🇳🇴 Blast from the Past: Norway 1980

photo: Nationaal Archief, Den Haag

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today: Mattis Hætta and Sverre Kjelsberg, representing Norway in 1980 with the song “Samiid Ædnan”.

Norway in the Eurovision Song Contest

Norway has had a long and varied history in the Eurovision Song Contest, which they first entered in 1960. Over the years, Norway has experienced both highs and lows in the competition.
Norway has won the contest three times:

  1. 1985 – Bobbysocks: The duo, consisting of Hanne Krogh and Elisabeth Andreassen, won with the song “La det swinge” (Let it swing). This victory was a landmark moment for Norway, as it was their first win in the contest.
  2. 1995 – Secret Garden: An instrumental piece, “Nocturne”, with just 24 words sung by Norwegian violinist Rolf Løvland and Irish violinist Fionnuala Sherry, secured Norway’s second victory.
  3. 2009 – Alexander Rybak: The singer, violinist, composer, and actor won with a record-breaking 387 points for his song “Fairytale”. This score remained the highest in Eurovision history until the voting system was changed in 2016.

Despite their victories, Norway is also known for having finished last a number of times, often with the infamous ‘nul points’. Some of these instances have become iconic in Eurovision history, showcasing the unpredictable nature of the contest.

Melodi Grand Prix 1980

The national final, Melodi Grand Prix, was held on March 22nd at NRK Studio 2 in Oslo. Åse Kleveland, participant in 1966 and hosting Eurovision in 1986, was the host of the show. Note that she also traveled along with Mattis Hætta and Sverre Kjelsberg to The Hague to introduce the duo. Every country had their own host in the 1980 show.

The songs were:

  1. “Stjerneskudd“, by Anita Skorgan, 48 pts, 6th
  2. “Ja“, by Jahn Teigen, 32 pts, 9th
  3. “Parken“, by Radka Toneff, 43 pts, 8th
  4. “Bjørnen sover“, by Ă…ge Aleksandersen og Sambandet, 61 pts, 1st
  5. “Maestro“, by Hilde Heltberg, 32 pts, 9th
  6. “AustĂĄvind“, by Hennig Sommerro, 45 pts, 7th
  7. “Univers“, by Alex, 58 pts, 3rd
  8. “Rudi“, by Nina Askeland, 58 pts, 3rd
  9. “Svart fortid“, by Inger Lise Rypdal, 57 pts, 5th
  10. “Samiid ædnan“, by Mattis Hætta and Sverre Kjelsberg, 61 pts, 1st

As there was an ex aecquo between both the songs, all the juries had to give one vote for one of the winning songs. In that voting, “Bjørnen sover” received 4 points while “Samiid ædnan” got 5.

Age Aleksandersen, the other winner

Mattis Hætta and Sverre Kjelsberg

Sverre Kjelsberg was a multifaceted Norwegian musician, born on October 18, 1946, in Tromsø, and passing away on June 18, 2016. He began his musical journey as a bassist and vocalist for the popular 1960s rock band, The Pussycats. Known for their Beatlesque style, the band enjoyed considerable success domestically. After the band’s dissolution, Kjelsberg’s musical style evolved, incorporating elements of pop, rock, and folk.

Sverre Kjelsberg is perhaps best remembered on the international stage for representing Norway in the Eurovision Song Contest in 1980, alongside Mattis Hætta, with the song “Sámiid Ædnan.”

Mattis Hætta was a Sami singer and artist renowned for his contribution to the preservation and popularization of the traditional Sami form of singing, known as joik. Born on March 24, 1959, in Maze, Norway, Hætta was a prominent figure in the indigenous Sami community. His musical journey was intertwined with his cultural identity, and he has used his artistry to advocate for the rights and recognition of the Sami people. Mattis Hætta has continued to advocate for indigenous rights and remains a celebrated figure in Norway for his cultural contributions and activism. He passed away on November 9, 2022.

Who are the Sami?

The Sami are an indigenous people inhabiting the Arctic region known as Sápmi, which spans across the northern parts of Norway, Sweden, Finland, and the Kola Peninsula of Russia. Numbering approximately 80,000 to 100,000, the Sami have a rich cultural heritage deeply intertwined with the natural landscapes they inhabit.

