1st semifinal overview

Of course we first see beautiful images of the Netherlands. The tiny house already plays a role. After Duncan Laurence has opened with a new song, the four presenters welcome you; three in a dark dress or suit, Chantal in yellow.

Lithuania: Yellow suits no one; but there are exceptions. Just try doing with your fingers what the guys from The Roop do. They are dancing, but not alone. We are sure of a place in the final for the yellow men.

Slovenia: “Amen”: this is not the last prayer you will hear. But Ana Soklic shows that she has a strong voice. She is a woman of the world: you can see that on the LED screens behind her. Unfortunately the final might be one bridge to far for her, we think.

Russia: You cannot miss it: Mazinha is a Russian woman. If you think she is going to perform the same trick as Linda Wagenmakers did: keep looking, she is doing something different. Mazinha will definitely reach the final.

Sweden: If you follow Melodifestivalen you will, as usual, see not much new things. But people who were concerned about Tusse’s voice can rest assured: there is nothing wrong with that. Tusse goes straight to the final.

Australia: The story is known, Montaigne is not in Rotterdam. You don’t notice that. Her performance is in every way a lot stronger than anything we’ve seen of her before. However, we think it’ll be tough for Montaigne to reach the final.

North Macedonia: Vasil comes with a ballad. And then half of the viewers say “wow, beautiful”, and the other half “boring”. But “Here I stand” suddenly means something completely different now that Vasil came out as gay in public two weeks ago. We are pretty sure that it’s not gonna help him to a place in the final.

And then Nikkie de Jager comes to update us on everything that has happened online in recent weeks. Then Edsilia Rombley talks to us from the greenroom, after which the show continues.

Ireland: Ireland does not use LED screens but cardboard. Two particularly handsome ladies serve all those pieces of cardboard in the Irish act. Yes, as a TV viewer you miss that part. She impresses by running the set, and empathizes with it so that it actually sounds like she is out of breath. It’s not impossible for Ireland to reach the final. It’ll be hard however.

Cyprus: Elena Tsagrinou sings that she likes menthe wrong men. If you think she’s breaking the rules by having a lot more than six people on stage, no, she works with mirrors. For a moment it was rumored that Lady Gaga would perform at the Eurovision song contest: not, but Elena comes close with her song. Cyprus will go to the final, no doubt about it.

Norway: Another bunch of demons, but now with an angel in the middle. But that one is a fallen angel. One with a special story, as you can read here. We do not know TIX personally, but he has stolen our hearts because of ihis openness. It will definitely bring him the final.

Croatia: Croatia works with holograms. Or did you really think they cloned Albina? The song has everything to make it to the final, but then Albina has to sing it well. And we haven’t really heard her do that until now. Reaching the final will be tough, but not impossible.

Belgium: You could expect it: Hooverphonic is not in for a puppet show and therefore puts down a more down to earth act. As a result, Geike Arnaert’s strong vocals come out all the better. Not making concessions could just result in something beautiful. One of the editors of Eurovision Universe has already promised to eat his shoe if Belgium does not make it to the final. We think that will very well be possible.

Israel: We can only say that Eden Alene is doing her best. Yet “Set me free” is not an entry that stands out from the rest. Eden sings a very high note: great that she does that, but it is not necessarily beautiful. The final is probably very far away for Eden.

And then we are going to look at Måns Zelmerlow, who will be interviewed by Chantal Janzen.

Romania: And then Roxen suddenly wears something different than during all rehearsals: a red and white blouse with ruffles and ditto skirt. Roxen has certainly made progress in the past week, but beautiful singing is something else in our humble opinions. No final this year for Romania.

Azerbaijan: The Azerbaijan delegation knows how to throw a party on stage. Fortunately, because let’s say it carefully: “Mata Hari” is not their strongest entry ever musically. Mata Hari means “eye of the day”, or simply sun. This can be seen in their act. See you in the final on saturday Azerbaijan.

Ukraine: If you are wondering what a forest would look like after a nuclear disaster, Go_A will show you. There are outspoken fans of this entry, but also outspoken opponents. Whether you like it or not, Ukraine show us a great performance.

Malta: With Destiny you don’t have to worry about her voice: it is always good. She now wears a silver-colored suit and ditto boots: she has changed that quite often in recent days. The song is still a swinging song. Malta jumps into the final without any doubt.

Then we can enjoy Davina Michelle singing the song “The power of water”, supported by actress Thekla Reuten. In addition, images of waterland in the Netherlands are added. Don’t go to the toilet now, but keep watching, because it is spectacular! When the lines are closed and the votes are counted we will see the countries that are automatically placed for the final.

Italy: You see a glam rock band, but that is not exactly what you hear. Rock it is. Opinions can be divided into “loud noise” and “great”. Something in between doesn’t seem possible. The group has chosen not to do too many crazy things that they otherwise don’t. Perhaps that is why the bookies are now talking about an Italian victory.

