🇺🇦 Blast from the past: Ukraine 2020

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today: Go_A, who were supposed to represent Ukraine in the 2020 contest but did so a year later. We keep an eye on the, lesser known, 2020 entry.

 

Ukraine in the Eurovision Song Contest

Ukraine is one of the most succesful countries in the Eurovision Song Contest so far. With three victories since it’s debut in 2003, three more top-3 positions and not a single failure to qualify, this country holds a special record. Already in 2004, it was Ruslana who managed to get the first place in the contest. In 2016, Jamala brought the victory home again. It was in 2022 when Kalush Orchestra broke all the Eurovision records existing. And who does not remember Verka Serduchka, Ani Lorak, Svetlana Loboda and the group we are talking about today, Go_A?

photo: UA:PBS

Vidbir

The Ukrainian national final is called Vidbir. There had been a lot of controversy about Vidbir in 2019: the winner, Maruv, had performed on Crimea after it had been occupied by Russia in 2014. Also, Maruv had planned several performances in Russia. In the end, for this reason Ukraine withdrew. A new rule in the 2020 is that only artists who had not performed in Russia after 2014 were allowed. Also, artists who had traveled to Crimea after that year without permission from the Ukrainian authorities, were not accepted.

16 songs entered two semifinals. Six songs were allowed to the final, where televoters and a jury chose the winner. The jury members were Andriy Danilko (Verka Serduchka!), Tina Karol and producer Vitaliy Drozdov. These were the songs, entering the final:

  1. 99“, sung by Krutь, 9 pts, 3rd
  2. Vegan“, sung by Jerry Heil, 2 pts, 6th
  3. Solovey“, sung by Go_A, 12 pts, 1st
  4. Horizon“, sung by David Axelrod, 5 pts, 5th
  5. Call for love“, sung by Khayat, 9 pts, 2nd
  6. Bonfire“, sung by Tvorchi, 5 pts, 4th

 

Go_A

Go_A is a Ukrainian folktronica band formed in 2012.

The band’s name fuses the English term “Go” with the Greek letter “Alpha”, representing the start of all things. Thus, their name signifies a “return to origins.” The ensemble features Kateryna Pavlenko on vocals from Nizhyn, Taras Shevchenko [uk] handling keyboards and percussion from Kyiv, Ihor Didenchuk [uk] of Lutsk (who is also part of the rap group Kalush), and Ivan Hryhoriak from Bukovyna. Their songs are performed solely in Ukrainian.

Formed from a serendipitous 2012 meeting between Taras Shevchenko, a skilled keyboardist (unrelated to the renowned poet), and folk singer Kateryna Pavlenko, Go_A has swiftly become an emblem of contemporary Ukrainian music. Their initial offering, “Koliada” (Коляда), was soon overshadowed by the nationwide success of “Vesnianka” (Веснянка). This track ruled Ukraine’s 10Dance chart for six weeks and earned them the “Discovery of the Year” title by Kiss FM radio.

Their debut album, “Idy na zvuk” (Follow the Tune), launched in 2016, fortified their reputation, incorporating the hit “Vesnjanka”. A special Christmas collaboration with Katya Chilly, “Shchedryi vechir”, marked the end of the year.

Eurovision 2020 beckoned next. Chosen to represent Ukraine with “Solovey”, the pandemic’s shadow caused a cancellation. Undeterred, Go_A returned in 2021 with “Shum”, clinching fifth place overall, but a noteworthy second in public votes[9]. Adding to their laurels, band member Ihor Didenchuk, with rap group Kalush, triumphed in Eurovision the next year.

In 2023, post their European tour, Go_A graced Eurovision again, performing “Shum” alongside Ukrainian musical legends during the flag parade. They further joined Duncan Laurence’s emotive “You’ll Never Walk Alone”. From traditional roots to global acclaim, Go_A epitomizes the spirit of modern Ukraine, harmonizing history with today.

photo: EBU

Solovey

“Solovey” is the song by the Ukrainian band Go_A. Selected as Ukraine’s entry for the Eurovision Song Contest in 2020, the track became synonymous with Go_A’s unique fusion of electronic music with traditional Ukrainian sound. The title “Solovey” translates to “Nightingale” in English, and lyrically, the song tells the tale of a young woman’s complex feelings towards a man, using the metaphor of the nightingale’s song to express deep emotions.

Musically, “Solovey” incorporates the band’s signature blend of powerful vocal techniques, inspired by Ukrainian folklore, with contemporary beats and rhythms. Kateryna Pavlenko’s voice, with its distinctive timbre, rings out clear and strong, capturing the listener’s attention from the outset.

COVID19

Due to the COVID19 pandemic, EBU, host organizers NOS/NPO/AVROTROS and the city of Rotterdam had to decide to a cancellation of the contest. That also meant that Go_A could not represent Ukraine in the 2020 contest. On the evening of the Grand Final, 16 May 2020, a show from a studio in Hilversum, Netherlands, was broadcast: Europe Shine A Light. Go_A was part of this show. Ukrainian broadcaster UA:PBC however supported Go_A to be the 2021 representants in the contest. Their song “Shum” reached a 5th place in the Eurovision Song Contest.

