2nd semifinal overview

The 2nd semifinal also opens with beautiful images of the Netherlands. Eefje de Visser and the ballet with Redouan Ait Chitt can then be seen on stage in Ahoy. After that we see the presenters. Edsilia Rombley stands out most because of her bright green dress, and what you cannot see from afar: Nikkie de Jager’s dress has stitching in the colors of the trans flag.

San Marino: Senhit wears one thing around her head at the start of her act. It most closely resembles an icon, and at the first rehearsal there were also images of Christ on it. They were later replaced by photos of Flo Rida, but they are now redundant because Flo Rida is on stage herself. We are absolutely sure of a place in the finale.

Estonia: Uku Suviste had to fight for his place at the 2021 festival himself, even though he was already the candidate in 2020. Still, many feel that he got so many votes this year out of pity. He is a good singer, but with this song he really does not convince us. No Eurovision final for Estonia this year.

Czech Republic: In recent days, Benny Cristo has been everywhere. Now that he is on stage, we still feel that he has forgotten to take that energy with him into Ahoy. We get a very strong feeling something is missing. His voice is not perfect either. We think it is not impossible for Benny to reach the final, but it will be hard.

Greece: Stefania, who represents Greece, is secretly also a bit from the Netherlands, because she comes from Uitrecht. Greece has pulled out the technical gadgets of the greenscreen, which makes it seem as if the dancers are invisible. You only see their clothes. In addition, Stefania seems to float through the city. Greece, Stefania in the lead, makes something beautiful out of it. She will very likely reach the final.

Austria: Another prayer, again “Amen”. David Bueno sings a ballad in which he can let us hear his strong voice. The staging has been kept simple. With the LED light around him, the whole thing is still spectacular. If Belgium succeeds on quality alone, you would say that Austria succeeds too. We think that’s what’s gonna happen.

Poland: Hardly anyone believes in the Polish entry. The question that arises is whether Rafal does that himself. Rafal is on stage with four dancers and wears sunglasses. All fine, but with his song he doesn’t seem to impress for a single moment during the entire song. No final for Poland this year.

Then Nikkie de Jager shows up. She gives the floor to Molly Sandén, who sang the soundtrack of “Eurovision Song Contest: the story of Fire Saga”. We also see Jeangu Macrooy pass by for a short while.

Moldova: Natalia Gordienko once played a (scantily clad) supporting role, now she plays a leading role in the Moldovan entry about sugar, surrounded by dancers. Lots of pink on stage, but we still have the feeling that the Moldovan team has run out of sugar. Unfortunately, Moldova makes very little impression. However, it can still reach the final.

Iceland: Do you see the Icelanders? In fact you don’t really see them, because they are not allowed to enter the stage stage. So you will see a recording of one of the rehearsals. The green sweater and the wicked dance: it has been thought through. Same goes for the instruments. We can reveal that they are not real. Still, it looks like a slick show. Nobody has any doubts about a place in the finale.

Serbia: There is something weird about the Serbian entry: unlike you might expect, the ladies can sing quite good. Their dance is a bit stiff. Unlike the song, the Hurricane ladies themselves are not really rocking. Our entire team expects the girls to be in the final.

Georgia: Before the festival, Tornike Kipriani grumbled that it was a shame you had to participate in such a shit show. Now he brings his ballad with verve with his Leonard Cohen-like voice. It is not such a shit show. Georgia is not going to reach the final.

Albania: Just like two years ago, Albania has remained close to its own culture. The song is sung in Albanian. Lots of red and green smoke, especially in the second half a kind of golden glow like the setting sun. Does the Albanian trick work twice in a row? It’s not impossible, but it will be difficult.

Portugal: Nobody gave a cent for the Portuguese entry beforehand. But with the right staging, people are no longer so sure that this will go wrong. Portugal starts in the time when the world was still in black and white, to bring some color to the stage halfway through the song. Portugal can be the big surprise in the final.

Then Chantal Janzen will reveal that we are going to see former winners this Saturday. In the meantime she talks to Helena Paparizou (ESF05).

Bulgaria: Victoria sits on a rock in the middle of a virtual sea. The picture is one of her and her father. That picture is dear to her because of her and her father. The father has ALS and therefore cannot be in Rotterdam. Viktoria’s vocals are fantastic as always. Bulgaria in the final? Was that a question? We know the answer: yes.

Finland: You may not raise your middle finger in the family program that the Eurovision song contest is: then you paint it red. A number of metal fans were angry that the song is called metal. So, dear reader, this is not metal. It is enjoyable for those who like heavy rock. Or would people who enjoy enjoyment get angry now? Anyway, we will see Finland back in the final.

