Day 5: A sun that doesn’t move, a Greek tavern and COVID19

Today we saw the second rehearsals for the first 14 countries from the first semifinal. For the first time the press was allowed to see the rehearsals on large TV screens in the press center. It is now certain that the kinetic sun does not rotate. During the first rehearsals it turned out that the time between performances was too short to move the center part of the sun. As a result, several countries had to adjust their graphics, because they were not or only partially visible

ALBANIA: The outfit had been changed and Ronela Hajati also had her own blond hair again, instead of the pink hair she had during the first rehearsal. It was a dynamic performance, in which there was almost constant dancing, together with her four dancers and a dancer. After the first rehearsal, there were some comments about an allegedly offensive dance move by Ronela with her dancer, but she kept it in anyway.

LATVIA: The six were wearing the familiar colorful suits and the decor was also very colorful. Various types of vegetables were displayed on the LED screen. In the middle of the song there was a moment for the saxophonist. The performance ended with the singer making a split.

LITHUANIA: Monika Liu stood alone on the big stage in Turin and mainly sang her song into the camera. She moved elegantly and attracted all the attention. The song doesn’t really need anything more.

SWITZERLAND: Dressed all in black, Marius Bear was on stage and a broken heart was visible on his face and on the floor. So emotions abound.

SLOVENIA: As said before, it was a big disco ball that mainly caught the attention of the Slovenian act. The boys wore 1970s-style velvet suits and the drummer appeared to be drumming above the disco ball. Compared to the previous rehearsal, there was little change.

UKRAINE: There was a lot to see on stage, besides the colorful costumes there was a lot of visual spectacle. It was traditional, ethnic with a modern twist, just like last year’s contribution. Because of the war in Ukraine, this performance has something emotional and that is subtly reflected in the visual spectacle.

BULGARIA: The performance started with a split screen, showing the drummer on one side and another member of the group. A small rock concert with all the trimmings, including a lot of fire(work).

THE NETHERLANDS: There were few noticeable changes from the first rehearsal of S10. In the Netherlands, there was some fuss about the singer’s bare belly, but it is still naked for a while. A lot has been taken out of the lighting of S10.

MOLDOVA: After the intimate moment of the Netherlands, a party erupted on stage with the contribution of Zdob şi Zdub, who are participating for the third time. They used the entire stage for their folklore song: Hey ho, let’s go…, but no train on stage. Lots of color, matching the contribution.

CROATIA: During rehearsals today, Mia had problems with her in-ears. No surprises at Mia’s performance. The postcards were also shown to the press today. A drone searches for the location where the artist of the country in question can be seen and we see the visual artist in the area.

DENMARK: The beginning was just like in the national final, Siggy starts alone at the piano, with her quieter part of the song and then the rock show starts. Last year we went back to the eighties with Denmark, now it seems back to the nineties. In case you don’t remember the name of the band, REDDI appeared on the LED screen.

AUSTRIA: Of course there is a Halo on stage. Lots of fireworks and strong staging. The vocal part of the duo was, as we can see now, quite disappointing.

GREECE: For those who don’t understand the act of Greece: Amanda seems to be in a Greek tavern; hence the chairs around her. But some of the seats have fallen over. That fits with the lyrics of the song. Amanda could count on a big round of applause from the audience.

PORTUGAL: A delegation member from Portugal tested positive for corona, so the entire delegation had to go back to the hotel and be tested. Fortunately none of the ladies tested positive and they were able to rehearse for their performance, but later than planned. After all the rehearsals had been completed, Portugal was allowed to go on stage after Greece. During this rehearsal it was clear that it was one of the background singers who tested positive for corona. The ladies were lined up in a circle and brought this atmospheric contribution in a good way.

