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2nd semifinal overview

The 2nd semifinal also opens with beautiful images of the Netherlands. Eefje de Visser and the ballet with Redouan Ait Chitt can then be seen on stage in Ahoy. After that we see the presenters. Edsilia Rombley stands out most because of her bright green dress, and what you cannot see from afar: Nikkie de Jager’s dress has stitching in the colors of the trans flag.

San Marino: Senhit wears one thing around her head at the start of her act. It most closely resembles an icon, and at the first rehearsal there were also images of Christ on it. They were later replaced by photos of Flo Rida, but they are now redundant because Flo Rida is on stage herself. We are absolutely sure of a place in the finale.

Estonia: Uku Suviste had to fight for his place at the 2021 festival himself, even though he was already the candidate in 2020. Still, many feel that he got so many votes this year out of pity. He is a good singer, but with this song he really does not convince us. No Eurovision final for Estonia this year.

Czech Republic: In recent days, Benny Cristo has been everywhere. Now that he is on stage, we still feel that he has forgotten to take that energy with him into Ahoy. We get a very strong feeling something is missing. His voice is not perfect either. We think it is not impossible for Benny to reach the final, but it will be hard.

Greece: Stefania, who represents Greece, is secretly also a bit from the Netherlands, because she comes from Uitrecht. Greece has pulled out the technical gadgets of the greenscreen, which makes it seem as if the dancers are invisible. You only see their clothes. In addition, Stefania seems to float through the city. Greece, Stefania in the lead, makes something beautiful out of it. She will very likely reach the final.

Austria: Another prayer, again “Amen”. David Bueno sings a ballad in which he can let us hear his strong voice. The staging has been kept simple. With the LED light around him, the whole thing is still spectacular. If Belgium succeeds on quality alone, you would say that Austria succeeds too. We think that’s what’s gonna happen.

Poland: Hardly anyone believes in the Polish entry. The question that arises is whether Rafal does that himself. Rafal is on stage with four dancers and wears sunglasses. All fine, but with his song he doesn’t seem to impress for a single moment during the entire song. No final for Poland this year.

Then Nikkie de Jager shows up. She gives the floor to Molly Sandén, who sang the soundtrack of “Eurovision Song Contest: the story of Fire Saga”. We also see Jeangu Macrooy pass by for a short while.

Moldova: Natalia Gordienko once played a (scantily clad) supporting role, now she plays a leading role in the Moldovan entry about sugar, surrounded by dancers. Lots of pink on stage, but we still have the feeling that the Moldovan team has run out of sugar. Unfortunately, Moldova makes very little impression. However, it can still reach the final.

Iceland: Do you see the Icelanders? In fact you don’t really see them, because they are not allowed to enter the stage stage. So you will see a recording of one of the rehearsals. The green sweater and the wicked dance: it has been thought through. Same goes for the instruments. We can reveal that they are not real. Still, it looks like a slick show. Nobody has any doubts about a place in the finale.

Serbia: There is something weird about the Serbian entry: unlike you might expect, the ladies can sing quite good. Their dance is a bit stiff. Unlike the song, the Hurricane ladies themselves are not really rocking. Our entire team expects the girls to be in the final.

Georgia: Before the festival, Tornike Kipriani grumbled that it was a shame you had to participate in such a shit show. Now he brings his ballad with verve with his Leonard Cohen-like voice. It is not such a shit show. Georgia is not going to reach the final.

Albania: Just like two years ago, Albania has remained close to its own culture. The song is sung in Albanian. Lots of red and green smoke, especially in the second half a kind of golden glow like the setting sun. Does the Albanian trick work twice in a row? It’s not impossible, but it will be difficult.

Portugal: Nobody gave a cent for the Portuguese entry beforehand. But with the right staging, people are no longer so sure that this will go wrong. Portugal starts in the time when the world was still in black and white, to bring some color to the stage halfway through the song. Portugal can be the big surprise in the final.

Then Chantal Janzen will reveal that we are going to see former winners this Saturday. In the meantime she talks to Helena Paparizou (ESF05).

Bulgaria: Victoria sits on a rock in the middle of a virtual sea. The picture is one of her and her father. That picture is dear to her because of her and her father. The father has ALS and therefore cannot be in Rotterdam. Viktoria’s vocals are fantastic as always. Bulgaria in the final? Was that a question? We know the answer: yes.

