What can we expect and who will win tomorrow?

After a film with, again, beautiful images of the Netherlands, and yes, a role for Duncan Laurence, we go to the flag parade. DJ Pieter Gabriel accompanies the artists musically with his own adaptation of the worldwide hit “Venus” by Shocking Blue, also a hit from Dutch soil. Presenters Edsilia Rombley, Jan Smit and Chantal Janzen sing the song.

We open with Cyprus; often an uptempo pop song is chosen to open, this year too. Albania takes the cursed second place. However, Albania is not one of the potential winners anyway, so the second place remains where it is. Israel follows; she once bursted out in tears when the Eurovision song contest was canceled, but now Eden Alene is in the final, followed by Belgium. Hopefully Hooverphonic will remain in peoples memories in the beginning of the broadcast. The advantage is that the song may stand out even more after an uptempo song. However, Russia follows with a striking act and then Malta. What that does to Malta’s chances is a big question mark, but it is not favorable. Certainly not because Portugal will follow after Malta; they are the surprise of the contest. We wouldn’t even be surprised if Portugal ends up very high; The Black Mamba isn’t Salvador Sobral, but still. The end of the first block is formed by Serbia; The fact that the three ladies are through to the final was no surprise, but it will probably not be much more there. Or is Serbia lucky that all other countries of the former Yugoslavia are not there?

While advertisements are watched in some countries, the rest of Europe sees Nikkie Tutorials showcasing three winners of the #Eurovisionchallenge. Valentina, who won the junior Eurovision this year, will also say something. Emmelie De Forrest, Jamala and Duncan Laurence talk about their trophy. After that, Chantal Janzen and Jan Smit will make an appeal to share your photo of how you watch the Eurovision song contest.

The second block is opened by the United Kingdom. That is usually not something to be happy about. People are still refilling the glasses or sitting on the toilet. By the way, yesterday in the Dutch tv-show Op1 you could see how British journalists are already busy putting the blame for a low score apart from themselves, even before the contest is over. However, the UK entry is completely insignificant to Greece that performes next. Greenscreen is certainly not new, but it is smart to use it. In quality, however, the Greek entry is far surpassed by that of Switzerland. According to many, one of the strongest voices of the festival. Still, the song may soumd a little too much like “Arcade” to be a winner. Also a top song, possibly even a winner, is Iceland. Would it give Daði og Gagnamagnið sympathy votes that they are not allowed to be present live? The Icelandics are in any case followed by the not too strong entry from Spain, although, to be honest, it must be said that the singing of Blas Cantó improves with each rehearsal. Moldova will then take office. But it is still doubtful whether the name of Filipp Kirkorov (composer) will be good for a high score. Germany is a “love it or hate it” entry that can go in any direction. And after a song about a middle finger, the director has chosen to put the other middle finger song right after it. The song from Finland turned out to have a lot of fans yesterday. Whether it helps them on the scoreboard? We’ll know tomorrow night.

And then we see Edsilia Rombley at the top of the comment booths to chitchat with various commentators. Chantal Janzen and Jan Smit refer to the time when there was still a live orchestra. They promise an orchestra with a top DJ.

In the meantime, Bulgaria is ready with Victoria on her rock. Another strong entry. Then we see Lithuania again. At the bookies, the yellow-clad men have fallen somewhat; not because they are not good, perhaps because a large number of countries have an even stronger entry.

And then Chantal Janzen announces Duncan Laurence, who speaks to the viewer in a video. Why so soon? Well, it gives the crew time to prepare the scenery of Ukraine.

A trip, as Dutch commentator Sander Lantinga called the entry. of Ukraine We can imagine why. It would not surprise anyone if Ukraine ends up in the top of the rankings. Immediately after that, another top favorite follows: France. Take a good look, because this could well be the winner of the Eurovision Song Contest 2021. To be honest, the entry from Azerbaijan is fairly insignificant. Anyway, the King’s Commissioner in Friesland Arno Brok and Mayor of Leeuwarden Sybrand Buma give a voting advice: stim Azerbaijan (vote Azerbaijan, but in Frisian language). It doesn’t seem to be a coincidence, but after Azerbaijan, Norway will perform. All week, something seems to be going on between the Azerbaijani Efendi and the Norwegian TIX. It is very worthy to lsearch for #efentix.

