1st semifinal overview

Of course we first see beautiful images of the Netherlands. The tiny house already plays a role. After Duncan Laurence has opened with a new song, the four presenters welcome you; three in a dark dress or suit, Chantal in yellow.

Lithuania: Yellow suits no one; but there are exceptions. Just try doing with your fingers what the guys from The Roop do. They are dancing, but not alone. We are sure of a place in the final for the yellow men.

Slovenia: “Amen”: this is not the last prayer you will hear. But Ana Soklic shows that she has a strong voice. She is a woman of the world: you can see that on the LED screens behind her. Unfortunately the final might be one bridge to far for her, we think.

Russia: You cannot miss it: Mazinha is a Russian woman. If you think she is going to perform the same trick as Linda Wagenmakers did: keep looking, she is doing something different. Mazinha will definitely reach the final.

Sweden: If you follow Melodifestivalen you will, as usual, see not much new things. But people who were concerned about Tusse’s voice can rest assured: there is nothing wrong with that. Tusse goes straight to the final.

Australia: The story is known, Montaigne is not in Rotterdam. You don’t notice that. Her performance is in every way a lot stronger than anything we’ve seen of her before. However, we think it’ll be tough for Montaigne to reach the final.

North Macedonia: Vasil comes with a ballad. And then half of the viewers say “wow, beautiful”, and the other half “boring”. But “Here I stand” suddenly means something completely different now that Vasil came out as gay in public two weeks ago. We are pretty sure that it’s not gonna help him to a place in the final.

And then Nikkie de Jager comes to update us on everything that has happened online in recent weeks. Then Edsilia Rombley talks to us from the greenroom, after which the show continues.

Ireland: Ireland does not use LED screens but cardboard. Two particularly handsome ladies serve all those pieces of cardboard in the Irish act. Yes, as a TV viewer you miss that part. She impresses by running the set, and empathizes with it so that it actually sounds like she is out of breath. It’s not impossible for Ireland to reach the final. It’ll be hard however.

Cyprus: Elena Tsagrinou sings that she likes menthe wrong men. If you think she’s breaking the rules by having a lot more than six people on stage, no, she works with mirrors. For a moment it was rumored that Lady Gaga would perform at the Eurovision song contest: not, but Elena comes close with her song. Cyprus will go to the final, no doubt about it.

Norway: Another bunch of demons, but now with an angel in the middle. But that one is a fallen angel. One with a special story, as you can read here. We do not know TIX personally, but he has stolen our hearts because of ihis openness. It will definitely bring him the final.

Croatia: Croatia works with holograms. Or did you really think they cloned Albina? The song has everything to make it to the final, but then Albina has to sing it well. And we haven’t really heard her do that until now. Reaching the final will be tough, but not impossible.

Belgium: You could expect it: Hooverphonic is not in for a puppet show and therefore puts down a more down to earth act. As a result, Geike Arnaert’s strong vocals come out all the better. Not making concessions could just result in something beautiful. One of the editors of Eurovision Universe has already promised to eat his shoe if Belgium does not make it to the final. We think that will very well be possible.

Israel: We can only say that Eden Alene is doing her best. Yet “Set me free” is not an entry that stands out from the rest. Eden sings a very high note: great that she does that, but it is not necessarily beautiful. The final is probably very far away for Eden.

And then we are going to look at Måns Zelmerlow, who will be interviewed by Chantal Janzen.

Romania: And then Roxen suddenly wears something different than during all rehearsals: a red and white blouse with ruffles and ditto skirt. Roxen has certainly made progress in the past week, but beautiful singing is something else in our humble opinions. No final this year for Romania.

Azerbaijan: The Azerbaijan delegation knows how to throw a party on stage. Fortunately, because let’s say it carefully: “Mata Hari” is not their strongest entry ever musically. Mata Hari means “eye of the day”, or simply sun. This can be seen in their act. See you in the final on saturday Azerbaijan.

Ukraine: If you are wondering what a forest would look like after a nuclear disaster, Go_A will show you. There are outspoken fans of this entry, but also outspoken opponents. Whether you like it or not, Ukraine show us a great performance.

Malta: With Destiny you don’t have to worry about her voice: it is always good. She now wears a silver-colored suit and ditto boots: she has changed that quite often in recent days. The song is still a swinging song. Malta jumps into the final without any doubt.

Then we can enjoy Davina Michelle singing the song “The power of water”, supported by actress Thekla Reuten. In addition, images of waterland in the Netherlands are added. Don’t go to the toilet now, but keep watching, because it is spectacular! When the lines are closed and the votes are counted we will see the countries that are automatically placed for the final.