Finland: You may not raise your middle finger in the family program that the Eurovision song contest is: then you paint it red. A number of metal fans were angry that the song is called metal. So, dear reader, this is not metal. It is enjoyable for those who like heavy rock. Or would people who enjoy enjoyment get angry now? Anyway, we will see Finland back in the final.

Latvia: Samanta Tina brings a song that is extremely suitable for getting everything out of the closet in an act. We don’t understand why she doesn’t. Samanta is a fantastic singer. Given the mudguards the backing singers seem to look for a job at the Dutch Railway Company. But the train does probably not go to the final.

Switzerland: Ceci n’est pas Duncan Laurence. Gjon’s Tears sings his French ballad on a plastic scaffold. Lots of black and white in the background. Like Duncan Laurence, he lacks the talent to jump out of control vocally; no matter how high they are, the notes come out perfectly with Gjon. We are convinced of a place in the final.

Denmark: The writer of this has, during the first lockdown, reviewed a number of old Danish preselections. It has to be admitted, this entry would have fitted in perfectly. It is a pleasure for lovers of the eighties sound. The vocals are not always good. Where are Kirsten & Søren (ESC 84, 85 and 88) when you need them? It will be tough for the Danish to reach the final.

Then we are treated to “Close encounters of a special kind”, as Jan Smit announces it. Ballet dancer Ahmad Joudez and BMX rider Dez Maarsen will perform. Something spectacular again, so we’re sorry, but you can’t go to the toilet again. Some videos of viewers follow. And after another recap, Duncan Laurence, Izhar Cohen, Getty Kaspers, Ruslana, Nicole and Niamh Kavanagh will be seen and they talk about their experiences. And then it’s time for a second part of Eurovision Tutorials. Now she will explain how to win.

And you can also hear fragments of three direct finalists:

France: Edith Piaf is alive! You can say a lot about Barbara Pravi, for example that she can sing well, has a strong stage performance, a strong song… well, you know what we mean. Strong entry from France.

United Kingdom: The country that is so strong in the world of pop music, is so disappointing in the Eurovision Song Contest. Two lamps pretending to be trumpets are a nice idea, but if the singer sings that badly with a song that is not too strong, it’s still not a success.

Spain: In itself there is nothing wrong with the Spanish entry. However, Blas Cantó’s singing left something to be desired throughout the week. The performance he gave away at the jury final was the best of the whole week. But it is still not strong enough, no matter how much sympathy we have for the singer.

And then the result follows. We think San Marino, Greece, Austria, Moldova, Iceland, Serbia, Portugal, Bulgaria, Finland and Switzerland will pass on to the final.

photo credits: EBU

 

