🇫🇮 Blast from the past: Finland 1989

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today: Anneli Saaristo, who represented Finland in 1989.

Finland in the Eurovision Song Contest

Finland’s participation in the Eurovision Song Contest has been marked by a variety of performances and results since the country’s debut in the competition in 1961. Over the years, Finland has experienced both highs and lows. Finland’s initial years in Eurovision were tough. For many years, the nation struggled to make a significant impact on the scoreboard. They even scored ‘nul points’ (zero points) in 1963, 1965, and 1982. Their best score was a 6th place for Marion Rung and her “Tom Tom Tom” in 1973.
Finland’s most iconic moment in the contest came in 2006 when the hard rock band Lordi won with the song “Hard Rock Hallelujah”. Not only did this victory mark Finland’s first and, so far, only win in the contest, but it was also historic because Lordi was a hard rock band with a monster image – quite a departure from the usual Eurovision acts.
This year, Finland reached the top again, winning the televote and reaching a second place overall. Again, the song “Cha-cha-cha” and Käärijä’s performance faced a unique sound and performance.

Photo: Corinne Cumming/EBU

Euroviisut, the national final

In those days, the national selection was called Euroviisut. Ten songs competed in the contest that was held on February 4th in the Kulttuuritalo in Helsinki. Note that Anneli Saaristo sang two songs in the competition! Two songs are not in Finnish but in Swedish. The entire show can be watched here.

  1. Oi Äiti Maa, sung by Anneli Saaristo, 74 pts, 3rd
  2. Kan Det Vara Kärlek?, Mervi Hiltunen, 72 pts, 4th
  3. Hiljaisuutta, Kirka, 62 pts, 5th
  4. Rauhaton Sydän, Meiju Suvas, 24 pts, 10th
  5. Huominen Eurooppa, Tanjalotta Räikkä, 39 pts, 8th
  6. La Dolce Vita, Anneli Saaristo, 110 pts, 1st
  7. Minä Olen Muistanut, Kim Lönholm, 52 pts, 7th
  8. Rakkauden Laulut, Sonja Lumme, 62 pts, 5th
  9. Vad Finns Kvar, Cris Owen, 103 pts, 2nd
  10. Kahden Juhla, Marjorie, 31 pts, 9th

Anneli Saaristo

In the early 1970s, Saaristo participated in pop song contests. Throughout the decade, she worked as the soloist for a dance orchestra and mainly recorded cover versions of pop songs. In the spring of 1978, Saaristo competed in the Finnish Eurovision qualifiers Euroviisut with the song “Sinun Kanssasi, Sinua Ilman,” which became her first hit. Her next recording was “Aamulla Rakkaani Näin,” which Lea Laven had performed in the same qualifiers.

Saaristo’s first album, “Aina Aika Rakkauden,” was released in 1980. Published by a small record company, the album was a commercial disappointment. In 1982, Saaristo participated in the Autumn Tune competition with the song “Tyhjät Sanat” and in the 1984 Euroviisut with “Sä Liian Paljon Vaadit,” finishing third. Both songs were hits, and her subsequent albums sold better than the first.

In the fall of 1988, Saaristo received a press award in the Autumn Tune for her song “Taivaspaikka.” In 1989, she performed in the Eurovision qualifiers with the songs “Oi Ă„iti Maa” and “La Dolce Vita,” the latter winning. At the Eurovision Song Contest in Lausanne, “La Dolce Vita” placed seventh. The “La Dolce Vita” album achieved gold status.

Some of Saaristo’s most renowned songs include “Viimeinen Känni,” “Evakon Laulu,” “Päättyneet Juhlat,” “Appelsiinipuita Aavikkoon,” and “Kypsän Naisen Blues.” In the project “Miten Enkeleitä Vietellään,” she interpreted Bertolt Brecht’s erotic poems alongside Monna Kamu and Liisa Tavi. In the 2000s, Saaristo participated in Rakkauden Kiertokulku concerts with Eija Kantola and Marjorie.

Saaristo has also acted, for instance, in Turku City Theater. In 2005, she appeared in Timo Koivusalo’s movie Kaksipäisen Kotkan Varjossa. That same year, she was nominated for the Iskelmä-Finlandia award. In 2011, Saaristo was granted an artist pension. In recent years, she has performed with pop singer Fredi on the “Fredi’s Guest” concert tour.

Controversy

When Anneli Saaristo took part in Euroviisut and won it, this was of course mentioned in the fan magazines. A Finnish reporter in one of the magazines wrote about Anneli: “She looked like a nightmare already in 1978 when she for the firs time sang in our national heats but the 11 years since then have done their job well: there is no word to describe her looks!”. The writer of the article apologized one magazine later; he explained the article was not a proper translation of a letter in Finnish, and was mixed up with another article, that should have been published.