Italy: You see a glam rock band, but that is not exactly what you hear. Rock it is. Opinions can be divided into “loud noise” and “great”. Something in between doesn’t seem possible. The group has chosen not to do too many crazy things that they otherwise don’t. Perhaps that is why the bookies are now talking about an Italian victory.

Germany: The German Eurovision committee must have had a brainstorm about what we had not yet seen in Eurovision. “Eureka!” Someone shouted, “A walking middle finger!”. It was not allowed, which is why it became a walking peace sign. Anyone who thinks that singer Jendrik plays a role as a brisky man got it wrong: he really is like that.

Netherlands: There has been a lot of criticism of Jeangu Macrooy and his entry “Birth of a new age”. The performance he puts down is, however, very strong. His voice is praised in the virtual press center, the Surinamese text is fantastic according to them and some even see Jeangu finish in the top 10. To be clear: it is not Dutch people who say that! And then there is the time for the results. With conspicuously small flags and the names of the countries written quite large, the ten finalists are lined up one by one. Which 10 do we think they are? Well, we wouldn’t be surprised to see Lithuania, Russia, Sweden, Cyprus, Norway, Croatia, Belgium, Azerbaijan, Ukraine and Malta being very happy at the end of the evening.

In cooperation with Eurovision Artists

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Eurovision 2026

Vienna 12 points: Eurovision semi final 2 takes the stage

Day three of first rehearsals at the 70th Eurovision Song Contest is underway in Vienna. The first seven countries of Semi-Final 2 step onto the Wiener Stadthalle stage for the very first time today, Monday 4 May. First rehearsals remain closed to press, three approved images per country will be published approximately 24 hours after each performance. The official Eurovision subreddit is providing live descriptions throughout the day. Eurovision Universe sought additional detail through national broadcaster coverage, social media, and press reports. All five countries below compete in Semi-Final 2 on Thursday, 14 May. 🇧🇬 Bulgaria — DARA, “Bangaranga” Running order: 1 | Rehearsal: 4 May, 10:30–11:00 CEST | Second rehearsal: 8 May DARA opened the entire Semi-Final 2 rehearsal block on Monday morning, and by all accounts she did not ease anyone in gently. The performance draws directly from the ancient Bulgarian Kukeri tradition. That is a ritual of driving out evil spirits through masked, chaotic movement. The staging makes this explicit. DARA’s dancers move in deliberately exaggerated, almost unsettling ways across the opening, creating a visual sense of controlled mayhem. DARA herself stands apart from the chaos: dressed in a black skirt, black belt, black knee-high boots, a short pink top and elbow-length pink gloves. By the performance’s final moments, the ritual fully resolves into spectacle. Staging is directed by Fredrik Rydman, who confirmed the concept in social media posts by DARA ahead of Vienna. DARA, born Darina Yotova in Varna in 1998, rose to prominence on The X Factor Bulgaria in 2015 and co-wrote “Bangaranga” alongside Anne Judith Wik, Dimitris Kontopoulos, and Monoir. Bulgaria returns to Eurovision after a three-year absence and competes 1st in Semi-Final 2. Sources: BNT / Instagram @darnadude / Wikipedia 🇦🇿 Azerbaijan — JIVA, “Just Go” Running order: 2 | Rehearsal: 4 May, 11:10–11:40 CEST | Second rehearsal: 8 May JIVA’s staging opens with JIVA stepping out of smoke in a shimmering gown that catches light in darker tones. Behind her, monochrome imagery on the LED screens depicts fragments of a relationship in decline, a visual counterpart to the ballad’s lyrical arc. The choreography remains restrained throughout, keeping focus on JIVA’s vocal delivery rather than on movement. Broadcaster ITV selected JIVA, real name Jamila Hashimova, through an internal