Day 5: A sun that doesn’t move, a Greek tavern and COVID19

Today we saw the second rehearsals for the first 14 countries from the first semifinal. For the first time the press was allowed to see the rehearsals on large TV screens in the press center. It is now certain that the kinetic sun does not rotate. During the first rehearsals it turned out that the time between performances was too short to move the center part of the sun. As a result, several countries had to adjust their graphics, because they were not or only partially visible

ALBANIA: The outfit had been changed and Ronela Hajati also had her own blond hair again, instead of the pink hair she had during the first rehearsal. It was a dynamic performance, in which there was almost constant dancing, together with her four dancers and a dancer. After the first rehearsal, there were some comments about an allegedly offensive dance move by Ronela with her dancer, but she kept it in anyway.

LATVIA: The six were wearing the familiar colorful suits and the decor was also very colorful. Various types of vegetables were displayed on the LED screen. In the middle of the song there was a moment for the saxophonist. The performance ended with the singer making a split.

LITHUANIA: Monika Liu stood alone on the big stage in Turin and mainly sang her song into the camera. She moved elegantly and attracted all the attention. The song doesn’t really need anything more.

SWITZERLAND: Dressed all in black, Marius Bear was on stage and a broken heart was visible on his face and on the floor. So emotions abound.

SLOVENIA: As said before, it was a big disco ball that mainly caught the attention of the Slovenian act. The boys wore 1970s-style velvet suits and the drummer appeared to be drumming above the disco ball. Compared to the previous rehearsal, there was little change.

UKRAINE: There was a lot to see on stage, besides the colorful costumes there was a lot of visual spectacle. It was traditional, ethnic with a modern twist, just like last year’s contribution. Because of the war in Ukraine, this performance has something emotional and that is subtly reflected in the visual spectacle.

BULGARIA: The performance started with a split screen, showing the drummer on one side and another member of the group. A small rock concert with all the trimmings, including a lot of fire(work).

THE NETHERLANDS: There were few noticeable changes from the first rehearsal of S10. In the Netherlands, there was some fuss about the singer’s bare belly, but it is still naked for a while. A lot has been taken out of the lighting of S10.

MOLDOVA: After the intimate moment of the Netherlands, a party erupted on stage with the contribution of Zdob şi Zdub, who are participating for the third time. They used the entire stage for their folklore song: Hey ho, let’s go…, but no train on stage. Lots of color, matching the contribution.

CROATIA: During rehearsals today, Mia had problems with her in-ears. No surprises at Mia’s performance. The postcards were also shown to the press today. A drone searches for the location where the artist of the country in question can be seen and we see the visual artist in the area.

DENMARK: The beginning was just like in the national final, Siggy starts alone at the piano, with her quieter part of the song and then the rock show starts. Last year we went back to the eighties with Denmark, now it seems back to the nineties. In case you don’t remember the name of the band, REDDI appeared on the LED screen.

AUSTRIA: Of course there is a Halo on stage. Lots of fireworks and strong staging. The vocal part of the duo was, as we can see now, quite disappointing.

GREECE: For those who don’t understand the act of Greece: Amanda seems to be in a Greek tavern; hence the chairs around her. But some of the seats have fallen over. That fits with the lyrics of the song. Amanda could count on a big round of applause from the audience.

PORTUGAL: A delegation member from Portugal tested positive for corona, so the entire delegation had to go back to the hotel and be tested. Fortunately none of the ladies tested positive and they were able to rehearse for their performance, but later than planned. After all the rehearsals had been completed, Portugal was allowed to go on stage after Greece. During this rehearsal it was clear that it was one of the background singers who tested positive for corona. The ladies were lined up in a circle and brought this atmospheric contribution in a good way.