Go_A at a home session during the pandemic.

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70 years of Eurovision: when Irish eyes are smiling

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1994 The EBU was frantically searching for a new system. The countries with the worst scores from the previous year had to sit on the sidelines for a year. They had to make way for Estonia, Hungary, Lithuania, Poland, Romania, Russia, and Slovakia. Proud Ireland hosted the Song Contest again, this time simply in Dublin, at the Point Theatre. The hosts were Cynthia Ní Mhurchú and Gerry Ryan. The interval act was the most talked-about ever: River Dance. A dance written by Bill Whelan, but which later grew into an internationally acclaimed act. The songs Marie Bergman represented Sweden, in a duet with Roger Pontare. Marie had also participated in 1971 and 1972. Evridiki returned for Cyprus. Former Bobbysocks member Elisabeth Andreasson sang, also in a duet, for Norway. And the Icelandic Sigga, who had participated in a group twice, now took part solo. That was quite a challenge. Her duo partner from two years earlier, Sissa, was actually supposed to sing the song “Nætur,” but she was sidelined by the Icelandic broadcaster. Portugal caught attention with Sara Tavares. She had won a singing competition in her own country; back then, she imitated Whitney Houston. Her song “Chamar a musica” impressed the audience. Germany opted more for a lot of cheerfulness. The all-female trio Mekado, formed especially for the occasion, performed the cheerful “Wir geben ‘ner Party.” It was sung in German, but with many international terms. And it was a song by Ralph Siegel and Bernd Meinunger. The aforementioned Elisabeth Andreasson sang a duet with the much younger (and sadly enough deceased very young) Jan Werner Danielsen: “Duett,” a mystical song. Friderika Bayer from Hungary sang the serene “Kinek mondjam el vétkeimet?” For a moment, it seemed Hungary was going to win. The first juries all gave their 12 to the debuting country. Ultimately, Friderika finished fourth. Youddiph also came from Eastern Europe. She represented Russia with “Vechny strannik,” but above all with her dress. She constantly changed it into a different dress, keeping the viewer mesmerized and focused on it. The Polish Edyta Górniak had dressed much more simple. The song, too, stood out for its simplicity. It came in second. Because Ireland won, of course. That was how it was done in those days. Paul Harrington & Charlie McGettigan Rumour has it that Ireland had sent two middle-aged men with a ballad because they didn’t want to win again. If that was the case, that plan was not exactly successful. For it was precisely as anti-heroes that Paul Harrington and Charlie McGettigan made a huge impression. Halfway through the voting, they took a lead with their “Rock ‘n’ roll kids” that they never relinquished. The crowd went wild; Ireland was celebrating one big party. Except perhaps at the Irish broadcaster RTÉ, which now found itself facing the organization of the contest once again. Charlie McGettigan recently made the news by wanting to return his trophy, following in the footsteps of Nemo (2024). He, too, could not live with Israel’s participation. However, he could not find his trophy. Understandable, because anyone who looks closely at the award ceremony will see that only composer Brendan Graham received a trophy. 1995 Once again, a number of countries had to make way so that others could return. However, Italy and Luxembourg, both on the reserve bench the previous year, did not return. 23 countries participated in this festival. It was hosted by Mary Kennedy. The songs Arzu Ece participated for Turkey for the second time, having entered the Eurovision stage six years earlier as a member of the group Pan. She was the only artist returning. Justyna Steczkowska participated for Poland. Although she did not finish high, she did attract attention due to the atonal singing during her song. Also noteworthy: Eddie Friel for Ireland. His song “Dreamin’” was such a shameless copy of Julie Felix’s “Moonlight” (just listen to the two songs) that disqualification loomed. Anabel Conde was the participant for Spain. She finished in second place. The group Magazin represented Croatia, with opera singer Lidija Horváth as an additional vocalist. Whereas all group members sang at the national final, now only Lidija and group singer Danijela were visible. The rest had faded into the background. Danijela would not stay with Magazin for much longer. And then there was Alexandros Panayi: he was the fan favorite for Cyprus with “Sti fotia”. He would later often travel with Greece and Cyprus as a backing vocalist or vocal coach. One of the favorites was the Swede Jan Johansen with the ballad “Se på mej”. Another notable ballad was that of Slovenia, “Prisluhni mi”. Neither song won. And then we do not want to leave Iceland unmentioned. After many attempts in national finals, the broadcaster there had selected Bo Halldórsson. He sang the beautiful ballad “Núna”. Later, his daughter Svala would also represent her country. We mention him because Bo Halldórsson passed away last week at 74. Secret Garden Norway won with a remarkable song. The winning “Nocturne” contained only 25 words. The group, Secret Garden, was built around Rolf Løvland, who wrote the winning song 10 years earlier, and his girlfriend Fionualla Sherry. As a violinist, she played a leading role in the song. Singer Gunnhild Tvinnereim, along with the other group members, had only a supporting role. 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70 years of Eurovision: when Irish eyes are smiling