Traditionally, the Sami have engaged in diverse livelihoods, including fishing, fur trapping, and sheep herding. However, reindeer herding is perhaps the most emblematic aspect of Sami culture, with specific communities having developed semi-nomadic lifestyles centered around reindeer migrations.

The Sami have their own distinct languages, which belong to the Uralic linguistic family. While there are multiple Sami languages, many Sami people also speak the languages of the countries they reside in.

Sami traditional clothing, known as “gákti,” is vibrant and distinctive, often adorned with colorful bands of decoration and intricate beadwork. The designs and colors can indicate a person’s geographical origin, marital status, and other personal details.

Despite facing historical oppression and forced assimilation policies, the Sami have persevered in maintaining and revitalizing their cultural heritage. Today, they continue to advocate for their rights, including land rights, cultural preservation, and political representation within the Nordic countries and Russia.

Apart from Mattis Hætta and Sverre Kjelsberg, also Keiino brought the audience something of the Sami culture. Sami rapper Fred Buljo brought us the sound of the joik too!

Samiid Ædnan

“Sámiid Ædnan” is a significant and memorable song that represented Norway in the Eurovision Song Contest in 1980. Sung by Sverre Kjelsberg and Mattis Hætta, the song is a powerful melding of pop music elements with the traditional Sami form of singing known as joik.

The title “Sámiid Ædnan” translates to “Sami Earth” and the song’s lyrics are a call for recognition of the indigenous Sami people and their rights. The song is performed in both Norwegian and Sami languages and emphasizes the unity and connection of the Sami people with their land.

What made the performance standout in the Eurovision contest was Mattis Hætta’s joiking and the duo’s choice to wear traditional Sami clothing. This was an act of cultural pride and a political statement about indigenous rights. The song was written as a protest against the construction of a dam in the area where the Sami live. So, it was a protest song. During the Eurovision week, another Sami had barricaded themselves in a small tent in front of the congress building in The Hague.

Though it finished in 16th place out of 19 entries, “Sámiid Ædnan” left a lasting impact. It transcended the competition by raising awareness about the Sami people’s struggle for recognition and cultural preservation. Over the years, the song has retained its resonance and is celebrated as a milestone in both Norwegian and Sami musical history. 

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Austria in the Eurovision Song Contest, part 7