Then NikkieTutorials and Edsilia Rombley take the floor and announce some entre-acts and… the entry of the Netherlands. Jeangu Macrooy is praised for his cast-iron voice. He seems to slightly do better among bookmakers. But after the Netherlands, another top favorite (there are quite a lot this year) follows: Italy. Would the glam rock-leaning group win the Eurovision song contest? We do not consider it impossible. Sweden is not one of this year’s top favorites. The entry is just not strong enough for a top score. Finally we see San Marino. And then the rule of applies: world stars do NOT win the Eurovision song contest. Whether it’s Cliff Richard, t.A.T.u., DJ Bobo or Bonnie Tyler, it doesn’t work. A high position is definitely not impossible, San Marino will break its own record for sure.

Then a spectacular entre act:follows: a classical orchestra of toung people and Afrojack accompany Wulf and Glennis Grace while they sing under the title “Music binds us”. We see images of people in Rotterdam, but the song and music come from the Erasmus Bridge.

NikkieTutorials comes again with a section of Eurovision Tutorials about the voting. Then she shows us images of how the festival in Ahoy is structured and how it works behind the scenes. Edsilia Rombley then meets several Eurovision winners, a film that was already shot before the Corona crisis. That is why Edsilia explicitly announces that she is hugging the former winners and not keeping a one and a half meter distance. Then we see a video in which Chantal Janzen explains how the audience has changed over the years.

And then we’re going to look at Teach In, Lenny Kuhr, Måns Zelmerlöw and Lordi. They sing from different rooftops in Rotterdam. Duncan Laurence then sings his hit “Arcade” and a new song. Not live, because he is at home with Corona, but a previously recorded rehearsal of his performance. And then…. The producers have even turned the countdown moment into something beautiful with dancers. The voting goes pretty smoothly. Of course something can go wrong, but there is no useless waiting. The scoreboard, with a lot of white, is easy to read. Edsilia and Nikkie are present in the greenroom while Jan and Chantal do the voting. Who is going to win remains uncertain for a long time, longer than ever. The bookmakers do not state a clear winner.

However, team Eurovision Universe has tried to predict the top 10. In a little more than 24 hours we know how right (or wrong) we are:

1.France
2.Italy
3.Malta
4.Switzerland
5.Ukraine
6.Bulgaria
7.Iceland
8.Portugal
9.Norway
10.Finland