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Austria in the Eurovision Song Contest, part 4

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the fourth episode, we will look back at the early eighties. Austria returned to having a national final. Marty Brem and Gary Lux both took part twice. Austria 1980 – Blue Danube – “Du bist Musik” By 1980 Austria was back with “Du bist Musik”, performed by the group Blue Danube. Composer-lyricist Klaus-Peter Sattler wrote this German-language entry. The song is a love ballad comparing a beloved to music, name-dropping famous composers and dances. Blue Danube was a five-member ensemble formed just for Eurovision. Notably the group included singer Marty Brem. He would represent Austria again the following year. Conducted by Richard Österreicher, “Du bist Musik” opened the night’s show and scored 64 points for 8th place out of 19. Austria 1981 – Marty Brem – “Wenn du da bist” Marty Brem was part of Blue Danube in 1980. The singer returned solo for Austria in 1981. “Wenn du da bist” (“When You’re Here”) was composed and written by Werner Böhmler, and again Richard Österreicher conducted the orchestra. For the first time since 1963, the song was chosen through a national final. Brem was the only contestant. He sang three songs. “Wenn du da bist” is a romantic ballad with a slightly jazzy, complex composition. Unfortunately, it finished in 17th place (20 points) at the contest. Marty Brem’s performance featured an energetic stage show with flamboyant costumed dancers. The Austrian singer was frontman of a band called “Marty and the Bomfriz” at the time. After Eurovision, Brem pivoted to working in music journalism and the record industry. 1982 – Mess “Sonntag” Twelve songs competed in Austria’s 1982 national final. The duo Mess won with “Sonntag” (“Sunday”), an upbeat pop track full of early-’80s Europop charm. Both members, Michael Scheickl (also known as “Fritz”) and Elisabeth “Lizzi” Engstler, had also entered the competition as solo artists. Michael Scheickl (credited as “Michael Mell”) composed the song, while Rudolf Leve wrote the lyrics. Mess brought joyful energy to the stage with their lively, danceable performance. “Sonntag” celebrated the carefree feeling of a Sunday, wrapped in a catchy, cheerful style. The song earned 57 points and placed 9th out of 18 countries. Formed specifically for Eurovision, Mess disbanded soon after. Engstler, just 21 at the time, later built a successful career as a television presenter for Austria’s ORF network. 1983 – Westend “Hurricane” In 1983, Austria chose the pop group Westend to perform “Hurricane”, selecting them from 12 finalists that included Waterloo (ESC 1976). Band member Peter Vieweger composed the song, while Heli Deinboek and Heinz Nessizius wrote the lyrics. Sung in German, “Hurricane” delivers an upbeat synth-pop sound with Schlager influences, using a whirlwind metaphor to capture the chaos of lost love. The entry scored 53 points and finished in a tie for 9th place. Westend featured five members, including Gary Lux—whose role stood out. Lux went on to represent Austria at Eurovision six times during the 1980s, both as a solo performer and backing vocalist. “Hurricane” earned Austria a solid mid-table result and later became a beloved ’80s Eurovision memory. 1984 – Anita “Einfach weg” Twelve songs battled for the ticket to Luxembourg, with Gary Lux finishing as runner-up. Austria chose Anita Spanner, known simply as Anita, for the 1984 Eurovision Song Contest with “Einfach weg” (“Simply Gone”). Brigitte Seuberth composed the track, and Walter Müller wrote the lyrics. This energetic pop song featured a catchy melody and a synth-driven arrangement typical of the mid-80s. Despite strong expectations, Austria landed in 19th (last) place with just 5 points. Ironically, the song found huge success at home. It climbed to #1 on the Austrian singles chart and stayed in the Top 20 for ten weeks. Anita, a newcomer and surprise national final winner, took the stage in Luxembourg backed by vocalists including Gary Lux. Although “Einfach weg” didn’t resonate internationally, its popularity in Austria turned it into an iconic Austropop hit of the decade. 1985 – Gary Lux “Kinder dieser Welt” By 1985, Gary Lux had become a familiar face for Austria at Eurovision. Having been in Westend (1983) and a backing singer in 1984, Lux took center stage with “Kinder dieser Welt” (“Children of this World”) in Gothenburg. He was internally selected for the contest. His uplifting song was a pop anthem calling for hope and joy for children around the globe. It was written by prominent lyricist Michael Kunze and composed by the British duo Mick Jackson and Geoff Bastow. “Kinder dieser Welt” earned 60 points and secured 8th place for Austria out of 19 entries. The entry affirmed Gary Lux’s status as one of Austria’s most frequent Eurovision participants.

