1st semifinal overview

Of course we first see beautiful images of the Netherlands. The tiny house already plays a role. After Duncan Laurence has opened with a new song, the four presenters welcome you; three in a dark dress or suit, Chantal in yellow.

Lithuania: Yellow suits no one; but there are exceptions. Just try doing with your fingers what the guys from The Roop do. They are dancing, but not alone. We are sure of a place in the final for the yellow men.

Slovenia: “Amen”: this is not the last prayer you will hear. But Ana Soklic shows that she has a strong voice. She is a woman of the world: you can see that on the LED screens behind her. Unfortunately the final might be one bridge to far for her, we think.

Russia: You cannot miss it: Mazinha is a Russian woman. If you think she is going to perform the same trick as Linda Wagenmakers did: keep looking, she is doing something different. Mazinha will definitely reach the final.

Sweden: If you follow Melodifestivalen you will, as usual, see not much new things. But people who were concerned about Tusse’s voice can rest assured: there is nothing wrong with that. Tusse goes straight to the final.

Australia: The story is known, Montaigne is not in Rotterdam. You don’t notice that. Her performance is in every way a lot stronger than anything we’ve seen of her before. However, we think it’ll be tough for Montaigne to reach the final.

North Macedonia: Vasil comes with a ballad. And then half of the viewers say “wow, beautiful”, and the other half “boring”. But “Here I stand” suddenly means something completely different now that Vasil came out as gay in public two weeks ago. We are pretty sure that it’s not gonna help him to a place in the final.

And then Nikkie de Jager comes to update us on everything that has happened online in recent weeks. Then Edsilia Rombley talks to us from the greenroom, after which the show continues.

Ireland: Ireland does not use LED screens but cardboard. Two particularly handsome ladies serve all those pieces of cardboard in the Irish act. Yes, as a TV viewer you miss that part. She impresses by running the set, and empathizes with it so that it actually sounds like she is out of breath. It’s not impossible for Ireland to reach the final. It’ll be hard however.

Cyprus: Elena Tsagrinou sings that she likes menthe wrong men. If you think she’s breaking the rules by having a lot more than six people on stage, no, she works with mirrors. For a moment it was rumored that Lady Gaga would perform at the Eurovision song contest: not, but Elena comes close with her song. Cyprus will go to the final, no doubt about it.

Norway: Another bunch of demons, but now with an angel in the middle. But that one is a fallen angel. One with a special story, as you can read here. We do not know TIX personally, but he has stolen our hearts because of ihis openness. It will definitely bring him the final.

Croatia: Croatia works with holograms. Or did you really think they cloned Albina? The song has everything to make it to the final, but then Albina has to sing it well. And we haven’t really heard her do that until now. Reaching the final will be tough, but not impossible.

Belgium: You could expect it: Hooverphonic is not in for a puppet show and therefore puts down a more down to earth act. As a result, Geike Arnaert’s strong vocals come out all the better. Not making concessions could just result in something beautiful. One of the editors of Eurovision Universe has already promised to eat his shoe if Belgium does not make it to the final. We think that will very well be possible.

Israel: We can only say that Eden Alene is doing her best. Yet “Set me free” is not an entry that stands out from the rest. Eden sings a very high note: great that she does that, but it is not necessarily beautiful. The final is probably very far away for Eden.

And then we are going to look at Måns Zelmerlow, who will be interviewed by Chantal Janzen.

Romania: And then Roxen suddenly wears something different than during all rehearsals: a red and white blouse with ruffles and ditto skirt. Roxen has certainly made progress in the past week, but beautiful singing is something else in our humble opinions. No final this year for Romania.

Azerbaijan: The Azerbaijan delegation knows how to throw a party on stage. Fortunately, because let’s say it carefully: “Mata Hari” is not their strongest entry ever musically. Mata Hari means “eye of the day”, or simply sun. This can be seen in their act. See you in the final on saturday Azerbaijan.

Ukraine: If you are wondering what a forest would look like after a nuclear disaster, Go_A will show you. There are outspoken fans of this entry, but also outspoken opponents. Whether you like it or not, Ukraine show us a great performance.

Malta: With Destiny you don’t have to worry about her voice: it is always good. She now wears a silver-colored suit and ditto boots: she has changed that quite often in recent days. The song is still a swinging song. Malta jumps into the final without any doubt.

Then we can enjoy Davina Michelle singing the song “The power of water”, supported by actress Thekla Reuten. In addition, images of waterland in the Netherlands are added. Don’t go to the toilet now, but keep watching, because it is spectacular! When the lines are closed and the votes are counted we will see the countries that are automatically placed for the final.

Italy: You see a glam rock band, but that is not exactly what you hear. Rock it is. Opinions can be divided into “loud noise” and “great”. Something in between doesn’t seem possible. The group has chosen not to do too many crazy things that they otherwise don’t. Perhaps that is why the bookies are now talking about an Italian victory.