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History

Austria in the Eurovision Song Contest, part 7

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For Austria in the Eurovision Song Contest, part 7, we look back at the start of the 21st century. Alf Poier participated for Austria, but there were also some unsuccesful entries. And there was a 3-year gap. 2000 – The Rounder Girls – All To You Austria’s 2000 entry “All To You” was internally selected by broadcaster ORF. The song was written by American songwriter Dave Moskin. Moskin gave the three-piece vocal group The Rounder Girls an up-tempo, gospel-influenced pop track. Performing last in the Stockholm final, the trio, with members from Austria, the US and the UK, delivered slick harmonies and choreography. They finished 14th out of 24 countries with 34 points. The Rounder Girls were a seasoned soul/gospel ensemble, and their Eurovision appearance raised their profile, though Austria’s middling result meant the country sat out the contest in 2001. 2002 – Manuel Ortega – Say A Word “Say A Word” by Manuel Ortega won Austria’s “Song.Null.Zwei” 2002 national final out of ten songs. this entry was an upbeat pop song with a catchy, boy-band style hook. It was composed by Alexander Kahr with lyrics by Robert Pfluger. At Eurovision 2002 in Tallinn, Ortega performed third and Austria placed 18th (26 points) in the final. Manuel Ortega, a young pop singer, had scored a summer hit in 2001 and was nicknamed “the Austrian Ricky Martin” for his Latin pop flair. His Eurovision song’s fun choreography and positive message reflected that image, though the result was a lower mid-table finish. 2003 – Alf Poier – Weil der Mensch zählt ORF organized the “Song.Null.Drei” 2003 selection. Petra Frey (ESC 1994) was the runner up. Comedian-singer Alf Poier triumphed with “Weil der Mensch zählt”. Poier penned this satirical song himself. Musically it’s a quirky folk-pop tune delivered in Styrian dialect. The performance, complete with cartoonish animal props, was a parody of Eurovision’s over-the-top style. At the Riga contest, this offbeat entry surprised many by scoring 6th place with 101 points. Alf Poier, an Austrian stand-up comedian known for absurdist humor, thus earned Austria’s best Eurovision result in over a decade. His comedic approach and catchy refrain turned him into a fan favorite that year. 2004 – Tie Break – Du bist Austria’s national final “Song.Null.Vier” chose Tie Break’s “Du bist” for Eurovision 2004. Waterloo & Robinson (ESC 1976!) were the runners up. Note that a song, written by popstar Falco, participated too. So posthumously, Falco did a Eurovision attempt!Written by composer Peter Zimmermann, “Du bist” is a tender schlager-style pop ballad performed in German. Tie Break, a trio of fresh-faced male singers (a boy band formed via a talent search), delivered tight harmonies in Istanbul’s final. Thanks to Austria’s top-10 result the year before, they pre-qualified directly for the final. Tie Break finished 21st out of 24 with 9 points. The group had gained national fame through the selection process, but on the Eurovision stage their gentle ballad struggled to stand out in a field dominated by more dynamic acts. 2005 – Global.Kryner – Y así In 2005, “Song.Null.Fünf” was held and the crossover folk band Global.Kryner won with “Y así”. They narrowly beated Alf Poier. The controversy was that Austria changed the rules of the voting on the very last moment. Would the original voting procedure be used, Alf Poier would have won. Band members Edi Köhldorfer (composer) and Christof Spörk (lyricist) combined Latin salsa rhythms with Austrian alpine polka to create this unique “salsa-polka-pop” song. Global.Kryner was a six-member ensemble known for blending folk and jazz influences. They opened the Eurovision semi-final in Kyiv with an energetic performance featuring yodels and Latin dance breaks. However, “Y así” did not advance to the final, placing 21st of 25 in the semi-final with 30 points. The group had earned acclaim in Austria and Germany, but their daring genre fusion proved too quirky for the Eurovision televote that year. 2007 – Eric Papilaya – Get A Life – Get Alive After a brief Eurovision hiatus, Austria returned in 2007 by internally selecting Eric Papilaya. His entry “Get A Life – Get Alive” – composed by Greg Usek with lyrics by Austin Howard. It was the official anthem of Vienna’s Life Ball AIDS charity event. This song is an upbeat pop-rock anthem with an inspirational message and flashy staging. Papilaya performed with a giant red ribbon on stage. Papilaya, a rock vocalist who rose to fame on the TV talent show Starmania, gave a spirited performance in Helsinki’s semi-final. Unfortunately Austria did not qualify for the final; he placed 27th (four points) in the semi. The entry drew media attention for its charity theme, but it wasn’t enough to overcome tough competition in 2007. 2011 – Nadine Beiler – The Secret Is Love Austria returned to Eurovision in 2011 through the national selection “Düsseldorf – wir kommen!”. The competition featured ten songs. However, well-known artists Alf Poier and Petra Frey failed to pass the online preselection. As a result, Nadine Beiler won the final with her soulful ballad “The Secret Is Love”. She co-wrote the song with veteran producer Thomas Rabitsch. Musically, the entry combines elements of gospel and pop, while it clearly highlights Beiler’s strong vocal range. Previously, Nadine Beiler had gained national fame by winning the television talent show Starmania in 2007 at the age of 16. Therefore, expectations were already high when she took the stage in Düsseldorf. Her Eurovision performance began a cappella and gradually built towards a powerful climax. Consequently, Austria qualified from the semi-final in seventh place with 69 points. In the grand final, Beiler finished 18th, scoring 64 points. Nevertheless, this result marked Austria’s first appearance in a Eurovision final in seven years and therefore signalled a credible and positive comeback.