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For Austria in the Eurovision Song Contest, part 7, we look back at the start of the 21st century. Alf Poier participated for Austria, but there were also some unsuccesful entries. And there was a 3-year gap. 2000 – The Rounder Girls – All To You Austria’s 2000 entry “All To You” was internally selected by broadcaster ORF. The song was written by American songwriter Dave Moskin. Moskin gave the three-piece vocal group The Rounder Girls an up-tempo, gospel-influenced pop track. Performing last in the Stockholm final, the trio, with members from Austria, the US and the UK, delivered slick harmonies and choreography. They finished 14th out of 24 countries with 34 points. The Rounder Girls were a seasoned soul/gospel ensemble, and their Eurovision appearance raised their profile, though Austria’s middling result meant the country sat out the contest in 2001. 2002 – Manuel Ortega – Say A Word “Say A Word” by Manuel Ortega won Austria’s “Song.Null.Zwei” 2002 national final out of ten songs. this entry was an upbeat pop song with a catchy, boy-band style hook. It was composed by Alexander Kahr with lyrics by Robert Pfluger. At Eurovision 2002 in Tallinn, Ortega performed third and Austria placed 18th (26 points) in the final. Manuel Ortega, a young pop singer, had scored a summer hit in 2001 and was nicknamed “the Austrian Ricky Martin” for his Latin pop flair. His Eurovision song’s fun choreography and positive message reflected that image, though the result was a lower mid-table finish. 2003 – Alf Poier – Weil der Mensch zählt ORF organized the “Song.Null.Drei” 2003 selection. Petra Frey (ESC 1994) was the runner up. Comedian-singer Alf Poier triumphed with “Weil der Mensch zählt”. Poier penned this satirical song himself. Musically it’s a quirky folk-pop tune delivered in Styrian dialect. The performance, complete with cartoonish animal props, was a parody of Eurovision’s over-the-top style. At the Riga contest, this offbeat entry surprised many by scoring 6th place with 101 points. Alf Poier, an Austrian stand-up comedian known for absurdist humor, thus earned Austria’s best Eurovision result in over a decade. His comedic approach and catchy refrain turned him into a fan favorite that year. 2004 – Tie Break – Du bist Austria’s national final “Song.Null.Vier” chose Tie Break’s “Du bist” for Eurovision 2004. Waterloo & Robinson (ESC 1976!) were the runners up. Note that a song, written by popstar Falco, participated too. So posthumously, Falco did a Eurovision attempt!Written by composer Peter Zimmermann, “Du bist” is a tender schlager-style pop ballad performed in German. Tie Break, a trio of fresh-faced male singers (a boy band formed via a talent search), delivered tight harmonies in Istanbul’s final. Thanks to Austria’s top-10 result the year before, they pre-qualified directly for the final. Tie Break finished 21st out of 24 with 9 points. The group had gained national fame through the selection process, but on the Eurovision stage their gentle ballad struggled to stand out in a field dominated by more dynamic acts. 2005 – Global.Kryner – Y así In 2005, “Song.Null.Fünf” was held and the crossover folk band Global.Kryner won with “Y así”. They narrowly beated Alf Poier. The controversy was that Austria changed the rules of the voting on the very last moment. Would the original voting procedure be used, Alf Poier would have won. Band members Edi Köhldorfer (composer) and Christof Spörk (lyricist) combined Latin salsa rhythms with Austrian alpine polka to create this unique “salsa-polka-pop” song. Global.Kryner was a six-member ensemble known for blending folk and jazz influences. They opened the Eurovision semi-final in Kyiv with an energetic performance featuring yodels and Latin dance breaks. However, “Y así” did not advance to the final, placing 21st of 25 in the semi-final with 30 points. The group had earned acclaim in Austria and Germany, but their daring genre fusion proved too quirky for the Eurovision televote that year. 2007 – Eric Papilaya – Get A Life – Get Alive After a brief Eurovision hiatus, Austria returned in 2007 by internally selecting Eric Papilaya. His entry “Get A Life – Get Alive” – composed by Greg Usek with lyrics by Austin Howard. It was the official anthem of Vienna’s Life Ball AIDS charity event. This song is an upbeat pop-rock anthem with an inspirational message and flashy staging. Papilaya performed with a giant red ribbon on stage. Papilaya, a rock vocalist who rose to fame on the TV talent show Starmania, gave a spirited performance in Helsinki’s semi-final. Unfortunately Austria did not qualify for the final; he placed 27th (four points) in the semi. The entry drew media attention for its charity theme, but it wasn’t enough to overcome tough competition in 2007. 2011 – Nadine Beiler – The Secret Is Love Austria returned to Eurovision in 2011 through the national selection “Düsseldorf – wir kommen!”. The competition featured ten songs. However, well-known artists Alf Poier and Petra Frey failed to pass the online preselection. As a result, Nadine Beiler won the final with her soulful ballad “The Secret Is Love”. She co-wrote the song with veteran producer Thomas Rabitsch. Musically, the entry combines elements of gospel and pop, while it clearly highlights Beiler’s strong vocal range. Previously, Nadine Beiler had gained national fame by winning the television talent show Starmania in 2007 at the age of 16. Therefore, expectations were already high when she took the stage in Düsseldorf. Her Eurovision performance began a cappella and gradually built towards a powerful climax. Consequently, Austria qualified from the semi-final in seventh place with 69 points. In the grand final, Beiler finished 18th, scoring 64 points. Nevertheless, this result marked Austria’s first appearance in a Eurovision final in seven years and therefore signalled a credible and positive comeback.