Germany: The German Eurovision committee must have had a brainstorm about what we had not yet seen in Eurovision. “Eureka!” Someone shouted, “A walking middle finger!”. It was not allowed, which is why it became a walking peace sign. Anyone who thinks that singer Jendrik plays a role as a brisky man got it wrong: he really is like that.

Netherlands: There has been a lot of criticism of Jeangu Macrooy and his entry “Birth of a new age”. The performance he puts down is, however, very strong. His voice is praised in the virtual press center, the Surinamese text is fantastic according to them and some even see Jeangu finish in the top 10. To be clear: it is not Dutch people who say that! And then there is the time for the results. With conspicuously small flags and the names of the countries written quite large, the ten finalists are lined up one by one. Which 10 do we think they are? Well, we wouldn’t be surprised to see Lithuania, Russia, Sweden, Cyprus, Norway, Croatia, Belgium, Azerbaijan, Ukraine and Malta being very happy at the end of the evening.

In cooperation with Eurovision Artists

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🇨🇾 Blast from the past: Cyprus 2000

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 2000, when the duo Voice represented Cyprus with the song “Nomiza”. Cyprus in the Eurovision Song Contest Cyprus debuted at the Eurovision Song Contest in 1981 and has become a consistent finalist, yet is still chasing its first victory. The island’s benchmark result came in 2018. Eleni Foureira’s uptempo entry “Fuego” finished second with 436 points, the country’s best placing to date. Earlier, Cyprus had reached the top five with songs such as Anna Vissi’s “Mono i agapi” (1982), Hara and Andreas Constantinou’s “Mana mou” (1997) and Lisa Andreas’ “Stronger Every Minute” (2004).  In recent years Cyprus has relied on internal selections and close collaboration with international songwriters. In 2023, Australian‑Cypriot singer Andrew Lambrou took “Break a Broken Heart” to 12th place in the Liverpool final. Silia Kapsis followed in 2024 with the dance‑pop track “Liar”, qualifying from Malmö’s first semi‑final and finishing 15th overall. In 2025 Theo Evan performed “Shh” in Basel. He narrowly missed qualification in semi‑final one, placing 11th.  📷 Eleni Foureira, photo EBU/Andres Putting Diagonismós Tragoudioú Giourovízion 2000 The Cypriot national selection in 2000 was called Diagonismós Tragoudioú Giourovízion. The contest was held on 16 February. Eleven songs competed: Marina Solonos, “Eima akoma edo“, 148 pts, 3rd Annie, “Na m’agapas“, 131 pts, 5th Maria Amman, “Fones“, 87 pts, 10th Marilia Perikleous & Demetris Mouhtadouris, “Trikymia”, 93 pts, 9th Chrystanthos Chrystanthou, “An”, 78 pts, 11th Alexandros Panayi & Christina Argyri, “Nomiza“, 225 pts, 1st Lefki Stylianou, “Antio, loipon“, 94 pts, 8th Antonia Orthanou, “Sti gi eirini“, 100 pts, 7th Marian Georgiou & Kostas Kountos, “Paradeisos“, 145 pts, 4th Giorgos Gavriel, “Volt“, 122 pts, 6th Haroula Pirta, “Ki akoma s’agapo“, 184 pts, 2nd   Voice (Alexandros Panayi and Christina Argyri) Voice was the Cypriot vocal duo formed by Alexandros Panayi and Christina Argyri to represent Cyprus at the Eurovision Song Contest 2000 with the ballad “Nomiza”. Alexandros Panayi Alexandros Panayi (born 1970 in Nicosia) is a Greek-Cypriot singer, composer, lyricist and vocal coach with a long-standing relationship with Eurovision. He first appeared for Cyprus as a soloist in 1995 with “Sti fotia”, returning five years later as half of Voice and co-writer of “Nomiza”. Trained at Berklee College of Music in Boston, he has since worked extensively as a vocal director, producer and backing vocalist for several Eurovision delegations, including Greece’s winning entry “My Number One” in 2005. He has since returned regularly as songwriter, vocal director and mentor for various national and Eurovision projects.  Christina Argyri Christina Argyri (born 1971 in Nicosia) is a singer and actress who studied piano and music theory in Cyprus before also attending Berklee, specialising in jazz performance. Active mainly in theatre, she composes and performs music for stage productions and collaborates with Cypriot ensembles. Beyond Voice, Argyri has appeared as a backing vocalist at Eurovision, notably supporting Cypriot boyband One in 2002, and is also active as a dubbing and voice artist. Nomiza “Nomiza” was the Cypriot entry at the Eurovision Song Contest 2000. Written and composed by Panayi, the song is a dramatic pop ballad that shifts between Greek and Italian lyrics, telling the story of a love the narrator “thought” would last forever.  Musically, “Nomiza” builds from an intimate, slow‑to‑mid‑tempo opening into a bigger, more orchestral climax, showcasing the powerful harmonies between the two vocalists. Its bilingual structure gives it a distinctive Mediterranean flavour compared with other ballads in the 2000 line‑up. The song won the Cypriot national final and was later released as a CD single featuring Greek‑only and Italian versions, including the Italian title “Rosso Vivo”.  On stage in Stockholm, the performance focused on the singers’ interplay, with restrained staging and dark blue visuals reinforcing the emotional tone. In the final, “Nomiza” was performed 11th on the night and finished 21st out of 24 entries, scoring 8 points and relegating Cyprus from Eurovision 2001.  