Latvia: Samanta Tina brings a song that is extremely suitable for getting everything out of the closet in an act. We don’t understand why she doesn’t. Samanta is a fantastic singer. Given the mudguards the backing singers seem to look for a job at the Dutch Railway Company. But the train does probably not go to the final.

Switzerland: Ceci n’est pas Duncan Laurence. Gjon’s Tears sings his French ballad on a plastic scaffold. Lots of black and white in the background. Like Duncan Laurence, he lacks the talent to jump out of control vocally; no matter how high they are, the notes come out perfectly with Gjon. We are convinced of a place in the final.

Denmark: The writer of this has, during the first lockdown, reviewed a number of old Danish preselections. It has to be admitted, this entry would have fitted in perfectly. It is a pleasure for lovers of the eighties sound. The vocals are not always good. Where are Kirsten & Søren (ESC 84, 85 and 88) when you need them? It will be tough for the Danish to reach the final.

Then we are treated to “Close encounters of a special kind”, as Jan Smit announces it. Ballet dancer Ahmad Joudez and BMX rider Dez Maarsen will perform. Something spectacular again, so we’re sorry, but you can’t go to the toilet again. Some videos of viewers follow. And after another recap, Duncan Laurence, Izhar Cohen, Getty Kaspers, Ruslana, Nicole and Niamh Kavanagh will be seen and they talk about their experiences. And then it’s time for a second part of Eurovision Tutorials. Now she will explain how to win.

And you can also hear fragments of three direct finalists:

France: Edith Piaf is alive! You can say a lot about Barbara Pravi, for example that she can sing well, has a strong stage performance, a strong song… well, you know what we mean. Strong entry from France.

United Kingdom: The country that is so strong in the world of pop music, is so disappointing in the Eurovision Song Contest. Two lamps pretending to be trumpets are a nice idea, but if the singer sings that badly with a song that is not too strong, it’s still not a success.

Spain: In itself there is nothing wrong with the Spanish entry. However, Blas Cantó’s singing left something to be desired throughout the week. The performance he gave away at the jury final was the best of the whole week. But it is still not strong enough, no matter how much sympathy we have for the singer.

And then the result follows. We think San Marino, Greece, Austria, Moldova, Iceland, Serbia, Portugal, Bulgaria, Finland and Switzerland will pass on to the final.

photo credits: EBU

 