photo credits: EBU

Share

Related news

News

Weekly Update

It’s time for another weekly Eurovision update. Lithuania has officially confirmed its participation for 2026. Bosnia & Herzegovina sadly announced it will not return. Belgium’s Eurovision plans remain uncertain despite earlier reports. Meanwhile, Kazakhstan is inching closer to a possible debut. Austrian media are buzzing with the first host rumors, and ORF has entered negotiations with Vienna and Innsbruck to decide the 2026 host city. 🇱🇹 🇧🇦 Lithuania In, Bosnia-Herzegovina Out of Eurovision 2026 Lithuania’s broadcaster LRT has confirmed that the country will compete in the Eurovision Song Contest 2026. The confirmation was given to ESC Today. Details on how Lithuania will select its entry are yet to be announced, but a national final is expected as in previous years. 📷 EBU/Sarah Louise Bennett In contrast, Bosnia & Herzegovina will not be participating in Eurovision 2026. Broadcaster BHRT officially stated it cannot return next year. That is due to ongoing EBU sanctions stemming from unpaid debts. The Bosnian delegation explained that without resolving the funding issues and outstanding debts – and securing a sponsor – a Eurovision comeback isn’t feasible. Bosnia & Herzegovina last took part in 2016 and has been absent from the contest ever since. 🇧🇪 Belgium’s 2026 Participation Remains Uncertain Contrary to reports last week, Belgium’s Eurovision 2026 participation is not yet fully confirmed. French-language broadcaster RTBF (responsible for Belgium’s 2026 entry) clarified the station has not officially committed to the contest yet. RTBF cited ongoing discussions within the EBU and among its member broadcasters. That’s why they are proceeding with preparations without a formal confirmation of participation for now. In short, Belgium is lining up a potential act for Eurovision 2026, but RTBF is keeping its options open until certain international discussions are resolved. 🇰🇿 EBU to Discuss Kazakhstan’s Possible Debut Kazakhstan’s Eurovision dreams are gaining traction. During the recent EBU General Assembly in London, the chairman of Kazakhstan’s broadcaster (Khabar Agency) met with EBU officials to propose the country’s debut in 2026. According to Kemelbek Oishybayev (Khabar’s director), EBU chief Noel Curran reacted positively and agreed to have Kazakhstan’s participation proposal discussed at the next EBU meeting. If the EBU extends an invitation, 2026 could mark Kazakhstan’s first appearance in the Eurovision Song Contest. Kazakhstan has participated in Junior Eurovision in the past, but because Khabar is not a full EBU member, a special invitation is required for the main contest. So far, Australia is the only country to receive such an invitation. A final decision on Kazakhstan’s Eurovision 2026 fate is expected in the coming months. 🇦🇹 Host Rumors: ORF Eyes Swarovski and Knoll for 2026 With Austria preparing to host Eurovision 2026, speculation has started about who will present the shows. One name on everyone’s lips is Andi Knoll. He is Austria’s veteran Eurovision commentator. According to Kleine Zeitung, Knoll is considered a likely choice – essentially a “fixed” host for 2026. Knoll has been the Austrian commentator since 1999. So seeing him step on the Eurovision stage next year would be a fitting full-circle moment. 📷 Johan Morgenbesser, Wikimedia Commons Another high-profile name emerging is Victoria Swarovski. ORF is reportedly interested in the TV presenter as a potential Eurovision host. Victoria is known for hosting Germany’s “Let’s Dance”. Austrian media reveal that ORF insiders are “flirting” with the idea of featuring the Tyrolean-born Swarovski in the hosting lineup. However, there could be scheduling conflicts with her RTL commitments, which might depend on RTL’s involvement in Eurovision next year. 📷 Superbass, Wikimedia Commons Swarovski isn’t the only woman in the mix. Several ORF news anchors – such as Nadja Bernhard, Alexandra Wachter, and Raffaela Schaidreiter – are also rumored as possibilities for the hosting team. Fans have even speculated about bringing back the trio of female hosts from Vienna 2015: Arabella Kiesbauer, Mirjam Weichselbraun, and Alice Tumler. In fact, Kiesbauer has already stated she’d be ready to return if asked, saying “if I’m needed, I’ll be there”. ORF has yet to make any official announcements, so the host selection remains an exciting guessing game for now. Also Conchita Wurst is rumoured as a host. She did the job in the green room in 2015. Vienna and Innsbruck in Final Host City Talks Vienna and Innsbruck have emerged as the final two cities vying to host Eurovision 2026. Both cities submitted their official bid proposals by the July 4 deadline and impressed the broadcaster with their plans. ORF conducted initial site visits at Wiener Stadthalle in Vienna and the Olympiaworld arena in Innsbruck, the venues proposed in the bids. Following those inspections, ORF invited both cities to enter detailed negotiations, calling the two proposals “very exciting and promising”. ORF’s Director General Roland Weißmann praised Vienna and Innsbruck for their strong enthusiasm and suitable conditions to host the contest. The Stadthalle (which can hold up to ~16,000 attendees and previously hosted Eurovision in 2015) and Innsbruck’s Olympiaworld (around 12,000 capacity) both meet the key requirements. Over the coming weeks, ORF will be in deep discussions with each city’s team to scrutinize all logistical and financial details. The final decision on the Eurovision 2026 host city is expected by the second half of August – so we’ll soon find out whether the honor goes to the capital Vienna or the Tyrolean city of Innsbruck. That’s all for this weekly update. Stay tuned for another roundup next week. The road to Eurovision 2026 continues! Share