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Eurovision 2026

Weekly Update

It’s Tuesday, January 13, 2026, and time for another weekly update! This week saw a Eurovision icon bow out, national finals making headlines, and key developments for the 2026 contest in Vienna. Conchita Wurst announced her departure from all Eurovision activities, Ukraine’s Vidbir added its final wildcard act, and Moldova set the stage for its national final. Meanwhile, Eurovision 2026 preparations accelerated with ticket sales (which sold out within an hour) and the Semi-Final Allocation Draw results. Plus, we’ve introduced new features on Eurovision Universe – including a country-by-country lyrics search and a dedicated 2026 page. Here are this week’s top stories: Conchita Wurst Conchita Wurst has shared a personal statement on social media. In her message, she reflects on recent developments in her life and career. She explains that she will step back from all Eurovision-related activities. According to Conchita, the contest will remain an important part of her history, but no longer a place for future projects. 📷 EBU She thanks Eurovision for the opportunities it gave her and for the impact it had on her personal growth. Fans and colleagues reacted quickly to the statement. Many expressed support and appreciation for her openness. Conchita’s words once again underline her role as a strong voice within the Eurovision community. Her influence reaches far beyond her victory in 2014. source: Facebook Conchita Wurst National finals: Ukraine and Moldova 🇺🇦 In Ukraine, broadcaster Suspilne has confirmed the final participant for Vidbir 2026. The artist won the public vote for the remaining spot in the national final. This result completes the line-up for the Ukrainian selection show. Vidbir continues to attract strong interest from the public. It remains an important platform for Ukrainian artists. Source: suspilne.media 🇲🇩 Moldova has also shared new details about its national final. The show will take place on 17 January. Broadcaster TRM confirmed that Paula Seling and Jamala will appear as special guests. Their participation adds international attention to the Moldovan selection. The event marks Moldova’s official return to the Eurovision stage. source: RTM Agenda: January 15 🇲🇹 Malta semifinal 21.00 CET TVM January 17 🇲🇩 Moldova final 18.00 CET TRM or YouTube January 17 🇲🇹 Malta final 21.00 CET TVM January 20 🇮🇱 Israel final artists 20.30 CET To be announced   Eurovision 2026: tickets and allocation draw Ticket sales for the Eurovision Song Contest 2026 in Vienna started today. Demand proved extremely high. The first range of tickets sold out within around one hour after sales opened. This result highlights the strong interest in the contest. It also suggests that future ticket waves may sell quickly. source: instagram eurovision The allocation draw has also taken place. Participating countries learned in which semi-final they will compete. The draw also decided whether they will perform in the first or second half of the show. With this step completed, the on-screen Eurovision season for 2026 has officially begun. Find all about the draw here. New on Eurovision Universe Eurovision Universe has expanded its online encyclopedia. A new tool now allows visitors to search Eurovision lyrics by country. This feature offers a fresh way to explore songs and themes. Have a look at it here! In addition, the dedicated Eurovision 2026 page is now online. It brings together confirmed news, background information, and updates about the upcoming contest. Readers who want to follow the road to Vienna are encouraged to explore both new sections.

