🇫🇮 Blast from the past: Finland 1989

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today: Anneli Saaristo, who represented Finland in 1989.

Finland in the Eurovision Song Contest

Finland’s participation in the Eurovision Song Contest has been marked by a variety of performances and results since the country’s debut in the competition in 1961. Over the years, Finland has experienced both highs and lows. Finland’s initial years in Eurovision were tough. For many years, the nation struggled to make a significant impact on the scoreboard. They even scored ‘nul points’ (zero points) in 1963, 1965, and 1982. Their best score was a 6th place for Marion Rung and her “Tom Tom Tom” in 1973.
Finland’s most iconic moment in the contest came in 2006 when the hard rock band Lordi won with the song “Hard Rock Hallelujah”. Not only did this victory mark Finland’s first and, so far, only win in the contest, but it was also historic because Lordi was a hard rock band with a monster image – quite a departure from the usual Eurovision acts.
This year, Finland reached the top again, winning the televote and reaching a second place overall. Again, the song “Cha-cha-cha” and Käärijä’s performance faced a unique sound and performance.

Photo: Corinne Cumming/EBU

Euroviisut, the national final

In those days, the national selection was called Euroviisut. Ten songs competed in the contest that was held on February 4th in the Kulttuuritalo in Helsinki. Note that Anneli Saaristo sang two songs in the competition! Two songs are not in Finnish but in Swedish. The entire show can be watched here.

  1. Oi Äiti Maa, sung by Anneli Saaristo, 74 pts, 3rd
  2. Kan Det Vara Kärlek?, Mervi Hiltunen, 72 pts, 4th
  3. Hiljaisuutta, Kirka, 62 pts, 5th
  4. Rauhaton Sydän, Meiju Suvas, 24 pts, 10th
  5. Huominen Eurooppa, Tanjalotta Räikkä, 39 pts, 8th
  6. La Dolce Vita, Anneli Saaristo, 110 pts, 1st
  7. Minä Olen Muistanut, Kim Lönholm, 52 pts, 7th
  8. Rakkauden Laulut, Sonja Lumme, 62 pts, 5th
  9. Vad Finns Kvar, Cris Owen, 103 pts, 2nd
  10. Kahden Juhla, Marjorie, 31 pts, 9th

Anneli Saaristo

In the early 1970s, Saaristo participated in pop song contests. Throughout the decade, she worked as the soloist for a dance orchestra and mainly recorded cover versions of pop songs. In the spring of 1978, Saaristo competed in the Finnish Eurovision qualifiers Euroviisut with the song “Sinun Kanssasi, Sinua Ilman,” which became her first hit. Her next recording was “Aamulla Rakkaani Näin,” which Lea Laven had performed in the same qualifiers.

Saaristo’s first album, “Aina Aika Rakkauden,” was released in 1980. Published by a small record company, the album was a commercial disappointment. In 1982, Saaristo participated in the Autumn Tune competition with the song “Tyhjät Sanat” and in the 1984 Euroviisut with “Sä Liian Paljon Vaadit,” finishing third. Both songs were hits, and her subsequent albums sold better than the first.

In the fall of 1988, Saaristo received a press award in the Autumn Tune for her song “Taivaspaikka.” In 1989, she performed in the Eurovision qualifiers with the songs “Oi Äiti Maa” and “La Dolce Vita,” the latter winning. At the Eurovision Song Contest in Lausanne, “La Dolce Vita” placed seventh. The “La Dolce Vita” album achieved gold status.

Some of Saaristo’s most renowned songs include “Viimeinen Känni,” “Evakon Laulu,” “Päättyneet Juhlat,” “Appelsiinipuita Aavikkoon,” and “Kypsän Naisen Blues.” In the project “Miten Enkeleitä Vietellään,” she interpreted Bertolt Brecht’s erotic poems alongside Monna Kamu and Liisa Tavi. In the 2000s, Saaristo participated in Rakkauden Kiertokulku concerts with Eija Kantola and Marjorie.

Saaristo has also acted, for instance, in Turku City Theater. In 2005, she appeared in Timo Koivusalo’s movie Kaksipäisen Kotkan Varjossa. That same year, she was nominated for the Iskelmä-Finlandia award. In 2011, Saaristo was granted an artist pension. In recent years, she has performed with pop singer Fredi on the “Fredi’s Guest” concert tour.