Share
Read More »
News
Martijn

Weekly Update

It’s time for another weekly Eurovision update. Lithuania has officially confirmed its participation for 2026. Bosnia & Herzegovina sadly announced it will not return. Belgium’s Eurovision plans remain uncertain despite earlier reports. Meanwhile, Kazakhstan is inching closer to a possible debut. Austrian media are buzzing with the first host rumors, and ORF has entered negotiations with Vienna and Innsbruck to decide the 2026 host city. 🇱🇹 🇧🇦 Lithuania In, Bosnia-Herzegovina Out of Eurovision 2026 Lithuania’s broadcaster LRT has confirmed that the country will compete in the Eurovision Song Contest 2026. The confirmation was given to ESC Today. Details on how Lithuania will select its entry are yet to be announced, but a national final is expected as in previous years. 📷 EBU/Sarah Louise Bennett In contrast, Bosnia & Herzegovina will not be participating in Eurovision 2026. Broadcaster BHRT officially stated it cannot return next year. That is due to ongoing EBU sanctions stemming from unpaid debts. The Bosnian delegation explained that without resolving the funding issues and outstanding debts – and securing a sponsor – a Eurovision comeback isn’t feasible. Bosnia & Herzegovina last took part in 2016 and has been absent from the contest ever since. 🇧🇪 Belgium’s 2026 Participation Remains Uncertain Contrary to reports last week, Belgium’s Eurovision 2026 participation is not yet fully confirmed. French-language broadcaster RTBF (responsible for Belgium’s 2026 entry) clarified the station has not officially committed to the contest yet. RTBF cited ongoing discussions within the EBU and among its member broadcasters. That’s why they are proceeding with preparations without a formal confirmation of participation for now. In short, Belgium is lining up a potential act for Eurovision 2026, but RTBF is keeping its options open until certain international discussions are resolved. 🇰🇿 EBU to Discuss Kazakhstan’s Possible Debut Kazakhstan’s Eurovision dreams are gaining traction. During the recent EBU General Assembly in London, the chairman of Kazakhstan’s broadcaster (Khabar Agency) met with EBU officials to propose the country’s debut in 2026. According to Kemelbek Oishybayev (Khabar’s director), EBU chief Noel Curran reacted positively and agreed to have Kazakhstan’s participation proposal discussed at the next EBU meeting. If the EBU extends an invitation, 2026 could mark Kazakhstan’s first appearance in the Eurovision Song Contest. Kazakhstan has participated in Junior Eurovision in the past, but because Khabar is not a full EBU member, a special invitation is required for the main contest. So far, Australia is the only country to receive such an invitation. A final decision on Kazakhstan’s Eurovision 2026 fate is expected in the coming months. 🇦🇹 Host Rumors: ORF Eyes Swarovski and Knoll for 2026 With Austria preparing to host Eurovision 2026, speculation has started about who will present the shows. One name on everyone’s lips is Andi Knoll. He is Austria’s veteran Eurovision commentator. According to Kleine Zeitung, Knoll is considered a likely choice – essentially a “fixed” host for 2026. Knoll has been the Austrian commentator since 1999. So seeing him step on the Eurovision stage next year would be a fitting full-circle moment. 📷 Johan Morgenbesser, Wikimedia Commons Another high-profile name emerging is Victoria Swarovski. ORF is reportedly interested in the TV presenter as a potential Eurovision host. Victoria is known for hosting Germany’s “Let’s Dance”. Austrian media reveal that ORF insiders are “flirting” with the idea of featuring the Tyrolean-born Swarovski in the hosting lineup. However, there could be scheduling conflicts with her RTL commitments, which might depend on RTL’s involvement in Eurovision next year. 📷 Superbass, Wikimedia Commons Swarovski isn’t the only woman in the mix. Several ORF news anchors – such as Nadja Bernhard, Alexandra Wachter, and Raffaela Schaidreiter – are also rumored as possibilities for the hosting team. Fans have even speculated about bringing back the trio of female hosts from Vienna 2015: Arabella Kiesbauer, Mirjam Weichselbraun, and Alice Tumler. In fact, Kiesbauer has already stated she’d be ready to return if asked, saying “if I’m needed, I’ll be there”. ORF has yet to make any official announcements, so the host selection remains an exciting guessing game for now. Also Conchita Wurst is rumoured as a host. She did the job in the green room in 2015. Vienna and Innsbruck in Final Host City Talks Vienna and Innsbruck have emerged as the final two cities vying to host Eurovision 2026. Both cities submitted their official bid proposals by the July 4 deadline and impressed the broadcaster with their plans. ORF conducted initial site visits at Wiener Stadthalle in Vienna and the Olympiaworld arena in Innsbruck, the venues proposed in the bids. Following those inspections, ORF invited both cities to enter detailed negotiations, calling the two proposals “very exciting and promising”. ORF’s Director General Roland Weißmann praised Vienna and Innsbruck for their strong enthusiasm and suitable conditions to host the contest. The Stadthalle (which can hold up to ~16,000 attendees and previously hosted Eurovision in 2015) and Innsbruck’s Olympiaworld (around 12,000 capacity) both meet the key requirements. Over the coming weeks, ORF will be in deep discussions with each city’s team to scrutinize all logistical and financial details. The final decision on the Eurovision 2026 host city is expected by the second half of August – so we’ll soon find out whether the honor goes to the capital Vienna or the Tyrolean city of Innsbruck. That’s all for this weekly update. Stay tuned for another roundup next week. The road to Eurovision 2026 continues! Share

Share
Read More »