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It is Tuesday, April 21, 2026, which means it is time for another weekly Eurovision update! Pre-party season wrapped up in style this week, with events in Bucharest and London. In Vienna, the stage at the Wiener Stadthalle is nearly ready. The bookmakers still have Finland firmly in the lead. And American fans finally have a free way to watch Eurovision. Here are this week’s top stories. Pre-Party Season 🇷🇴 Eurovision Pre-Party Bucharest 2026 Pre-party season continued in Romania this past weekend. The Eurovision Pre-Party Bucharest 2026 took place on Saturday at the Arenele Romane in Bucharest. Four acts performed their entries for the 70th Eurovision Song Contest: Bulgaria’s DARA, Greece’s Akylas, Malta’s Aidan, and Romania’s Alexandra Căpitănescu. The event was organised by eMagic in collaboration with TVR, AIMR and OGAE Romania.  🇬🇧 London Eurovision Party 2026 One of the biggest pre-parties of the season took place on Sunday night. The London Eurovision Party 2026 was held at the Outernet in London. Over twenty acts performed their Eurovision entries. Here’s a recap: Eurovision 2026 🇦🇹 Stage Construction Almost Complete in Vienna Things are coming together fast at the Wiener Stadthalle. ORF has released new images showing that stage construction for the 70th Eurovision Song Contest is nearly finished. The main screen and LED panels are in place, with finishing touches being completed ahead of stand-in rehearsals before delegations arrive in Vienna next week. The scale of the production is impressive. Forty commentator booths, 2,135 lighting fixtures with 8,500 individually controllable LEDs, and a full green room have been installed. The production will use 28 cameras in total. That’s including two camera cranes, three aerial camera systems, and four steady cams. For the first time at Eurovision, a system will be used to give the entire broadcast a cinematic look.  📷 ORF/Christian Öser source: ORF 🇦🇹 Emily Busvine to Host the Green Room ORF has confirmed the face of the Eurovision green room. Emily Busvine will serve as the green room host for the 70th Eurovision Song Contest in Vienna. She is the presenter of the FM4 Morning Show. Busvine was born in Vienna in 1996 and studied at the University of Cambridge before joining Radio FM4 in 2020. While Victoria Swarovski and Michael Ostrowski host from the main stage, Busvine will interview the competing acts live in the green room, in front of an estimated 180 million viewers.  This year, the green room will reflect Viennese coffee house culture, giving international audiences a taste of one of Austria’s most beloved traditions. source: orf 🇫🇮 Current Odds: Finland Still on Top The bookmakers have not changed their minds. Finland’s Linda Lampenius and Pete Parkkonen with “Liekinheitin” remain the clear favourite to win Eurovision 2026, with a winning probability of around 31%. France’s Monroe with “Regarde !” sits in second place at approximately 11%, followed by Denmark’s Søren Torpegaard Lund at around 10%. Australia’s Delta Goodrem and Greece’s Akylas round out the top five.  Further down, Romania, Ukraine, and Italy are all placed between 3% and 4% winning probability. The contest takes place on May 12, 14, and 16 in Vienna. source: eurovisionworld Interviews: Satoshi (Moldova) and Alis (Albania) Two of this week’s most talked-about interviews come from our own Kal, who sat down with Satoshi from Moldova and Alis from Albania at the pre-party circuit. 🇲🇩 Satoshi is one of the most magnetic performers in this year’s lineup. His entry “Viva, Moldova!” bursts with energy, and in his interview he explains that the song is rooted in a personal process of understanding his own identity. He also describes the pre-party experience as a genuinely positive one, saying that the enthusiasm from audiences makes it easy to perform. Moldova has not competed since 2024, making this a comeback year. Satoshi is exactly the kind of artist who makes a splash. Wanna know the favourite band of Satoshi? And did Aliona Moon have any advice for him? If you have not watched this interview yet, do yourself a favour and press play. 🇦🇱 Albania’s Alis is equally compelling. His Eurovision entry “Nân” is a deeply personal ode to the maternal figure, rooted in Albanian culture and tradition. In his interview, Alis spoke about his hometown of Shkodër and the writing process behind “Nân”, describing the mother figure as someone who deserves recognition across the Balkans. What was his original plan for Eurovision? And why was he scared of stage before Eurovision? nd Kal even has an advice for him. Alis takes Eurovision serious, and this interview is not to be missed.   Short News 🎬 Eurovision 2026: A Little Bit More The official Eurovision YouTube channel is steadily filling up with content ahead of the contest. The 2026 edition of “A Little Bit More” is well underway, with participants delivering alternative versions of their own entries and covers of Eurovision classics. Albania’s Alis has shared a piano version of “Nân”, Moldova’s Satoshi has given “Viva, Moldova!” an even harder-hitting reworking, San Marino’s Senhit delivered a stripped-back version of “Superstar”, and Australia’s Delta Goodrem offered a high-energy mix of “Eclipse”. The full playlist is available on the official Eurovision Song Contest YouTube channel. 🇺🇸 USA Can Now Watch Eurovision for Free American Eurovision fans have a new option this May. The EBU has confirmed that all three live shows of the Eurovision Song Contest 2026 will be available to watch for free in the United States via YouTube, alongside the existing Peacock stream. In some countries such as the United Kingdom, Australia, and Greece, local broadcasters retain exclusive rights and the YouTube stream will not be available. This is a major step in expanding Eurovision’s reach beyond Europe, and it means millions of new viewers could be tuning in for the first time this May. source: Hollywoodreporter.com