process that reviewed 186 submitted songs and ultimately evaluated three finalists. ITV confirmed that “Just Go” is an entirely original composition by Azerbaijani-American writer Fuad Javadov and pushed back publicly against social media claims suggesting AI involvement in the songwriting process. For what it’s worth…. JIVA won the third season of The Voice of Azerbaijan in 2025. Azerbaijan competes 2nd in Semi-Final 2. Sources: ITV / AzerNews / Instagram @jiva_jh 🇷🇴 Romania — Alexandra Căpitănescu, “Choke Me” Running order: 3 | Rehearsal: 4 May, 11:50–12:20 CEST | Second rehearsal: 8 May Romania’s rehearsal brings a staging concept that broadcaster TVR has confirmed is largely rebuilt from scratch. Creative Director Jan Bors, former Head of Delegation for Czechia, told TVR that the Vienna performance is cinematic, fast-paced, and true to the rock identity of the song, retaining only minimal elements from the Selecția Națională performance. Alexandra Căpitănescu performs with her full four-piece live band: Bogdan Stoican on guitar, Matei Cohal on bass, Thomas Cîrcotă on piano and Luca Șofron on drums. The band hinted in an April YouTube livestream that additional elements may appear on stage beyond the five core performers. Căpitănescu won The Voice of Romania in 2023 and is currently completing a Master’s degree in physics in Bucharest. She co-wrote “Choke Me”, which she describes as a metaphor for being overwhelmed by self-doubt and inner pressure, with Călin Grajdan, Elvis Silitră, and Ștefan Condrea. Romania returns to Eurovision after a two-year absence and competes 3rd in Semi-Final 2. Sources: TVR / Wikipedia / Instagram @alexandra.capitanescu 🇱🇺 Luxembourg — Eva Marija, “Mother Nature” Running order: 4 | Rehearsal: 4 May, 12:45–13:15 CEST | Second rehearsal: 8 May Eva Marija brings nature’s imagery and movement to the Wiener Stadthalle stage. Her staging transforms the arena into a flowering visual world: butterflies, birds, and blossoming elements animate around her as she covers much of the stage. She wears a floaty, layered gown in earthy tones, trading the more structured outfit from the Luxembourg Song Contest for something that suits the song’s ethereal quality. Eva moves extensively across the catwalk, and her team has enhanced the staging well beyond the national final version. Eva Marija Kavaš Puc was born in Luxembourg City in 2005 to Slovenian parents, speaks six languages, and is currently finishing a songwriting degree at the Institute of Contemporary Music Performance in London. She took both the jury and public vote at the Luxembourg Song Contest in January. Eva co-wrote “Mother Nature” with Julie Aagaard, Maria Broberg, and Thomas Stengaard during an RTL songwriting camp. Luxembourg competes 4th in Semi-Final 2. Sources: RTL / Wikipedia / Culture Fix / Instagram @evamarija 🇨🇿 Czechia — Daniel Žižka, “CROSSROADS” Running order: 5 | Rehearsal: 4 May, 13:25–13:55 CEST | Second rehearsal: 9 May The day before his Vienna rehearsal, broadcaster ČT posted a clip on social media showing Daniel Žižka working with a large mirror prop in a Prague studio. That is the first concrete visual hint at what Artistic Director Ruy Okamura has been building for three months. According to the official Eurovision subreddit, that mirror prop is central to the Wiener Stadthalle staging: Žižka performs in and around it, with the reflective surfaces used to multiply and fragment his image across the stage. The performance is restrained and singer-focused. Speaking to Czech outlet iDNES ahead of the contest, Žižka described his goal as giving “CROSSROADS” as much space as possible to speak for itself, adding that the team had pursued a more intimate visual message. Okamura told the Czech delegation’s press team the approach was designed to be rather unusual for the Eurovision stage. Žižka, 23, studied musical theatre at the Jaroslav Ježek Conservatory in Prague before moving into indie pop songwriting. “CROSSROADS” was