La Dolce Vita

“La Dolce Vita” is perhaps one of the most iconic songs associated with Anneli Saaristo, especially on the international stage. It was Finland’s official entry to the Eurovision Song Contest in 1989. The title, which translates to “The Sweet Life” in Italian, captures the essence of living life to the fullest and enjoying its pleasures.

The song’s participation in Eurovision marked a significant moment for Finland. Competing in Lausanne, Switzerland, “La Dolce Vita” achieved a commendable 7th place finish. This placement was a notable achievement for Finland at that time.

The tune itself is melodious and catchy, combining traditional pop elements with a distinct Finnish touch. Anneli’s powerful voice and emotive rendition made the performance memorable, helping the song stand out amidst other competitors.

While “La Dolce Vita” may not have secured the top spot at Eurovision, it cemented its position as one of Anneli Saaristo’s most celebrated tracks. Following the contest, the song enjoyed considerable airplay and popularity in Finland and even gained recognition in various parts of Europe. The song’s success also contributed to Anneli’s continued prominence in Finnish music, further showcasing her versatility and talent.

Related news

Uncategorized

Vienna 12 points: Of monsters, pink little stars and the Beatles

Several countries start their second rehearsals. As we still don’t have access to the rehearsals, we will do something else. Per entry, we highlight one subject and give you some more information. That can be something about the artist, the song, the lyrics or even something completely different.  Finland – Linda Lampenius x Pete Parkkonen, “Liekinheitin” Running order: 7 | Rehearsal: 15:00–15:25 CEST Finland has moved to the top of the Eurovision 2026 betting odds, putting extra attention on Linda Lampenius and Pete Parkkonen’s entry “Liekinheitin”. For Finnish fans, that leading position will inevitably bring back memories of the country’s greatest Eurovision night. In 2006, Lordi shocked and thrilled Europe with “Hard Rock Hallelujah”, a hard-rock anthem performed in monster costumes. The band won the contest in Athens with 292 points, giving Finland its first, and so far only, Eurovision victory. It was a turning point for a country that had often struggled at the contest and had waited decades for a win. Lordi proved that Eurovision could reward something loud, theatrical and completely different. Now, twenty years later, Finland once again finds itself at the centre of the race. The odds may still change, but the comparison with 2006 gives this year’s Finnish campaign an extra layer of excitement and expectation too.  Montenegro – Tamara Ĺ˝ivković, “Nova Zora” Running order: 8 | Rehearsal: 15:35–16:00 CEST Pinkove Zvezdice, literally “Pink’s Little Stars”, was a Serbian television talent show for young singers, broadcast by RTV Pink from 2014. The format was aimed at children and teenagers up to 15, and quickly became a regional platform across the former Yugoslav area. Contestants performed well-known Balkan and international songs in front of a star jury, often turning emotional performances into viral moments. For Eurovision fans, the show has become a useful talent-map. Montenegro’s Tamara Ĺ˝ivković was one of the young singers who took part, years before her Eurovision journey. Two Croatian Eurovision acts went even further: Marko Bošnjak, Croatia 2025, won the second season after breaking through as an 11-year-old, while Roko BlaĹľević, Croatia 2019, also won Pinkove Zvezdice before moving on to Dora and Eurovision. The programme therefore helped shape several Balkan pop careers, and its name still carries recognition among regional viewers with strong musical memories today.  Estonia – Vanilla Ninja, “Too Epic To Be True” Running order: 9 | Rehearsal: 16:10–16:35 CEST “Club Kung Fu” was the explosive first calling card of Vanilla Ninja. The Estonian girl band entered the song in Eurolaul 2003, Estonia’s national selection for Eurovision. Written by Sven Lõhmus and Piret Järvis, it mixed pop-rock guitars with a cheeky party lyric and a martial-arts gimmick that made the performance instantly memorable. The jury was not convinced: the song finished near the bottom with 32 points. The public, however, reacted very differently. “Club Kung Fu” became the moment that introduced Vanilla Ninja to a wider audience and helped turn them from a new Tallinn band into a national pop phenomenon at home and soon abroad. Later that year it appeared on their self-titled debut album, which launched their early career. In hindsight, the song is classic Vanilla Ninja: playful, loud, slightly absurd and impossible to ignore. It was less a Eurovision failure than the start of a European story. đź“· EBU/Sarah Louise Bennett  Israel – Noam Bettan, “Michelle” Running order: 10 | Rehearsal: 16:45–17:10 CEST There are more songs called ‘Michelle’. Yet the best-known remains the tender ballad introduced by The Beatles on their 1965 album Rubber Soul. Written mainly by Paul McCartney, with John Lennon contributing part of the middle section, it blends English lyrics with a few French lines, giving the song its unmistakable continental charm. Although The Beatles did not release it as a single in Britain, it quickly became one of their most covered compositions. The Overlanders, a British harmony group, seized the opportunity in 1966 and turned Michelle into a major hit, reaching number one on the UK Singles Chart. Their version is smoother and more folk-pop than the Beatles recording, but it keeps the melody’s quiet elegance. The song’s success shows how strong the composition was: even without The Beatles’ name on the label, Michelle could captivate listeners worldwide and become part of sixties pop history forever.    

