Blast from the past: Belgium 1980

We know a lot about Eurovision; this is knowledge we want to share with you. Therefore we’d like to bring you a blast from the past. Today: the 1980 Belgian entry.

Belgium in the Eurovision Song Contest

When Belgium first took part in the Eurovision Song Contest in 1956, it was decided that Flemish and Walloon TV would submit a song alternately. The 1979 Flemish entry “Hey nana” was a complete failure. It took the last place. However, the 1978 Walloon entry, sung by Jean Vallée, got the best score so far for Belgium: a second place. A difficult task for Walloon TV RTBf to do it as good as they did in 1978.

National final

After the success of Jean Vallée, one would have expected a huge national preselection. However, “Eliminatoires Belges du Grand Prix de la chanson Europeenne” was nothing of all that. Jean Vallée hosted a small show in which 7 songs were presented; all prerecorded. There was no voting: after the show, RTBf decided that Telex was going to represent Belgium in The Hague.

1.Bruno Brel sings “Etre heureux rien qu’une heure”
2.Domani sings “Toute ma vie”
3.Lou and the Hollywood Bananas sing “Et puis, et puis…. rien
4.Kevin Morane sings “Ivre de vie
5.Sonia sings “La star maniaque”
6.Telex sing “Euro-vision
7.Timothy sings “Parle-moi grand-pêre”

Bruno Brel was a cousin of the famous Jacques Brel. Lou Deprijck was a famous singer in Belgium. Plastic Bertrand’s international hit “Ça plane pour moi” was originally sung by Deprijck. Plastic Bertrand denied that until a judge decided in 2010 that Deprijck was proven to be the singer.

source: André Vermeulen, “Van Canzonissima tot Eurosong – 65 jaar Belgische preselecties voor het Eurovisie Songfestival”.

Telex

Telex was a three man band, made up of Marc Moulin, Dan Lacksman and Michel Moers. The band was formed in 1978; a band combining disco, punk and synthesizer pop to an exclusive sound. Their first album “Looking for Saint-Tropez” was a huge succes. The song “Moskow diskow“. Other hits were “Twist à Saint-Tropez” and “Rock around the clock“. A second album, “Neurovision”, followed around the Eurovision participation. For Telex, Eurovision came at the right moment. Because of the contest, the band was discovered by a larger audience. A few albums followed, but the group split up in 1986. However, there was a return of the trio in 2006. “On the road again” became a hit, but Telex also made their own version of “J’aime la vie“. In 2008, group member Marc Moulin passed away.

Euro-vision

There are not much songs in the Eurovision Song Contest with the contest itself as a subject. But that is what “Euro-vision” is about. You can find the complete lyrics and translation here. Lacksman, Moulin and Moers co-wrote the song themselves. There was no conductor. As there was no live music, which was not allowed in those days, the members of Telex decided to start the synthesizer-like machine on screen, so that at least the suggestion of live music was made. In the end of the performance, singer Michel Moers made a picture of the audience. Recently, the picture was published in the book “65 jaar België op het songfestival”, by Jasper van Biesen and Jonathan Hendrickx.

Results

In several interviews, the members of Telex showed their disappointment about the 17th place. Not because they thought it was too low, but because they did not become last. The UK jury gave it 1 point, Greece gave it 3 points but Portugal gave the song its 10 points! Telex blamed Portugal for ruining their chances.

photo credits: fotocollectie Anefo

 

 

 