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History
Martijn

Austria in the Eurovision Song Contest, part 4

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the fourth episode, we will look back at the early eighties. Austria returned to having a national final. Marty Brem and Gary Lux both took part twice. Austria 1980 – Blue Danube – “Du bist Musik” By 1980 Austria was back with “Du bist Musik”, performed by the group Blue Danube. Composer-lyricist Klaus-Peter Sattler wrote this German-language entry. The song is a love ballad comparing a beloved to music, name-dropping famous composers and dances. Blue Danube was a five-member ensemble formed just for Eurovision. Notably the group included singer Marty Brem. He would represent Austria again the following year. Conducted by Richard Österreicher, “Du bist Musik” opened the night’s show and scored 64 points for 8th place out of 19. Austria 1981 – Marty Brem – “Wenn du da bist” Marty Brem was part of Blue Danube in 1980. The singer returned solo for Austria in 1981. “Wenn du da bist” (“When You’re Here”) was composed and written by Werner Böhmler, and again Richard Österreicher conducted the orchestra. For the first time since 1963, the song was chosen through a national final. Brem was the only contestant. He sang three songs. “Wenn du da bist” is a romantic ballad with a slightly jazzy, complex composition. Unfortunately, it finished in 17th place (20 points) at the contest. Marty Brem’s performance featured an energetic stage show with flamboyant costumed dancers. The Austrian singer was frontman of a band called “Marty and the Bomfriz” at the time. After Eurovision, Brem pivoted to working in music journalism and the record industry. 1982 – Mess “Sonntag” Twelve songs competed in Austria’s 1982 national final. The duo Mess won with “Sonntag” (“Sunday”), an upbeat pop track full of early-’80s Europop charm. Both members, Michael Scheickl (also known as “Fritz”) and Elisabeth “Lizzi” Engstler, had also entered the competition as solo artists. Michael Scheickl (credited as “Michael Mell”) composed the song, while Rudolf Leve wrote the lyrics. Mess brought joyful energy to the stage with their lively, danceable performance. “Sonntag” celebrated the carefree feeling of a Sunday, wrapped in a catchy, cheerful style. The song earned 57 points and placed 9th out of 18 countries. Formed specifically for Eurovision, Mess disbanded soon after. Engstler, just 21 at the time, later built a successful career as a television presenter for Austria’s ORF network. 1983 – Westend “Hurricane” In 1983, Austria chose the pop group Westend to perform “Hurricane”, selecting them from 12 finalists that included Waterloo (ESC 1976). Band member Peter Vieweger composed the song, while Heli Deinboek and Heinz Nessizius wrote the lyrics. Sung in German, “Hurricane” delivers an upbeat synth-pop sound with Schlager influences, using a whirlwind metaphor to capture the chaos of lost love. The entry scored 53 points and finished in a tie for 9th place. Westend featured five members, including Gary Lux—whose role stood out. Lux went on to represent Austria at Eurovision six times during the 1980s, both as a solo performer and backing vocalist. “Hurricane” earned Austria a solid mid-table result and later became a beloved ’80s Eurovision memory. 1984 – Anita “Einfach weg” Twelve songs battled for the ticket to Luxembourg, with Gary Lux finishing as runner-up. Austria chose Anita Spanner, known simply as Anita, for the 1984 Eurovision Song Contest with “Einfach weg” (“Simply Gone”). Brigitte Seuberth composed the track, and Walter Müller wrote the lyrics. This energetic pop song featured a catchy melody and a synth-driven arrangement typical of the mid-80s. Despite strong expectations, Austria landed in 19th (last) place with just 5 points. Ironically, the song found huge success at home. It climbed to #1 on the Austrian singles chart and stayed in the Top 20 for ten weeks. Anita, a newcomer and surprise national final winner, took the stage in Luxembourg backed by vocalists including Gary Lux. Although “Einfach weg” didn’t resonate internationally, its popularity in Austria turned it into an iconic Austropop hit of the decade. 1985 – Gary Lux “Kinder dieser Welt” By 1985, Gary Lux had become a familiar face for Austria at Eurovision. Having been in Westend (1983) and a backing singer in 1984, Lux took center stage with “Kinder dieser Welt” (“Children of this World”) in Gothenburg. He was internally selected for the contest. His uplifting song was a pop anthem calling for hope and joy for children around the globe. It was written by prominent lyricist Michael Kunze and composed by the British duo Mick Jackson and Geoff Bastow. “Kinder dieser Welt” earned 60 points and secured 8th place for Austria out of 19 entries. The entry affirmed Gary Lux’s status as one of Austria’s most frequent Eurovision participants.

Read More »
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