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1994 The EBU was frantically searching for a new system. The countries with the worst scores from the previous year had to sit on the sidelines for a year. They had to make way for Estonia, Hungary, Lithuania, Poland, Romania, Russia, and Slovakia. Proud Ireland hosted the Song Contest again, this time simply in Dublin, at the Point Theatre. The hosts were Cynthia Ní Mhurchú and Gerry Ryan. The interval act was the most talked-about ever: River Dance. A dance written by Bill Whelan, but which later grew into an internationally acclaimed act. The songs Marie Bergman represented Sweden, in a duet with Roger Pontare. Marie had also participated in 1971 and 1972. Evridiki returned for Cyprus. Former Bobbysocks member Elisabeth Andreasson sang, also in a duet, for Norway. And the Icelandic Sigga, who had participated in a group twice, now took part solo. That was quite a challenge. Her duo partner from two years earlier, Sissa, was actually supposed to sing the song “Nætur,” but she was sidelined by the Icelandic broadcaster. Portugal caught attention with Sara Tavares. She had won a singing competition in her own country; back then, she imitated Whitney Houston. Her song “Chamar a musica” impressed the audience. Germany opted more for a lot of cheerfulness. The all-female trio Mekado, formed especially for the occasion, performed the cheerful “Wir geben ‘ner Party.” It was sung in German, but with many international terms. And it was a song by Ralph Siegel and Bernd Meinunger. The aforementioned Elisabeth Andreasson sang a duet with the much younger (and sadly enough deceased very young) Jan Werner Danielsen: “Duett,” a mystical song. Friderika Bayer from Hungary sang the serene “Kinek mondjam el vétkeimet?” For a moment, it seemed Hungary was going to win. The first juries all gave their 12 to the debuting country. Ultimately, Friderika finished fourth. Youddiph also came from Eastern Europe. She represented Russia with “Vechny strannik,” but above all with her dress. She constantly changed it into a different dress, keeping the viewer mesmerized and focused on it. The Polish Edyta Górniak had dressed much more simple. The song, too, stood out for its simplicity. It came in second. Because Ireland won, of course. That was how it was done in those days. Paul Harrington & Charlie McGettigan Rumour has it that Ireland had sent two middle-aged men with a ballad because they didn’t want to win again. If that was the case, that plan was not exactly successful. For it was precisely as anti-heroes that Paul Harrington and Charlie McGettigan made a huge impression. Halfway through the voting, they took a lead with their “Rock ‘n’ roll kids” that they never relinquished. The crowd went wild; Ireland was celebrating one big party. Except perhaps at the Irish broadcaster RTÉ, which now found itself facing the organization of the contest once again. Charlie McGettigan recently made the news by wanting to return his trophy, following in the footsteps of Nemo (2024). He, too, could not live with Israel’s participation. However, he could not find his trophy. Understandable, because anyone who looks closely at the award ceremony will see that only composer Brendan Graham received a trophy. 1995 Once again, a number of countries had to make way so that others could return. However, Italy and Luxembourg, both on the reserve bench the previous year, did not return. 23 countries participated in this festival. It was hosted by Mary Kennedy. The songs Arzu Ece participated for Turkey for the second time, having entered the Eurovision stage six years earlier as a member of the group Pan. She was the only artist returning. Justyna Steczkowska participated for Poland. Although she did not finish high, she did attract attention due to the atonal singing during her song. Also noteworthy: Eddie Friel for Ireland. His song “Dreamin’” was such a shameless copy of Julie Felix’s “Moonlight” (just listen to the two songs) that disqualification loomed. Anabel Conde was the participant for Spain. She finished in second place. The group Magazin represented Croatia, with opera singer Lidija Horváth as an additional vocalist. Whereas all group members sang at the national final, now only Lidija and group singer Danijela were visible. The rest had faded into the background. Danijela would not stay with Magazin for much longer. And then there was Alexandros Panayi: he was the fan favorite for Cyprus with “Sti fotia”. He would later often travel with Greece and Cyprus as a backing vocalist or vocal coach. One of the favorites was the Swede Jan Johansen with the ballad “Se på mej”. Another notable ballad was that of Slovenia, “Prisluhni mi”. Neither song won. And then we do not want to leave Iceland unmentioned. After many attempts in national finals, the broadcaster there had selected Bo Halldórsson. He sang the beautiful ballad “Núna”. Later, his daughter Svala would also represent her country. We mention him because Bo Halldórsson passed away last week at 74. Secret Garden Norway won with a remarkable song. The winning “Nocturne” contained only 25 words. The group, Secret Garden, was built around Rolf Løvland, who wrote the winning song 10 years earlier, and his girlfriend Fionualla Sherry. As a violinist, she played a leading role in the song. Singer Gunnhild Tvinnereim, along with the other group members, had only a supporting role. 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