Controversy

When Anneli Saaristo took part in Euroviisut and won it, this was of course mentioned in the fan magazines. A Finnish reporter in one of the magazines wrote about Anneli: “She looked like a nightmare already in 1978 when she for the firs time sang in our national heats but the 11 years since then have done their job well: there is no word to describe her looks!”. The writer of the article apologized one magazine later; he explained the article was not a proper translation of a letter in Finnish, and was mixed up with another article, that should have been published.

La Dolce Vita

“La Dolce Vita” is perhaps one of the most iconic songs associated with Anneli Saaristo, especially on the international stage. It was Finland’s official entry to the Eurovision Song Contest in 1989. The title, which translates to “The Sweet Life” in Italian, captures the essence of living life to the fullest and enjoying its pleasures.

The song’s participation in Eurovision marked a significant moment for Finland. Competing in Lausanne, Switzerland, “La Dolce Vita” achieved a commendable 7th place finish. This placement was a notable achievement for Finland at that time.

The tune itself is melodious and catchy, combining traditional pop elements with a distinct Finnish touch. Anneli’s powerful voice and emotive rendition made the performance memorable, helping the song stand out amidst other competitors.

While “La Dolce Vita” may not have secured the top spot at Eurovision, it cemented its position as one of Anneli Saaristo’s most celebrated tracks. Following the contest, the song enjoyed considerable airplay and popularity in Finland and even gained recognition in various parts of Europe. The song’s success also contributed to Anneli’s continued prominence in Finnish music, further showcasing her versatility and talent.

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Vienna 12 points: saturday’s rehearsals

The 70th Eurovision Song Contest officially kicked off today in Vienna. First rehearsals remain closed to press — only three approved images per country will be released. Meanwhile, the official Eurovision subreddit is providing live descriptions of each performance. Eurovision Universe tried to find more information than the Eurovision blog provides us. We hope we succeeded in that. All countries below compete in Semi-Final 1 on Tuesday, 12 May. 🇲🇩 Moldova – Satoshi, “Viva Moldova!” Running order: 1 | Rehearsal: 10:30–11:00 CEST Moldova opened the entire contest on Saturday morning, and Satoshi hit the Wiener Stadthalle stage first among all 35 competing nations. In the lead-up to today’s rehearsal, he spoke openly to Moldovan state broadcaster Moldova 1 about his methodical preparation. “We record every rehearsal and analyse our performance, repeating exactly the movements we will make. We don’t have a rigid choreography, but we do have set positions. I feel quite confident. Things are happening as we planned.” Moreover, producer Roman Burlaca confirmed sweeping changes to the staging. Costumes are completely new, LED visuals have been upgraded, special effects added. A surprise “repeatable element” will be built in, though Burlaca stayed tight-lipped: “You will see it soon and understand.” Additionally, Satoshi announced on his Facebook page that the official music video was directed by Roman Burlaca, recorded by Nicu Lungu, and features the JOC National Ballet. Moldova performs 1st in Semi-Final 1 on 12 May. Moldova1 + 2 🇸🇪 Sweden – FELICIA, “My System” Running order: 2 | Rehearsal: 11:10–11:40 CEST According to the official Eurovision Reddit live blog, the performance opens with a smoke machine parting to reveal FELICIA, mask firmly on, before lasers engulf the entire stage. Crucially, Vienna brings something entirely new: in the second verse, FELICIA physically battles the lasers with her bare hands before taming them to frame her poses. Furthermore, the synths near the song’s climax make the arena floor physically vibrate. As a finale, a giant projection of FELICIA climbs out of the screens and into the audience. Swedish press were enthusiastic ahead of Vienna. Matilda Källén of Dagens Nyheter called the staging “maxed out, well-choreographed, and ready for Eurovision,” while Johan Hammerby of Hallandsposten dubbed it “world-class.” 