Germany: The German Eurovision committee must have had a brainstorm about what we had not yet seen in Eurovision. “Eureka!” Someone shouted, “A walking middle finger!”. It was not allowed, which is why it became a walking peace sign. Anyone who thinks that singer Jendrik plays a role as a brisky man got it wrong: he really is like that.

Netherlands: There has been a lot of criticism of Jeangu Macrooy and his entry “Birth of a new age”. The performance he puts down is, however, very strong. His voice is praised in the virtual press center, the Surinamese text is fantastic according to them and some even see Jeangu finish in the top 10. To be clear: it is not Dutch people who say that! And then there is the time for the results. With conspicuously small flags and the names of the countries written quite large, the ten finalists are lined up one by one. Which 10 do we think they are? Well, we wouldn’t be surprised to see Lithuania, Russia, Sweden, Cyprus, Norway, Croatia, Belgium, Azerbaijan, Ukraine and Malta being very happy at the end of the evening.

In cooperation with Eurovision Artists

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History
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This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the sixth episode, we look back at the nineties. With Tony Wegas’ double, and a total of three top-10 scores, the hard times began for Austria in the Eurovision Song Contest. 1992: Tony Wegas – “Zusammen geh’n” Tony Wegas, an Austrian singer and television actor, represented Austria at Eurovision 1992 with the power ballad “Zusammen geh’n”. Dieter Bohlen composed the music and Joachim Horn-Bernges wrote the lyrics, giving the song a classic pop-ballad style. Wegas delivered an emotive performance of this German-language track on the Malmö stage. “Zusammen geh’n” earned 63 points, securing a 10th place finish for Austria at the 1992 contest. 1993: Tony Wegas – “Maria Magdalena” Tony Wegas returned in 1993 to represent Austria with “Maria Magdalena,” a dramatic pop song with biblical references. He was selected internally, and presented 7 songs. Wegas, known for his singing career and TV acting, gave an engaging performance of this German-language track about Mary Magdalene. Christian Kolonovits and Johann Bertl composed the music, while Thomas Spitzer penned the lyrics, infusing the song with theatrical flair. Despite its uptempo style compared to the previous year, “Maria Magdalena” scored 32 points and placed 14th out of 25 entries at Eurovision 1993. 1994: Petra Frey – “Für den Frieden der Welt” Eight artists and songs competed in the national final. Simone participated but did not win. Petra Frey, only 16 years old at the time, represented Austria at Eurovision 1994 in Dublin with the ballad “Für den Frieden der Welt” (translated as “For the Peace of the World”). Alfons Weindorf composed the music, and brothers Karl & Johann Brunner wrote the lyrics, creating a heartfelt pop ballad calling for world peace. The song showcased Frey’s strong vocals, honed from her early schlager music career, and delivered a sincere message on stage. Austria’s 1994 entry earned 19 points, finishing in 17th place among 25 countries. 1995: Stella Jones – “Die Welt dreht sich verkehrt” Stella Jones, an Austrian singer with jazz and soul roots, took the stage in 1995 with “Die Welt dreht sich verkehrt” (meaning “The World Turns Upside Down”). Jones delivered a funky, blues-infused pop performance that reflected her versatile musical background. Michael W. Krausz both wrote the lyrics and composed the music for this entry, a song which stood out amid a contest often dominated by ballads. The Austrian entry scored 67 points, achieving a 13th place finish in the 1995 Eurovision final. 1996: George Nussbaumer – “Weil’s dr guat got” George Nussbaumer, a blind Austrian blues musician, brought a unique gospel-blues flair to Eurovision 1996 with “Weil’s dr guat got”. Sung in his native Vorarlberg dialect (the title roughly means “Because You’re Doing Well”), the song blended upbeat soul and pop elements. Nussbaumer co-wrote the entry himself. He composed the music and co-authored the lyrics with Michael W. Krausz and infused it with authentic blues style. His uplifting performance in Oslo resonated with the juries, as Austria earned 68 points and a 10th place finish at the 1996 contest. 1997: Bettina Soriat – “One Step” Bettina Soriat, an Austrian singer and stage performer, stepped into the spotlight in 1997 with “One Step.” Having been a backing vocalist for Austria’s 1996 entry, Soriat brought an upbeat dance-pop routine to Eurovision 1997. Marc Berry (stage name of Marcus Dlugaiczyk) wrote the song’s lyrics and co-composed the music with Ina Siber, crafting a catchy tune with playful choreography. Despite the energetic performance and its fun pop appeal, “One Step” received just 12 points, placing 21st out of 25 entries in the Dublin final. 1999: Bobbie Singer – “Reflection” Bobbie Singer (born Tina Schosser), an 18-year-old Austrian pop singer, returned for Eurovision 1999 after Austria’s one-year absence. She performed “Reflection,” a contemporary English-language pop song that projected a youthful, radio-friendly vibe. Dave Moskin wrote and composed “Reflection”, providing a modern pop sound accompanied by a live band on stage. Bobbie’s engaging performance in Jerusalem gave Austria a fresh image in the contest. The entry scored 65 points, achieving a 10th place finish out of 23 countries – Austria’s best Eurovision result of the 1990s.        

Read More »
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