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December 14, 2025 No Comments
History

🇦🇹 Austria in the Eurovision Song Contest – final episode

📷 EBU/Corinne Cumming In this final episode of our series on Austria in the Eurovision Song Contest, we cover the years 2019–2025. We’ll look at each Austrian entry’s national selection process (if any), the song’s lyricists and composers, musical style, Eurovision score, and a few facts about the artist. 2019 – PÆNDA – “Limits” In 2019, Austria internally selected singer-songwriter PÆNDA (Gabriela Horn) to perform the song “Limits” at Eurovision. PÆNDA wrote and composed the song herself; a minimalist electro-pop ballad that highlights her ethereal vocals and emotional songwriting. The lyrics describe pushing oneself too far and hitting personal limits. Despite its intimate staging and artistic vibe, Limits failed to advance from the semi-finals, placing 17th in Semi-Final 2. PÆNDA, a native of Styria, is an EDM-pop producer who launched her project in 2016. She blends underground electronic beats with catchy pop elements, and her Eurovision entry appeared on her 2019 album Evolution II.  2020 – Vincent Bueno – “Alive” For Eurovision 2020, ORF internally selected Vincent Bueno to represent Austria. “Alive” is an upbeat pop track with R&B and funk influences. Vincent co-wrote the song with a team including David “Davey” Yang and Felix van Göns. The track’s groovy bassline and falsetto riffs convey a message of liberation. It’s about feeling truly “alive” by letting go of one’s ego. Vincent is an Austrian-Filipino singer who first found fame by winning ORF’s musical talent show in 2008. He also performed in theater productions, showcasing his stage experience. Sadly, Eurovision 2020 was cancelled due to the pandemic. As a result, “Alive” never reached the Rotterdam stage and received no final score. 2021 – Vincent Bueno – “Amen” In 2021, Austria kept faith with Vincent Bueno, who returned with the power ballad “Amen”. ORF again internally selected Vincent after 2020’s cancellation. A trio of songwriters – Tobias Carshey, Ashley Hicklin, and Jonas Thander – crafted “Amen”. The entry starts as a gentle pop ballad and swells into a gospel-tinged climax, allowing Vincent to showcase soulful vocal runs. Lyrically, it’s an emotional farewell to a failed relationship, with the title evoking a final prayer or conclusion. Vincent’s performance in Rotterdam featured minimalist staging to match the song’s sincerity. However, “Amen” did not qualify for the Grand Final, placing 12th in its semi-final with 66 points. Vincent Bueno’s experience in show business, he’s a Musical! Die Show 2008 winner and skilled performer, was evident in his poised delivery, even if Austria missed out on the final. 2022 – LUM!X feat. Pia Maria – “Halo” For 2022, Austrian DJ LUM!X (Luca Michlmayr) teamed up with newcomer Pia Maria for the high-energy song “Halo”. ORF internally selected the duo for Eurovision 2022. A songwriting team including LUM!X himself, Italian DJ Gabry Ponte, Norwegian producer Anders Nilsen, Swedish songwriter Rasmus Flyckt, and Canadian singer-songwriter Sophie Simmons wrote “Halo”. The track is a high-BPM dance number with a pulsating beat and a catchy hook. On stage in Turin, LUM!X worked the DJ decks while Pia Maria sang amid vibrant neon visuals. Despite the song’s hit potential, the live vocals were shaky and Austria failed to reach the final. “Halo” finished 15th in its semi-final (42 points). At the time, LUM!X was only 19 and already had viral hits like “Monster.” Meanwhile, 18-year-old Pia Maria was a newcomer making her live TV debut. 2023 – Teya & Salena – “Who the Hell Is Edgar?” Austria took a witty turn in 2023 with “Who the Hell Is Edgar?”, a satirical electropop duet by Teya & Salena. The pair – Teodora “Teya” Špirić and Selina “Salena” Edbauer – were internally selected by ORF. They had written the song together at a songwriting camp. Teya, Salena, Czech producer Ronald Janeček, and Swiss songwriter Pele Loriano co-wrote “Who the Hell Is Edgar?”. It’s an up-tempo track with tongue-in-cheek lyrics about being “possessed” by the ghost of Edgar Allan Poe. This is a metaphor for the struggles of female songwriters in the music industry. The catchy “Poe, Poe, Poe” hook and quirky choreography made it one of that year’s most memorable entries. Teya & Salena’s charismatic performance carried Austria to the Grand Final in Liverpool, where they finished 15th with 120 points. The song also sparked conversations about streaming royalties and sexism – topics cleverly referenced in its lyrics. 2024 – Kaleen – “We Will Rave” In 2024, Austria sent Kaleen (Marie-Sophie Kreissl) to Eurovision with the song “We Will Rave”. ORF held an internal selection with live auditions to choose Kaleen. “We Will Rave” is a techno-pop banger written by Anderz Wrethov, Jimmy “Joker” Thörnfeldt, Julie Aagaard (Kill J), and Thomas Stengaard. Its thumping bass and EDM drops created a rave-like atmosphere on stage. Kaleen delivered a flashy, dance-heavy performance befitting her background as a professional dancer. Austria ultimately struggled in the Grand Final – “We Will Rave” finished 24th (second-last) with only 24 points. Kaleen was already a five-time world dance champion and had worked on Eurovision shows as a choreographer and creative director. Yet 2024 was her first time stepping into the Eurovision spotlight as a singer. 2025 – JJ – “Wasted Love” Austria achieved a historic victory in 2025 when JJ took the Eurovision crown with “Wasted Love”. ORF internally selected JJ (born Johannes Pietsch) to represent Austria. He co-wrote this operatic pop ballad with Teodora Špirić (Teya, see 2023) and composer Thomas Thurner. Orchestral strings and a melody that builds to a powerful climax make the song a perfect showcase for JJ’s soaring countertenor vocals. The lyrics lament lost love, delivered with the emotional intensity of a classical aria. “Wasted Love” captivated the audience, ultimately winning the Eurovision 2025 final with 436 points. At 24, JJ was already performing as a countertenor at the Vienna State Opera and had been a finalist on ORF’s Starmania in 2021. This triumph marked Austria’s third-ever Eurovision win. sources: Eurovision.tv, de.wikipedia.org, en.wikipedia.org