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Blast from the past

Blast from the past: Yugoslavia 1991

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1991, when Baby Doll represented Yugoslavia with her song “Brazil”. Yugoslavia in the Eurovision Song Contest Yugoslavia debuted in the Eurovision Song Contest in 1961. Already in their 2nd year, Yugoslavia reached a high score (4th) with Lola Novaković and her “Ne pali svetlo u sumrak”. Unfortunately, it was hard for the country to break that record. In 1983, the country reached the 4th place again with Danijel Popović and his “Džuli”. The English version of that song “Julie” became a worldwide hit. But Yugoslavia had to await their first and only victory until 1989. Riva won the contest with “Rock me”. Only three more Yugoslav entries followed, but the country fell apart. In 1992 they had their very last entry. Riva Jugovizija 1991 The Yugoslav national final was called Jugovizija. Eight regional television stations all had their contributions and their jury. In 1991, the contest was held on 9 March in Sarajevo. 16 songs participated: Tedi Spalato sang “Gospode moj”, 29 pts, 5th (HTV, Zagreb) Zorana Pavić sang “Ritam ljubavi“, 26 pts, 6th (TVBg, Belgrade) Milica Milisavljević-Dugalić sang “Sta će nebo reći“, 20 pts, 10th (TVPr, Pristina) Baby Doll sang “Brazil“, 68 pts, 1st (TVBg, Belgrade) Miran Rudan sang “Ne reci goodbye“, 5 pts, 15th (TVSl, Ljubljana) Jelena Džoja sang “Čuvaj se ljubavi“, 9 pts, 13th (TVSa, Sarajevo) Margarita Hristova sang “Daj mi krilja“, 3 pts, 16th (TVSk, Skopje) Vesna Ivić sang “Ime“, 11 pts, 11th (TVNS, Novi Sad) Ivana Banfić sang “Daj, povedi me“, 57 pts, 3rd (HTV, Zagreb) Helena Blagne sang “Navaden majski dan“, 25 pts, 7th (TVSl, Ljubljana) Šeri sang “Da li već spavaš“, 6 pts, 14th (TVBg, Belgrade) Ponoćni express sang “Pjesma o tebi“, 22 pts, 8th (TVCg, Titograd) Tony Cetinski sang “Marina“, 22 pts, 8th (TVNS, Novi Sad) Danijel Popović sang “Ma daj obuci levisice“, 66 pts, 2nd (HTV, Zagreb) Anastasija Nizamova-Muhić sang “Molitva“, 11 pts, 11th (TVSk, Skopje) Zerina Cokoja, “Bez tebe“, 52 pts, 4th, 52 pts, 4th (TVSa, Sarajevo) Danijel was the hot favourite to win the competition. However, Yugoslavia was about to fall apart. In June 1991, Croatia and Slovenia declared their independence. Four months before that, the political tension was very high. The result was that the jury of TVSl, TVSa and TVSk did not vote for any of the Serbian songs. TVBg and TVPr did not vote for Danijel, the latter did not vote for the other Croatian entry either. However, both juries gave “Brazil” their maximum number of points. That is what brought Baby Doll her victory. Danijel Popović Baby Doll Bebi Dol or Baby Doll, born Dragana Šarić on October 2, 1962, in Belgrade, is a prominent Serbian and former Yugoslav pop-rock singer. Raised by her jazz musician father, Milisav Šarić, she began her career in the late 1970s with the band Tarkus before co-founding Anoda Ruž with Goran Vejvoda in 1981. Following the band’s short run, she embarked on a solo career and gained fame with the 1981 single Mustafa, which won Song of the Year. In 1983, her debut album Ruže i krv earned her acclaim and established her popularity across Yugoslavia. Bebi Dol’s style evolved with each release, from the oriental-inspired Inš-Alah in 1986 to the dance-influenced tracks on her 1995 album Ritam srca. Her 1991 Eurovision entry, Brazil, remains iconic despite placing low, a result often attributed to Yugoslavia’s political turmoil. Her 2002 album Ljuta sam received mixed reviews, but she continued performing, venturing into cover albums like Čovek rado izvan sebe živi in 2006. In 2009, she participated as a finalist in the reality show Farma, appearing again in 2013 and 2015. Eight years later, she competed in the fourth season of Tvoje lice zvuči poznato, though she did not make it to the finals. In 2018, she entered the reality show Zadruga, but was quickly eliminated. In 2020, she appeared as a special guest in the series Tajkun. Brazil “Brazil” was written by Dragana Šarić herself, with music composed by Saša Habić and Zoran Vračević, the song blends Latin-inspired rhythms with Balkan pop, creating a vibrant, energetic piece. Known for its catchy melody and exotic flair, Brazil highlighted Bebi Dol’s theatrical style and ambitious staging, featuring elaborate costumes and dynamic choreography. Despite its popularity at home, the song faced challenges on the European stage, likely influenced by the tense political climate in Yugoslavia at the time. Ultimately, Brazil scored only one point at the contest, finishing in last place. However, the song later gained recognition as a unique Eurovision entry, maintaining a dedicated following among fans for its creativity and Bebi Dol’s distinct performance.   Share

Share
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Blast from the past
Martijn