🇭🇷 Croatia – LELEK, “Andromeda” Running order: 3 | Rehearsal: 11:50–12:20 CEST According to the Eurovision Reddit live blog, the performance opens with a walk down the full catwalk from the Green Room to the main stage. The five members then perform in deep blood-red robes, a visual step up from their Dora-winning look. LED screens carry the audience from a cave through a forest before closing with a wormhole sequence. Croatia Week described “Andromeda” as an atmospheric, cinematic ethno-pop track with powerful vocals, dramatic builds, and elements drawing from Croatian and Bosnian historical and cultural themes. This addresses generational trauma, resistance, and the strength of women across generations. At the heart of the song lies the tradition of sicanje. As Croatia Week explains, sicanje is a practice in which Croatian Catholics in parts of Bosnia, Herzegovina and Dalmatia tattooed crosses on their skin as a mark of identity and protection, particularly during times of oppression or the threat of forced conversion. Ahead of Vienna, HRT Magazine reported that LELEK themselves described the pressure of being favourites as “wind in our backs rather than a burden,” adding: “We don’t even want to imagine how it will be. We want to absorb the first emotion when we go on stage.” Furthermore, Telegrafi noted that the song’s lyrics, written by Tomislav Roso, with music by Filip Lacković, Lazar Pajić and Zorja Pajić, sparked international attention even before the Vienna rehearsals began, including a debate in Turkey over the song’s historical references.  Croatia Week + 3 🇬🇷 Greece – Akylas, “Ferto” Running order: 4 | Rehearsal: 12:45–13:15 CEST Greece enters Vienna as one of the strongest favourites, yet the delegation is actively keeping the full staging under wraps, a strategy that immediately recalls Joost Klein (Netherlands, 2024), who famously refused to reveal his “Europapa” staging until the live show in Malmö. Today’s Reddit live blog confirmed that Akylas performs in an orange and black outfit with furry boots and a distinctive hat, building a video game-like world on stage. Then he stops, removes his shades, and addresses his mother directly. However, key elements of the staging deliberately remain hidden. Speaking to ERT before flying to Vienna, Akylas said: “I don’t feel stressed, mainly excitement. We have studied everything and I believe that we will perform very well.” Creative director Fokas Evangelinos added: “It is a three-minute story with a beginning, middle and end, full of humour and emotion.” True to that approach, when a fan asked on Instagram after the stand-in rehearsal how it went, Akylas replied with just three words: “We’re doing very well.” No spoilers. No details. Exactly as planned.  🇵🇹 Portugal – Bandidos do Cante, “Rosa” Running order: 5 | Rehearsal: 13:25–13:55 CEST Portugal closed the opening rehearsal block. The group departed Lisbon Airport at 08:00 on 1 May, arriving in Vienna with their first Wiener Stadthalle rehearsal scheduled for the very next morning. In the days before arriving, broadcaster RTP actively posted on social media that the staging of “Rosa” has been reworked for Vienna, though the group deliberately kept the exact changes under wraps. The Portugal Post described “Rosa” as a performance that translates Alentejo heritage into something resonant across language barriers. That heritage is Cante Alentejano. This is a traditional vocal style the Alentejo region carries proudly.It even is UNESCO-recognised Intangible Cultural Heritage of Humanity. Bandidos do Cante offer something genuinely different: five voices, one tradition, and a song that quietly demands your full attention.  Lidador Noticias + 3 🇬🇪 Georgia – Bzikebi, “On Replay” Running order: 6 | Rehearsal: 15:00–15:30 CEST Georgia’s Eurovision 2026 rehearsal brought Bzikebi back to the big stage with a clear nod to their Junior Eurovision past. The trio wore black and yellow, but in a much more futuristic version than in 2008: yellow catsuits

