Day 5: A sun that doesn’t move, a Greek tavern and COVID19

Today we saw the second rehearsals for the first 14 countries from the first semifinal. For the first time the press was allowed to see the rehearsals on large TV screens in the press center. It is now certain that the kinetic sun does not rotate. During the first rehearsals it turned out that the time between performances was too short to move the center part of the sun. As a result, several countries had to adjust their graphics, because they were not or only partially visible

ALBANIA: The outfit had been changed and Ronela Hajati also had her own blond hair again, instead of the pink hair she had during the first rehearsal. It was a dynamic performance, in which there was almost constant dancing, together with her four dancers and a dancer. After the first rehearsal, there were some comments about an allegedly offensive dance move by Ronela with her dancer, but she kept it in anyway.

LATVIA: The six were wearing the familiar colorful suits and the decor was also very colorful. Various types of vegetables were displayed on the LED screen. In the middle of the song there was a moment for the saxophonist. The performance ended with the singer making a split.

LITHUANIA: Monika Liu stood alone on the big stage in Turin and mainly sang her song into the camera. She moved elegantly and attracted all the attention. The song doesn’t really need anything more.

SWITZERLAND: Dressed all in black, Marius Bear was on stage and a broken heart was visible on his face and on the floor. So emotions abound.

SLOVENIA: As said before, it was a big disco ball that mainly caught the attention of the Slovenian act. The boys wore 1970s-style velvet suits and the drummer appeared to be drumming above the disco ball. Compared to the previous rehearsal, there was little change.

UKRAINE: There was a lot to see on stage, besides the colorful costumes there was a lot of visual spectacle. It was traditional, ethnic with a modern twist, just like last year’s contribution. Because of the war in Ukraine, this performance has something emotional and that is subtly reflected in the visual spectacle.

BULGARIA: The performance started with a split screen, showing the drummer on one side and another member of the group. A small rock concert with all the trimmings, including a lot of fire(work).

THE NETHERLANDS: There were few noticeable changes from the first rehearsal of S10. In the Netherlands, there was some fuss about the singer’s bare belly, but it is still naked for a while. A lot has been taken out of the lighting of S10.

MOLDOVA: After the intimate moment of the Netherlands, a party erupted on stage with the contribution of Zdob şi Zdub, who are participating for the third time. They used the entire stage for their folklore song: Hey ho, let’s go…, but no train on stage. Lots of color, matching the contribution.

CROATIA: During rehearsals today, Mia had problems with her in-ears. No surprises at Mia’s performance. The postcards were also shown to the press today. A drone searches for the location where the artist of the country in question can be seen and we see the visual artist in the area.

DENMARK: The beginning was just like in the national final, Siggy starts alone at the piano, with her quieter part of the song and then the rock show starts. Last year we went back to the eighties with Denmark, now it seems back to the nineties. In case you don’t remember the name of the band, REDDI appeared on the LED screen.

AUSTRIA: Of course there is a Halo on stage. Lots of fireworks and strong staging. The vocal part of the duo was, as we can see now, quite disappointing.

GREECE: For those who don’t understand the act of Greece: Amanda seems to be in a Greek tavern; hence the chairs around her. But some of the seats have fallen over. That fits with the lyrics of the song. Amanda could count on a big round of applause from the audience.

PORTUGAL: A delegation member from Portugal tested positive for corona, so the entire delegation had to go back to the hotel and be tested. Fortunately none of the ladies tested positive and they were able to rehearse for their performance, but later than planned. After all the rehearsals had been completed, Portugal was allowed to go on stage after Greece. During this rehearsal it was clear that it was one of the background singers who tested positive for corona. The ladies were lined up in a circle and brought this atmospheric contribution in a good way.

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🇧🇬 DARA returns home to a hero’s welcome in Bulgaria Bulgaria celebrated its first ever Eurovision victory in style this week. On Sunday, a red carpet, a “Bangaranga” flash mob at Sofia’s Vasil Levski Airport, and hundreds of fans waving posters and Bulgarian flags, some dressed in traditional kukeri costumes, greeted DARA upon her arrival from Vienna.  Culture Minister Evtim Miloshev and Sofia Mayor Vasil Terziev were among the officials who welcomed her. That was before she disappeared into the sea of supporters gathered at the terminal. DARA addressed the crowd with an emotional speech. She thanked her fans and called on Bulgaria to support its many talented artists. Her music producer Sania Armutlieva told BNT: “There’s no slowing down now. This is her moment.”  DARA secured victory in Vienna on May 16 with the largest winning margin in Eurovision’s 70-year history, receiving 516 points in total, including 312 from viewers. source: brnnews 🇧🇬 Kirkorov claims involvement in “Bangaranga” — co-writer and team deny it The post-contest buzz has not been without controversy. Videos circulated online after the final showing Russian singer Philipp Kirkorov discussing Bulgaria’s Eurovision performance and claiming that his team had participated in preparing DARA’s stage production. Kirkorov is a long-standing public supporter of Russian President Vladimir Putin. According to Eurovision’s official credits, Greek composer Dimitris Kontopoulos was among the writers of “Bangaranga.” Kontopoulos has an established history of collaboration with Kirkorov, having worked together on several Russian Eurovision entries in the 2010s. source:  united24media Philipp Kirkorov However, both denied Kirkorov’s involvement in this specific project. Kontopoulos told RFI on May 18 that while Kirkorov has supported him over the years, he was not involved in this particular project. Co-producer Kristian Tarcea also denied any Kirkorov involvement, stating the track was created by four contributors: himself, DARA, Kontopoulos, and a composer named Anna.  Ukrainian stage designer Nicholas Chobb, who worked on the performance, said he first learned of Kirkorov’s claims on social media and could not confirm his participation at any stage of the production process. Neither DARA nor Bulgaria’s public broadcaster BNT publicly commented on Kirkorov’s statements. source: united24media 🇧🇬 Four Bulgarian cities want to host Eurovision 2027 The race for the Eurovision 2027 host city has already begun. Bulgarian Culture Minister Evtim Miloshev confirmed that the Council of Ministers will create an organisational structure for the country’s hosting of the Eurovision Song Contest.  Sofia, Bulgaria Sofia, Plovdiv, Varna and Burgas have all expressed interest in staging the event. The minister indicated that Sofia’s infrastructure gives it an advantage, but called the interest shown by three other major cities a positive sign. He said the most reasonable approach is to consider all options before making a final decision. No timeline for that decision has been announced yet. source: bnrnews 🇱🇺 🇲🇨 In memoriam: Romuald (1938–2026) The Eurovision community lost a unique figure this week. Romuald Figuier, known simply as Romuald, passed away on 14 May 2026. He was 87 years old. Born on 9 May 1938 in Saint-Pol-de-Léon, Finistère, Romuald was a French singer and composer who represented three different countries at Eurovision. He remains the only French-speaking artist to have achieved that distinction. Romuald represented Monaco in 1964 with “Où sont-elles passées?”, finishing third, then Luxembourg in 1969 with “Catherine”, and Monaco again in 1974 with “Celui qui reste et celui qui s’en va”, finishing fourth.  He began his career at the Théâtre des Variétés and later provided the French voice of George Chakiris in “Les Demoiselles de Rochefort” in 1967. Throughout his career he composed numerous songs, many in collaboration with lyricist Magali Fallourd. You can read his full biography in our encyclopedia. source: Le Figaro That’s it for this week’s Eurovision Universe weekly update. Stay tuned for more Eurovision 2026 and Eurovision 2027 news as it develops.