Blast from the past: Yugoslavia 1991

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1991, when Baby Doll represented Yugoslavia with her song “Brazil”. Yugoslavia in the Eurovision Song Contest Yugoslavia debuted in the Eurovision Song Contest in 1961. Already in their 2nd year, Yugoslavia reached a high score (4th) with Lola Novaković and her “Ne pali svetlo u sumrak”. Unfortunately, it was hard for the country to break that record. In 1983, the country reached the 4th place again with Danijel Popović and his “Džuli”. The English version of that song “Julie” became a worldwide hit. But Yugoslavia had to await their first and only victory until 1989. Riva won the contest with “Rock me”. Only three more Yugoslav entries followed, but the country fell apart. In 1992 they had their very last entry. Riva Jugovizija 1991 The Yugoslav national final was called Jugovizija. Eight regional television stations all had their contributions and their jury. In 1991, the contest was held on 9 March in Sarajevo. 16 songs participated: Tedi Spalato sang “Gospode moj”, 29 pts, 5th (HTV, Zagreb) Zorana Pavić sang “Ritam ljubavi“, 26 pts, 6th (TVBg, Belgrade) Milica Milisavljević-Dugalić sang “Sta će nebo reći“, 20 pts, 10th (TVPr, Pristina) Baby Doll sang “Brazil“, 68 pts, 1st (TVBg, Belgrade) Miran Rudan sang “Ne reci goodbye“, 5 pts, 15th (TVSl, Ljubljana) Jelena Džoja sang “Čuvaj se ljubavi“, 9 pts, 13th (TVSa, Sarajevo) Margarita Hristova sang “Daj mi krilja“, 3 pts, 16th (TVSk, Skopje) Vesna Ivić sang “Ime“, 11 pts, 11th (TVNS, Novi Sad) Ivana Banfić sang “Daj, povedi me“, 57 pts, 3rd (HTV, Zagreb) Helena Blagne sang “Navaden majski dan“, 25 pts, 7th (TVSl, Ljubljana) Šeri sang “Da li već spavaš“, 6 pts, 14th (TVBg, Belgrade) Ponoćni express sang “Pjesma o tebi“, 22 pts, 8th (TVCg, Titograd) Tony Cetinski sang “Marina“, 22 pts, 8th (TVNS, Novi Sad) Danijel Popović sang “Ma daj obuci levisice“, 66 pts, 2nd (HTV, Zagreb) Anastasija Nizamova-Muhić sang “Molitva“, 11 pts, 11th (TVSk, Skopje) Zerina Cokoja, “Bez tebe“, 52 pts, 4th, 52 pts, 4th (TVSa, Sarajevo) Danijel was the hot favourite to win the competition. However, Yugoslavia was about to fall apart. In June 1991, Croatia and Slovenia declared their independence. Four months before that, the political tension was very high. The result was that the jury of TVSl, TVSa and TVSk did not vote for any of the Serbian songs. TVBg and TVPr did not vote for Danijel, the latter did not vote for the other Croatian entry either. However, both juries gave “Brazil” their maximum number of points. That is what brought Baby Doll her victory. Danijel Popović Baby Doll Bebi Dol or Baby Doll, born Dragana Šarić on October 2, 1962, in Belgrade, is a prominent Serbian and former Yugoslav pop-rock singer. Raised by her jazz musician father, Milisav Šarić, she began her career in the late 1970s with the band Tarkus before co-founding Anoda Ruž with Goran Vejvoda in 1981. Following the band’s short run, she embarked on a solo career and gained fame with the 1981 single Mustafa, which won Song of the Year. In 1983, her debut album Ruže i krv earned her acclaim and established her popularity across Yugoslavia. Bebi Dol’s style evolved with each release, from the oriental-inspired Inš-Alah in 1986 to the dance-influenced tracks on her 1995 album Ritam srca. Her 1991 Eurovision entry, Brazil, remains iconic despite placing low, a result often attributed to Yugoslavia’s political turmoil. Her 2002 album Ljuta sam received mixed reviews, but she continued performing, venturing into cover albums like Čovek rado izvan sebe živi in 2006. In 2009, she participated as a finalist in the reality show Farma, appearing again in 2013 and 2015. Eight years later, she competed in the fourth season of Tvoje lice zvuči poznato, though she did not make it to the finals. In 2018, she entered the reality show Zadruga, but was quickly eliminated. In 2020, she appeared as a special guest in the series Tajkun. Brazil “Brazil” was written by Dragana Šarić herself, with music composed by Saša Habić and Zoran Vračević, the song blends Latin-inspired rhythms with Balkan pop, creating a vibrant, energetic piece. Known for its catchy melody and exotic flair, Brazil highlighted Bebi Dol’s theatrical style and ambitious staging, featuring elaborate costumes and dynamic choreography. Despite its popularity at home, the song faced challenges on the European stage, likely influenced by the tense political climate in Yugoslavia at the time. Ultimately, Brazil scored only one point at the contest, finishing in last place. However, the song later gained recognition as a unique Eurovision entry, maintaining a dedicated following among fans for its creativity and Bebi Dol’s distinct performance.   Share

Share
Read More »