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January 4, 2026 No Comments
History
Martijn

🇦🇹 Austria in the Eurovision Song Contest – final episode

📷 EBU/Corinne Cumming In this final episode of our series on Austria in the Eurovision Song Contest, we cover the years 2019–2025. We’ll look at each Austrian entry’s national selection process (if any), the song’s lyricists and composers, musical style, Eurovision score, and a few facts about the artist. 2019 – PÆNDA – “Limits” In 2019, Austria internally selected singer-songwriter PÆNDA (Gabriela Horn) to perform the song “Limits” at Eurovision. PÆNDA wrote and composed the song herself; a minimalist electro-pop ballad that highlights her ethereal vocals and emotional songwriting. The lyrics describe pushing oneself too far and hitting personal limits. Despite its intimate staging and artistic vibe, Limits failed to advance from the semi-finals, placing 17th in Semi-Final 2. PÆNDA, a native of Styria, is an EDM-pop producer who launched her project in 2016. She blends underground electronic beats with catchy pop elements, and her Eurovision entry appeared on her 2019 album Evolution II.  2020 – Vincent Bueno – “Alive” For Eurovision 2020, ORF internally selected Vincent Bueno to represent Austria. “Alive” is an upbeat pop track with R&B and funk influences. Vincent co-wrote the song with a team including David “Davey” Yang and Felix van Göns. The track’s groovy bassline and falsetto riffs convey a message of liberation. It’s about feeling truly “alive” by letting go of one’s ego. Vincent is an Austrian-Filipino singer who first found fame by winning ORF’s musical talent show in 2008. He also performed in theater productions, showcasing his stage experience. Sadly, Eurovision 2020 was cancelled due to the pandemic. As a result, “Alive” never reached the Rotterdam stage and received no final score. 2021 – Vincent Bueno – “Amen” In 2021, Austria kept faith with Vincent Bueno, who returned with the power ballad “Amen”. ORF again internally selected Vincent after 2020’s cancellation. A trio of songwriters – Tobias Carshey, Ashley Hicklin, and Jonas Thander – crafted “Amen”. The entry starts as a gentle pop ballad and swells into a gospel-tinged climax, allowing Vincent to showcase soulful vocal runs. Lyrically, it’s an emotional farewell to a failed relationship, with the title evoking a final prayer or conclusion. Vincent’s performance in Rotterdam featured minimalist staging to match the song’s sincerity. However, “Amen” did not qualify for the Grand Final, placing 12th in its semi-final with 66 points. Vincent Bueno’s experience in show business, he’s a Musical! Die Show 2008 winner and skilled performer, was evident in his poised delivery, even if Austria missed out on the final. 2022 – LUM!X feat. Pia Maria – “Halo” For 2022, Austrian DJ LUM!X (Luca Michlmayr) teamed up with newcomer Pia Maria for the high-energy song “Halo”. ORF internally selected the duo for Eurovision 2022. A songwriting team including LUM!X himself, Italian DJ Gabry Ponte, Norwegian producer Anders Nilsen, Swedish songwriter Rasmus Flyckt, and Canadian singer-songwriter Sophie Simmons wrote “Halo”. The track is a high-BPM dance number with a pulsating beat and a catchy hook. On stage in Turin, LUM!X worked the DJ decks while Pia Maria sang amid vibrant neon visuals. Despite the song’s hit potential, the live vocals were shaky and Austria failed to reach the final. “Halo” finished 15th in its semi-final (42 points). At the time, LUM!X was only 19 and already had viral hits like “Monster.” Meanwhile, 18-year-old Pia Maria was a newcomer making her live TV debut. 