Blast from the past: Germany 1958

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go way back: to 1958, when Margot Hielscher sang her “Für Zwei Groschen Musik” for Germany.

Germany in the Eurovision Song Contest

Germany has always participated in the Eurovision Song Contest. Only in 1996 they didn’t manage to survive the audio semifinal. Germany managed to have high positions very often, but it was only in 1982 when the country had their first victory: Nicole managed to win the contest with her song “Ein bißchen Frieden”. In 2010 it happened again. Lena won with “Sattelite”. In recent years, Germany seems to have lost it with many songs ending up in last place or close to the last place. Michael Schulte was the exception with a 4th place in 2018. And this year, Isaak was 12th, so the only way is up for Germany.

Lena

Schlager 1958

Little is known about the 1958 national final. We know that it was held on the 20th of January in the Kleine Westfalenhalle in Dortmund. Eurovision 1957 host Anaid Iplikjan and Kurt A. Jung hosted the show. Twelve artists sang one song each. We know the singers, but only three titles of songs:

We know that one of the songs was called “Drei Häuse Weiter”. However, it is unclear who sang it.

source: Eurovision Artists

Lale Andersen

Margot Hielscher

Margot Hielscher was born on September 29, 1919, in Berlin, Germany. She trained as a costume and fashion designer in the 1930s. While studying, she met famous singers and actors and decided to learn to sing and act as well. She worked in film as a costume designer before getting her first acting role in 1940.

Margot became a popular actress during World War II, acting and singing in many films. She also toured as a singer to entertain soldiers. After the war, she performed for GIs and worked on the radio. In 1957 and 1958, Margot represented Germany in the Eurovision Song Contest.

Hielscher appeared in 60 films and about 200 TV shows during her career. She was also known for her many singing performances and recorded over 400 songs. In the 1950s, she hosted Germany’s first TV talk show.

Margot married film composer Friedrich Meyer in 1959. She lived in Munich for most of her life. Even in her later years, she continued to perform on stage.

Margot Hielscher passed away on August 20, 2017, at the age of 97. She was buried in Munich next to her husband, Friedrich Meyer, who died in 1993.

Margot Hielscher; photo Beeld en Geluid

Für Zwei Groschen Musik

“They chose miss Germany, miss France and miss Italy. There’s even a miss Fashion and miss Leg. But because everybody loves music, and there is no miss Jukebox yet, I would like to be miss Jukebox.”, that’s how the lyrics started.

“Für Zwei Groschen Musik” (Music for Two Pennies) is a German song performed by Margot Hielscher at the Eurovision Song Contest in 1958. The music for the song was composed by Friedrich Meyer, who was Hielscher’s husband. The lyrics were written by Aldo von Pinelli and Ralph Maria Siegel. The song is a charming, nostalgic piece that speaks about enjoying simple pleasures in life, like music, which can bring happiness even when money is scarce.

Margot Hielscher performed the song as Germany’s entry at the Eurovision Song Contest, held in Hilversum, the Netherlands. The contest took place on March 12, 1958. Hielscher’s performance stood out for its elegance and simplicity, and she sang the song with grace, wearing a stylish outfit and using a telephone prop on stage, just as she had the year before.

While wearing a dress with a ‘Miss Jukebox’ sash, and having a vinyl single in her hands throughout the entire song, Margot scored only 5 points. “Für Zwei Groschen Musik” finished in seventh place. 

 

 

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Albeit with additional safeguards in place. The decision ended weeks of uncertainty and affirmed that Israel is cleared to compete next year, despite the controversy. Broadcasters Approve New Contest Rules Instead of voting Israel out, the EBU put forward a package of new rules to reinforce the contest’s neutrality and fairness. Members from 37 countries voted on reforms aimed at “strengthening trust” in Eurovision. 65% of delegates backed these changes. Key measures include the return of an expanded professional jury in the semi-finals and stricter guidelines to discourage any government or third-party from excessively promoting entries to sway the vote. The number of jurors per country will expand (from 5 to 7) with younger members added, and anti-fraud systems will be enhanced to detect suspicious voting. Additionally, audience vote limits are being halved to curb mass voting campaigns. These rule changes were approved in a secret ballot. The are designed to keep Eurovision a “neutral space” for music and prevent a repeat of last year’s controversies. Martin Green Spain, Ireland and Others Withdraw in Protest Following the EBU’s announcement, four countries immediately declared a boycott of Eurovision 2026. Public broadcasters from the Netherlands, Ireland, Slovenia, and Spain all said they will not send an entry to Vienna in protest of Israel’s inclusion. The Dutch broadcaster AVROTROS stated that under the current circumstances participation “cannot be reconciled with the public values” of their organization. AVROTROS cited Israel’s “proven interference” in the 2025 contest and crackdowns on press freedom during the war. Ireland’s RTÉ deemed participation “unconscionable” given the appalling loss of civilian life in Gaza. Slovenia’s RTV SLO likewise announced a pull-out “on behalf of the 20,000 children who died in Gaza”. They say Eurovision must stand for peace. Spain’s RTVE not only withdrew its delegation but also said it will not broadcast the contest. RTVE Secretary-General Alfonso Morales cited the situation in Gaza and accused Israel of using Eurovision for political aims. This makes it “difficult to keep Eurovision a neutral cultural event”. This marks Spain’s first absence from the contest since 1961. It’s a particularly heavy blow as Spain is one of the Big Five automatic finalists whose participation underpins the event’s funding. Melody, Spain 2025, EBU Mixed Reactions from Across Europe Not all countries are on board with a boycott. Germany had warned it would pull out if Israel were excluded essentially backing Israel’s right to compete. German Culture Minister Wolfram Weimer insisted that “Israel belongs in the Eurovision Song Contest”, opposing any move to bar the country. France also confirmed it will participate regardless of Israel’s presence. French officials rejected the idea of a cultural boycott. Foreign Minister Jean-Noël Barrot praised the EBU for not giving in to pressure and said he “deeply regrets that several European TV channels made a different choice”. Austria’s ORF, the host broadcaster for 2026, welcomed the decision as well. ORF’s Director-General Roland Weißmann argued the contest “is a competition for broadcasters, not governments”. He emphasized the importance of cultural dialogue and not “burning bridges” between participants. Meanwhile, Israeli officials applauded the outcome. President Isaac Herzog said Israel “deserves to be represented on every stage around the world”. The president expressed hope that Eurovision will remain a venue for music, friendship, and cross-border understanding. Israel’s public broadcaster KAN likened calls to exclude Israel to an unjust “cultural boycott”. They are celebrating the EBU’s decision to keep the country in. Outlook: A Fractured Contest Ahead? Eurovision now faces an unprecedented crisis heading into 2026. 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They note that the EBU swiftly banned Russia after its 2022 invasion of Ukraine, so they ask “why should Israel be any different?”. The EBU maintains that Eurovision must stay non-political. That’s hard to maintain, given Israeli President Herzog’s involvement in the contest. As the 70th Eurovision Song Contest in Vienna (12–16 May 2026) approaches, the contest’s unity and spirit of inclusivity will be under intense scrutiny. Will the Eurovision community find a way to come together again, or is this rift a sign of lasting changes to come? Only time will tell.

Read More »
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