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Eurovision 2026
Martijn

Weekly Update 1

🇧🇬 DARA returns home to a hero’s welcome in Bulgaria Bulgaria celebrated its first ever Eurovision victory in style this week. On Sunday, a red carpet, a “Bangaranga” flash mob at Sofia’s Vasil Levski Airport, and hundreds of fans waving posters and Bulgarian flags, some dressed in traditional kukeri costumes, greeted DARA upon her arrival from Vienna.  Culture Minister Evtim Miloshev and Sofia Mayor Vasil Terziev were among the officials who welcomed her. That was before she disappeared into the sea of supporters gathered at the terminal. DARA addressed the crowd with an emotional speech. She thanked her fans and called on Bulgaria to support its many talented artists. Her music producer Sania Armutlieva told BNT: “There’s no slowing down now. This is her moment.”  DARA secured victory in Vienna on May 16 with the largest winning margin in Eurovision’s 70-year history, receiving 516 points in total, including 312 from viewers. source: brnnews 🇧🇬 Kirkorov claims involvement in “Bangaranga” — co-writer and team deny it The post-contest buzz has not been without controversy. Videos circulated online after the final showing Russian singer Philipp Kirkorov discussing Bulgaria’s Eurovision performance and claiming that his team had participated in preparing DARA’s stage production. Kirkorov is a long-standing public supporter of Russian President Vladimir Putin. According to Eurovision’s official credits, Greek composer Dimitris Kontopoulos was among the writers of “Bangaranga.” Kontopoulos has an established history of collaboration with Kirkorov, having worked together on several Russian Eurovision entries in the 2010s. source:  united24media Philipp Kirkorov However, both denied Kirkorov’s involvement in this specific project. Kontopoulos told RFI on May 18 that while Kirkorov has supported him over the years, he was not involved in this particular project. Co-producer Kristian Tarcea also denied any Kirkorov involvement, stating the track was created by four contributors: himself, DARA, Kontopoulos, and a composer named Anna.  Ukrainian stage designer Nicholas Chobb, who worked on the performance, said he first learned of Kirkorov’s claims on social media and could not confirm his participation at any stage of the production process. Neither DARA nor Bulgaria’s public broadcaster BNT publicly commented on Kirkorov’s statements. source: united24media 🇧🇬 Four Bulgarian cities want to host Eurovision 2027 The race for the Eurovision 2027 host city has already begun. Bulgarian Culture Minister Evtim Miloshev confirmed that the Council of Ministers will create an organisational structure for the country’s hosting of the Eurovision Song Contest.  Sofia, Bulgaria Sofia, Plovdiv, Varna and Burgas have all expressed interest in staging the event. The minister indicated that Sofia’s infrastructure gives it an advantage, but called the interest shown by three other major cities a positive sign. He said the most reasonable approach is to consider all options before making a final decision. No timeline for that decision has been announced yet. source: bnrnews 🇱🇺 🇲🇨 In memoriam: Romuald (1938–2026) The Eurovision community lost a unique figure this week. Romuald Figuier, known simply as Romuald, passed away on 14 May 2026. He was 87 years old. Born on 9 May 1938 in Saint-Pol-de-Léon, Finistère, Romuald was a French singer and composer who represented three different countries at Eurovision. He remains the only French-speaking artist to have achieved that distinction. Romuald represented Monaco in 1964 with “Où sont-elles passées?”, finishing third, then Luxembourg in 1969 with “Catherine”, and Monaco again in 1974 with “Celui qui reste et celui qui s’en va”, finishing fourth.  He began his career at the Théâtre des Variétés and later provided the French voice of George Chakiris in “Les Demoiselles de Rochefort” in 1967. Throughout his career he composed numerous songs, many in collaboration with lyricist Magali Fallourd. You can read his full biography in our encyclopedia. source: Le Figaro That’s it for this week’s Eurovision Universe weekly update. Stay tuned for more Eurovision 2026 and Eurovision 2027 news as it develops.

Read More »
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