2023 – Teya & Salena – “Who the Hell Is Edgar?” Austria took a witty turn in 2023 with “Who the Hell Is Edgar?”, a satirical electropop duet by Teya & Salena. The pair – Teodora “Teya” Špirić and Selina “Salena” Edbauer – were internally selected by ORF. They had written the song together at a songwriting camp. Teya, Salena, Czech producer Ronald Janeček, and Swiss songwriter Pele Loriano co-wrote “Who the Hell Is Edgar?”. It’s an up-tempo track with tongue-in-cheek lyrics about being “possessed” by the ghost of Edgar Allan Poe. This is a metaphor for the struggles of female songwriters in the music industry. The catchy “Poe, Poe, Poe” hook and quirky choreography made it one of that year’s most memorable entries. Teya & Salena’s charismatic performance carried Austria to the Grand Final in Liverpool, where they finished 15th with 120 points. The song also sparked conversations about streaming royalties and sexism – topics cleverly referenced in its lyrics. 2024 – Kaleen – “We Will Rave” In 2024, Austria sent Kaleen (Marie-Sophie Kreissl) to Eurovision with the song “We Will Rave”. ORF held an internal selection with live auditions to choose Kaleen. “We Will Rave” is a techno-pop banger written by Anderz Wrethov, Jimmy “Joker” Thörnfeldt, Julie Aagaard (Kill J), and Thomas Stengaard. Its thumping bass and EDM drops created a rave-like atmosphere on stage. Kaleen delivered a flashy, dance-heavy performance befitting her background as a professional dancer. Austria ultimately struggled in the Grand Final – “We Will Rave” finished 24th (second-last) with only 24 points. Kaleen was already a five-time world dance champion and had worked on Eurovision shows as a choreographer and creative director. Yet 2024 was her first time stepping into the Eurovision spotlight as a singer. 2025 – JJ – “Wasted Love” Austria achieved a historic victory in 2025 when JJ took the Eurovision crown with “Wasted Love”. ORF internally selected JJ (born Johannes Pietsch) to represent Austria. He co-wrote this operatic pop ballad with Teodora Špirić (Teya, see 2023) and composer Thomas Thurner. Orchestral strings and a melody that builds to a powerful climax make the song a perfect showcase for JJ’s soaring countertenor vocals. The lyrics lament lost love, delivered with the emotional intensity of a classical aria. “Wasted Love” captivated the audience, ultimately winning the Eurovision 2025 final with 436 points. At 24, JJ was already performing as a countertenor at the Vienna State Opera and had been a finalist on ORF’s Starmania in 2021. This triumph marked Austria’s third-ever Eurovision win. sources: Eurovision.tv, de.wikipedia.org, en.wikipedia.org

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January 4, 2026 No Comments
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