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Eurovision 2026
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Albeit with additional safeguards in place. The decision ended weeks of uncertainty and affirmed that Israel is cleared to compete next year, despite the controversy. Broadcasters Approve New Contest Rules Instead of voting Israel out, the EBU put forward a package of new rules to reinforce the contest’s neutrality and fairness. Members from 37 countries voted on reforms aimed at “strengthening trust” in Eurovision. 65% of delegates backed these changes. Key measures include the return of an expanded professional jury in the semi-finals and stricter guidelines to discourage any government or third-party from excessively promoting entries to sway the vote. The number of jurors per country will expand (from 5 to 7) with younger members added, and anti-fraud systems will be enhanced to detect suspicious voting. Additionally, audience vote limits are being halved to curb mass voting campaigns. These rule changes were approved in a secret ballot. The are designed to keep Eurovision a “neutral space” for music and prevent a repeat of last year’s controversies. Martin Green Spain, Ireland and Others Withdraw in Protest Following the EBU’s announcement, four countries immediately declared a boycott of Eurovision 2026. Public broadcasters from the Netherlands, Ireland, Slovenia, and Spain all said they will not send an entry to Vienna in protest of Israel’s inclusion. The Dutch broadcaster AVROTROS stated that under the current circumstances participation “cannot be reconciled with the public values” of their organization. AVROTROS cited Israel’s “proven interference” in the 2025 contest and crackdowns on press freedom during the war. Ireland’s RTÉ deemed participation “unconscionable” given the appalling loss of civilian life in Gaza. Slovenia’s RTV SLO likewise announced a pull-out “on behalf of the 20,000 children who died in Gaza”. They say Eurovision must stand for peace. Spain’s RTVE not only withdrew its delegation but also said it will not broadcast the contest. RTVE Secretary-General Alfonso Morales cited the situation in Gaza and accused Israel of using Eurovision for political aims. This makes it “difficult to keep Eurovision a neutral cultural event”. This marks Spain’s first absence from the contest since 1961. It’s a particularly heavy blow as Spain is one of the Big Five automatic finalists whose participation underpins the event’s funding. Melody, Spain 2025, EBU Mixed Reactions from Across Europe Not all countries are on board with a boycott. Germany had warned it would pull out if Israel were excluded essentially backing Israel’s right to compete. German Culture Minister Wolfram Weimer insisted that “Israel belongs in the Eurovision Song Contest”, opposing any move to bar the country. France also confirmed it will participate regardless of Israel’s presence. French officials rejected the idea of a cultural boycott. Foreign Minister Jean-Noël Barrot praised the EBU for not giving in to pressure and said he “deeply regrets that several European TV channels made a different choice”. Austria’s ORF, the host broadcaster for 2026, welcomed the decision as well. ORF’s Director-General Roland Weißmann argued the contest “is a competition for broadcasters, not governments”. He emphasized the importance of cultural dialogue and not “burning bridges” between participants. Meanwhile, Israeli officials applauded the outcome. President Isaac Herzog said Israel “deserves to be represented on every stage around the world”. The president expressed hope that Eurovision will remain a venue for music, friendship, and cross-border understanding. Israel’s public broadcaster KAN likened calls to exclude Israel to an unjust “cultural boycott”. They are celebrating the EBU’s decision to keep the country in. Outlook: A Fractured Contest Ahead? Eurovision now faces an unprecedented crisis heading into 2026. The slogan of Eurovision 2024 was “United by Music,” but experts warn the contest could be fractured by politics next year. Dr. Paul Jordan, a noted Eurovision expert, observed that the event is becoming “disunited through politics” as the fallout grows. Several broadcasters have yet to announce their stance. For example, Iceland’s RÚV is deliberating and will decide by next week. More countries could potentially join the boycott before the EBU’s mid-December participation deadline. The loss of multiple major countries is raising concerns about television ratings and the contest’s reach. Eurovision typically draws over 150 million viewers worldwide, but with some national networks refusing to air it, viewership in those markets will vanish. If the audience drops significantly, it will “raise alarm bells” for the organizers. Additionally, many fans and commentators on social media are calling for a broader global boycott of Eurovision 2026, accusing the EBU of a double standard. They note that the EBU swiftly banned Russia after its 2022 invasion of Ukraine, so they ask “why should Israel be any different?”. The EBU maintains that Eurovision must stay non-political. That’s hard to maintain, given Israeli President Herzog’s involvement in the contest. As the 70th Eurovision Song Contest in Vienna (12–16 May 2026) approaches, the contest’s unity and spirit of inclusivity will be under intense scrutiny. Will the Eurovision community find a way to come together again, or is this rift a sign of lasting changes to come? Only time will tell.

Read More »
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