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Eurovision 2026
Martijn

Weekly Update

It’s Tuesday, January 13, 2026, and time for another weekly update! This week saw a Eurovision icon bow out, national finals making headlines, and key developments for the 2026 contest in Vienna. Conchita Wurst announced her departure from all Eurovision activities, Ukraine’s Vidbir added its final wildcard act, and Moldova set the stage for its national final. Meanwhile, Eurovision 2026 preparations accelerated with ticket sales (which sold out within an hour) and the Semi-Final Allocation Draw results. Plus, we’ve introduced new features on Eurovision Universe – including a country-by-country lyrics search and a dedicated 2026 page. Here are this week’s top stories: Conchita Wurst Conchita Wurst has shared a personal statement on social media. In her message, she reflects on recent developments in her life and career. She explains that she will step back from all Eurovision-related activities. According to Conchita, the contest will remain an important part of her history, but no longer a place for future projects. 📷 EBU She thanks Eurovision for the opportunities it gave her and for the impact it had on her personal growth. Fans and colleagues reacted quickly to the statement. Many expressed support and appreciation for her openness. Conchita’s words once again underline her role as a strong voice within the Eurovision community. Her influence reaches far beyond her victory in 2014. source: Facebook Conchita Wurst National finals: Ukraine and Moldova 🇺🇦 In Ukraine, broadcaster Suspilne has confirmed the final participant for Vidbir 2026. The artist won the public vote for the remaining spot in the national final. This result completes the line-up for the Ukrainian selection show. Vidbir continues to attract strong interest from the public. It remains an important platform for Ukrainian artists. Source: suspilne.media 🇲🇩 Moldova has also shared new details about its national final. The show will take place on 17 January. Broadcaster TRM confirmed that Paula Seling and Jamala will appear as special guests. Their participation adds international attention to the Moldovan selection. The event marks Moldova’s official return to the Eurovision stage. source: RTM Agenda: January 15 🇲🇹 Malta semifinal 21.00 CET TVM January 17 🇲🇩 Moldova final 18.00 CET TRM or YouTube January 17 🇲🇹 Malta final 21.00 CET TVM January 20 🇮🇱 Israel final artists 20.30 CET To be announced   Eurovision 2026: tickets and allocation draw Ticket sales for the Eurovision Song Contest 2026 in Vienna started today. Demand proved extremely high. The first range of tickets sold out within around one hour after sales opened. This result highlights the strong interest in the contest. It also suggests that future ticket waves may sell quickly. source: instagram eurovision The allocation draw has also taken place. Participating countries learned in which semi-final they will compete. The draw also decided whether they will perform in the first or second half of the show. With this step completed, the on-screen Eurovision season for 2026 has officially begun. Find all about the draw here. New on Eurovision Universe Eurovision Universe has expanded its online encyclopedia. A new tool now allows visitors to search Eurovision lyrics by country. This feature offers a fresh way to explore songs and themes. Have a look at it here! In addition, the dedicated Eurovision 2026 page is now online. It brings together confirmed news, background information, and updates about the upcoming contest. Readers who want to follow the road to Vienna are encouraged to explore both new sections.

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