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Blast from the past
Martijn

🇨🇾 Blast from the past: Cyprus 2000

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 2000, when the duo Voice represented Cyprus with the song “Nomiza”. Cyprus in the Eurovision Song Contest Cyprus debuted at the Eurovision Song Contest in 1981 and has become a consistent finalist, yet is still chasing its first victory. The island’s benchmark result came in 2018. Eleni Foureira’s uptempo entry “Fuego” finished second with 436 points, the country’s best placing to date. Earlier, Cyprus had reached the top five with songs such as Anna Vissi’s “Mono i agapi” (1982), Hara and Andreas Constantinou’s “Mana mou” (1997) and Lisa Andreas’ “Stronger Every Minute” (2004).  In recent years Cyprus has relied on internal selections and close collaboration with international songwriters. In 2023, Australian‑Cypriot singer Andrew Lambrou took “Break a Broken Heart” to 12th place in the Liverpool final. Silia Kapsis followed in 2024 with the dance‑pop track “Liar”, qualifying from Malmö’s first semi‑final and finishing 15th overall. In 2025 Theo Evan performed “Shh” in Basel. He narrowly missed qualification in semi‑final one, placing 11th.  📷 Eleni Foureira, photo EBU/Andres Putting Diagonismós Tragoudioú Giourovízion 2000 The Cypriot national selection in 2000 was called Diagonismós Tragoudioú Giourovízion. The contest was held on 16 February. Eleven songs competed: Marina Solonos, “Eima akoma edo“, 148 pts, 3rd Annie, “Na m’agapas“, 131 pts, 5th Maria Amman, “Fones“, 87 pts, 10th Marilia Perikleous & Demetris Mouhtadouris, “Trikymia”, 93 pts, 9th Chrystanthos Chrystanthou, “An”, 78 pts, 11th Alexandros Panayi & Christina Argyri, “Nomiza“, 225 pts, 1st Lefki Stylianou, “Antio, loipon“, 94 pts, 8th Antonia Orthanou, “Sti gi eirini“, 100 pts, 7th Marian Georgiou & Kostas Kountos, “Paradeisos“, 145 pts, 4th Giorgos Gavriel, “Volt“, 122 pts, 6th Haroula Pirta, “Ki akoma s’agapo“, 184 pts, 2nd   Voice (Alexandros Panayi and Christina Argyri) Voice was the Cypriot vocal duo formed by Alexandros Panayi and Christina Argyri to represent Cyprus at the Eurovision Song Contest 2000 with the ballad “Nomiza”. Alexandros Panayi Alexandros Panayi (born 1970 in Nicosia) is a Greek-Cypriot singer, composer, lyricist and vocal coach with a long-standing relationship with Eurovision. He first appeared for Cyprus as a soloist in 1995 with “Sti fotia”, returning five years later as half of Voice and co-writer of “Nomiza”. Trained at Berklee College of Music in Boston, he has since worked extensively as a vocal director, producer and backing vocalist for several Eurovision delegations, including Greece’s winning entry “My Number One” in 2005. He has since returned regularly as songwriter, vocal director and mentor for various national and Eurovision projects.  Christina Argyri Christina Argyri (born 1971 in Nicosia) is a singer and actress who studied piano and music theory in Cyprus before also attending Berklee, specialising in jazz performance. Active mainly in theatre, she composes and performs music for stage productions and collaborates with Cypriot ensembles. Beyond Voice, Argyri has appeared as a backing vocalist at Eurovision, notably supporting Cypriot boyband One in 2002, and is also active as a dubbing and voice artist. Nomiza “Nomiza” was the Cypriot entry at the Eurovision Song Contest 2000. Written and composed by Panayi, the song is a dramatic pop ballad that shifts between Greek and Italian lyrics, telling the story of a love the narrator “thought” would last forever.  Musically, “Nomiza” builds from an intimate, slow‑to‑mid‑tempo opening into a bigger, more orchestral climax, showcasing the powerful harmonies between the two vocalists. Its bilingual structure gives it a distinctive Mediterranean flavour compared with other ballads in the 2000 line‑up. The song won the Cypriot national final and was later released as a CD single featuring Greek‑only and Italian versions, including the Italian title “Rosso Vivo”.  On stage in Stockholm, the performance focused on the singers’ interplay, with restrained staging and dark blue visuals reinforcing the emotional tone. In the final, “Nomiza” was performed 11th on the night and finished 21st out of 24 entries, scoring 8 points and relegating Cyprus from Eurovision 2001.  

Read More »
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