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It is Tuesday, April 21, 2026, which means it is time for another weekly Eurovision update! Pre-party season wrapped up in style this week, with events in Bucharest and London. In Vienna, the stage at the Wiener Stadthalle is nearly ready. The bookmakers still have Finland firmly in the lead. And American fans finally have a free way to watch Eurovision. Here are this week’s top stories. Pre-Party Season 🇷🇴 Eurovision Pre-Party Bucharest 2026 Pre-party season continued in Romania this past weekend. The Eurovision Pre-Party Bucharest 2026 took place on Saturday at the Arenele Romane in Bucharest. Four acts performed their entries for the 70th Eurovision Song Contest: Bulgaria’s DARA, Greece’s Akylas, Malta’s Aidan, and Romania’s Alexandra Căpitănescu. The event was organised by eMagic in collaboration with TVR, AIMR and OGAE Romania.  🇬🇧 London Eurovision Party 2026 One of the biggest pre-parties of the season took place on Sunday night. The London Eurovision Party 2026 was held at the Outernet in London. Over twenty acts performed their Eurovision entries. Here’s a recap: Eurovision 2026 🇦🇹 Stage Construction Almost Complete in Vienna Things are coming together fast at the Wiener Stadthalle. ORF has released new images showing that stage construction for the 70th Eurovision Song Contest is nearly finished. The main screen and LED panels are in place, with finishing touches being completed ahead of stand-in rehearsals before delegations arrive in Vienna next week. The scale of the production is impressive. Forty commentator booths, 2,135 lighting fixtures with 8,500 individually controllable LEDs, and a full green room have been installed. The production will use 28 cameras in total. That’s including two camera cranes, three aerial camera systems, and four steady cams. For the first time at Eurovision, a system will be used to give the entire broadcast a cinematic look.  📷 ORF/Christian Öser source: ORF 🇦🇹 Emily Busvine to Host the Green Room ORF has confirmed the face of the Eurovision green room. Emily Busvine will serve as the green room host for the 70th Eurovision Song Contest in Vienna. She is the presenter of the FM4 Morning Show. Busvine was born in Vienna in 1996 and studied at the University of Cambridge before joining Radio FM4 in 2020. While Victoria Swarovski and Michael Ostrowski host from the main stage, Busvine will interview the competing acts live in the green room, in front of an estimated 180 million viewers.  This year, the green room will reflect Viennese coffee house culture, giving international audiences a taste of one of Austria’s most beloved traditions. source: orf 🇫🇮 Current Odds: Finland Still on Top The bookmakers have not changed their minds. Finland’s Linda Lampenius and Pete Parkkonen with “Liekinheitin” remain the clear favourite to win Eurovision 2026, with a winning probability of around 31%. France’s Monroe with “Regarde !” sits in second place at approximately 11%, followed by Denmark’s Søren Torpegaard Lund at around 10%. Australia’s Delta Goodrem and Greece’s Akylas round out the top five.  Further down, Romania, Ukraine, and Italy are all placed between 3% and 4% winning probability. The contest takes place on May 12, 14, and 16 in Vienna. source: eurovisionworld Interviews: Satoshi (Moldova) and Alis (Albania) Two of this week’s most talked-about interviews come from our own Kal, who sat down with Satoshi from Moldova and Alis from Albania at the pre-party circuit. 🇲🇩 Satoshi is one of the most magnetic performers in this year’s lineup. His entry “Viva, Moldova!” bursts with energy, and in his interview he explains that the song is rooted in a personal process of understanding his own identity. He also describes the pre-party experience as a genuinely positive one, saying that the enthusiasm from audiences makes it easy to perform. Moldova has not competed since 2024, making this a comeback year. Satoshi is exactly the kind of artist who makes a splash. Wanna know the favourite band of Satoshi? And did Aliona Moon have any advice for him? If you have not watched this interview yet, do yourself a favour and press play. 🇦🇱 Albania’s Alis is equally compelling. His Eurovision entry “Nân” is a deeply personal ode to the maternal figure, rooted in Albanian culture and tradition. In his interview, Alis spoke about his hometown of Shkodër and the writing process behind “Nân”, describing the mother figure as someone who deserves recognition across the Balkans. What was his original plan for Eurovision? And why was he scared of stage before Eurovision? nd Kal even has an advice for him. Alis takes Eurovision serious, and this interview is not to be missed.   Short News 🎬 Eurovision 2026: A Little Bit More The official Eurovision YouTube channel is steadily filling up with content ahead of the contest. The 2026 edition of “A Little Bit More” is well underway, with participants delivering alternative versions of their own entries and covers of Eurovision classics. Albania’s Alis has shared a piano version of “Nân”, Moldova’s Satoshi has given “Viva, Moldova!” an even harder-hitting reworking, San Marino’s Senhit delivered a stripped-back version of “Superstar”, and Australia’s Delta Goodrem offered a high-energy mix of “Eclipse”. The full playlist is available on the official Eurovision Song Contest YouTube channel. 🇺🇸 USA Can Now Watch Eurovision for Free American Eurovision fans have a new option this May. The EBU has confirmed that all three live shows of the Eurovision Song Contest 2026 will be available to watch for free in the United States via YouTube, alongside the existing Peacock stream. In some countries such as the United Kingdom, Australia, and Greece, local broadcasters retain exclusive rights and the YouTube stream will not be available. This is a major step in expanding Eurovision’s reach beyond Europe, and it means millions of new viewers could be tuning in for the first time this May. source: Hollywoodreporter.com

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