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Independent review of ESC: the results are in

Eurovision 2024

The 2024 Contest reached over 160 million people in 37 public service media markets. This was, however, a contest that will be reminded for other things. Several countries have added complaints about safety behind the scenes. Also, Dutch contestant Joost Klein was disqualified; a novum in the Eurovision Song Contest. Reason for the EBU to announce an independent review of the Eurovision Song Contest (ESC) 2024 in Malmö.

Review and conclusion

An industry expert led this review. They gathered feedback from various ESC stakeholders, including Heads of Delegation, ESC Reference Group members, and the EBU/ESC core team.

Today, the EBU shares the conclusions of this review. Based on the findings, the EBU identified three key areas to focus on in the coming months. These areas aim to strengthen and protect next year’s Eurovision Song Contest and future events. The areas are: EBU Governance and Participation, Safety and Risk Management, and Audience Engagement, Fans, and Media.

Actions already taken

To keep up the momentum, the EBU appointed a task force of senior leaders. This team will oversee decision-making and changes in these areas.

“The review also highlighted the need for a stronger leadership team to manage such a large event. We created a new role, ESC Director, reporting to the EBU Deputy Director General and Media Director. This role supports the Executive Supervisor, focusing on ESC production, delegations, member relationships, and daily production issues. The ESC Director will also oversee a new role called Head of ESC Brand and Commercial.”

Decisions

“Just six weeks after the 2024 Eurovision Song Contest, we made these decisions quickly to ensure the event’s future success.

We are dedicated to ensuring that the Eurovision Song Contest continues to thrive. We aim to reassure participating broadcasters and millions of fans that we are committed to maintaining the success of this joyful event.” 

Development areas
  1. EBU Governance and Participation: Clarify decision-making roles within the EBU. Ensure diverse member opinions are heard. Define the responsibilities of the ESC Core Team. Outline the roles of Heads of Delegations and Participating Artists.

  2. Safety and Risk Management: Simplify and improve understanding of ESC rules. Strengthen crisis management protocols. Enhance security and cybersecurity measures.

  3. Ensuring a General-Audience Show and Broad Engagement: Increase collaboration with fan groups, influencers, and media. Build broader engagement and ensure the ESC remains a prime-time show for all ages.

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This night, the sad news came to us that French singer Françoise Hardy passed away. Hardy represented Monaco in the 1963 Eurovision Song Contest with the song “L’amour s’en va”. Hardy, who was born on January 11 1944, signed her first contract with the record label Disques Vogue in November 1961. In April 1962, shortly after finishing school, she released her first album called “Oh oh Chéri.” The title song was written by Johnny Hallyday’s songwriting team. The song “Tous les garçons et les filles” became very popular and sold 2 million copies. She had long hair, usually wore jeans with a leather jacket, and played the guitar. Because of the success of “Tous les garçons et les filles” and her style, people in the mid-1960s called her ‘France’s answer to The Beatles.’ Hardy sometimes sang in English, Italian, Spanish, and German. In 1963, she represented Monaco at the Eurovision Song Contest with the song “L’amour s’en va” and finished in fifth place. She received the Grand Prix du Disque Académie Charles Cros award in 1968. In May 2000, she made a comeback with the album “Clair Obscur.” Her son played guitar, and her husband sang a duet with her called “Puisque vous partez en voyage.” Iggy Pop and Étienne Daho also took part in the album. Françoise Hardy was already ill for a long time. She was 80 years old. Share

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Eurovision 2024
Martijn

Independent review of ESC: the results are in

Eurovision 2024 The 2024 Contest reached over 160 million people in 37 public service media markets. This was, however, a contest that will be reminded for other things. Several countries have added complaints about safety behind the scenes. Also, Dutch contestant Joost Klein was disqualified; a novum in the Eurovision Song Contest. Reason for the EBU to announce an independent review of the Eurovision Song Contest (ESC) 2024 in Malmö. Review and conclusion An industry expert led this review. They gathered feedback from various ESC stakeholders, including Heads of Delegation, ESC Reference Group members, and the EBU/ESC core team. Today, the EBU shares the conclusions of this review. Based on the findings, the EBU identified three key areas to focus on in the coming months. These areas aim to strengthen and protect next year’s Eurovision Song Contest and future events. The areas are: EBU Governance and Participation, Safety and Risk Management, and Audience Engagement, Fans, and Media. Actions already taken To keep up the momentum, the EBU appointed a task force of senior leaders. This team will oversee decision-making and changes in these areas. “The review also highlighted the need for a stronger leadership team to manage such a large event. We created a new role, ESC Director, reporting to the EBU Deputy Director General and Media Director. This role supports the Executive Supervisor, focusing on ESC production, delegations, member relationships, and daily production issues. The ESC Director will also oversee a new role called Head of ESC Brand and Commercial.” Decisions “Just six weeks after the 2024 Eurovision Song Contest, we made these decisions quickly to ensure the event’s future success. We are dedicated to ensuring that the Eurovision Song Contest continues to thrive. We aim to reassure participating broadcasters and millions of fans that we are committed to maintaining the success of this joyful event.”  Development areas EBU Governance and Participation: Clarify decision-making roles within the EBU. Ensure diverse member opinions are heard. Define the responsibilities of the ESC Core Team. Outline the roles of Heads of Delegations and Participating Artists. Safety and Risk Management: Simplify and improve understanding of ESC rules. Strengthen crisis management protocols. Enhance security and cybersecurity measures. Ensuring a General-Audience Show and Broad Engagement: Increase collaboration with fan groups, influencers, and media. Build broader engagement and ensure the ESC remains a prime-time show for all ages. Share

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Read More »