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Martijn

Vienna 12 points: saturday’s rehearsals

The 70th Eurovision Song Contest officially kicked off today in Vienna. First rehearsals remain closed to press — only three approved images per country will be released. Meanwhile, the official Eurovision subreddit is providing live descriptions of each performance. Eurovision Universe tried to find more information than the Eurovision blog provides us. We hope we succeeded in that. All countries below compete in Semi-Final 1 on Tuesday, 12 May. 🇲🇩 Moldova – Satoshi, “Viva Moldova!” Running order: 1 | Rehearsal: 10:30–11:00 CEST Moldova opened the entire contest on Saturday morning, and Satoshi hit the Wiener Stadthalle stage first among all 35 competing nations. In the lead-up to today’s rehearsal, he spoke openly to Moldovan state broadcaster Moldova 1 about his methodical preparation. “We record every rehearsal and analyse our performance, repeating exactly the movements we will make. We don’t have a rigid choreography, but we do have set positions. I feel quite confident. Things are happening as we planned.” Moreover, producer Roman Burlaca confirmed sweeping changes to the staging. Costumes are completely new, LED visuals have been upgraded, special effects added. A surprise “repeatable element” will be built in, though Burlaca stayed tight-lipped: “You will see it soon and understand.” Additionally, Satoshi announced on his Facebook page that the official music video was directed by Roman Burlaca, recorded by Nicu Lungu, and features the JOC National Ballet. Moldova performs 1st in Semi-Final 1 on 12 May. Moldova1 + 2 🇸🇪 Sweden – FELICIA, “My System” Running order: 2 | Rehearsal: 11:10–11:40 CEST According to the official Eurovision Reddit live blog, the performance opens with a smoke machine parting to reveal FELICIA, mask firmly on, before lasers engulf the entire stage. Crucially, Vienna brings something entirely new: in the second verse, FELICIA physically battles the lasers with her bare hands before taming them to frame her poses. Furthermore, the synths near the song’s climax make the arena floor physically vibrate. As a finale, a giant projection of FELICIA climbs out of the screens and into the audience. Swedish press were enthusiastic ahead of Vienna. Matilda Källén of Dagens Nyheter called the staging “maxed out, well-choreographed, and ready for Eurovision,” while Johan Hammerby of Hallandsposten dubbed it “world-class.” 🇭🇷 Croatia – LELEK, “Andromeda” Running order: 3 | Rehearsal: 11:50–12:20 CEST According to the Eurovision Reddit live blog, the performance opens with a walk down the full catwalk from the Green Room to the main stage. The five members then perform in deep blood-red robes, a visual step up from their Dora-winning look. LED screens carry the audience from a cave through a forest before closing with a wormhole sequence. Croatia Week described “Andromeda” as an atmospheric, cinematic ethno-pop track with powerful vocals, dramatic builds, and elements drawing from Croatian and Bosnian historical and cultural themes. This addresses generational trauma, resistance, and the strength of women across generations. At the heart of the song lies the tradition of sicanje. As Croatia Week explains, sicanje is a practice in which Croatian Catholics in parts of Bosnia, Herzegovina and Dalmatia tattooed crosses on their skin as a mark of identity and protection, particularly during times of oppression or the threat of forced conversion. Ahead of Vienna, HRT Magazine reported that LELEK themselves described the pressure of being favourites as “wind in our backs rather than a burden,” adding: “We don’t even want to imagine how it will be. We want to absorb the first emotion when we go on stage.” Furthermore, Telegrafi noted that the song’s lyrics, written by Tomislav Roso, with music by Filip Lacković, Lazar Pajić and Zorja Pajić, sparked international attention even before the Vienna rehearsals began, including a debate in Turkey over the song’s historical references.  Croatia Week + 3 🇬🇷 Greece – Akylas, “Ferto” Running order: 4 | Rehearsal: 12:45–13:15 CEST Greece enters Vienna as one of the strongest favourites, yet the delegation is actively keeping the full staging under wraps, a strategy that immediately recalls Joost Klein (Netherlands, 2024), who famously refused to reveal his “Europapa” staging until the live show in Malmö. Today’s Reddit live blog confirmed that Akylas performs in an orange and black outfit with furry boots and a distinctive hat, building a video game-like world on stage. Then he stops, removes his shades, and addresses his mother directly. However, key elements of the staging deliberately remain hidden. Speaking to ERT before flying to Vienna, Akylas said: “I don’t feel stressed, mainly excitement. We have studied everything and I believe that we will perform very well.” Creative director Fokas Evangelinos added: “It is a three-minute story with a beginning, middle and end, full of humour and emotion.” True to that approach, when a fan asked on Instagram after the stand-in rehearsal how it went, Akylas replied with just three words: “We’re doing very well.” No spoilers. No details. Exactly as planned.  🇵🇹 Portugal – Bandidos do Cante, “Rosa” Running order: 5 | Rehearsal: 13:25–13:55 CEST Portugal closed the opening rehearsal block. The group departed Lisbon Airport at 08:00 on 1 May, arriving in Vienna with their first Wiener Stadthalle rehearsal scheduled for the very next morning. In the days before arriving, broadcaster RTP actively posted on social media that the staging of “Rosa” has been reworked for Vienna, though the group deliberately kept the exact changes under wraps. The Portugal Post described “Rosa” as a performance that translates Alentejo heritage into something resonant across language barriers. That heritage is Cante Alentejano. This is a traditional vocal style the Alentejo region carries proudly.It even is UNESCO-recognised Intangible Cultural Heritage of Humanity. Bandidos do Cante offer something genuinely different: five voices, one tradition, and a song that quietly demands your full attention.  Lidador Noticias + 3 🇬🇪 Georgia – Bzikebi, “On Replay” Running order: 6 | Rehearsal: 15:00–15:30 CEST Georgia’s Eurovision 2026 rehearsal brought Bzikebi back to the big stage with a clear nod to their Junior Eurovision past. The trio wore black and yellow, but in a much more futuristic version than in 2008: yellow catsuits

Read More »
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