the eighties with Denmark, now it seems back to the nineties. In case you don’t remember the name of the band, REDDI appeared on the LED screen.

AUSTRIA: Of course there is a Halo on stage. Lots of fireworks and strong staging. The vocal part of the duo was, as we can see now, quite disappointing.

GREECE: For those who don’t understand the act of Greece: Amanda seems to be in a Greek tavern; hence the chairs around her. But some of the seats have fallen over. That fits with the lyrics of the song. Amanda could count on a big round of applause from the audience.

PORTUGAL: A delegation member from Portugal tested positive for corona, so the entire delegation had to go back to the hotel and be tested. Fortunately none of the ladies tested positive and they were able to rehearse for their performance, but later than planned. After all the rehearsals had been completed, Portugal was allowed to go on stage after Greece. During this rehearsal it was clear that it was one of the background singers who tested positive for corona. The ladies were lined up in a circle and brought this atmospheric contribution in a good way.

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Austria in the Eurovision Song Contest, part 5

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the fourth episode, we will look back at the eighties and early nineties. Gary Lux returned again, and Thomas Forstner participated twice. And 1990 brings a special national final… 1986 – Timna Brauer – Die Zeit ist einsam Timna Brauer represented Austria in Eurovision 1986 with the song “Die Zeit ist einsam” (English: “Time is Lonely”). It was composed by Peter Janda with lyrics by Peter Cornelius. This introspective ballad scored 12 points in total and finished 18th in the final at Bergen. Brauer, an Austrian-Israeli singer-songwriter, comes from a famous artistic family. Her father is artist Arik Brauer. She was known for blending jazz and world music elements in her performances. 1987 – Gary Lux – Nur noch Gefühl Canadian-born singer Gary Lux returned to Austria in Eurovision 1987 with the song “Nur noch Gefühl” (“Only Feelings”). This gentle mid-tempo pop ballad was composed by Kenneth Westmore with lyrics by Austrian artist Stefanie Werger. On the night of the final in Brussels, Lux earned 8 points, placing 20th out of 22 entries. Gary Lux was already a Eurovision veteran. He had represented Austria multiple times in the 1980s, including as a solo act in 1985 and as part of the group Westend in 1983. His experience and smooth vocals made him a familiar name on the Eurovision stage, even though the 1987 entry did not score high. 1988 – Wilfried – Lisa, Mona Lisa Wilfried (Wilfried Scheutz) represented Austria in Eurovision 1988 with the song “Lisa, Mona Lisa”. This entry is a moody pop-rock number. It was co-written by Wilfried along with Klaus Kofler and Ronnie Herbolzheimer. In the Eurovision final held in Dublin, it unfortunately received nul points, finishing 21st (last) among the contenders. Wilfried was a prominent figure in Austropop: he had been one of the pioneers of Austrian pop/rock music since the 1970s. He even briefly served as lead singer of the band Erste Allgemeine Verunsicherung (EAV) before pursuing a solo career. Despite his domestic success and unique vocal style, “Lisa, Mona Lisa” did not manage to score with the international juries. 1989 – Thomas Forstner – Nur ein Lied Nineteen-year-old Thomas Forstner represented Austria at Eurovision 1989 with the power ballad “Nur ein Lied” (“Only a Song”). German pop producer Dieter Bohlen composed the music, while Joachim Horn-Bernges wrote the lyrics. The song carries an uplifting message of hope and peace. Forstner delivered one of Austria’s strongest Eurovision performances. Austria finished 5th out of 22 countries and scored 97 points, the nation’s best result since its 1966 victory. The success turned Forstner into a national pop star. “Nur ein Lied” climbed to #1 on the Austrian charts and strengthened his position in the local music scene. His breakthrough in Lausanne helped revive Austria’s Eurovision presence at the end of the 1980s and remains a key moment in the country’s contest history. 1990 – Simone – Keine Mauern mehr Austria’s 1990 entry was the inspirational pop ballad “Keine Mauern mehr” (“No Walls Anymore”), performed by Simone Stelzer. Marc Berry and Nanna Berry composed the music, and Mario Botazzi wrote the lyrics. The song promotes unity and the removal of barriers, echoing the atmosphere after the fall of the Berlin Wall. In the Eurovision final in Zagreb, Simone finished 10th out of 22 countries and earned 58 points for Austria. The national selection brought drama. During the live final, the duo Duett first won the competition, but their female singer fainted on stage while performing “Das Beste”. The song still topped the vote, yet officials later disqualified it because it had appeared in a 1988 German national final. As the runner-up, Simone took the Eurovision ticket and delivered a strong top-ten result for Austria. 1991 – Thomas Forstner – Venedig im Regen Thomas Forstner returned to represent Austria in Eurovision 1991 with “Venedig im Regen” (“Venice in the Rain”). Robby Musenbichler, Hubert Moser, and Wolfgang Eltner wrote this romantic ballad. The song was chosen out of 10. Also Anita Spanner (Eurovision 1984) was among the contestants. “Venedig im Regen” aimed to match Forstner’s strong 1989 result. The contest in Rome brought a very different outcome. Forstner scored 0 points, a sharp contrast to the 5th place he earned two years earlier. The song offers a smooth melody and heartfelt lyrics about a brief meeting in rainy Venice, yet international juries did not connect with it. This setback created one of the most striking turns in Austria’s Eurovision history, as Forstner became one of the rare artists to follow a top-five finish with a nul-points result.

Read More »
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