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Eurovision 2026
Martijn

Vienna 12 points: Eurovision semi final 2 takes the stage

Day three of first rehearsals at the 70th Eurovision Song Contest is underway in Vienna. The first seven countries of Semi-Final 2 step onto the Wiener Stadthalle stage for the very first time today, Monday 4 May. First rehearsals remain closed to press, three approved images per country will be published approximately 24 hours after each performance. The official Eurovision subreddit is providing live descriptions throughout the day. Eurovision Universe sought additional detail through national broadcaster coverage, social media, and press reports. All five countries below compete in Semi-Final 2 on Thursday, 14 May. 🇧🇬 Bulgaria — DARA, “Bangaranga” Running order: 1 | Rehearsal: 4 May, 10:30–11:00 CEST | Second rehearsal: 8 May DARA opened the entire Semi-Final 2 rehearsal block on Monday morning, and by all accounts she did not ease anyone in gently. The performance draws directly from the ancient Bulgarian Kukeri tradition. That is a ritual of driving out evil spirits through masked, chaotic movement. The staging makes this explicit. DARA’s dancers move in deliberately exaggerated, almost unsettling ways across the opening, creating a visual sense of controlled mayhem. DARA herself stands apart from the chaos: dressed in a black skirt, black belt, black knee-high boots, a short pink top and elbow-length pink gloves. By the performance’s final moments, the ritual fully resolves into spectacle. Staging is directed by Fredrik Rydman, who confirmed the concept in social media posts by DARA ahead of Vienna. DARA, born Darina Yotova in Varna in 1998, rose to prominence on The X Factor Bulgaria in 2015 and co-wrote “Bangaranga” alongside Anne Judith Wik, Dimitris Kontopoulos, and Monoir. Bulgaria returns to Eurovision after a three-year absence and competes 1st in Semi-Final 2. Sources: BNT / Instagram @darnadude / Wikipedia 🇦🇿 Azerbaijan — JIVA, “Just Go” Running order: 2 | Rehearsal: 4 May, 11:10–11:40 CEST | Second rehearsal: 8 May JIVA’s staging opens with JIVA stepping out of smoke in a shimmering gown that catches light in darker tones. Behind her, monochrome imagery on the LED screens depicts fragments of a relationship in decline, a visual counterpart to the ballad’s lyrical arc. The choreography remains restrained throughout, keeping focus on JIVA’s vocal delivery rather than on movement. Broadcaster ITV selected JIVA, real name Jamila Hashimova, through an internal process that reviewed 186 submitted songs and ultimately evaluated three finalists. ITV confirmed that “Just Go” is an entirely original composition by Azerbaijani-American writer Fuad Javadov and pushed back publicly against social media claims suggesting AI involvement in the songwriting process. For what it’s worth…. JIVA won the third season of The Voice of Azerbaijan in 2025. Azerbaijan competes 2nd in Semi-Final 2. Sources: ITV / AzerNews / Instagram @jiva_jh 🇷🇴 Romania — Alexandra Căpitănescu, “Choke Me” Running order: 3 | Rehearsal: 4 May, 11:50–12:20 CEST | Second rehearsal: 8 May Romania’s rehearsal brings a staging concept that broadcaster TVR has confirmed is largely rebuilt from scratch. Creative Director Jan Bors, former Head of Delegation for Czechia, told TVR that the Vienna performance is cinematic, fast-paced, and true to the rock identity of the song, retaining only minimal elements from the Selecția Națională performance. Alexandra Căpitănescu performs with her full four-piece live band: Bogdan Stoican on guitar, Matei Cohal on bass, Thomas Cîrcotă on piano and Luca Șofron on drums. The band hinted in an April YouTube livestream that additional elements may appear on stage beyond the five core performers. Căpitănescu won The Voice of Romania in 2023 and is currently completing a Master’s degree in physics in Bucharest. She co-wrote “Choke Me”, which she describes as a metaphor for being overwhelmed by self-doubt and inner pressure, with Călin Grajdan, Elvis Silitră, and Ștefan Condrea. Romania returns to Eurovision after a two-year absence and competes 3rd in Semi-Final 2. Sources: TVR / Wikipedia / Instagram @alexandra.capitanescu 🇱🇺 Luxembourg — Eva Marija, “Mother Nature” Running order: 4 | Rehearsal: 4 May, 12:45–13:15 CEST | Second rehearsal: 8 May Eva Marija brings nature’s imagery and movement to the Wiener Stadthalle stage. Her staging transforms the arena into a flowering visual world: butterflies, birds, and blossoming elements animate around her as she covers much of the stage. She wears a floaty, layered gown in earthy tones, trading the more structured outfit from the Luxembourg Song Contest for something that suits the song’s ethereal quality. Eva moves extensively across the catwalk, and her team has enhanced the staging well beyond the national final version. Eva Marija Kavaš Puc was born in Luxembourg City in 2005 to Slovenian parents, speaks six languages, and is currently finishing a songwriting degree at the Institute of Contemporary Music Performance in London. She took both the jury and public vote at the Luxembourg Song Contest in January. Eva co-wrote “Mother Nature” with Julie Aagaard, Maria Broberg, and Thomas Stengaard during an RTL songwriting camp. Luxembourg competes 4th in Semi-Final 2. Sources: RTL / Wikipedia / Culture Fix / Instagram @evamarija 🇨🇿 Czechia — Daniel Žižka, “CROSSROADS” Running order: 5 | Rehearsal: 4 May, 13:25–13:55 CEST | Second rehearsal: 9 May The day before his Vienna rehearsal, broadcaster ČT posted a clip on social media showing Daniel Žižka working with a large mirror prop in a Prague studio. That is the first concrete visual hint at what Artistic Director Ruy Okamura has been building for three months. According to the official Eurovision subreddit, that mirror prop is central to the Wiener Stadthalle staging: Žižka performs in and around it, with the reflective surfaces used to multiply and fragment his image across the stage. The performance is restrained and singer-focused. Speaking to Czech outlet iDNES ahead of the contest, Žižka described his goal as giving “CROSSROADS” as much space as possible to speak for itself, adding that the team had pursued a more intimate visual message. Okamura told the Czech delegation’s press team the approach was designed to be rather unusual for the Eurovision stage. Žižka, 23, studied musical theatre at the Jaroslav Ježek Conservatory in Prague before moving into indie pop songwriting. “CROSSROADS” was

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