Read More »
Uncategorized
Martijn

Vienna 12 points: Of monsters, pink little stars and the Beatles

Several countries start their second rehearsals. As we still don’t have access to the rehearsals, we will do something else. Per entry, we highlight one subject and give you some more information. That can be something about the artist, the song, the lyrics or even something completely different.  Finland – Linda Lampenius x Pete Parkkonen, “Liekinheitin” Running order: 7 | Rehearsal: 15:00–15:25 CEST Finland has moved to the top of the Eurovision 2026 betting odds, putting extra attention on Linda Lampenius and Pete Parkkonen’s entry “Liekinheitin”. For Finnish fans, that leading position will inevitably bring back memories of the country’s greatest Eurovision night. In 2006, Lordi shocked and thrilled Europe with “Hard Rock Hallelujah”, a hard-rock anthem performed in monster costumes. The band won the contest in Athens with 292 points, giving Finland its first, and so far only, Eurovision victory. It was a turning point for a country that had often struggled at the contest and had waited decades for a win. Lordi proved that Eurovision could reward something loud, theatrical and completely different. Now, twenty years later, Finland once again finds itself at the centre of the race. The odds may still change, but the comparison with 2006 gives this year’s Finnish campaign an extra layer of excitement and expectation too.  Montenegro – Tamara Ĺ˝ivković, “Nova Zora” Running order: 8 | Rehearsal: 15:35–16:00 CEST Pinkove Zvezdice, literally “Pink’s Little Stars”, was a Serbian television talent show for young singers, broadcast by RTV Pink from 2014. The format was aimed at children and teenagers up to 15, and quickly became a regional platform across the former Yugoslav area. Contestants performed well-known Balkan and international songs in front of a star jury, often turning emotional performances into viral moments. For Eurovision fans, the show has become a useful talent-map. Montenegro’s Tamara Ĺ˝ivković was one of the young singers who took part, years before her Eurovision journey. Two Croatian Eurovision acts went even further: Marko Bošnjak, Croatia 2025, won the second season after breaking through as an 11-year-old, while Roko BlaĹľević, Croatia 2019, also won Pinkove Zvezdice before moving on to Dora and Eurovision. The programme therefore helped shape several Balkan pop careers, and its name still carries recognition among regional viewers with strong musical memories today.  Estonia – Vanilla Ninja, “Too Epic To Be True” Running order: 9 | Rehearsal: 16:10–16:35 CEST “Club Kung Fu” was the explosive first calling card of Vanilla Ninja. The Estonian girl band entered the song in Eurolaul 2003, Estonia’s national selection for Eurovision. Written by Sven Lõhmus and Piret Järvis, it mixed pop-rock guitars with a cheeky party lyric and a martial-arts gimmick that made the performance instantly memorable. The jury was not convinced: the song finished near the bottom with 32 points. The public, however, reacted very differently. “Club Kung Fu” became the moment that introduced Vanilla Ninja to a wider audience and helped turn them from a new Tallinn band into a national pop phenomenon at home and soon abroad. Later that year it appeared on their self-titled debut album, which launched their early career. In hindsight, the song is classic Vanilla Ninja: playful, loud, slightly absurd and impossible to ignore. It was less a Eurovision failure than the start of a European story. đź“· EBU/Sarah Louise Bennett  Israel – Noam Bettan, “Michelle” Running order: 10 | Rehearsal: 16:45–17:10 CEST There are more songs called ‘Michelle’. Yet the best-known remains the tender ballad introduced by The Beatles on their 1965 album Rubber Soul. Written mainly by Paul McCartney, with John Lennon contributing part of the middle section, it blends English lyrics with a few French lines, giving the song its unmistakable continental charm. Although The Beatles did not release it as a single in Britain, it quickly became one of their most covered compositions. The Overlanders, a British harmony group, seized the opportunity in 1966 and turned Michelle into a major hit, reaching number one on the UK Singles Chart. Their version is smoother and more folk-pop than the Beatles recording, but it keeps the melody’s quiet elegance. The song’s success shows how strong the composition was: even without The Beatles’ name on the label, Michelle could captivate listeners worldwide and become part of sixties pop history forever.    

Read More »
Follow Us: